Cinema teatro spettacoloBiblio.com
300 résultats
54830Cinema - Grande busta con 5 Poster del Film "Il Circo e la sua grande avventura" - Regia di Henry Hathaway - I Poster raffigurano: una scena del film John Wayne Claudia Cardinale Rita Hayworth John Smith 1964 - Dimensioni: 47 x 68 cm. ca. cad. - Condizioni molto buone. unknown
140739Lotto 5 riviste Starlog Photo Guidebook Special Effects vol. 1 vol. 2 vol. 3 vol. 4 vol. 5 - 1979 / 1996 - - una rivista Effects Special N. 1.1 - 1998 - - Copertina morbida - Lingua inglese. - - Condizioni generali molto buone. - unknown
1971WALTER-FILM006450<p><em>New Line Cinema. No binding. Fine. New York: New Line Cinema 1971. Pair of vintage original 8 x 10" 20 x 25 cm. black-and-white print still photos fine. </em></p><p>Very scarce photos from the only feature film of experimental film director Steven Arnold. He curated the <em>Nocturnal Dreamshows</em> at the Palace Theater in San Francisco where The Cockettes got their start. "In 1969 Arnold began filming <em>Luminous Procuress</em> which went on to win him the 1972 New Director's Award at the San Francisco International Film Festival an extended exhibition at the Whitney Museum of American Art and a second invite to Cannes' Directors' Fortnight. Salvador Dali was so impressed with the film that he arranged a private screening at the St. Regis Hotel to which he invited New York's elite including Andy Warhol who also praised the film's genius. Arnold became a favorite of Dali's and in 1974 went to study with the master in Spain helping Dali to embellish and inaugurate his Museo-Teatro Dali.</p><p>After returning to California and failing to make any progress on other film projects Arnold was driven to find new modes of expression. By establishing his Los Angeles photography studio and west-coast salon Zanzibar Arnold did just that.</p><p>"From 1982-89 Steven Arnold found his niche designing and shooting <em>tableau-vivants</em> for four books leaving thousands of living tableau photographs and negatives unpublished. He also left behind a social legacy in Los Angeles which according to many who saw Zanzibar at its height has never been equaled. Arnold adored the vast cross-section of society represented at his nightly Salons but also culled inspiration from his dreams world religions sexuality fine art masterpieces Jungian archetypes social attitudes excess and artifice working all night and waking each afternoon to sketch dreams and visions into his growing collection of sketchbooks. In addition to his photography Arnold also translated these drawings into a large body of paintings and assemblage sculpture between 1990 and his early death in 1994." wikipedia.com</p><p><em>Luminous Procuress</em> is a surreal fantasy film in which two young men enter an alternate reality of what the photo describes as "AUTOMATONS TRANSVESTITES SUFI HOLYMEN MALE NUNS MIMES MONKEYS VEGETABLES PEOPLE WHORES MUSCLEMEN QUPIE DOLLS FAIRY GODMOTHERS AND ART MODELES." This is one of a tiny number of 1970s films in which The Cockettes appeared.</p> New Line Cinema
193161600Hollywood CA & Portland OR: Metro-Goldwyn-Mayer Studios; Egyptian Theater 1931. Double atlas folio. 28 x 44 in. One hand-painted & lettered lobby poster vivid Art Deco lettering in red white green & blue three windows cut for mounting 3 separate 8 x 10 in. original studio silver gelatin photographs from verso bordered in yellow minor edgewear scuffing faint tidemark to very upper left fore-edge tear not affecting lettering or design to right fore-edge margin still a VG- exemplar. An exceptional hand-painted Jazz Age Art Deco lobby poster for the pre-code 1931 MGM comedy film “The Bachelor Father†directed by Robert Z. Leonard and screenplay by Edward Childs Carpenter & Laurence E. Johnson based on the 1928 Broadway play. Set against the backdrop of a plot featuring an aging Sir Basil Algernon Winterton played by C. Aubrey Smith in both Broadway Play and film who is urged to reacquaint himself with his three illegitimate children from three different liaisons in his youth. Marion Davies stars as Antoinette “Tony†Flagg initially believes she is one of the lost daughters but discovers the original daughter had died and chooses to leave England only to crash in her friends plane and survive to reunite and marry Sir Basil’s assistant John Ashley. Many of the plot lines and dialogue could not have been produced after the imposition of the 1934 Motion Picture Production Code including several casual references to Sir Basil’s affairs casual approach to his bastard children and even keeping a ledger of all his lover’s names and dates of the affairs. Graeper 1875-1970 had taken over the management and ownership of the Union Ave. Theater at 539 Union Ave. in Portland before 1914 expanded its seating capacity in 1916-17 just prior to the US entrance into World War I. The Egyptian Theater was opened in 1924 adorned with exotic decorations such as Egyptian revival pillars pyramids and ornamental urns with lotus flower motifs. The architect was Edward A. Miller and featured 866 seats on the main floor and 344 in the balcony closing after 1963 to become a warehouse. The musical accompaniment for the silent films and Vaudeville acts in the Egyptican were from a Wurlitzer Style F opus #855 pipe organ shipped by the Wurlitzer factory in July 1924 later moved to the Scottish Rite Temple in 1936. Metro-Goldwyn-Mayer Studios; Egyptian Theater, unknown
ABE-4450560449EXTREMELY RARE ORIGINAL CINEMA PORTRAIT! This was saved from the demolition of an historic cinema. It dates from around 1936. It is printed on heavyweight high quality art paper measuring 28" x 22". Very RARE and certainly of great historical interest to any cinema history museum or fan. These large scale portraits preceded the lobby cards. They were meant to be permanent. VERY RARE and highly collectable slice of movie history. Over the years these superb images were simply discarded and very few remain. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Soft cover. Very Good. paperback
2000134783Various cities: Various studios 2000. An archive of 7 lobby cards 10 pressbooks and 2 press kits from 15 contemporary films with prominent African American themes characters or cast members with the bulk of the material dating from the late 1970s. <br /> <br /> This archive includes lobby cards press kits and pressbooks from 15 films including "The Greatest" "The River Niger" "Mahogany" "Stir Crazy" and more with iconic African American stars Billy Dee Williams James Earl Jones Richard Pryor Bill Cosby and Michael Jackson. <br /> <br /> Pressbooks saddle stapled ranging from 8.5 x 14 inches to 12.5 x 15 inches. Press kits 9 x 12 inches. Lobby cards 14 x 11 inches. Very Good plus to about Fine condition. Various studios unknown
WALTER-FILM007778Cinema V. No binding. Just About Fine. New York: Cinema V 1975. Set of 8 vintage original 8 x 10" 20 x 25 cm black-and-white photos. Two have printed text affixed one has holograph printing notations in top margin. Overall just about fine. Following up after And Now for Something Completely DIfferent which was a compilation of Monty Python TV sketches reshot for the big screen this film was their first completely original theatrical film Cinema V unknown
19912111902154607133Yosensha 1991. Soft Cover. Fine. The book is in fine condition. Yosensha paperback
191344810New York: Reliance Newspaper Syndicate 1913. 12mo. 101 1 pp. Photo frntsp. numerous photo plates. Orange cloth blk lettrng on frnt cvr & spine slght bmpng hd of spine mnr dustsoilng hd & ft of spine w/ d.j. mnr chppng & tear hd of spine affecting lettrng tear to lwr fore-edge of rear cover some dustsoilng still NF/G- copy. First edition of this fascinating and early work advising careers in the burgeoning silent movie industry. Agnew 1891-1967 starred in a number of early movies for the small studios but by her early 20s was becoming an agent industry critic and screenwriter on such movies as Are Parents People The Golden Princess; Soft Living; Love Hungry; and others. She includes sections describing the early history of the industry the differences of acting in movies as opposed to stage necessary qualifications training agencies salaries and producing. Of particular interest are her chapters on early stars with interviews including Miss Gwendoline Pates with Pathe Freres Carlyle Blackwell with Kalem Miss Miriam Nesbitt with Edison Miss Flora Finch with Vitagraph Miss Muriel Ostriche with Reliance John Bunny with Vitagraph and others. Very scarce in the original dustjacket. Reliance Newspaper Syndicate, hardcover
0259979465.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364474580.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0332071901.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
193177130New York:: Amateur Cinema League January - December 1931. First edition. Later cloth gilt-lettered on the spine; original wrappers illustrated in colors bound in except for the December issue. . Slight use to the binding; contents fine. Folio. Illustated. The wrappers to the December issue only are not bound in. Heavy volume: additional postage applicable. Amateur Cinema League, hardcover
193077131New York:: Amateur Cinema League February - December 1930. First edition. Later cloth gilt-lettered on the spine; original wrappers illustrated in colors bound in except for the December issue. . Slight use to the binding; contents fine. Folio. Illustated. The January issue not present. Heavy volume: additional postage applicable. Amateur Cinema League, hardcover
026062666X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266020151.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
71271Printed by J.Lichtert and Sons Brussells. 1973. Film promotion / advertising An original Belgian mid-size / window card style poster for the 1973 horror 'De Diaboloshe Rituelen Van Dracula' from Hammer Films directed by Alan Gibson starring Christopher Lee Peter Cushing and Joanna Lumley. 22 x 14 inches approx. Based on characters created by Bram Stoker. Folded. Some light wear and handling; near fine condition Poster Grade 'A-'. Will be despatched rolled in a substantial card tube. This was the seventh and final Hammer film to feature Christopher Lee as Dracula and the third to unite Peter Cushing as Van Helsing with Lee. Printed by J.Lichtert and Sons, Brussells. 1973 unknown
19882091502135305771Nippon Television Network 1988. Soft Cover. Fine. Volume: 1 Nippon Television Network paperback
19892092902138302145Nippon Television Network 1989. Soft Cover. Fine. Number of pages: 167p Size: 26cm Nippon Television Network paperback
19882081002108802954Nippon Television Network 1988. Soft Cover. Fine. Number of books: 1 Nippon Television Network paperback
19962092902137405259Keisoshobo 1996. Soft Cover. Fine. Number of books: 1 book Keisoshobo paperback
19802082702114907647Ta aburu yakata 1980. Soft Cover. Fine. Number of pages: 431 pages Size: 26cm Ta aburu yakata paperback
1966207963Cambridge Massachusetts 1966. One corner creased; very good. Single leaf 8-1/2 x 11 in. printed on one side. Bulletin board leaflet-poster for an early screening of Warhol's film which had premiered earlier in the same month at the Film-makers Cinematheque in New York. This copy derives from the collection of experimental film maker Tom Chomont. On the reverse Chomont has drawn a sequence of images in ballpoint pen story-boarding his early film "Anthony" a ten-minute film completed in 1966. The sequence comprises 31 frames. unknown
19692110502150406560Naniwashobo 1969. Soft Cover. Fine. Volume: 1 Naniwashobo paperback
1927207644Paris: Société Générale de Films/ Société Française Gaumont-Metro-Goldwyn 1927. Trifling wear to spine and some incidental nicks to edges; an excellent copy. 4to unpag. 24pp in original printed wrappers tied through three holes with decorative gold cord. Souvenir program from the premiere of Abel Gance's classic 1927 film at the Théatre National de 'Opéra. Epic in scale and ambition and technically innovative Gance's film is regarded as a major achievement of the silent era. It had a lasting impact on cinema from Eisenstein to the French New Wave. Société Générale de Films/ Société Française Gaumont-Metro-Goldwyn unknown
