2 054 résultats
Puntasecca Firma e numerazione a matita. Esemplare p.d.a.. cm 30 x 20 (Foglio 49 x 39,5). . . Ottimo (Fine). . . .
Acquaforte acquatinta originale a 6 colori Firma, data e numerazione a matita. Certificato di autenticità sul retro. Esemplare 53/100. cm 62,5x43 (Foglio 70x50). . . . . Tiratura 100. .
Acquaforte originale a colori. Una delle prove di artista successivamente rielaborata da Baj Firmato a matita dall'Artista in basso a destra. Esemplare p.d.a.. cm 30x32,5 (Foglio 70x50). . . Molto buono (Very Good). . Tiratura 30 + 2 prove di primo stato. .
Acquaforte originale Iniziali, titolo e numerazione a matita.Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio su carta Goya. Esemplare p.d.a.. Cm 24x28,5 (Foglio 40x51). . . Ottimo (Fine). . . .
With 35 plates and a map. 188 pages. Small tear at top of spine, wear to spine and joints of spine and cover corners. A few marks on covers. Front and last free endpapers very browned. Penned name at top corner of front free endpaper.
144 pages. "The first volume to show the range of individual and regional styles and subject matter of these contemporary articles... Provides an introduction to the peoples of the Northwest Coast and their art and explores the relationship of traditional art to that being produced by contemporary artists." - from dust jacket. Abundantly illustrated, approximately one third in colour. Book clean, bright and unmarked with minimal wear. Dust jacket bears moderate wear and is now preserved in a glossy new archival-grade Brodart cover. Lovely copy. Book
Litografia originale a colori Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 53,5x72. . . Molto buono (Very Good). . . .
4to., First Edition; cloth, gilt back, a very good, clean copy in the dustwrapper. The author worked formerly in the topography department of Bernard Quaritch Ltd.
Amsterdam, Langeveld, 1792; 380/540 mm, 1 pp., une feuille. Gravure hollandaise ancienne. Bon état.
Acquaforte originale Firma e numerazione a matita. Carta Fabriano Rosaspina. Timbro a secco dello stampatore Romero. Esemplare 21/40. cm 8,7x11,8 (Foglio 36x50). . . Molto buono (Very Good). Piccole macchioline di umidità (Mildew spotting overall). Tiratura 40. .
Acquaforte Firma e numerazione a matita. Carta Fabriano Rosaspina. Timbro a secco dello stampatore Romero. Esemplare 37/60. cm 32,3x41,9 (Foglio 49,7x65). pp.. . Ottimo (Fine). . Tiratura 60. .
Una conversazione peripatetica con Ernesto Caballo nell'orto di Mino Maccari. Con 5 acqueforti originali, numerate e firmate, di Mino Maccari (cm10,5x11; cm12,5x14,5) Esemplare VIII/X. Folio. pp. 20. . Ottimo (Fine). . Edizione originale di X es. numerati. .
Conversazione peripatetica con Ernesto Caballo nell'orto di Mino Maccari. Con 6 acqueforti originali, numerate e firmate, di Mino Maccari (cm10,5x11; 12,5x14,5; 11,5x3,5) Uno dei 5 esemplari segnati e firmati ''prova'' per i collaboratori. Questa prova presenta una acquaforte al frontespizio diversa da quella utilizzata per l'edizione definitiva di 70 esemplari ed inoltre una piccola acquaforte non presente nell'edizione definitiva al controfrontespizio, titolata "birografia" (la pagina con questa ultima acquaforte presenta una piccola fioritura. Folio. pp. 20. . Ottimo (Fine). . Edizione originale di 70 + V es. numerati. .
A clean, unmarked book with a tight binding. Full gray cloth boards. Previous owner's name inside. Text in French. 9 3/8"w x 12"h. 202 pages. Includes plastic glasses in their own special compartment on inside of rear cover.
4 Bll. (als Blockbuch gebunden) mit mont. handschriftl. Titel, 3 handschriftl. Gedichten [von Rudolf Pointner?] u. den 3 Orig.-Holzschnitten (ca. 25:18 cm) von Edgar Jené. Karton der Zeit mit marmor. Umschlag und hs. Deckelschild ("Naturgaben"). 4to. Wohl sehr frühe Arbeit des österreichischen Künstlers Edgar Jené, vermutlich nur in kleinster Auflage (vielleicht aber auch nur dieses eine Exemplar) handschriftlich hergestellt. Während die ersten beiden Holzschnitte noch unausgereift und unausgewogen wirken, hat das dritte Blatt bereits den für Jené so typischen surrealistischen Anklang.
In HEBREW AND ENGLISH. Contains plates in color. 22x24 cm. Unnumbered pages. Softcover. Cover slightly chafed. Spine slightly chafed. Else in good condition.
Serigrafia originale a colori su specchio Firma e numerazione a penna dell'Artista. Montata su pass-partout di specchio. Edizione Il Torcoliere, Roma per L'Espresso (cartella Grafica 68). Incorniciata. Cm 45x60 (Specchio 54x69). . . . . . .
A clean, unmarked book with a tight binding. Full green cloth boards. 12"w x 12"h. 128 pages. Beautiful full page color reproductions from the print collection of W. Graham Arader II. Includes work by printmakers Theodor de Bry, George Catlin, Mark Catesby, John James Audubon, and more.
359p. + Plus engraved half title, full page engravings and a folding map, torn with an old repair. XLib. Damp stained. Age stained. 12mo. Original half leather marbled boards. Joints tender. Black library tape on lower spine. First American Edition. AFRICA/2
359p. + Plus engraved half title, full page engravings and a folding map. Foxed. 12mo. Disbound. AFRICA/6
359p. + Plus wood engraved half title, full page engravings and a folding map, on light paper. an old repair. Foxed. 16mo. 160 mm. Original Harper's printed cloth binding (with the date 1834 on the front cover), stained and worn, with old spine repairs. Good. AFRICA/6.
A clean, unmarked book with a tight binding. Full dark blue cloth boards. 9 1/4"w x 11 1/4"h. 268 pages.
A clean, unmarked book. 281 pages. Full beige cloth boards. Foxing on endpapers. 6"w x 8 1/2"h. The story of a voyage to Greenland in a small boat. Wood block prints by Rockwell Kent, including eight full page illustrations. Printed on heavy paper.
Contains 27 b&w woodcuts by an eminent Austrian graphic artist and illustrator Karl Rössing (1897-1987). 170x150mm. 185 pages. Hardcover. Cover corners and spine bumped and peeling. Adhesive tape on spine edges. In good reading condition.
8vo. 16 numbered hand-coloured aquatint panels (70 x 200 mm). With 2 sheets of publisher's advertisements. In original cardboard box (163 x 223 mm) with mounted hand-coloured aquatint title-page engraved by Sidney Hall. Curious art toy created by the London bookseller Samuel Leigh, featuring aquatint panels by the noted landscape and battle artist John Heaviside Clark (1771-1863), depicting idealized English and Scottish scenery, including ruins, lakes, and mountains. - A "myriorama", a term derived from the Greek words "myrias", meaning "multitude", and "orama", meaning "scene" or "view", comprised a set of illustrated cards, each representing a slice of a landscape. No matter what order you placed them in, the cards created a cohesive scene. The near-endless possibilities made it a popular entertainment for people of all ages. After the success of the first myriorama, designed by Jean-Pierre Brès in France, the toy took off across Europe from the 1820s, sparking imitations in Austria, England, Germany, and the Netherlands. Leigh and Clark adopted the name and the design of the box that housed the cards from the original French version, in hopes of inspiring other artists to draw attractive landscapes. Their myriorama also introduced the innovation of numbering each panel, making it possible to record and later recreate scenes found especially pleasing. Myrioramas provided dynamic visual entertainment at a time when the advent of cinema was still decades away. With their incredible number of possible combinations and charming visuals, myrioramas were "one of the most diversified and exhaustless inventions for variety and pleasing amusement that has hitherto appeared", according to the London's Morning Chronicle at the time. - The present 16-card myriorama can be arranged into an astounding 20,922,789,888,000 (that's 20 trillion!) different scenes. Later myrioramas with larger sets of cards could provide an unfathomable number of permutations, reaching well beyond our standard naming conventions. - Pencil ownership of Isabella Hord to the inside of upper cover. Box somewhat rubbed at extremities; corners lightly bumped; some brownstaining. The panels very well preserved. A copy is held at the Huntington Library in California. A charming item rarely seen at auction.
