2 054 résultats
Acquaforte acquatinta originale a 3 colori (arancio, rosso e nero) Firma e numerazione a matita. Carta Magnani. Timbro a secco dello stampatore/editore. Esemplare 31/100. Cm 37x49,5 (Foglio 50x70). . . Ottimo (Fine). . Tiratura 100 + XX. .
Lithographie von drei Steinen, signiert "A. Prevost". Drei Blätter (je 690:154 mm), unmontiert. Über 2 Meter langes, durchlaufendes Panorama mit der Darstellung des Begräbniszugs Napoleon Bonapartes, dessen sterbliche Überreste erst am 15. Dezember 1840 nach ihrer Überführung von St. Helena auf Betreiben des Bürgerkönigs Louis-Philippe im Invalidendom ihre letzte Ruhestätte fanden. Ausgehend vom 1806 auf Napoleons eigenen Befehl errichteten, jedoch erst 1836 fertiggestellten Arc de Triomphe ist hier der gesamte Trauerzug über die Champs-Elysées bis zum Invalidendom dargestellt. - Sehr selten.
27x21 cm. 261 pages. Softcover in dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
With 50 hand-coloured full-page plates (c. 200 x 125 mm) heightened with egg-white, (44 lithographs, 3 engravings, 3 wood-engravings), of which 33 are after drawings by Heinrich Jessen. Contemporary blindstamped decorated red cloth, front cover with title lettered in gold. Charming colour plate book mainly with military costumes. Some of these plates were published earlier in F.G. Buek's "Album hambürgischer Costüme", 1843-1847. The plates depict messenger boys, maidservants, a police officer, several military men on horseback, etc. - Hinges weak, top and lower part of spine damaged. Coloured costumes in good condition. Colas 1547. Hiler 479. Lipperheide 809.
80 pages. 266 num?ros. 32 planches.
Acquaforte tradizionale ed elettrochimica / Traditional and electrochemical etching. L'incisione è stata realizzata presso la Kansas State University (Manhattan, Kansas) Timbro a secco dell'Artista. Firma, titolo e numerazione a matita. Esemplare p.d.a.. Cm 23x15 (Foglio 53x38). . . Ottimo (Fine). . Edizione originale di 25 es. numerati e firmati . .
300x210 mm. Unpaginated. 9 b&w plates laid in portfolio. Portfolio corners slightly rubbed. Else in good condition.
pp. vii, 303 + Plus Frontis, Half Title and full page engravings by J. D. Cooper. Numerous text engravings. Dampstained and foxed. 12mo. (19 x13 cent) Original publisher's cloth binding. Small loss at head and tail of spine. Extremities worn. Rear board spotted at edges. Hardbound. Though dampstained and foxed, still a tight copy. SCIENCE BOX 1
Exhibition catalog in oblong format published on the occasion of the show by the same name at the publisher's gallery. Book is in excellent condition, binding is solid and square, covers have a tiny bit of corner wear, exterior shows no other flaws, text/interior is clean and free of marking of any kind. From the show in London, 21 June - 15 July 1989, catalog features 18 full color, full page prints: many "steel drawing" nudes, flower prints, Monica in various forms. Artist's bio and exhibition history at back. 44 pages.
Folio. (6), 133, (3) pp. With 19 (including frontispiece; 1 double-page-sized) coloured aquatints by or after Albrisetti, Bonatti, Bramati, Bottigelli, Bussi, Fumagalli, Gallina, Palagi, Raineri, and Sanquirico. Contemporary ruby-red morocco, elaborately gilt with giltstamped arms to both covers. Green moirée silk endpapers. Only edition. Of all of Gironi's publications, all of which are of a similar nature, the present work on ladies' ablutions and private habits in Greek antiquity as well as in modern Greece would appear to be the rarest. Illlustrated with particular care and printed in no more than eighty copies, it is dedicated to the 20-year-old Archduchess of Austria, Sophie (1805-72), daughter of the Bavarian King Maximilian I Joseph, later aunt and mother-in-law to Empress Elisabeth of Austria ("Sisi"). Our copy is that from the library of the Archduchess herself, printed on strong, very wide-margined wove paper and sumptuously bound. Slight foxing to endpapers and edges, otherwise in perfect condition. Sophie's monogram (her entwined, crowned initials) stamped to reverse of title. Not in British Library, Atabey, Blackmer, Brunet, Cicognara, Colas, Graesse, Hiler, Lipperheide, or Rothschild.
LIMITED EDITION. COPY #885. The book contains b&w illustrations. 133X203 mm. 87 pages. Soft cover. Spine and cover edges slightly worn. Spine slightly torn and creased. Rear cover slightly stained. Inscription on first page. Stamp on pages outer side. Yellowing pages. Else in good condition.
24 watercolors + 15 Drawings and studies + 26 Etchings. Many of the subjects are of scenes in India. Oblong folio. Original full cloth binding.Original dust jacket, frayed at extremities. Number 82 of a Limited Edition. With a presentation card signed by the artist. **PRICE JUST REDUCED! W38
- Lucien Vogel éditeur, Paris Mai 1914, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'illustration d
8vo., Second Edition, with title-vignette and 73 fine wood-engravings by Parker; green cloth, gilt back, a near fine copy in unclipped dustwrapper. Long-awaited reissue of the original edition of 1936. THIS EDITION IS NOW ELUSIVE IN ITS OWN RIGHT.
Two volumes. pp. xii, [13]-334; vii, [1blank], [9]-337 (2)[Publisher's ads]. 12 mo. 197 mm. Original full fine linen cloth bindings. Spine mostly perished, and boards of one volume detached. Foxed. This set was a gift from Pennsylvania historian and archivist, Charles Coleman Sellers (1903-1980) to Dickinson College in 1950, and later withdrawn. First U.S. Edition. James Stuart (1775-1849) traveled from Liverpool to America, and visited: New York City, Albany, Auburn, Buffalo, Canada, Saratoga Springs, Connecticut, Boston, Philadelphia, Washington, Baltimore, and many more. He also observed the culture of the places he visited writing about issues on government, religion, slavery, education, ETC. Howes 1106; Sabin 93170. **PRICE JUST REDUCED! W145
Litografia originale da ''A Bestiary and some correspondences'', serie di 25 litografie alle quali l'Artista lavorò dal 1965 al 1968 Stampa eseguita da Mourlot, Parigi su carta Arches fatta a mano. Firma e numerazione a matita, data incisa su lastra (7-II-1968). Esemplare 20/70. cm 66x51. pp.. . Molto buono (Very Good). . Tiratura 70 + alcune p.d.a.. .
pp. 432 + 8 [Publisher's Advertisements] + Eight plates; and over 40 charming woodcut text illustrations by Cruikshank. Foxed. 8vo. 215 mm. Original leather backed boards binding, worn. A collection of humorous and satirical short stories with West Country, Irish and legal settings (the 'Three Courses') together with a more miscellaneous selection (the 'Dessert'). The book makes wonderfully entertaining reading, and the illustrations are frequently quite delightful. Though the author is un-named, he was readily identifiable in early 19th century England. William Clarke (1800-1838), was also the author of `The Boys' Own Book' and other various works of light literature, which obtained a considerable measure of popularity. He also brought out a humorous periodical, called `The Cigar' and he was for some time editor of the `Monthly Magazine' For the last three or four years of his life he devoted himself to an elaborate work on natural history. This does not appear to have been published, nor are any of his other writings extant. While working in his garden, near his house near Hampstead, he died of an apoplectic fit. **PRICE JUST REDUCED! W140
ff. 30, 25 = Fifty-five Original Line Engraved plates, with Italian captions. Some foxing. Oblong folio. 280 x 380 mm. Early half leather binding. Morocco leather name plate on the front cover, stamped in gilt: "A. Thorvaldsen." Front board detached. Hardbound. Very good. Albert Bertel Thorvaldsen (1770-1844) was a Danish / Icelandic sculptor and artist. Thorvaldsen was an outstanding representative of the Neoclassical period in art, becoming the foremost artist in the field after the death of Antonio Canova in 1822. The poses and expressions of his figures are considered much more stiff and formal than those of Canova's. Thorvaldsen embodied the style of classical Greek art more than the Italian artist, he believed that only through the imitation of classical art pieces, could one become a truly great artist. Motifs for his works (reliefs, statues, busts, and illustrations) were drawn mostly from Greek mythology, as well as from works of classic art and literature. These engraved line illustrations also owe a great deal to the influence of John Flaxman (1755 - 1826). Very scarce. **PRICE JUST REDUCED! OVERSIZE 1/4
33.5x28 cm. 30 pages. Gilt hardcover. Cover stained, rubbed and slightly bumped. Cover edges and corners bumped. Spine wrinkled. Spine corners worn and torn. Inner cover stained. Sticker on front inner cover. Binding partly visible between inner cover and white pages. Front white page edge torn. page 14 slightly torn - no damage to text. Few pages slightly age stained. Pages slightly yellowing. Else in good condition.
8vo., Second Edition, with engraved and printed titles, endpapers very lightly spotted; tan cloth, backstrip lettered in black, a near fine copy in unclipped dustwrapper. The striking image on dustwrapper and illustrated title is by Agnes Miller Parker. Wide-ranging anthology of verse and prose relating to animals. First published in 1945 without the benefit of an index.
The standard catalogue raisonne of Chasseriau's prints. Profusely illustrated. Large 4to. Original wraps. FINE AND BRIGHT.
135 pages, very large format (13" H x 9"W) with many large b&w photos, text is in French, with scenes from specifc productions in Polish theaters. Tear to bottom of spine. Interior is clean and unmarked. Chapters include La saison polonaise du theatre des nations, Chronique des spectacles du theatre des nations Varsovie, 1975 (from a June festival of drama from companies around the world in Warsaw) Quelques spectacles Varsoviens pendant la saison 1975 du theatre des nations, Nouvelles tendances du theatre contemporain - symposium du theatre des nations, Opinions de la presse mondiale sur le theatre des nations Varsovie 1975, (text only) & Universite de la recherche a Wroclaw.
Seven Volumes in Fourteen. Illustrated with mounted proofs on India paper with original tissue guards. Title pages printed in red and black. Text printed on Japanese Vellum. Uncut and unopened. LIMITED EDITION. Number 29 of only 100 copies. Printed and inked ownership of Dr. Wm. M. Findley. Tall 8vo. Original full cloth bindings. Original paper spine labels. Head and tail of some volumes lightly chipped. Hardbound. Very good set of an extremely scarce edition. **PRICE JUST REDUCED! HAKESPEARE BOX 3
CONTAINS 446 REPRODUCTIONS OF STEINHARDT'S WORKS. 320x245mm. X+26 pages. 446 b&w plates (unpaginated). Gilt hardcover with dust jacket. Inner cover slightly yellowing. Pages slightly yellowing. Else in good condition.
