Adler, RichardAntiquariat.de
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196092411[ca. 1960]. Bildmaß: 14,5 x 11,0 cm. Blattmaß: 25 x 20 cm.
19791126131Paris, Somogy, (1979). 4to. 320 S. m. zahlr. Abb. OLwd.
19681224081München, Callwey, (1968). 4to. 227 S. m. 188 (davon 45 farb.) Abb. OPp. im illustrierten OSchuber (Titel verso m. kl. Stempel).
197391295(Memmingen, Edition Curt Visel, 1973). 1 Bogen mit Mittelbugfalte. Text (9 Strophen, links) in Baskerville 10 Punkt, rechts die Radierung. Bogenmaß 28,5 x 39,5 cm. Plattenmaß 22,7 x 14,6 cm. Unter Kart.-Passepartout.
199716817Brighton MA: Abigail Furey Fine Prints and Drawings. As New. 1997. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer-- . Abigail Furey Fine Prints and Drawings paperback
199926841Brighton MA: Abigail Furey - Fine Prints and Drawings LLC. As New. 1999. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer-- . Abigail Furey - Fine Prints and Drawings, LLC paperback
200036152Brighton MA: Abigail Furey - Fine Prints and Drawings LLC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Slight cover crease; remnants of mailing label on back cover; else flawless. 119 works catalogued & illustrated in black and white. Among the artists represented: Hassam Geroge Wright H. W. Heller Rockwell Kent Kerr Eby and many others. -- with a bonus offer-- . Abigail Furey - Fine Prints and Drawings, LLC paperback
193124950ABZürich, Gebr. Fretz A.G., 1931. 8°. 67 (5) S. Marmorierte Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1979371475-AF11The Tern Press 1979. Hardcover. Good. Original decorated cloth marbled endpapers 90 numbered copies issued this is number 47 illustrated with small prints partly in b/w oblong circa 215x275cm. Signed by Peter Abbs Nicholas Parry and Mary Parry. The Tern Press hardcover
192954957Waltham Saint Lawrence UK: The Golden Cockerel Press 1929. first thus. Hardcover. Very good. 5 x 8 in. Black and red cloth boards. Engravings by Eric Ravilious. Condition is VERY GOOD ; covers very clean a touch toned at edges with minor edge wear. Binding tight. Spine titles bright. Text very clean with no markings or names. Naut. RGR. The Golden Cockerel Press hardcover
1929129480Golden Cockerel Press 1929. Hardcover. Very Good. Limited edition #93/500 black cloth over red boards titles and top edge gilt. Engravings by Eric Ravilious. Tight binding no marks now in clear mylar jacket. Please email for photos. Golden Cockerel Press hardcover
1929Lib29183BC6mhThe Golden Cockerel Press 1929. Hardcover. Very Good. Book is in very good condition. Red boards with black spine gilt lettering on spine. Clean text with tight spine. Foxing to front fly page and rear page fortunately text is clean. 156pp. Limited edition 154/500 copies. The text is in the original formatting of the 1824 text. Some chipping to the top and bottom of the spine. The Golden Cockerel Press hardcover
1936375753The Studio London Undated c.1936. First Edition. Hardcover. Very Good Condition. One of Holme's four classic Studio Publications on Japanese print culture presenting a finely curated suite of kacho-ga plates that helped shape early Western appreciation of ukiyo-e. A handsome volume and still one of the most approachable gateways into the field. 8 large colour plates images measuring 15 x 22 cms approx each with tissue guards and 6 pages of explanatory text. Some foxing to the paper throughout but not to the printed images though their surrounds are foxed. Printed boards covered in Japanese style paper. The spine is firm and without loss. Printed paper label to front board and spine as issued. A pleasing example on the shelf. Size: 25 x 31.5 cms. Category: Antiquarian & Rare; New Arrivals; This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Studio hardcover
19886177Council Bluffs IA: Yellow Barn Press 1988. Hard Cover. Near Fine binding. Octavo. 6 27 3 pp. frontis illus. Limited edition number 176 of 200 copies. Backed in red cloth with pastepaper over boards. A fresh copy with very faint rubbed spots to the fore-edge of the front board; clean throughout. A beautiful production with a frontispiece and three in-text engravings by DePol. Yellow Barn Press unknown
19788969North Brookfield MA: Thistle Hill Press 1978. Original Wrappers. Near Fine binding. Quarto. 24; 8 pp. frontis plate illus. Limited edition number 71 of 500 copies signed by Neal and Eichenberg at the colophon. As issued sewn into printed wrappers with full page wood engraving by Eichenberg serving as a frontispiece. Another similarly printed and sewn booklet with title page and colophon serves as a folder for a loose wood engraving of the frontispiece—this signed and numbered by Eichenberg on the bottom margin; all houses in publisher's slipcase with printed paper labels. Only light rubbing to the slipcase but the contents are nearly fine. A striking engraving portions of which have been employed to decorate the covers of each booklet as well as each colophon. This is an interesting allegory of the costs of excess. Thistle Hill Press unknown
19897372Lebanon PA: Red Howler Press 1989. Soft Cover. Near Fine binding. Octavo. 20 pp. plates. Limited edition numbered 22 of 50 copies signed by Zundenfel and Moyer on the colophon. As issued in Japanese stab-sewn stiff papers wrapper with blind-stamped title on the front cover; 6 striking prints were engraved on end grain maple blocks and printed on Kitakata Japanese paper. Each engraving is additionally signed by Moyer and numbered 22/75. A bright copy without wear. Uncommon and delightful. Red Howler Press unknown
1970215882Anhui province.: 安徽省革命委员会出版发行局. Anhui Sheng geming weiyuanhui chuban faxingju. Circa1970s. 'Increase vigilance and defend the motherland' postcard-sized propaganda prints 16 in total 15 individual images 1 in duplicate 4 missing from the original set of 20. Most are designed by People's Arts Societies in various provinces and cities each with a different slogan. Prints have been well used some slightly soiled with pin marks. Interestingly two have pencil grid lines drawn on them probably with the plan to paint enlargements. The images are still bright with clear slogans front and back. 12.9 x 9.4cm These little prints warn about unspecified foreign enemies urging the people to get prepared to do battle. . 安徽省革命委员会出版发行局. [Anhui Sheng geming we unknown
1995PMV608604AParis: Réunion des musées nationaux 1995. Trade paperback. Very good/Not issued. 214 x 302 x 14 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée • <b><i>French text original</i></b> • Printed 1995 • No inscriptions. Réunion des musées nationaux paperback
192528143<p>London:: The Studio Limited 1925. Limited Edition. A Very Good copy with lightly mottled boards and fading to the spine. This is one of 1750 copies issued. Contains 115 plates many in color including ship portraits and scenes portraying sea battles</p> The Studio, Limited, hardcover
198559810Great Barrington MA: Penmaen Busyhaus Publications 1985. Limited Edition "Out of Series" Print Set not numbered not in linen slipcase/box. Prints. Near Fine. Folio 39 cm Two suites of loose prints the suites are issued in two states. 13 prints printed on white paper 12 of which are signed; 13 prints printed on cream-colored paper 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper the only difference being the paper. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. Does not contain the introduction by Leonard Baskin or the descriptive letterpress text. With signed self-portraits by the following artists: <br /> <br /> -Fred Becker 1913-2004. Born in Oakland California and active in St. Louis Missouri and New England. <br /> <br /> -Jack Coughlin b. 1932. Born in Greenwich Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings etchings and lithographs of literary figures and musicians. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -John DePol 1913-2004. A New York printmaker and wood engraver. His press was Endgrain Press. <br /> <br /> -Fritz Eichenberg 1901-1990. A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. Westmont Ridley-Tree Museum of Art <br /> <br /> -Raymond Gloeckler 1928-2022. Born in Portage Wisconsin. While still a student he taught art via a government program in rural schools. Later he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures and bold expressive satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art <br /> <br /> -James Grashow b. 1942. An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations through which the viewer traverses to the delicate and contained world of his houseplants where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website <br /> <br /> -Judith Jaidinger b. 1941. One of the two female artists represented here. Born in Chicago Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute and is linked to her equally long frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time printing industry technology had moved on supplanting woodblock engravings with line drawings and photography. 'A dying art' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago hub of an enormous catalog business there were still a few commercial wood-engraving establishments turning out the precise detailed images more typical of the previous century. One of them Sander Wood Engraving on Dearborn Street was where Professor Troy a committed modernist sent his students to buy the best material: rare English-grown boxwood blocks. "'He warned us' Jaidinger recalls 'If you go to Sander and buy your wood from them don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom <br /> <br /> -Stefan Martin 1936-1994. Born in Elgin Illinois and a graduate of the Art Institute of Chicago. He was also active in Roosevelt New Jersey. His work is held in private museums and collections throughout the world including the Metropolitan Museum and the Smithsonian Institution. <br /> <br /> -Michael McCurdy 1942-2016. American author illustrator and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts at Concord Academy and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press 1968-1985. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Barry Moser b. 1940. The owner and operator of The Pennyroyal Press and the illustrator of over 250 books including Moby Dick The Divine Comedy and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes <br /> <br /> -Gillian Tyler b. 1935. Born in Baltimore Maryland. She is an illustrator that works primarily in children's books. <br /> <br /> -Herbert Ogdon Waters 1903-1996. Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia the Art Institute of Chicago and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham and at the Holderness School in Plymouth New Hampshire. Information obtained from Brier Hill Gallery Boston MA. <br /> <br /> -Lynd Ward 1905-1985. The 13th print in each suite is by Lynd Ward which are not signed as he passed away in June of 1985 just before the project was completed. <br /> <br /> Originally issued in an edition of 250 boxed sets. Penmaen Busyhaus Publications unknown
199538028New York: Weatherhill/ Phoenix Art Museum 1995. Thick 4to. x 2 313 1 pp. 100s of colour and blk & wht plates illusts. some large folding. Brown cloth gilt lettrng w/ d.j. NF/NF. First edition of this beautifully illustrated catalogue of the deluxe Japanese woodblock prints owned by Frank Lloyd Wright which were only recently discovered in the 1980s. Weatherhill/ Phoenix Art Museum, hardcover
19529699New York: Hammer Creek Press 1952. Original Wrappers. Very Good binding. 16mo. 8 pp. illus. Limited edition number of copies unknown. As issued sewn in printed wrappers. Very light toning to the extremities and covers; nevertheless a very nice copy. Bookplate of noted collector Norman Sondheim on the verso of the front wrappers. <br /> <br /> Comprises title page/announcement; two engravings one of the Hell-Box Press and the second the Hammer Creek Press; and a colophon. The Hell-Box Press was one of Fass's earlier printing endeavors. Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed few of which have stated limitations. With only 4 institutions reporting ownership according to OCLC it is difficult to imagine this title was produced in an edition of more than a few dozen copies if that. Cohen 15; DePol Catalogue Raisonne p. 40. Hammer Creek Press unknown
19569700New York: Hammer Creek Press 1956. Original Wrappers. Near Fine binding. 12mo. 24 4 blank1 pp. illus. Limited edition to approximately 100 copies. As issued in marbled paper wrappers of stiff covers with printed paper title label on the front cover. Quite a nice copy with little in the way of shelf-rubbing to the cover; Reynolds Stone-designed bookplate of noted collector Norman Sondheim inside the front cover. <br /> <br /> Short introduction by Fass about the history and aim of the press. Includes 43 described books announcements and ephemera from the press. As this present work is the 43rd item in Fass's list and only 35th in Cohen's checklist there are apparently inclusions here not noted in Cohen. Several examples of pressmarks by DePol Angelo and Carnes. Two by Valenti Angelo are done in multiple colors with gilding. <br /> <br /> The Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small Hughes & Kimber cast iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed including this present book. Opening this work is an engraving by John DePol of the storied press with a page of "Data" by Fass. One of the mores substantial works issued by the Press as well as one of the more uncommon titles despite the larger-than-usual limitation. As more than 30 institutions are reporting ownership according to OCLC it means this is increasingly rare in commerce. A lovely example of Fass's work. Cohen 35. Hammer Creek Press unknown
19539695New York: Hammer Creek Press 1953. Unbound. Near Fine binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio. Only light rubbing to the portfolio; leaves are fine. <br /> <br /> Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown
19539703New York: Hammer Creek Press 1953. Unbound. Very Good binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio with printed paper label on the cover. Light rubbing to the portfolio including some separation starting at the spine; leaves are fine. <br /> <br /> Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. As is frequently the case with Fass's small print runs frequently there are difference with an edition; in this instance the portfolio differs from others we've seen and what Cohen describes this with a printed label using DePol's pressmark we have seen others that are stamped in gold using a turtle pressmark designed for the Press by Burton Carnes. Additionally the title leaf is set in upper and lower case italics and is within a border and without a date we have see it set in all capitals without border and is dated 1952—though Cohen suggest the date is actually 1953. This is a very good example of the experimental nature of Fass's work at the Hammer Creek Press. A wonderful issue from the Press. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown
