Loose, HermannAntiquariat.de
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18965063Rud. Loose Nachflg.) Kunstgewerbliche Werkstatt für Intarsien, eingelegte Arbeiten und Kunst-Möbel. 25 Blatt Intarsien. Photographische Aufnahmen nach ausgeführten Arbeiten. Musterplatten sowie verschiedene Möbel mit Intarsien. 2te Auflage (Einbandtitel). 25 Lichtdrucktafeln mit zahlr. Abb. Hamburg, Selbstverlag, 1896. 4to. (29,0 x 21,0 cm). 2 Bl. Orig.-Halbleinwandband (Vorderdeckel mit Holzfurnier bezogen).
19006098(Serrures Décoratives Styles anciens essais modernes). Musterbuch. Mit 69 Tafeln. Paris, Août 1900. Kl.-4to. (25,2 x 20,2 cm). Titel, 1 Bl. Druckvermerk. Orig.-Halbleinwandband mit Jugendstildekoration auf dem Vorderdeckel.
185936023Memphis: n.a. 1859. Paper. Good. Paper. Approximately 7.5" x 8". Folded. One page. Paper is cut on the left edge with minor loss of content. Light edge wear elsewhere. Receipt is illustrated printed and handwritten. Receipt records 7 items for a total price of 90. Few examples seen for receipts from this company online. One collection "Historic Billheads and Invoices .100 Years of Memphis Billheads 1846-1946" has three examples from 1854 to 1860. n.a. unknown
19008941<p>London: Various 1900. 50 books and pamphlets from the personal library of the furniture designer and high-end London shop-keeper Sir Ambrose Heal which reflect his love for the Arts and Crafts movement and his passion as a pioneer and champion of design. The collection reveals Heal's connections with many of the leading figures of the time with inscribed copies from his fellow furniture designer Hamilton Smith review copies of works by William Lethaby and his own copies of early publications by the Designs and Industries Committee which he had helped found. There are polemics by Clough Williams Ellis as well as obscure exhibition catalogues and reports several unrecorded from organisations that he supported and helped to run. Altogether a fascinating insight into the life of an influential taste-maker and businessman in England in the first half of the century who ran Heal and Son on Tottenham Court Road for 40 years and played an active role in cultural life in London and further afield. The collection includes: BOOKS 1 'The Caliph's Design Architects ! Where is Your Vortex' by Wyndham Lewis. First edition. First Impression. Scarce one of only 1000 copies produced. A printed label to the front cover. Original blue marbled wrappers over card worn away to spine panel. Internally in very good condition. Published by The Egoist Ltd. 2019. Laid in is a printed invitation from the Royal Society of British Artists requesting the company of Mr A Heal dated March 29th 1930. 2 GIFT TO HEAL FROM A FURNITURE DESIGNER 'The People's Album of London Statues'. Described by Osbert Sitwell. Drawn by Nina Hammett. Published by Duckworth London 1928. Ambrose Heal book plate to front paste down. Hand written pencil note to front free end paper reads 'Given to me by Hamilton Smith Christmas 1928' - Hamilton Temple Smith was a fellow furniture designer with whom Heal shared a patent. Brown cloth boards with decorative embossing to front in good condition. Contains black and white illustrations throughout. Clean pages and illustrations with light tanning and mild foxing. 3 'England and the Octopus' by Clough Williams Ellis. 1928. Boards and internally in good condition. All that remains of dust jacket is front cover which has been excised neatly and laid in. An influential polemic against urban sprawl. 'Heal' inscribed in pencil to front paste down. 4 'Britain Must Rebuild A Policy for Regional Planning' by Frank Pick. Published by Kegan Paul. In good condition. 'Ambrose Heal' written in pencil across front board. Front free end paper inscribed 'Ambrose Heal Nov '41'. 5 GIFT TO HEAL 'Henry Irving'. The Vellum Parchment Shilling Series. No III. Published by Field & Tuer. By William Archer. In good condition. Annotated 'HH from C.C.B. '92'. 6 'Guinevere' by Alfred Lord Tennyson. Illustrated by Byam Shaw. Published by TC & EC Jack. Pocket book. Inlaid decorative gift card reads 'From Philip Carr To Mr Ambrose Heal'. 7 'Cosmic Vision' by TJ Cobden Sanderson. First Edition 1922. Blue cloth covered boards a little worn to edges end papers and text clean. b/w frontispiece protected by dust sheet in very good condition overall throughout. 8 'Lettering in Ornament' by Lewis F Day. First Edition 1902. Good copy in the original title-blocked cloth. 218 pp. 9 'William Richard Lethaby 1857-1931'. Published by Central School of Arts and Crafts 1957. First Edition. Hardcover. Boards a little discoloured. Text block sound overall in good condition. 86 pp. Laid in is a compliments slip from the Principal of London County Council. 10 REVIEW COPY 'Art and Handicraft' by John D Sedding. First Edition 1893. Green cloth covered boards with gold titles. Edges and spine sunned /darkened but in very sound condition. End papers clean some foxing text clean throughout. Inlaid is a printed note from Kegan Paul Trench Trubner & Co. To the reverse is a faint pencil drawn sketch of a building with tree in foreground. 11 'Handicrafts and Reconstruction. Notes by Members of the Arts & Crafts Exhibition Society'. Published for John Hogg. 1919. 139 pp. Original green cloth boards frayed to edges. Internally in good condition leaves age toned throughout. 12 'The Attribute Proper to Art: Pure Art Value' by Thomas Henry Lyon M.A. Brown card wrappers in good condition. Front free end paper inscribed 'Ambrose Heal from J H Lyons. April 20th 1932' presumably a family member related to the Cambridge architect and designer Thomas henry Lyon. PAMPHLETS AND BOOKLETS DESIGN & INDUSTRIES JOURNAL: Heal co-founded the Design and Industries Association which aimed to encourage greater design values within industrial production. 15x DIA journals news sheets and lecture booklets dated variously between 1919 1927. Includes Booklet Number One 'The Future Of Industrial Design' by Herbert Read with other contributions by Anthony Bertram and John Grey and William Lethaby's Art and Workmanship - all very scarce. Laid in is an overdue subscription reminder payable to The Design & Industries Association dated July 1925 made out in hand to Mr Ambrose Heal who in 1915 had helped to found the Association DIA 2 'A Note Regarding Script Types' by Douglas C McMurtie. Published by Press of Ars Typographica New York 1925.32 pp. In very good condition throughout. Ambrose Heal book plate to inner front wrapper. 3 Annual Reports of the Committee of the Art-Workers' Guild dated 1926 1929 & 1935. In very good condition. 4 3x pamphlets published by The Civic Arts Association dated 1927. Titled 'On Medals On Inscriptions Lest We Forget'. In good condition. 5 'The Future of the Past by John Leighton'. Programme for a production dated AWG Revels 1924. Card wrappers darkened and bumped to edges Text clean and unmarked. Catalogue for a production of 'The Statue of Artemis' signed 'with compliments from John Leighton'. Card wrappers. In fair condition. 6 2x pamphlets titled 'The History of Writing' from The Ideal Home Exhibition Olympia 1934. In good condition. 7 Oxford Copy Books x2 unused. 8 Mermaid Society 1903 programme for a production of 'Comus'. Card wrappers bound by orange string to spine. Age worn leaves foxed overall in good condition. Unrecorded programme for a performance in Regent's Park which included Mrs Beerbohm Tree in the cast. 9 Der Zwiebelfisch x2 dated 1909. In good conditiom. 1 x Kultur des handwerks Dec 1926. 10 'Undescribed Copy Books in the Ekstrom Collection Svenska Skolmuseet Stockholm' by Carl Bjorkbom. Inscribed to front ' With compliments from the author'. Inlaid is a signed letter to Mr Heal from Carl Bjorkbom. 11 The Statue of Artemis Shrovetide Revels Art Workers' Guild 1919 inscribed 'With Compliments John Leighton' - Master of the Art Workers' Guild. 12 Catalogue of a Book Exhibition at the Central School LCC 1912 elaborately annotated by Heal to the rear. A further collection of pamphlets which include exhibitions members lists Imperial Arts League 1915 listing Heal's membership annual reports and catalogue lists for various societies and arts organisations. Please contact Christian White Rare Books Ltd for more information or images of this item 1900</p> Various hardcover
189534162N Y: William Helburn. Good with no dust jacket. 1895. Hardcover. B&W Illustrations; Folio 13" - 23" tall; 3 55 plates pages; A collection of scale-drawings details and sketches of what is commonly known as colonial furniture. 12.25" x 17.25". Folio plates bound in. Drawings of various colonial types of furniture. 55 fulll page plates Publishers 3/4 brown morocco leather over broan cloth. Losses to leather at top and bottom of spine. Contents VG. . William Helburn hardcover
189356869Salem OR: Buren & Hamilton 1893-1904. 4to. 90 mylar sleeve leaves unnumbered. containing 403 invoices shipping & waybills TLS ALS TL copy letters and more many of which appear on steel-engraved letterhead many printed on colour-tinted paper often shipping and weight bills still retaining original stamps a few mailing envelopes a number of check receipts many w/ manuscript and stamped autographs others w/ corrections and/or annotations in ink or pencil; also included are actual samples of velvet fabrics wallpapers and textured colour sample papers printing sample for perforated business card. All preserved in recent 3-ring cloth binder stamping on front cover. An exceptional archive of original letters invoices waybills business cards and receipts all documenting the thriving business of Buren & Hamilton at the end of the Gilded Age and beginning of the Progressive Era in Salem Oregon in the aftermath of the 1893 economic crash. Drawing from suppliers in California just a few years before the San Francisco Earthquake & Fire the company also sourced from Seattle WA New York and Chicago. Portland was the manufacturing and industrial hub of Oregon as can be seen in these invoices and receipts: such companies as The Columbia Chair Company Dealers who sold chairs office chairs and rockers from 309-311 Front St. shipped rocking chairs and office chairs to Salem in 1903; Henry Jenning & Sons located at 172-174 First St. shipped a load of leather oak chairs in 1903; J.G. Mack & Co. located at 86 & 88 Third St. in Portland supplied velvet rugs oil cloths and lamp shades in 1903; while the A. Merle Co. and McCord & Work located on Water St. supplied brass and iron bed frames the same year. Buren & Hamilton also sourced mattresses and sacks of recycled denim cotton “Shoddy†from Peters & Roberts Furniture Co. for mattresses; and purchased often from the Portland Mattress & Upholstery Co. at 18-20 Front St. which supplied wool-combed coverings mattresses mattress tops from 1900-1904 -- their factory would be gutted by fire in 1907. Many of the items were shipped down the Willamette River on the Oregon City Transportation Co. ships with a note from 1904 indicating the company had completed a sale of odd sized mattresses to them; numerous Southern Pacific Oregon Division freight bills; as well as a shipment on the SS Oregonian via the American-Hawaiian Steamship Co. of five crates of chair seats from Marshall Field & Co.In addition it appears that Oregonians in and around Salem purchased heavily from the store luxury goods such as beveled mirrors framed artwork sleek wallpapers velvet fabrics tapestries oriental rugs and more. Many of the invoices letters waybills and documents record many items supplied by the storied W.P. Fuller & Co. of San Francisco & Sacramento CA as well as their subsidiary in Portland OR. They were main suppliers of beveled and mirrored glass on the Pacific Coast which often had to be imported from England into the U.S. and several of the orders in 1899-1901 note that the company was having issues supplying such pieces to Buren & Hamilton due to labor difficulties finally sourcing mirrors from Pilkington Bros. English Picture Glass. They occasionally canceled orders and the Fuller Co. writes in 1901 over a canceled order of “deadening felt.†The W.P. Fuller Co. explain that “your reasons for wishing to cancel your order are not considered sufficient to justify us in doing so . . . †and that they were aware that “some of our competitors are circulating unjust and untrue reports concerning us all the time.†Included amongst these letters are samples of cotton backing for carpets and even three original samples of wallpaper. There are also present a number of letters and invoices from the firm of Tozer & Son which took over the W.P. Fuller Wallpaper division about 1901 with letters present making that announcement. Of additional interest are the many invoices letters and waybills back and forth with the storied Schussler Bros. on 119-121 Geary St. Star King Building in San Francisco detailing many of the popular framed and matted photographs and images for Salem shoppers. These encompassed the “Lone Indian†which were often reproductions of the iconic End of the Trail sculpture by James Earle Fraser; Athletes Dutch Windmills Shakespeare prints of assorted types and sizes Lone Arab a Chinese print a boxing series of matted “Deal of a Fellow†Madonna Artotypes -- typically reproductions of Raphael’s Madonna and Taber art photos. Many of the letters bill heads and invoices sport steel engraved architectural vignettes documenting buildings which would be destroyed in the 1906 San Francisco Earthquake & Fire as well as many of the business records for those companies. One of the freight bills bears the photographic letterhead of the Chicago & North-Western Railway Co. dated 1904. Another significant supplier was the D.N. & E. Walter & Co. of San Francisco which supplied linoleum flooring fabrics and more for Buren & Hamilton from 1899-1904 and even includes in one of the letters a piece of the red velvet fabric they no longer carried.Buren & Hamilton was originally founded in the late 1880’s by A.T. Yeaton as a furniture/undertaker business later sold to A.B. Buren and finally sold to Max O. Buren and Clarence Hamilton who operated at three locations along Commercial St. including Greenbaum’s Building at 298 Commercial the building at 136 Commercial 340 Court St. now Sid’s Furniture. Clarence bought out Max Buren’s shares in 1916 becoming the C.S. Hamilton Furniture Co. and operating until it was sold to Rubenstein’s in the 1960’s. See: Norma Hamilton Cochran Historic Businesses -- Hamilton Furniture Salem History Matters March 17 2017; New Stationery Department of Schussler Brothers San Francisco The American Stationer Vol. LIV 1903 pp. 4-5; John Caldbick Panic of 1893 and its Aftermath HistoryLink Essay 20874 Oct. 1 2019. Buren & Hamilton, hardcover
189852137North La Crosse WI; Chicago IL; Detroit MI; Blawnox PA; Cambridge MA; Grand Rapids MI; Augusta ME: A.F. Spettel 806 Caledonia St.; Perkins 125 South 4th Street for the North La Crosse Reed & Rattan Works La Crosse Reed Furniture Works; Ford & Johnson Co.; Wolverine Reed Co.; Fibre Furniture; J.L. Hammett Co.; Grand Rapids Fibre Cord Company; Needlecraft Publishing Co. 1898-1929. First -- 11 sepia-tinted cabinet photos 2 albumen 9 photos of printed images embossed photographer’s name at lower edge of cabinet card a few w/ pencil & ink pricing & inventory information on backs minor dustsoiling edgewear; 2nd -- 25 original linen-backed photographs some sepia-tinted sized from 5 x 7 in. up to 6.5 x 8.5 in. nearly all the larger size nearly all w/ pencil & ink pricing annotations furniture descriptions and a few w/ La Crosse Reed Furniture Work stamp on verso soiling edgewear some creasing minor fraying; 3rd -- Oblong 8vo. 95 1 pp. photo plates throughout burgundy-coloured softcovers gilt lettering stamped on front chipping head & foot of spine soiling edgewear wear to corners preserving part of original mailing envelope dated 1910 to North La Crosse Reed & Rattan Works; 4th -- 8vo. 78 pp. Photo-illustrated throughout w/o self-printed softcovers some soiling edgewear; 5th -- Oblong 8vo. 64 pp unpaginated with photo illustrations throughout beige printed softcovers lettering in gray & black on front cover soiling edgewear rubbing wear to corners; 6th -- 8vo. 40 pp. photo plates & text illustrations beige softcovers printed in decorative red black & orange on front cover minor dustsoiling edgewear thumbing; 7th -- 4to. 48 pp. Photo-illustrated title photo text illustrations throughout decorative printed borders Beige softcovers yapp edges Arts & Crafts cover art in gray green & brown on front cover lettering in black silver & red minor shelfwear rubbing preserving original price list and order forms in rear; 8th -- 4to. 23 1 pp. text and photo illustrations throughout self-printed colour-illustrated softcovers minor tear head of spine edgewear creasing still G copy stapled as issued all from the collection of Erma Wilson Multhauf of Cedar Falls IA and noted rattan furniture restorer who purchased the material from the La Crosse Reed Furniture Works when it went out of business after World War II. This amazing salesman sample photo archive for the North La Crosse Reed & Rattan Works and the La Crosse Reed Furniture Works provide an indispensable visual record of reed and rattan wicker furniture produced and sold in Wisconsin during the Arts & Crafts era. Wicker furniture experienced a tremendous rise in popularity during the last decades of the 19th century with many manufacturers producing items in Wisconsin and other Midwest States and the domestic reeds used by American manufacturers proved especially flexible and were more capable of being painted or stained while Rattan was harder to weave and could only be shellacked. The cabinet photos by Spettel and Perkins include images of high-backed fancy Victorian rockers a foot stool magazine rack sewing basket a Turkish chair a round table and several other wicker rocking chairs. Spettel 1866-1935 was brought into his brother Clement Spettel’s photography studio in 1886 because his business was so popular and they would thrive in North La Crosse WI until 1906 when Aloysius moved his business to North Dakota. The business location on 806 Caledonia was established by the brothers in 1888 and was initially called the New Gallery then the National Art Studio and sometime around 1897-98 it was simply A.F. Spettel while Clement worked at 320 North 4th on the City’s south side. Of particular interest is the “Perkins†Studio Cabinet photo as there is no known other example of a Perkins photographer at that location although that studio location served eight other known photographers between 1888 and 1900. The collection of factory linen-backed photographs depict a wide variety of Victorian rattan furniture including wing-back chairs & rockers stacking children’s stools children’s high chair rocker sewing baskets waste baskets and more. Nearly all of them have inventory numbers and prices on verso some individually priced others priced by the dozen ranging from $ 2.75 to $ 8.50. The Ford & Johnson Fiber-Rush and Malacca furniture catalogue includes a wide range of Mission-style and Arts & Crafts period furnishings including tables library tables settees rockers and more. The Art Fibre Weaving catalogue not only includes excellent photographic images of wicker furniture but also images of fibre art weaving classes schools and equipment. See: Edwin L. Hill A History of Photography in La Crosse Wisconsin 1853-1930 pp. 160-170 175; Raether Wisconsin Family Albums & Photographers’ Imprints and Biographies 1800s to early 1900s pp. 315-316; George M. Brown The White Directory of Manufactures of Furniture and Kindred Goods of the United States pp. 20-21; Tracing the Trends of Wicker Furniture Through History Patio Productions 2014. A.F. Spettel, 806 Caledonia St.; Perkins, 125 South 4th Street for the North La Crosse Reed & Rattan Works, La Crosse Reed Furni paperback
18403532Modèles dans le Style du 15e Siècle. Mit gest. Titel u. 24 gest. Tafeln nach Pugin. Paris u. Lüttich, Noblet & Baudry, o. J. (ca. 1840). 4to. (34,5 x 25,5 cm). Lose Tafeln in illustr. Orig.-Halbleinwandmappe.
18903212Paris 1890. Oblong folio 395 x 260 mm. 135 drawings of ornate furniture in lead and watercolor highlighted in gum arabic on 104 leaves of heavy paper later pencil foliation including four mounted drawings on tinted paper and two smaller loose drawings one of the latter signed A. Archambaut del. both with notes of measurements and pattern or stock numbers the second with specifications of colors and material. No. 93 a bed apparently unfinished. Foxing and soiling to first and last leaves occasional light foxing elsewhere marginal soiling especially to first few leaves fol. 104 detached two drawings on fols. 15 and 25 with small abraded areas 5 other drawings with tiny abrasions or white flecks the rest of the drawings in fine condition. The drawings on guards bound in half shagreen and pebble-grained cloth rubbed spine gilt lettered “Album Meubles Fantaisies.â€<br /> <br /> A spectacular manuscript album of watercolor designs of colorfully decorated painted and inlaid furniture in Louis XV Louis XVI and Second Empire styles by a female artist and furniture designer.<br /> <br /> Depicted are commodes large and small tables desks cabinets wardrobes sideboards dressers armchairs mirrored stands stands holding manicure sets multi-drawered sécrétaires beds clocks and even bellows and brooms for the chimney. Most are highly ornate and include colorful painted or inlaid decoration meticulously rendered often in minute detail by the artist-designer. With their cabriole legs serpentine curves and lavish inlay and marquetry these delightful creations express to a sometimes impractical degree the late 19th-century vogue for Louis XV and Louis XVI-style furniture. <br /> <br /> The artist can be identified as Aline Anne Archambault née Carrausse 1847-1908 thanks to the one signed drawing  loosely inserted which matches stylistically those of the album. The only child of the Paris furniture designer Jean Marie Carrausse Archambault moved in artistic and artisanal circles: in 1877 she married Arthur Eugène Archambaut a graveur ciseleur or engraver of luxury metalwork; the four witnesses at their marriage were his uncle a sculptor; his cousin a printer; and two friends identified respectively as a printer and a furniture maker this information from Geneanet.org. The Victoria and Albert Museum holds six furniture drawings by her also signed with her first initial and last name and a few lithographs after her one of the drawings V&A accession number E.284-1952 has an additional printed signature “P. Levant Carrausse del.†clearly a member of her family. Since Aline was married and died in the 4th arrondissement in Paris it is likely that this album was created there. <br /> <br /> The title on the binding “Album of Furniture Fantasies†implies that at least some of the pieces were not intended to be built: they abound in bright colors and witty details such as the tree-branches wrapping around two basket stands fol. 17 or the wildly ornate bed with which the album ends. While the element of fantasy in these accomplished paintings is thus clear many probably did function as specimens of furniture that could be ordered from members of the artist’s entourage of furniture makers. This is evident from the two inserted drawings both of chests of drawers which have measurement notes and stock numbers. One has the inkstamped name “G. Cauvet†on the verso.<br /> <br /> The archival records indicate that Aline lost a daughter in infancy in 1877 when she was 30. She had no other children. The ebullient drawings in this album betray no hint of tragedy and it is tempting to view them as a work of youth before shadows arrived to dim the joy of creation.<br /> <br /> “The best known of the nineteenth-century revivals was that for Louis XV and Louis XVI furniture. The Louis XV revival intensified during the Second Empire when it departed so much from the 18th-c. prototype that it is best called `Rococo’.†H. Osborne ed. The Oxford Companion to the Decorative Arts 1988 p. 359 unknown
19001314786Leipzig, J. Schumann, (etwa 1900). Folio (ca. 43,5 : 33,5 cm). 2 Bl., 30 Lichtdrucktafeln m. 58 Abbildungen. OHlwd-Mappe m. Bandschließe (Mappe etwas beschabt u. fleckig, Text u. Tafeln gelegentl. an den Rändern leicht eingerissen u. etwas gebräunt).
18074044<p>A charming book toy where an early user has converted a book into a book box housing a secret compartment for notes and correspondence. The compartment houses eight blank sheets which have been cut to size and then had their edges gilded. Any sent letters are by definition no longer present but nor alas are any billet doux received. The binding itself itself is dated 1807 and the supralibris gives the ownership of the book as 'Ignace Mehl fils d'Haguenau'.</p>
190042647BBParis, Berlin, New York, Bruno Hessling, Buchhandlung für Architektur und Kunstgewerbe, ca. 1900. 4°. 33 cm. 6-seitiger Text, 60 lose Tafeln. Original-Pappmappe mit Kordelschließen.
1868WRCAM32817Philadelphia: Henry Carey Baird 1868. 4pp. plus forty-eight engraved plates. Oblong octavo. Original green cloth gilt- stamped cover. Front hinge starting. Internally bright and clean. Very good. The third furniture pattern book published in America issued simultaneously with another Baird title GOTHIC ALBUM FOR FURNITURE MAKERS. It was preceded by books called THE CABINET-MAKER'S ASSISTANT published in 1840 and 1842. Depicted are a variety of bed stands bureaus wardrobes tables bookcases and more in a Renaissance Revival style. They are patterned after mid-19th- century French designs. All early American furniture books are rare. Henry Carey Baird hardcover books
1889012781PARIS 1889 Un volume grand in-8 broché de VII + 792 pages , couverture illustrée et très nombreuses illustrations in-texte , la couverture est légèrement salie , bon exemplaire . Bon Couverture souple
1828R300046191RORET, rue hautefeuille, Paris. 1828. In-16. Relié demi-cuir. Bon état, Couv. convenable, Dos abîmé, Intérieur frais. 340 pages illustrées de deux planches dépliantes en noir et blanc.. . . . Classification Dewey : 749-Mobilier et accessoires
188717001Paris Imprimerie De L'art 1887 In-8 56 pp. quelques traces d'humidité
18902654PARIS. EDOUARD ROUVEYRE, EDITEUR. SANS DATE (VERS 1890). FORT IN-4 (21,5 X 29 X 6 CENTIMETRES ENVIRON) DE 100 + 25 + (3) ET (4) PAGES, RELIURE DE L'EDITEUR A LA BRADEL CARTONNAGE PAPIER BLEU MARINE, DOS ET PLATS ORNES D'UNE COMPOSITION DOREE, TITRE DORE, NON ROGNE. ILLUSTRE DE 220 FIGURES DANS LE TEXTE, DE 100 PLANCHES HORS TEXTE SOUS SERPENTE LEGENDEE, ET DE 13 PLANCHES HORS TEXTE DE POINCONS ET MONOGRAMMES. EDITION ORIGINALE. EXEMPLAIRE IMPRIME SUR PAPIER VELIN TEINTE FABRIQUE SPECIALEMENT POUR CETTE PUBLICATION PAR GEORGES OLMER ET J. HESBERT, ANCIENNE PAPETERIE DIDOT. OUVRAGE ENTIEREMENT MONTE SUR ONGLETS. TRACES D'USURE EXTERIEURE HABITUELLES SUR LE CARTONNAGE, SINON BON EXEMPLAIRE.
188615980ABMchn und Lpzg, G. Hirth 1886. 3. stark vermehrte Auflage. 4°. XII, 451, (1) S. Geprägte OLwd mit Deckel- und Rückentitel. Insgesamt etwas berieben; Kapitale und Ecken bestoßen; das vord. Gelenk gelockert und stärker berieben. 3
190079019Stuttgart, W. Kohlhammer, [ca. 1900]. 41 zweifarb., lithograph. Tafeln, lose in 6 OBroschuren. Folio (43 x 34). Zusammen in OHLn-Mappe mit Bindebändern.
190079020Stuttgart, W. Kohlhammer, [ca. 1900]. 44 zweifarb., lithograph. Tafeln, lose in 6 OBroschuren. Folio (43 x 34). Zusammen in OHLn-Mappe mit Bindebändern.
1887237971887 PARIS, Maison Quantin, Compagnie Générale d'Impression et d'Édition, s. d. (1887) - EDITION ORIGINALE; 4 TOMES brochés,couvertures editeur conservées.: 1+2+3+4 : VII, 1086 + 1250 + 1222 + 1638p. 256 plates (61 chromolithographies. Ouvrage de référence.Chaque ouvrage est illustré de nombreuses gravures noir et blanc dans et hors texte et de quelques chromolithographies hors texte, parfaitement conservées. 1er tome: A-C . 2ème tome: D-H . 3ème tome: I-O . 4ème tome: P-Z. OUVRAGE COURONNE PAR L'ACADEMIE DES BEAUX-ARTS ET HONORE DES SOUSCRIPTIONS DU MINISTERE DE L'INSTRUCTION PUBLIQUE, DE L'ADMINISTRATION DES BEAUX-ARTS DU MINISTERE DU COMMERCE ET DE LA VILLE DE PARIS -
1889_201600969Paris, Librairie Hachette & Cie, 1889 ; grand in-8, XXVI-832 pp., relié demi-toile simili cuir à coins, coloris rouge foncé, marbures verte, dos lisse (frottements). Ouvrage traitant: I. Étude des moeurs et coutumes des premiers chrétiens. - II. Étude des monuments figurés - III. Vêtements et meubles. Quelques illustrations en noir et blanc in-texte.
186829833Paris Morel et Cie 1868 6 VOLUMES In-8 deuxième édition,443 pp ( XXVIII planches en noir et en couleurs ) + 536 ( Planches XXIX à LVI ) + 478 ( 13 planches ) + 506 pp ( 3 planches ) + 498 ( 8 planches ) + 489 pp et 7 figures , rousseurs éparses sur les premiers volumes , têtes dorées , bon exemplaire
188086394Liège Berlin, C. Claesen 1880 In-4. Reliure demi-chagrin rouge à coins, dos à nerfs encadrés de fers dorés, tête dorée, 541 pp. Reliure légèrement frottée.
1858223601858 Paris Bance 1858 pour le tome 1(edition originale),Librairie Morel pour les autres tomes T2=1871,T3=1872,T4= 1873,T5=1874,T6=1875: 443+535+478+506+498+490 pages, illustrées de chromolithographies et gravures noir et blanc dans et hors texte. reliures uniformes demi chagrin noir,dos lisse à flets dorés.Titre, tomaison et caissons dorés. Tome 1: Meubles - Tome 2: Ustensiles - Tomes 3 et 4: Vêtements - Tome 5 et 6: Armes de guerre. In-8 Relié. Bon état. Dos satisfaisant. Intérieur frais quelques rousseurs.Ouvrage illustré de très nombreux dessins dans le texte et de 117 planches hors-texte dont 43 chromolithographies. Ensemble complet de ses 6 volumes . Illustré de LVI planches (dans les volumes 1 et 2, avec numérotation continue, XVI planches (dans les volumes 3 et 4, avec numérotation continue), VIII et 10 planches dans les deux derniers volumes. Certaines de ces planches en chromolithographie. Très nombreuses illustrations en noir dans le texte par ailleurs. --- An encyclopedic survey of the decorative & applied arts in all spheres of civil, religious & military life in France, with sections on furniture, domestic objects, music, games, tools, textiles, costume & related clothing accessories, military clothing & arms, middle ages - ca 17th c; over 2000 works shown, including many medieval textiles in color, especially in v3. Vol 3 & v4 is devoted to textiles & costume; & v6 contains a general index. One of the major 19th century reference works on the applied arts. COLAS 3024 (with detailed collation). LIPP Fa36 (with detailed contents). CRESWELL 882. GARB 1619. GLAH P45. [CSROT 1832].
