GOIA, Giuseppe (Monfalcone 1947),MareMagnum
2 054 résultats
Acquaforte Carta Pescia. Firma a matita. Esemplare 4/90. Cm 35x24. . . . . Tiratura 90 + X. .
Acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare BAT (Bon à tirer). cm 24,5x33 (Foglio 36x50). . . Ottimo (Fine). . . .
Carborundum Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare 4/25. cm 23x30 (Foglio 36x49,5). . . Ottimo (Fine). . Tiratura 25. .
Carborundum Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare 16/25. cm 18x13 (Foglio 50x36). . . Ottimo (Fine). . Tiratura 25. .
Carborundum e acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare 16/25. cm 23x29,5 (Foglio 36x50). . . Ottimo (Fine). . Tiratura 25. .
Carborundum Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare 16/25. cm 32x23 (Foglio 51,5x36). . . Ottimo (Fine). . Tiratura 25. .
Carborundum e acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Goya. Esemplare 13/25. cm 18x27,5 (Foglio 35,5x51,5). . . Ottimo (Fine). . Tiratura 25. .
Carborundum Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare 12/25. cm 23x30 (Foglio 36x51,5). . . Ottimo (Fine). . Tiratura 25. .
Carborundum e acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Goya. Esemplare 7/25. cm 24,5x32,5 (Foglio 36x51,5). . . Ottimo (Fine). . Tiratura 25. .
Carborundum e acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Goya. Esemplare 5/25. cm 27,5x17,5 (Foglio 51,5x36). . . Ottimo (Fine). . Tiratura 25. .
Limited edition. Copy #341 of 2000 copies. Signed by Pellegrini. 195X270mm. Unpaginated. Gilt Hardcover. Cover slightly curved. Cover edges water-stained. Spine water-stained and slightly worn. Cover corners slightly worn. Sticker on front inner cover. Else in good condition.
Four volumes, complete. The catalogue raisonnÈ of the prints of Joan Hernandez Pijuan. 616 items thoroughly described, each illustrated with a full-page color plate. Volume I limited to 1,075 copies. Square 8vo. Two volumes in publisher's cloth and djs (as issued), two volumes in wraps (as issued--there was no hardcover issue of these volumes). Fine and bright, with no defects.
IN HEBREW AND ENGLISH. 28X22 cm. Unnumbered pages. Portfolio. Cover slightly chafed. Else in good condition.
Cartella originale, in folio, contenente 12 fogli sciolti: il frontespizio, 10 litografie numerate e firmate a matita dall’autore, un testo in fac-simile con le note sulla stampa e sulla tiratura; la cartella fa parte della collana di cartelle litografiche diretta da Libero de Libero per lo studio di Villa Giulia; il litografo è Igino Alessandrini; esemplare 12 di 80. La copertina è di Mino Maccari. Le tavole del “Romanzo nero” riportano alla memoria l’episodio di cronaca della prostituta assassinata e fatta a pezzi nella pineta del Tombolo.
Folio (270 x 387 mm). (6), 92, (2) pp. With 2 plates of engraved music and 8 (including frontispiece) coloured aquatints by or after Bonatti, Castellini, Gallina, and Pallagi. Contemporary ruby-red morocco, elaborately gilt with gilt inner dentelle and giltstamped arms to both covers. Green moirée silk endpapers. Green silk divider. Only edition. Of all of Gironi's publications, all of which are of a similar nature, the present work on Greek music is one of the rarest, published in only 30 copies and printed on strong, very wide-margined wove paper. This is the dedication copy for Marie Louise, Archduchess of Austria and Duchess of Parma (1791-1847), the wife of Napoleon and daughter of Francis I (1768-1835), first Emperor of Austria, with a printed dedication dated May 1825 and sumptuously bound with the Austrian arms on both covers. - "Cette dissertation n'étant point destinée au commerce, il n'en a été tiré que trente exemplaires, et l'auteur en a fait hommage à une dame à l'occasion de son mariage. Les gravures sont d'après les dessins de peintres célèbres" (Brunet). - The eight hand-coloured aquatints, showing costumes and musical instruments, are blindstamped with Giulio Ferrario's monogram ("Il costume antico e moderno"). An entirely complete copy, showing only some slight spotting and some foxing to margins. Old catalogue description pasted to lower free endpaper. Traces of professional restorations to spine and hinges. Latterly in the collection of the legendary French maître coiffeur Louis Alexandre Raimon (1922-2008), hairdresser to film stars and aristocracy, with his ownership stamp to first free endpaper ("Collection Alexandre de Paris"). Brunet II, 1615. Graesse III, 89. OCLC 13996001.
Folio. (6), 133, (3) pp. With 19 (including frontispiece; 1 double-page-sized) coloured aquatints by or after Albrisetti, Bonatti, Bramati, Bottigelli, Bussi, Fumagalli, Gallina, Palagi, Raineri, and Sanquirico. Contemporary ruby-red morocco, elaborately gilt with giltstamped arms to both covers. Green moirée silk endpapers. Only edition. Of all of Gironi's publications, all of which are of a similar nature, the present work on ladies' ablutions and private habits in Greek antiquity as well as in modern Greece would appear to be the rarest. Illlustrated with particular care and printed in no more than eighty copies, it is dedicated to the 20-year-old Archduchess of Austria, Sophie (1805-72), daughter of the Bavarian King Maximilian I Joseph, later aunt and mother-in-law to Empress Elisabeth of Austria ("Sisi"). Our copy is that from the library of the Archduchess herself, printed on strong, very wide-margined wove paper and sumptuously bound. Slight foxing to endpapers and edges, otherwise in perfect condition. Sophie's monogram (her entwined, crowned initials) stamped to reverse of title. Not in British Library, Atabey, Blackmer, Brunet, Cicognara, Colas, Graesse, Hiler, Lipperheide, or Rothschild.
Numbered copy #1360. Includes Numerous etchings by C. Samson. 170x245 mm. Unpaginated. Hardcover in sheets. Cardboard box. Box edges slightly worn. Spine slightly worn. Else in good condition
A clean, unmarked book with a tight binding. Small spots and wear to cover. Yellowing paper. 10 3/4"w x 11 1/4"h. Approx. 60 pages. Black and white line drawings, some printed on colored pages. "Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971.....While it could not be termed obscene, but it was filled with creative imagery often caustically critical of American society and government, sexual themes, and (for the time) crude language." [Wikipedia]
A clean, unmarked book with a tight binding. Small spots and wear to cover. Yellowing paper. 10 3/4"w x 11 1/4"h. Approx. 60 pages. Black and white line drawings, some printed on colored pages. "Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971.....While it could not be termed obscene, but it was filled with creative imagery often caustically critical of American society and government, sexual themes, and (for the time) crude language." [Wikipedia]
A clean, unmarked book with a tight binding. Small spots and wear to cover. Yellowing paper. 10 3/4"w x 11 1/4"h. Approx. 60 pages. NOTE: This copy is different from others of the same issue as it is lacking the masthead normally printed on the inside of the front cover and the cover is white, rather than tan. The advertisement on the last page is also different, featuring the "Big Offender." Black and white line drawings, some printed on colored pages. "Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971.....While it could not be termed obscene, but it was filled with creative imagery often caustically critical of American society and government, sexual themes, and (for the time) crude language." [Wikipedia]
A clean, unmarked book with a tight binding. Small spots and wear to cover. Yellowing paper. 10 3/4"w x 11 1/4"h. Approx. 60 pages. Black and white line drawings, some printed on colored pages. "Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971.....While it could not be termed obscene, but it was filled with creative imagery often caustically critical of American society and government, sexual themes, and (for the time) crude language." [Wikipedia]
A clean, unmarked book with a tight binding. 82 pages. 9 3/4"w x 9 7/8"h.
Book is in excellent condition. Binding is solid and square, covers have very slightly bumped corners, exterior shows no other blemishes, no creases, text/interior is clean and free of marking of any kind. Featured here are works by 21 distinguished artists such as David Hockney, Howard Hodgkin, Richard Hamilton, R. B. Kitaj, Peter Phillips, Tom Phillips, Bridget Riley, Richard Smith, Eduardo Paolozzi, Allen Jones, Howard Hodgkin, John Hoyland, Jim Dine, Patrick Caulfield, As Pat Gilmour reveals in her illuminating essay, these and many other artists expanded and redefined British printmaking during the 1960s and 1970s. Also included are informative artists' biographies. There is an array of images created in a broad range of graphic media, by Britons and Americans working in Great Britain. Based on the Roland-Geist collection, this volume represents major prints and dominant movements in a singularly lively period. What is more remarkable is that it also gathers atypical individualists who have always been an important feature of British life. It is this comprehensiveness which ensures Front Hockney to Hodgkin speaks of both range and eloquence in 20 momentous years of graphic art. 112 pages, full color, many prints, often large by listed artists.
Roy., 8vo., First Edition, with many hundreds of fine reproductions throughout; green buckram, upper board blocked in blind, gilt back, red endpapers, a near fine copy in unclipped dustwrappoer, the latter sunned at backstrip. A splendid survey, based on Skelton's limited edition of 1983.
8vo., First Edition thus, with numerous reproductions (many full-page) in the text; pictorial wrappers, a near fine copy. Published simultaneously with the cloth edition.
