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180429151London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows two male figures facing toward each other. The image is bordered in a decorated rectangular frame. Image roughly 4 x 3.25 inches printed on a single sheet measuring 9 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller hardcover
180429158London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows four figures. The man and woman on the right side appear to be receiving scepters from the female figure on the left. The image is bordered in a decorated rectangular frame and is labeled P1.42 Image roughly 5.5 x 4.5 inches printed on a single sheet measuring 9 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429155London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a single dancing winged figure holding a mirror basin and flowing drapery in her hands. The image is bordered in a decorated circular frame and is labeled P1.2 Image roughly 4 x 4 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429157London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows two male figures in a boat in water approaching the shore where a female figure is sitting. There is also a bird flying overhead. The image is bordered in a decorated rectangular frame and is labeled P1.18 Image roughly 5.75 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
18846901884 London, P. & D. Colnaghi and Co, 1884. 27 x 18 cm, petit in-4, VII + 195 pp., reliure de percaline verte de l'éditeur, encadrements à froid sur les plats, titre doré au dos.
18656324BBBern, H. Blom, 1865. 8°. 114 S. Orig.-Pappband.
188928035<p>Longman's Green London Printed by Stottiswoode & Co. 1889. Inlaid Slip Announcing Illustrated by Caton Woodville Reproduced by Permission of Proprietors of Illustrated London News Pictorial Endpapers Decorated Swans & Ships Introduction HB NODustJacket 1889 on Title pg. First edition. VG/VG AS-IS NOJACKET Bound Dark Black cloth with Beveled Edges & Gold Gilt on Front Bright & spine cvr has Gilt Egyptian decorations with tiny end Tears With 336 pages and 16 pages of ads dated January 1889 and 29 full page plates. Cover light rub wear tiny Chips Tears Extremities Slight Lean Interior nice Tight FOXing Some rubbing and bumping to the corners and spine ends binding is tight solid copy. Slight Roll to spine. Wear to extremities. . 1st Edition. Hardcover. Very Good/No Jacket. Illus. by Edward Whymper J. D. Cooper & B. Lloyd .</p> Longman's Green , London , Printed by Stottiswoode & Co. hardcover
182140532DBBasel, J. Georg Neukirch, 1821?1843. 8°. XVIII, 450 S., 1 Bl.; VIII, 537 S; 2 Bl, 220 S. Mit einem gestochenen Portrait im ersten Band, 2 kol. lithograph. Tafeln in Band eins und einer lithograph., kol. Tafel im Supplement von Labram. Grüne Halblederbände aus der Zeit mit klassizistischer Rückenvergoldung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B 2 Bände + Supplement in 2 Bänden. [2 Warenabbildungen]
18214145BBBasel, J. Georg Neukirch, 1821 u. 1834. 8°. XVIII, 450 (2) S.; VIII, 537 (1) S. Mit 2 kol. gest. Tafeln von Labram. Halblederbände der Zeit mit floraler Rückenvergoldung u. goldgepr. Rückenschildchen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 2 Bände.
18214145BB2 Bände. Basel, J. Georg Neukirch, 1821 u. 1834. 8°. XVIII, 450 (2) S.; VIII, 537 (1) S. Mit 2 kol. gest. Tafeln von Labram. Halblederbände der Zeit mit floraler Rückenvergoldung u. goldgepr. Rückenschildchen.
182140532DB2 Bände + Supplement in 2 Bänden. Basel, J. Georg Neukirch, 1821–1843. 8°. XVIII, 450 S., 1 Bl.; VIII, 537 S; 2 Bl, 220 S. Mit einem gestochenen Portrait im ersten Band, 2 kol. lithograph. Tafeln in Band eins und einer lithograph., kol. Tafel im Supplement von Labram. Grüne Halblederbände aus der Zeit mit klassizistischer Rückenvergoldung.
1870GRAV100MA Paris : Imprimerie COULBOEUF, Au Bureau des Annonces, s. d., env. 1870. gr. In-8°, planches 5 - 31, ens .de 27 planches de caricatures coloriées au pochoir, couverture avec un titre en caricature ill. en couleurs
1869279231869 CHARIVARI, 1869, Lithographie- Oeuvre: Hauteur : 43.8 cm- Largeur : 62 cm - Trait carré:- Hauteur : 36 cm- Largeur : 52.3 cmDescription: 2 feuillets (4 pages) ; illustration page 2 et 3 ; format paysage. - Au-dessus de l'image, au centre : "LES ETRENNES DU CHARIVARI, PAR HADOL." ; signé dans l'image en bas à gauche : "HADOL", sous l'image au centre : "Imp. DESTOUCHES, R. Paradis Poissre Paris."
1818254861818 Le Charivari, trente-cinquième année, mardi 18 septembre 1866 - Lithographie= Hauteur: 44.2cmx Largeur: 30.6cm - Trait carré : Hauteur: 21.8cmx Largeur: 19cm - 1 feuillet (4 pages) ; illustration page 3. - Au-dessus de l'image, au centre : "ACTUALITÉS.", et à droite : "168." ; signé dans l'image en bas à gauche : "HADOL", sous l'image à gauche : "A.de Vresse, R. Rivoli, 55." et à droite : "Lith Destouches R. Paradis Pre 28" ; au-dessous, au centre : RETOUR DE LA LANDWEHR / Très chôli lè fusil à aicuille, mais pli chôli encore celui qu'il / invenderai un pipe qui se bourrait tute seule. -- texte imprime au dos,bon etat.
18453466<p> Original publisher's binding of brown cloth with decorative gilt Romulus/Remus motif to front cover blindstamped to rear board Front cover detatched; Lacking spine covering. Complete with 30 plates 29th plate "Piazza Barberini" as frontispiece. Infrequent foxing throughout some markings to page edges. A nice copy without previous owners' names or other markings. ; 4to 11" - 13" tall; viii 216 pages;</p> David Bogue hardcover
1897261611897 Les peintres-lithographes : album trimestriel de lithographies originales et inédites 1897 - belle epreuve Impression . claires rousseurs en marge. toutes marges dimension feuille : 320 x 460mm.. timbre de la Société des Peintres-Lithographes, tirage à 100 ex.
186726900Melbourne: Hamel & Ferguson 1867. Print. Plate XV from Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> American Creek Mt. Kembla. Trees pictured include cabbage trees bangalow palms and flame trees. Timbermen are working in the foreground to fell the huge trees. Von Guerard describes the scene thus: This sylvan scene is situated at a distance of little more than ten miles from Wollongong near the junction of a little stream upon which some prosaic devotee of the bottle has bestowed the dishonouring appellation of the Brandy and Water Creek with the American Creek and at the foot of a noble range of mountains. With the lofty bangalow palm the cabbage palm the gigantic wild fig-tree the fire tree otherwise known as the blaze tree with its vividly scarlet blossoms are intermingled the nettle tree the rose-wood the sassafras the white-wood the wild rose numerous varieties of the fern tree and parasites innumerable the whole being woven together into one dense and almost impenetrable mass of foliage. Unfortunately the progress of settlement is necessitating the destruction of some of these magnificent forests which in many instances clothe a rich chocolate soil of especial value to the farmer. At the time this view was sketched numerous fires had been kindled by the wood-cutters and the stately giants were rapidly falling before the pitiless axe of the hardy pioneers of civilization.<br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4 x 20 3/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 774462. Hamel & Ferguson unknown
186726899Melbourne: Hamel & Ferguson 1867. Print. Otherwise very good condition. Plate 5 in Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> "The bold and romantic headland which bears this title forms one of the most picturesque "bits" of scenery on the Victorian coast. The rocks have been worn into the most grotesque and fantastic shapes by the action of the waves which rush in with a majestic sweep from the Southern Ocean . the artist has indicated the entrance of Port Phillip by the position of the steamer faintly visible in the offing." NGV. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4x19 1/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 7744596. Hamel & Ferguson unknown
186727483Melbourne: Hamel & Ferguson 1867. Print. Plate XVI from Eugene von Guérard's Australian Landscapes 1866-68. The location is now named Budj Bim and is a dormant volcano near Macarthur in southwestern Victoria Australia. The volcanic history of this part of Victoria is remarkable and the quarried black volcanic rock is seen throughout buildings & walls.<br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744685. Hamel & Ferguson unknown
186726902Melbourne: Hamel & Ferguson 1867. Print. Very good overall. From Eugene von Guérard's Australian Landscapes 1866-68. Von Guerard is said to have painted the work "at the entrance to Dobson's Gully in the Dandenong's'. The area was the location where Thomas Dobson made his home and established a timber camp. He called it 'Lightwood Gully' the original name for Ferntree Gully.<br /> <br /> "His remarkable image of a fern-tree gully in the Dandenong Ranges some 40 kilometres east of Melbourne conveys a sense of the landscape as a spiritual sanctuary. Painted on return to the artist's Melbourne studio Ferntree Gully in the Dandenong Ranges is a work that combines von Guerard's meticulous observation of local plant species with his artiistic interest in compositional arrangement and the creation of a 'mood' particular to this environment. In this case we are privy to the magical world of a bower - an enclosed gully of natural foliage created by towering tree ferns. A pool of light on the forest floor leads us to two male lyrebirds cast in shadow one withits characteristic tail feathers raised.: Tiom Bonyhady Australian Colonial Paintings in the Australian National Gallery Canberra; Australian National Gallery 1986 p. 171. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 19 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Hamel & Ferguson unknown
186727435Melbourne: Hamel & Ferguson 1867. Print. From Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> Two horsemen are approaching a punt to cross the Goulbourn. A boat in the foreground holds two fishermen. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Two small marginal cracks repaired. Not recorded on Trove. Hamel & Ferguson unknown
186727481Melbourne: Hamel & Ferguson 1867. Print. From Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> A panoramic view taken from a hill looking down towards the lake farmland surrounding it. The lake is a large coastal lagoon just south of Woollongong 100 km south of Sydney. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. <br /> <br /> nOT ON TROVE . Hamel & Ferguson unknown
186726901Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown
186727482Melbourne: Hamel & Ferguson 1867. Print. Plate VII from Eugene von Guérard's Australian Landscapes 1866-68.<br /> <br /> A stunning view oin the Blue Mountains N.S.W. Originally named The Weatherboard the town was Jamisons Valley in 1815. In July 1867 the first railway journey to the Blue Mountains traveled through to Weatherboard Station where the train terminated. In 1879 the village took its name from the nearby waterfalls which had been named for William Charles Wentworth one of the men that headed the exploration to cross the mountains in 1813 and a friend of John Jamison. <br /> <br /> Two men with a rifle are overlooking the falls. <br /> <br /> Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744602. Hamel & Ferguson unknown
1846260581846 Le Pont de Mantes (de la collection de Mr Defoer) gravé par Henri GUÉRARD (Paris 1846 – Paris 1897) d’après le tableau de Camille COROT (Paris 1796 – Paris 1875)- Feuille : 190 x 265 mm- Coup de planche : 165 x 230 mm,sur chine collé,bon état.