Livre Rare Book
2 706 résultats
190144538(Tananarive), Lithographie du Bureau Topographique (État-Major), 1901. Affiche imprimée recto verso, illustrée de 3 reproductions photographiques (43 x 31,5 cm).
190444539Tananarive, Lithographie du Bureau Topographique (État-Major), 1904. Affiche imprimée en couleurs illustrée d'une reproduction photographique (50 x 32 cm).
190144540Tananarive, Lithographie du Bureau Topographique (État-Major), 1901. Affiche imprimée (55 x 36 cm).
1968931101968. Blattmaß 39,5 x 27,5 cm; Plattengröße 29,6 x 17,7 cm.
198321838Sans lieu, sans nom, 1983. Portefeuille de [40] pages, cartable de carton et toile écrue avec coins, cordons de coton blanc.
19752928Paris Editions Marquet 1975 aucune reliure Sérigraphie originale signée et numérotée, éditée par Jacques Marquet, circa 1975. Feuille : 66 x 50,5 cm. Image : 53 x 38 cm.
197729501977 aucune reliure 72 x 52 cm (feuille), 60 x 42 cm (sujet).
1988012615Sauveterre du Gard La Balance 1988 In-8 carré En feuilles, couverture à rabats <
192455135Lucien Vogel éditeur | Paris 1924-1925 | 36 x 24 cm | une feuille
19679403Lexington KY: Gravesend Press printed by Robert Middleton 1967. Original Wrappers. Near Fine binding. 12mo. 4 5 3 pp. frontis illus. Limited edition. As issued sewn into pastepaper wrappers with printed paper label on the front wrapper. <br /> <br /> A beautiful copy with three engravings by DePol including the final tail-piece "Finis / Gravesend / Press." The book was nearly complete already set in type at the time of Graves's unexpected death in 1960. After many years Joe's wife and partner Lucy Graves decided to complete this edition as the final Gravesend imprint complete with the prophetic tailpiece. An absolutely charming piece of Lexington history and most certainly a part of the private press movement that was burgeoning. No indication of the size of the edition. Gravesend Press | printed by Robert Middleton unknown
191289486Paris 1912-1913 | 19 x 24.50 cm | une feuille
1988012539Wakefield: Fleece Press 1988. 1st Edition Limited. Hardcover. Fine. 225 copies with 160 for sale quarter cloth. Fine apparently unused copy in light blue cloth slipcase that has a modestly faded edge. Dedicated to wood engraver Stanley Lawrence 1900-1987. Fleece Press hardcover books
1924WRCLIT61967New York: The Grolier Club 1924. xiv89pp. plus frontis and 28 plates. Large octavo. Boards paper spine label. Extremities shelfworn with some chipping to spine extremities internally near fine. First edition board bound issue. One of three hundred copies printed at the Gilliss Press. 125 items were exhibited with extensive annotations including biographical information on the artists. The Grolier Club hardcover books
1971ABE-10683366153Barre Publishers Massachusetts 1971 Barre Publishers 1971. Hardcover limited and slipcased signed by Michael McCurdy. The illustrations are printed from the original wood blocks. In a sturdy slip case. Signed by the artist limited to 1000 copies of which this is number 49. A beautiful small press production on 100% rag hand made paper. Slight scuffing on the leather spine edges at top and bottom. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Illustrator. Limited Edition. Hardcover. Near Fine. Barre Publishers Massachusetts hardcover
1964biblio230London: Spring Books 1964. Near Fine. <p> 8vo red editor's buckram dust jacket pasted on cover XVI 263p 120 illustrations small torn on upper spine clean an fresh copy Reprint of the 1928 ed</p> Spring Books hardcover
192057577Lucien Vogel éditeur | Paris 1920 | 18 x 24 cm | une feuille
19711187927Boston: Godine 1971. First/Limited Edition. Approx. 8.5" x 11.75" VG hardcover in black quarter-leather with gilt lettering in VG dark denim blue slipcase with marbled olive/blue paper-covered sides. This copy is one in a Limited Edition of 100 quarter-leather bound by hand; the artist has SIGNED on the colophon and hand-numbered this copy #XVII. Rubbing to corners and spine ends of slipcase and boards with mild color loss to marbled sides of case. Interior clean and tight throughout. Shelve with Folio Society. 1187927. Shelved Dupont Bookstore. Godine unknown books
1907002660Cleveland: Privately Printed 1907. Paperback. Near Fine. 8 p. 1 leaf of a plate loose as issued: portrait; 23 cm. No stitching; loose in a brown wrapper as issued. Wrapper title in black within a decorative border. Wrapper title: A Portrait of Shakespeare by Nicholas Parr printed from the original plate with descriptive text. This is #125 of a limited edition of 250 copies. The engraver is actually Nathaniel not Nicholas Parr d. 1751 according to the Oxford DNB. The wrapper is handmade paper watermarked Fabriano Italy. The text is printed on handmade paper with an elaborate armorial watermark. Small label inside back wrapper for the Burrows Brothers Co. Cleveland Ohio probably the printer. The plate was only previously printed in 1747 for inclusion in Thomas Whincop's A List of All the Dramatic Authors with Some Account of Their Lives. Very scarce. In Near Fine Condition: wrapper lightly creased; clean and bright. Privately Printed paperback
19281409751Reading: Golden Cockerel Press 1928. Limited Edition #285/500. Hardcover. Octavo 151 pages. In Very Good minus condition with a Very Good dust jacket. Spine red with black lettering. Bound in publisher's red fabric. Dust jacket protected with mylar covering. Top edge of text block gilt. Mild shelf wear to dust jacket small closed tears on spine. Three spots of discoloration on front dust jacket. Mild wear and rubbing front and back boards. Shelved in Case 9. Golden Cockerel Press is a curated private press started in 1920 in the Caxtonian tradition of editor-printer-publishers. 1409751. Shelved Dupont Bookstore. Golden Cockerel Press hardcover
1977066307Whiltshire England: Compton Press 1977. Book. Near Fine. Hardcover. 4to. Includes slipcase. Limited Edition of 100 numbered copies. This is copy 69. Includes 10 signed and numbered tipped-in artists proofs. Marbled boards with green leather spine gilt lettering along spine. Minor shelfwear moderate spine fade. Tight binding no marks. Volume is in Near Fine condition. Heavy fading and tanning on slipcase with some scuffing. Slipcase is in Very Good-minus condition. Compton Press Hardcover
192615057Printed by Arrangement with the Bibliographical Society for Bernard Quaritch, London 1926. XVI, 609 p. 4to. Half cloth with top edge gilt. Spine heavily damaged and loose, hinges cracked. Block else tight. Some contemporary annotations and corrections in different English and German cursives, few of them in German. Important bibliographic refer
1901241609London ; New York ; Bombay : Longmans Green and Co. 1901. First Edition. Hardcover. Near fine copy bound in full aniline calf with gilt-blocked label to the spine. Spine starting with wear to the spine and panel edges. Remains well-preserved overall; tight bright clean and sharp-cornered. Physical description; viii 355 p. 23 leaves of plates : ill. ports. ; 23 cm. Notes; Prize inscription to the frontis and dated 1910. Title page printed in red and black. Includes bibliographical references. Subjects; Haggard Henry Rider 1856-1925 — Travel. Voyages and travels. Israel — Description and travel. Italy — Description and travel. Cyprus — Description and travel. Palestine — Description and travel. Italy. Cyprus. Description and Travel. Genre; Illustrated. London ; New York ; Bombay : Longmans, Green, and Co. hardcover
192073137Lucien Vogel éditeur | Paris 1920 | 18 x 24 cm | une feuille
192284850Lucien Vogel éditeur | Paris 1922 | 19 x 24.50 cm | une feuille
1960140946279New York: Tiber Press 1960. First Edition. Fine. First edition. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 77 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with trivial shelf wear. <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
