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697493240Read Books UK pp. 368 . Papeback. New. Read Books (UK) unknown
ria9783112307717_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
6104697592pp. 117 . Hardback. New. hardcover
19988868-nnew. unknown
19988868like new. unknown
__3111321738De Gruyter 1954. Hardcover. New. reprint edition. 88 pages. German language. 7.99x5.00x0.25 inches. De Gruyter hardcover
192860011BB1928 . Zürich: Polygraphischer Verlag 1928. gr. 8. 266 S. broschiert Umschlag mit Randläsuren und Stempel; Bibliotheksexemplar; Seiten nicht beschnitten; sonst altersgemäss gut erhalten unknown
78869Zürich Polygraphischer Vlg. 1927. Gr.8° 264 S. OLwd. m. Goldpräg. Rücken etw. aufgehellt u. fleckig Einband etw. gebrauchsspurig Stempel a. Vs. innen sonst tadellos. EA. - «Charlot Strasser geboren 11.5.1884 Karl Ludwig Freiburg i.Br. gestorben 4.2.1950 Zürich ref. von Wangen an der Aare. . 1903-09 Medizinstud. in Bern Berlin Leipzig München und Paris 1909 Staatsexamen in Bern 1913 Dr. med. in Zürich. Assistenzarzt an der psychiatr. Klinik Waldau bei Bern 1911-12 an der Zürcher Klinik Burghölzli unter Eugen Bleuler. Ab 1913 als Psychiater in Zürich tätig 1935-44 ärztl. Leiter des Männerheims zur Weid in Rossau Gem. Mettmenstetten. S. stand ab 1910 in Kontakt mit Alfred Adler und gab ab 1914 mit Adler und Carl Furtmüller die "Zeitschrift für Individualpsychologie" heraus. Mit seiner Frau verfasste er psychoanalysekrit. Arbeiten und publizierte zudem zu Psychiatrie und Strafrecht Kurpfuscherei sowie Schwangerschaftsabbruch. Sein literar. Frühwerk stand unter dem Einfluss von Josef Viktor Widmann. Während des 1. Weltkriegs schrieb er expressionist. Novellen u.a. "In Völker zerrissen" 1916 und publizierte 1933 "Geschmeiss um die Blendlaterne" einen Schlüsselroman über die Zürcher Dada-Szene. Der engagierte Sozialist und Antifaschist S. der mit dem Zürcher Arbeiterarzt Fritz Brupbacher befreundet war setzte sich als Mitglied der Literaturkomm. der Stadt Zürich für noch nicht etablierte Schriftsteller ein und gehörte 1933 zu den Gründungsmitgliedern der Büchergilde Gutenberg» HLS. 010 Zürich, Polygraphischer Vlg., 1927 unknown
20-03728Mergent Inc 41275. Hardcover. New. In shrink wrap. Mergent Inc hardcover
196452201200001Pratt Graphic Art Center NY 1964. Paperback. Very Good. Signed by Author. 4 pages of plates. Bound in stapled dark pink wrappers with cover illustration in white and title in black. One wood engraving by Fritz Eichenberg on title page signed by him in pencil and four relief engravings by José Guadalupe Posada. Printed in an edition of 500 numbered copies signed by Charlot on colophon this is No. 130. Wrappers with edge wear. pages clean and unmarked and in like new condition.; 100% Satisfaction Guaranteed! Ships same or next business day! Pratt Graphic Art Center, NY paperback
1964002757New York: Pratt Graphic Art Center 1964. Paperback. Very Good. Eichenberg Fritz. 8vo. 12 pp. 4 pages of plates. Bound in stapled dark pink wrappers with cover illustration in white and title in black. One wood engraving by Fritz Eichenberg on title page signed by him in pencil and four relief engravings by José Guadalupe Posada. Printed in an edition of 500 numbered copies signed by Charlot on colophon this is No. 67. Very Good internally clean and sound rubbing and wear to extremities - heaviest at spine 1/2" tear to head of spine 1" dark smudge to lower front cover. <br/><br/> Pratt Graphic Art Center paperback
1944mon0003418393Hollywood House 1944. Hardcover. Very Good. . Scarce. Plastic spiral binding bonded leather. Pages have tanning at edges a bit brittle but clean. Boards clean. Hollywood House hardcover
193847856Los Angeles: NP 1938. First edition. Ring_bound. vg. Quarto. 183 individual single-sided mimeographed leaves 22 additional leaves of photographic negative prints. Scarce mimeographed document printed from typescript with all leaves and negatives three-hole punched along the left side housed in modern black three-ring binder 11.5x 11". The pagination throughout is only on a per lecture basis and is non-continuous. Printed pages with occasional manuscript corrections. The versos of most of the leaves throughout contain mounted small cutouts from b/w photographic prints either reproducing relevant images from art history or being original technical hand-drawings by Charlot serving as relevant illustrated figures on the rectos for the corresponding text pages opposite 275 in total. An additional thirteen of these images have been directly mimeographed onto the rectos. The 22 leaves of compiled photographic negatives found at the rear of the binder contain most of the same images seen throughout and are organized according to lecture.<br /> <br /> In 1938 Walt Disney invited the French-born Mexican-American artist Jean Charlot 1898-1979 to deliver a series of eight lectures on art history and technique to the staff of the Disney Animation Studios over the course of two months from April 12th - May 31st of that year. Though Charlot was adamant against having any kind of lecture plan as he states in his opening remarks each of the lectures were still always themed Natural vision composition two-dimensional composition color and subject planes and space etc. Each was accompanied by a series of slides reproduced and mounted here both of Charlot's original impromptu drawings and reproductions of historic works of art. Fortunately a stenographer or recording device was present and took down each lecture including the questions and answers posed by his audience. This extremely scarce mimeographed binder serves as a complete and systematic documentation of those important and significant lectures.<br /> <br /> At the time of these lectures the company had just come off the massive and groundbreaking success of Snow White and the Seven Dwarfs 1937 and was at work on the shorts "Mickey's Toothache" and the ultimately scrapped "Pluto's Robot Twin". Although there does not seem to be direct evidence or documentation pointing to the affect these lectures ultimately had on the future work of the studio its diffuse influence can be surmised. At the very least these in depth lectures provided a continued boost to the morale and confidence of the Disney staff in placing the relatively new and sometimes belittled art form of animated films on the vast continuum of the fine arts from prehistoric times through classical antiquity and until the present. This reassured the staff of their visual storytelling abilities and the relevance of their chosen work. These assertions have since been reinforced by the the fact that in the wake of these lectures a number of these animators stayed in contact with Charlot and over the years since have asserted the personal impact these lectures had on their outlook.<br /> <br /> Although the discussions here range widely from all historical periods of art incorporate examples from the relevant work of many of the most famous international figures and touch upon countless technical and specific qualities of the fine arts arguably the most significant and unique aspect the text is Charlot's discussions of art in Mexico where he lived most of the time beginning in 1921. Specifically the art of Mexican murals and the work of Jose Guadeloupe Posada nearly forgotten during this period who had just recently died in 1913 were of interest to Charlot. It is known that he began buying Posada prints and the original printing blocks from Posada's print shop reviving interest which has never abated. Though we could find no specific reference to Posada in any of his lectures the speaker does incorporate Rivera's murals noting in passing that "a man like Rivera has absolutely to shun all textural qualities all brush stroke qualities because all things appear at a distance" Lecture V p. 12. Going further into the influence of Mexico's divergent populations and its effect on art Charlot describes in his following lecture "This static rectangle to me became assimilated to the Indian for a number of reasons and one of them is that the true verticals and true horizontals are admirably fitted to the Indian character; the Indian is always in close contact with the ground which is a true horizontal and the man in squatting takes a very different shape and different proportions from the White man. If you have a white man sitting on a chair you have those two little tooth picks under him and he has no correct relation with the so-called Mother Earth" Lecture VI p. 7. <br /> <br /> Only in the final lecture does Charlot finally speak on animation humbly noting "I told you the other time I would talk on animation tonight and I felt silly the whole week long because after all you are the people who know most about it; but it will be a good result to me by clearing my mind about it and I hope you won't hiss" Lecture VIII p. 1. The lecturer then goes on to sympathetically compare a close-up of Grumpy's face to a portrait by Raphael.<br /> <br /> According to Ruel Denny in "A Tale of Two Studios: Artist Jeans Charlot in Walt Disney's Atelier" taken from Feast of Strangers: Selected Prose and Poetry 1999 these lectures although never published "are provocative because they provide a partial but unique record of five concurrent artistic encounters in the twentieth-century: first the intellectual collaboration in artistic research by Disney and Charlot; second the encounter between the fine artist Charlot and a group of craftsmen in popular art; third the connections and disconnections between the visual arts of the pre-cinematic period and those of the cinematic age; four the marriage between cinematic animation techniques of storytelling and our inherited and folkloristic narrative of the oral and print traditions; and five the migration into modern media from primordial sources and picturizations of anthropomorphized animal figures".<br /> <br /> Some leaves throughout with minor age toning along edges as well as some occasional light stains or adhesive residue <br /> from the images pasted on the rectos. Some of the pasted on plates are loosening from the original drying adhesive and it is clear that in a very few instances images have come loose or are missing. Binder and interior in very good condition overall. Extremely scarce. Provinence:<br /> It is not known how many of these scarce mimeographed copies were printed but there is another known copy held in the collections of the University of Hawaii the state where Charlot spent his final years. It is known that the content of these lectures was never formally published. This copy bears the name of American television actor comedian and Soupy Sales sidekick Frank Nastasi 1923 – 2004 at the top of the title leaf. There is no evidence of Nastasi's connection to Disney or that he had ever attended these lectures he would have been 15 years old at the time so it is not known how he came to be in possesion of the piece. NP unknown
1973064472Los Angeles CA: Zeitlin & Ver Brugge 1973. Book. Very Good. Soft cover. Signed by Authors. 4to. Includes slipcase. Also includes additional plate laid-in: Hawaiian Swimmer. Plate is signed by Jean Charlot. Limited Edition of 1000 copies drawn directly from the plates of Jean Charlot. This is number 217. SIGNED by the artist Jean Charlot and Lynton R. Kistler on limited page. Missing prospectus. Illustrated with 32 full page multi-color lithographs. Shelfwear to book: light scuffing along edges and covers spine fade small tear and crease along outer edge of front cover. Interior is clean and tightly bound. Additional plate Hawaiian Swimmer is in excellent condition. Shelfwear to slipcase: scuffing along edges and covers fading some scratch marks and smudges on covers. Volume is in Very Good condition. Zeitlin & Ver Brugge Paperback
1974643Los Angeles: Dawson's Book Shop 1974. Limited Edition. Hardcover. Very Good/Very Good. :: Miniature Book :: Limited Edition of 300 copies. :: Artful tiny color lithograph reproductions of the plates of the original 1932 Picture Book with Jean Charlot's own commentary verses upon each. :: Signed and numbered upon last page by Jean Charlot and initialed by Lynton R. Kistler- whom hand-set the type in the original Picture Book and wrote the introduction for this miniature. :: <br /> <br /> Bound in publisher's white paper-covered boards front board bears title in black illustration of author's autograph printed down spine. Book itself measures 2 1/8 inches tall x 1 5/8 inches wide; 53 x 42 millimeters. Slightly larger when enclosed in dust jacket and slipcase. Pages unnumbered. <br /> <br /> Condition: Very Good in Very Good dust jacket & Very Good slipcover. Minimal shelf-wear. Dawson's Book Shop hardcover
001138Los Angeles CA: Zeitlin & Ver Brugge 1973 1973. ALFONSO OSSORIO'S COPY - LIMITED SIGNED EDITION. 1 vol. limited to 1000 numbered copies this being #135 signed by Charlot & Kistler illustrated with 32 full page multi-color lithographs additional boldly signed by Alfonso Ossorio on the front blank endleaf. Original printed wrappers with the original slipcase includes the prospectus and an additional plate "The Hawaiian Swimmer" signed in pencil by Charlot in NEAR FINE condition. Alfonso Angel Yangco Ossorio was a Filipino American abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental. His heritage was Hispanic Filipino and Chinese. Los Angeles CA: Zeitlin & Ver Brugge, 1973 unknown
1974052181Los Angeles: Dawson's Book Shop 1974. 1st Edition 1st Printing. Soft cover. Fine/As New. A Very Tiny New Edition Of The 1933 First Edition Including The Dj Stating "Inscriptions By Paul Claudel" But With The Claudel Text Replaced With The Verses By Charlot Originally Intended For The 1933 Edition. #229 Of 300 Copies Signed By Charlot And Initialed By Lynton R Kistler With 32 Original Lithographs By Charlot Signed In Color In The Plates And A Dj By Charlot. A Fine As New Example No Wear Or Damage No Browning Or Fraying In Fine Dj And Slipcase. <br/> <br/> Dawson's Book Shop paperback
021284Los Angeles: Zeitlin & Ver Brugge 1973. First Edition. wraps. Mostly unopened; minor wear to spine. Near Fine lacking the slipcase. Jean Charlot. Quarto 8-3/4" x 11" in illustrated wrappers. Illustrated with 32 ORIGINAL COLOR LITHOGRAPHS. Copy #240 of 1000 copies SIGNED on the colophon page by the artist and the printer Lynton R. Kistler. <br/><br/> Zeitlin & Ver Brugge paperback
1933021285New York: John Becker 1933. First Edition. wraps. About Fine in a Good example of the uncommon dustwrapper with wear along the spine and edgewear. Jean Charlot. Quarto 8-3/4" x 11" in printed wrappers with dustwrapper. Inscriptions by Paul Claudel translated onto English by Elise Cavanna. Illustrated with 32 ORIGINAL COLOR LITHOGRAPHS drawn directly onto the plates by Jean Charlot and printed under the technical supervision of Will A. Kistler. Copy #359 of 500 SIGNED on the colophon page by the artist typesetter Lynton R. Kistler and designer Merle Armitage. THE ARTIST & THE BOOK 54: "The beautiful illustrations in this book typical of Charlot's Mexican figure style are these lithographs drawn by the artist on zinc plates rather than stones." <br/><br/> John Becker paperback
19331812150008<p>John Becker 1933-01-01. First Edition. Paperback. Very Good. Signed. Limited edition of 500 numbered copies signed by Charlot Kistler & Armitage. Complete with 32 original chromolithographic plates by Charlot. 4to 28.3 x 22.2 cm. Bound in publisher's printed wrappers. Wear to dust jacket with some loss. Good binding and cover. Clean unmarked pages. 128 pages. "The beautiful illustrations in this book typical of Charlot's Mexican Mayan figure style are these lithographs drawn by the artist on zinc plates rather than stones"- The Artist & The Book 54.Autographed by author.</p> John Becker paperback
19731988Los Angeles: Zeitlin & Ver Brugge 1973. Paperback. Fine. LIMITED EDITION of 1000 copies of which this is numbeered 68 and SIGNED by Charlot and Kistler. Also the first color print "Hawaiin Swimmer" is also signed by Charlot. Fine softcover in slipcase Zeitlin & Ver Brugge paperback
12617Los Angeles: Zeitlin & Ver Brugge 1973. First edition. Softcover. vg. 1/1000. 8vo. Unpaginated. Illustrated wrappers in original paper covered illustrated slipcase. Pages unopened. "'Picture Book II' is the clearest and most direct of titles. Yet its very simplicity calls for some comment in this complex age. It is indeed a book of pictures - pictures which are unified only by being the work of a single man. Jean Charlot considers it a collection of some of his personal motifs analogous to a Liber Studiorum of an earlier age. Many subjects will be familiar to those who know the artist's oeuvre though they wear new colors and new composition." Stunningly illustrated with 32 full page multi-color lithographs which the artist prefers to call 'chromolithographs.' Each plate is accompanied with text written by Charlot. Includes an additional color lithograph "Hawaiian Swimmer" signed in pencil by Charlot which is different from the one depicted in the book. This plate was not part of this edition and is laid-in. Colophon page is also signed by the artist and the printer Lynton R. Kistler. A wonderful edition with both slipcase and book in very good - fine condition. Zeitlin & Ver Brugge unknown
1933005079New York: John Becker 1933. First Edition. Disbound. Occasional marginal tears. Near Fine. Jean Charlot. Included are 10 of the 32 ORIGINAL LITHOGRAPHS from PICTURE BOOK printed in 6 or 7 colors on zinc signed in the plate by Charlot with a colophon page SIGNED by the artist the printer Lynton Kistler and the designer Merle Armitage. They are laid into a folder made of the same paper as that on which the lithographs are printed. <br/><br/> [John Becker] unknown
1933028506New York: John Becker / Merle Armitage / Will And Lynton R. Kistler 1933. 1st Edition 1st Printing. Soft cover. Fine/Very Good Dust Jacket. #243 Of 500 Copies Signed By Armitage Kistler And Charlot With 32 Original Lithographs By Charlot Signed In Color On The Plates And A Dj By Charlot. True Lithographs Drawn By Charlot Directly On 34" X 44" Zinc Plates In A Color Separation Process That Charlot Had Learned From Ben Shahn. Text Hand-Set By Kistler In Castellon Old Style With Heads In Bodoni Ultra-Bold. A Fine As New Example No Wear Or Damage No Browning Or Fraying. With The Original Light Brown Dust Jacket Lettered And Illustrated In Red On Front And Rear Covers And On Spine With Unprinted Upper And Lower Flaps On Front Panel Side Flap On Rear Panel; The Dust Jacket Has Light Edge Wear And Spine Wear With Very Short Tears At Corners And A 1/8" X 1/16" And Another 1/8" X 1/4" Light Brown Stain Or Mark At Lower Front Spine Corner Otherwise Very Clean And Unfaded. An Exceptional Example. With The Four Page Prospectus For The Book With Another Original Zinc Lithograph By Charlot Signed In Pencil #25 In The Book But With A Completely Different Color Scheme From That In The Book; The Prospectus Had A Small Printing For Circulation Amongst Printers In Los Angeles And Is Rare No Institutional Holdings Identified In Worldcat. <br/> <br/> John Becker / Merle Armitage / Will And Lynton R. Kistler paperback
