2 054 résultats
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Miniature triangular stamp just touching image area.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Spots; miniature triangular stamp just touching image area.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Spots.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Single spot; miniature triangular stamp just touching image area.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 220 mm X 160 mm. Paper size ca. 315 mm X 240 mm. Artists' and Publisher's names printed below image. In overall fine condition. (Miniature triangular stamp just touching image area.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Light spots; miniature triangular stamp just touching image area.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall fine condition. (Miniature triangular stamp just touching image area.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall very good condition. (Spotted, mostly in margin.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. Scarce.
Set of 2 matching prints. Fine original 19th century tinted lithograph. Image size ca. 160 mm X 220 mm. Paper size ca. 240 mm X 315 mm. Artists' and Publisher's names printed below image. In overall good condition. (Rather spotted; miniature triangular stamp just touching image area.) - - Uncommon depiction, beautifully decorative, of the many hand-held indigenous weapons, knives, sabres, lances, swords, spires, arches, etc., as well as the numerous artefacts collected or captured in the East Indies by the soldiers of the First-, Second-, and Third Dutch Expedition Force (1846, 1847, and 1849 respectively). In 1880, the artists father and son van Looy made an elaborately detailed and delicately executed set of lithographs, drawn on stone, of practically most of the booty. The prints were pulled by the famous stone-lithographers firm of S. Lankhout & Co., of The Hague, and published in 1881 by Publisher Gouda Quint, of Arnhem. A set of 2 matching prints. Scarce.
A clean, unmarked book with a tight binding. 165 pages. 8 1/2"w x 11"h. Inscribed by arts educator and artist Gordon W. Gilkey in 1993. Includes work by Lovis Corinth, Kathe Kollwitz, Ernst Barlach, Karl Hofer, Erich Heckel, Karl Schmidt-Rotluff, Emil Nolde, Max Pechstein, Otto Mueller, Franz Marc, Wassily Kandinsky, Paul Klee, Alfred Kubin, Ludwig Meidner, Max Beckmann, George Grosz, and Otto Dix.
IN HEBREW AND ENGLISH. 28X22 cm. Unnumbered pages. Portfolio. Cover slightly chafed. Else in good condition.
Litografia originale stampata fronte-retro e piegata dall'Artista (folded lithograph in colors) Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Giappone (retro color giallo). Esemplare 5/60. cm 70x50. pp.. . . . Tiratura 60. .
Two volumes, complete. The best catalogue raisonnÈ of the prints of Ker-Xavier Roussel. 119 items described and illustrated. With the folder of 28 reproductions. Edition limited to 500 numbered copies. Folio. Original wraps. As new, in the original board slipcase.
- Lucien Vogel éditeur, Paris 1921, 18x24cm, en feuilles. - Set of eight original prints in color, drawn on laid paper, signed lower right and left boards. The boards are introduced by a text signed Jean Cocteau and represent costumes for Shakespeare (two Bergeres Paulina or Time). Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Réunion de carnets extraits de la Gazette du Bon Ton ainsi constituée : Intérieurs modernes par MAM (Croquis, La Gazette du Bon ton, 1921 n°1). Ensemble de quatre lithographies originales en couleur, tirées sur papier vergé. Installation mode
This is a very good hardcover copy, without dust jacket, as issued, with just light cover wear. Completely clean. This copy was released long ago from a major museum non-lending library and bears two marks: a small museum boopkplate and withdrawn stamp on it, to the inside front cover, and a small number on the base of the spine. This is Volume 15: Mabille-Marville, only of this monumental multi volume survey. Illustrated in black & white. 11" high X 8" wide, 367 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Ex-Library
Acquaforte elettrochimica / Electrochemical etching. L'incisione è stata realizzata presso la Kansas State University (Manhattan, Kansas) Firma, titolo e numerazione a matita. Esemplare p.d.a.. Cm 30,5x22,5 (Foglio 53x38). . . Ottimo (Fine). . Edizione originale di 25 es. numerati e firmati . .
This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition in Washington, DC at the National Gallery of Art from June 19 to October 2, 2005. Illustrated throughout in black & white with a fine selection of Irving Penn's beautifully printed platinum prints. Chronology. Bibliography. Exhibition checklist with 102 prints catalogued. First edition with full number line. 11" high X 10" wide, 191 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
56 LITHOGRAPHS AND A BOOKLET IN HARDCOVER PORTFOLIO. 25X18 cm. Unpaginated. Hardcover. Portfolio yellowing and slightly rubbed. Booklet and lithographs slightly yellowing. Else in good condition.
Acquaforte originale Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Esemplare 1/6. cm 31x42 (Foglio 41,5x53,5). . . . . Tiratura p.d.a. 2. .
LIMITED EDITION OF 32 COPIES SIGNED BY POET AND ARTIST! RARE poetry book by the acclaimed Israeli poet Israel Eliraz (1936-2016), winner of the Bialik Prize (2008), the Brenner Prize (2013), the ACUM lifetime achievement award (2003), the Nathan Alterman Award (2002), the Jerusalem Foundation-Jerusalem Municipality's Belles-Lettres Award (1992 and 1999), the Israeli Council of Culture and Art Award (1963 and 1965), the Ministry of Culture and Sport Award (2009), and the Prime Minister’s Prize for Creative Work (1994, 2008, and 2009). The illustrations and art works which accompany this de-luxe publication are by an eminent Swiss painter and graphic artist Catherine Bolle (b.1956). This copy is marked C (5 exemplaires réservés à l'auteur, lettré A à E) and contains aquarelle illustrations and a large fold-out color print on cloth. Le présent portfolio composé en Bodoni Antiqua de corps 12 a été achevé d'imprimer le 24 mars 2003 par Jo Cocconi, m+h à Chéne-Bourg sur papier BFK Rives 250g et pour la reilure, Jacques Ménétrey à Lausanne. 245x170mm. 10 unbound double sheets with softcover laid in both an illustrated grey cloth folder and illustrated grey cloth slipcase. [SUMMARY]: This extremely rare de-luxe limited edition of poems by an influential 20th-century Israeli poet, lavishly illustrated by an acclaimed Swiss artist, is in very good condition.
This is a very good softcover copy with just light cover wear. Completely clean. This catalog was prepared to accompany the travelimh exhibition that opened at the Museum of Fine Arts, Boston from January 24 to April 2, 1989. Illustrated in monochrome. Index of Artists. Bibliography. 11" high X 8" wide, 302 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.
Acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare p.d.a. (IV stato). cm 16,8x21,5 (Foglio21x25). . . Ottimo (Fine). . . . La pubblicazione ''Undici stati'' tratti da un'unica lastra incisa all'acquaforte da Lattanzi dimostra la precisa intenzione dell'Artista di definire e identificare ogni stato non come la consueta fase di passaggio per arrivare all'optimum desiderato e destinato alla relativa tiratura, bensì come una realizzazione a sé. Per il terzo e quarto ''stato'' la tecnica utilizzata è quella dell'acquatinta che campisce le zone dove appaiono i mezzi toni. L'undicesimo stato fu l'ultimo solo perché la lastra, ormai erosa, non permetteva ulteriori morsure in acido: idealmente la ''focalizzazione semantica'' continua all'infinito. . . (Vanni Scheiwiller).
The rare catalogue raisonne of the prints of Le Veau. 272 items thoroughly described. Numerous facsimiles. Edition limited to 200 copies, of which this is one of 175 on fine Dutch laid paper. 4to. Attractively bound in recent cloth, original wraps bound in. Uncut. Light soiling to wraps, occasional faint staining to extreme margins. A very good copy.
xi + 140pp. rijkelijk geïllustreerd, 30cm., gebroch., catalogus van tentoonstelling (Antwerpen, Koninklijk Museum voor Schone Kunsten, 27 maart - 27 juni 1993), goede staat, S85377
SIGNED BY JACOB PINS. This folder features 8 woodcuts by the German-Israeli artist Jacob Pins, and an introductory text by Eugen Kolb, director of the Tel-Aviv Museum of Art. The title page carries Jacob Pins' autograph. 260x350mm. Unpaginated. No binding - folder format. Cover slightly worn. Cover edges worn. Spine yellowing. Else in very good condition.