FERNANDEL - (to Carlo RIM)Biblio.com
367 résultats
195180759Carry-le-Rouet: S. n. 1951. Fine. S. n. Carry-le-Rouet 18 Septembre 1951 16.50 x 10.50 cm une feuille Autograph signed letter card from Fernandel on letterhead from his property L'Oustau de la Mar at Carry-le-Rouet addressed to his great friend the Provençal writer caricaturist and filmmaker Carlo Rim who was also his biographer. 10 lines in turquoise ink the ink having smudged on three words. ""18 Sept 1951 My dear Carlo I leave tomorrow for Italy but I haven't forgotten you. You will receive documentation and manuscript pages ""My memoirs"" published by ""Ce soir"" in 1938 you will thus have all the details from my birth and my different jobs before being an artist at least I believe so. Affectionately Fernandel."" S. n. unknown
195180759S. n. | Carry-le-Rouet 18 Septembre 1951 | 16.50 x 10.50 cm | une feuille
1957142883Paris: Cinedis 1957. Collection of 14 vintage photographs and color transparencies from the 1957 French-Italian film. Nearly all photographs are contact sheets with 34 color transparencies 24 are medium-format and 5 are mounted. Starring actors Fernandel and Gray comprise most of the collection and the contact sheets consist of candid images of Fernandel director Boyer noted director Christian-Jacques and Fernandel in various accouterments surrounded by female members of the cast. Only a few contact sheets have less than 12 numbered frames amounted to 146 images. Striking images of both Gray and Patrick are scattered throughout the transparencies. <br/><br/>Fernandel stars as a talentless actor who fails to find work and turns to imitating people he sees on the street a stunt that lands him in court where he finally has a chance to showcase his acting ability. Fernandel was France's leading funny man for decades and Gray would go on to her best-known role in Federico Fellini's masterpiece "La Dolce Vita" 1960. Liliane Patrick's debut film later credits include "Maxime" 1958 "Julie the Redhead" 1959 and "A fleur de peau" 1962. <br/><br/>Transparencies housed in original glassine and paper envelopes four with annotations in holograph ink. Two slips of paper one on Cinedis parchment noting various photo sizes and quantities in holograph ink and in French are included. Brief notation in holograph pencil on the verso of the 5 x 7 photograph. All housed in original French Kodak photo box French title label affixed to the lid with annotations in holograph ink. <br/><br/>Sizes range from 2.25 x 4.75 to 7 x 9.25 inches. Very Good plus overall photos with light curling some with faint creases several contact sheets with bruises to one edge and light staining and wrinkling to mounted transparencies. Box Very Good overall. <br/><br/>Complete collation upon request. Cinedis unknown books
194881476Paris: R. Bègue photo 1948. Fine. R. Bègue photo Paris 1948 11 x 8.50 cm une feuille Original photograph taken during the filming of ""L'armoire volante"" a humorous police intrigue starring Fernandel. The photograph shows Carlo Rim from behind his hands resting on a window balcony offering his advice to Fernandel facing him vintage silver gelatin print. Carlo Rim was a Provençal writer ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."" Manuscript annotations in pencil by Carlo Rim on the verso of the photograph: ""Carlo Rim Fernandel L'armoire volante 1948."" R. Bègue photo unknown
194881542Paris: R. Bègue photo 1948. Fine. R. Bègue photo Paris 1948 11 x 8.50 cm une feuille Original photograph taken on the set of ""L'armoire volante"" a humorous police intrigue with Fernandel in the leading role. The photograph shows Carlo Rim standing to the right of Fernandel giving him advice with three people involved in the filming present in the background period silver gelatin print. Carlo Rim was a Provençal writer ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."" Manuscript annotations in pencil by Carlo Rim on the verso of the photograph: ""Carlo Rim Fernandel L'armoire volante 1948."" R. Bègue photo unknown
194881476R. Bègue photo | Paris 1948 | 11 x 8.50 cm | une feuille
194881542R. Bègue photo | Paris 1948 | 11 x 8.50 cm | une feuille
1956143289Paris: Cite Films 1956. Collection of 22 original still photographs and portrait photographs from the 1956 French film here under the French title "Le couturier de ces dames." Starring actors Fernandel and Françoise Fabian are present in most of the images including four high contrast portraits of Fabian and a tense scene featuring Fernandel Fabian and Delair. In nearly all photos Fernandel is seen posing models dancing and generally being forthcoming while a in smaller photo two men are tailoring a woman's costume one of them smoking a cigarette. Eleven photos with numerical annotations on the versos in pencil one with "Le couturier de ces dames" in ditto mimeograph duplication. <br/><br/>Fernand Vignard Fernandel is a tailor who needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models Fabian and his wife Delair discovers his infidelity. The film spoofed the new haute couture that was thriving at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on this film and Japanese native Hanae Mori yet to represent the "new look."<br/><br/>Fernandel was France's leading funny man for decades and Fabian has over 80 film credits including Louis Malle's "The Thief of Paris" 1967 and Luis Buñuel's "Belle de jour" 1967. <br/><br/>Shot on location in Val-de-Marne France. <br/><br/>5 x 7 inches small white borders one photo 3.25 x 4.25 inches. Light curling else Near Fine. Cite Films unknown books
1953132292Germany: P. R. Wilk Ffm 1953. Original German A1 poster circa 1953 for the 1951 French film. <br/><br/>From the collection of noted film historian Amos Vogel. Full provenance available. <br/><br/>Released in France as "L'auberge rouge" and based on the famous 1831 French serial murder case the film centers around a monk Fernandel and a group of travelers who take refuge at inn in the mountains. The inn's host confesses to the monk that he serves poisoned soup to his guests in order to rob their possessions and later dig their graves. The monk tries to save the guest's lives without violating the holy secrecy of the confession. <br/><br/>An uncommon poster designed by Hans Hillmann widely acknowledged as one Germany's top graphic designers whose work consists of over 130 film posters and book designs. Hillmann was awarded in 1992 by the Art Director's Club in New York for illustration. <br/><br/>Shipping billed at cost. Item can only be shipped within the US. <br/><br/>23 x 32.75 inches non-archivally mounted on board and framed. Very Good or better overall. P. R. Wilk, Ffm unknown books
1956143289Paris: Cite Films 1956. Collection of 24 vintage reference photographs from the 1956 French film here under the French title "Le couturier de ces dames." 13 photographs with numeric annotations on the versos in pencil and one with "Le couturier de ces dames" in mimeograph duplication to same. <br /> <br /> A tailor needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models only for his wife to discover his infidelity. A send-up of the new haute couture popular at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on the film and Japanese native Hanae Mori representing the "new look."<br /> <br /> Shot on location in Val-de-Marne France. <br /> <br /> One photo 3.25 x 4.25 inches the balance 5 x 7 inches. Generally Near Fine. Cite Films unknown
9258Les cinq sous de LAVAREDE in 4 reliure éditeur pleine toile rouge, bords biseautés, plaque polychrome et dorée sur le premier plat. Titre et décor dorés au dos. Faux-titre, titre, une carte dépliante: itinéraire d’Armand LAVAREDE. 418 pages, tranches dorées. 87 illustrations dans le texte, 20compositions Hors-texte, de Lucien METIVET. Paris Librairie Furne Jouvet & Cie éditeur, sans date, collection des voyages excentriques.1 feuillet très légèrement décalé. Sinon bel exemplaire, cartonnage très frais.
196288206Paris: Studio André Nisak 1962. Fine. Studio André Nisak Paris 1962 18 x 24 cm une feuille Original photograph by Studio André Nisak showing Fernandel smiling with a cigarette in his right hand. Some minor creasing marks to the margins of the photograph. Photographer's printed stamp on verso of the print. Autograph inscription signed by Fernandel in the right margin of the photograph to Claude Armand. Provenance: from the collection of the great autograph collector Claude Armand. Studio André Nisak unknown
195282258Marseille: S. n. 1952. Fine. S. n. Marseille 9 Janvier 1952 21 x 27 cm une feuille Typed letter dated and signed in blue ink by Fernandel addressed from his Marseilles property ""Les milleroses"" to his great friend the Provençal writer caricaturist and filmmaker Carlo Rim who was also his biographer. 24 lines creases inherent to folding for mailing as well as in the left margin. Fernandel first conforms to the courtesies of New Year wishes: ""Obligé de commencer ma lettre comme la tienne par correction je te présente mes meilleurs voeux pour toi et tous ceux que tu aimes."" ""Obliged to begin my letter like yours out of courtesy I present my best wishes for you and all those you love."" before signifying that he will not delay in sending him the exhaustive list of his filmography Carlo Rim wishing to write a biography of his friend Fernandel: "". afin que tu puisses avoir des choses vraies à raconter."" "". so that you can have true things to tell."" Finally Fernandel returns to an article published in Cinémonde and written by Alice Carlo Rim's wife for whom he harbors vindictive memories: "". dis-lui de ma part qu'on ne peut pas écrire de plus grandes conneries car d'après son papier j'ai été imposé dans le film d'Aron. et qui m'avait démandé si cela ne me faisait rien d'avoir Gaby Morlay comme partenaire."" "". tell her from me that one cannot write greater nonsense because according to her article I was imposed in Aron's film. and who had asked me if it didn't bother me to have Gaby Morlay as a partner."" Fernandel concluding his letter with a peremptory: "". mon cher Carlo je te supplie de ne pas prendre ta femme comme collaboratrice pour le livre car alors."" "". my dear Carlo I beg you not to take your wife as collaborator for the book because then."" Manuscript signature in blue ink by Fernandel at the foot of the letter. S. n. unknown
196288206Studio André Nisak | Paris 1962 | 18 x 24 cm | une feuille
195282258S. n. | Marseille 9 Janvier 1952 | 21 x 27 cm | une feuille
195433129Films Cinédis 1954. Dossier de presse de 20 pages à l'italienne, avec reliure à spirales, au format 30,5 x 24 cm. Superbe couverture illustrée par René Ferracci. Rare dossier de presse avec première page dépliante pour le film français : Ali-Baba et les 40 Voleurs réalisé par Jacques Becker en 1954. Son scénario est inspiré d'un célèbre conte anonyme issu des Mille et Une Nuits. Résumé du film avec magnifiques photographies en couleurs, tirées en héliogravure et dessins humoristiques de René Ferracci. Fiche technique. On trouve dans les rôles principaux : Fernandel, Samia Gamal, Dieter Borsche, Henri Vilbert, etc. Superbe état de fraicheur. Tirage limité réservé aux journalistes, diffuseurs et salles de cinéma. Précieux exemplaire complet de la rarissime affichette du film imprimée en sérigraphie au format 31 x 23 cm. Au verso on trouve l'annonce du film de Yves Ciampi " Le Guérisseur " avec photographies de Danièle Delorme et Jean Marais.
1963158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso.<br /> <br /> Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. <br /> <br /> Shot in Biarritz. <br /> <br /> 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown
1963158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso.<br /> <br /> Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. <br /> <br /> Shot in Biarritz. <br /> <br /> 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown
1957138492Paris: Cocinor 1957. Vintage French Moyenne or Affiche Moyenne poster for the 1957 French-Italian film "The Man in the Raincoat" here under the French title "l'homme a l'impermeable." Printed in brilliant color by the French illustration company Bobigny with artwork by the prolific Jean Mascii. Notation in holograph ink on the verso. <br/><br/>Based on James Hadley Chase's 1954 novel "Tiger by the Tail." In a case of mistaken identity a lonely clarinet player named Albert Fernandel is appointed to see a call girl Magre. While he waits in her living room the girl is murdered and someone is seen leaving the scene of the crime in a raincoat. Albert is then followed by blackmail and professional killers. <br/><br/>23.5 x 31 folded. Very Good with tears and chips. Cocinor unknown books
193433120Compagnie Universelle Cinématographique 1934. Dossier de presse de 12 pages au format 22,5 x 22 cm. Couverture illustrée signée P.P. Rare dossier de presse pour le le film français : L'Hôtel du libre échange, réalisé en 1934 par Marc Allégret sur scénario et découpage de Jacques Prévert d'après le vaudeville éponyme de Georges Feydeau et Maurice Desvallières, créé en 1894. Résumé du film avec photographies en noir. Fiche technique. Echos de presse et portraits avec photographies des acteurs. On trouve dans les rôles principaux : Fernandel, Saturnin Fabre, Mona Lys, Ginette Leclerc, Simone Dulac, Marcel Duhamel, Géo Lastry, Paul Grimault, Jacques Prévert, etc. Superbe état de fraicheur. Tirage limité réservé aux journalistes, diffuseurs et salles de cinéma. De toute rareté.
33127Productions Sirius Distribution 1950. Dossier de presse agrafé de 10 pages au format 29,5 x 23 cm. Couverture illustrée. Rare dossier de presse pour le film franco-italien : Casimir, réalisé en 1950 par Richard Pottier. Résumé du film avec superbes photographies en noir, tirées en héliogravure. Fiche technique. On trouve dans les rôles principaux : Fernandel, Germaine Montero, Bernard Lajarrige, Jacqueline Duc, Gaston Orbal, etc. Petits renforcements au scotch transparent au dos, sinon bel état de fraicheur. Cachet du cinéma " Thibaut " en couverture. Tirage limité réservé aux journalistes, diffuseurs et salles de cinéma. Précieux exemplaire de toute rareté avec belle dédicace autographe signée de l'acteur Bernard Lajarrige.
Fotografia originale con brindisi di Erminio Macario (Torino, 27 maggio 1902 – Torino, 26 marzo 1980) con il comico francese Fernandel (Marsiglia, 8 maggio 1903 – Parigi, 26 febbraio 1971). Al retro timbro del reporter CH. Baulard - Paris
1953152763Filmsonor, 1953. In-4 Filmsonor, 1953. In-4 broché (agrafé), non paginé. Nombreuses photos. Dossier de presse du flim de Julien Duvivier avec Fernandel. Joint : Manuel de publicité : Le retour de Don Camillo. 8 pagesavec photos. Bon état
Filmsonor, 1953. In-4 broché (agrafé), non paginé. Nombreuses photos. Dossier de presse du flim de Julien Duvivier avec Fernandel. Joint : Manuel de publicité : Le retour de Don Camillo. 8 pagesavec photos. Bon état
18602Editions " Votre Vedette " sans date ( années 50 ). Belle carte postale en noir et blanc de Fernandel au format 14 x 8,5 cm. Superbe état. Carte avec dédicace autographe, signée, de Fernandel. Provient de la très importante collection de Denyse Trivier, qui fut une collectionneuse acharnée d'autographes.
