Frances Pinkham (screenwriter)Biblio.com
8 426 résultats
1940129720N.p.: N.p. 1940. Treatment script for an unproduced film. <br /> <br /> Two brothers with a patchy relationship both end up becoming competent jockeys and one who had previously slighted the other throws the important race so the other can win. <br /> <br /> Self wrappers with integral title page present showing credits for screenwriter Pinkham. 9 leaves original typescript. Pages Very Good plus bound with three gold brads. N.p. unknown
1957168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film.<br /> <br /> A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. <br /> <br /> 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown
1931135170Los Angeles: Fox Film Corporation 1931. Post-production Screen Continuity script for the 1931 film. Based on the 1908 play "Father and the Boys" by George Ade. <br /> <br /> A comedy of errors in which a wealthy meatpacking company owner in Chicago has two sons both who treat their father's company as a means to their own extravagant ends. When he turns the tables evading his work responsibilities and traveling around with a French singer they fear that the singer is out to blackmail him. <br /> <br /> Pale blue studio wrappers dated April 27 1931 noting footage of 7000 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown
1948135343Los Angeles: Republic Pictures 1948. Vintage black-and-white studio still photograph from the 1948 film noir. Rubber stamped "7" on the verso. Based on the 1946 novel by Theodore Strauss. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Republic Pictures unknown books
1965167883N.p.: N.p. 1965. Three vintage single-photo assemblages of publicity and reference images from the 1965 British film musical. <br /> <br /> A musical comedy about a love triangle between a pub owner's daughter a popular model and an aspiring Australian singer. The film debut of Suzy Kendall. <br /> <br /> Shot on location in London.<br /> <br /> 8 x 10 inches. Stapled at the top left corner. Good only with dampstaining on the bottom corners. N.p. unknown
1966146399Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Draft script for an unproduced film. With a single small manuscript ink annotation to page 123 changing "who" to "whom." Not to be confused with the 1943 1948 1999 or 2020 produced films with the same title.<br /> <br /> Based on Richard Martin Stern's 1963 mystery thriller by Fred Coe who was also initially slated to direct. A private investigator moves back to his hometown to bury his late father but finds himself quickly entangled in a criminal case involving the sexual assault of a local woman. Screenwriter Fred Coe was best known for directing "A Thousand Clowns" 1965 which was nominated for an Academy Award for Best Picture.<br /> <br /> Blue titled wrappers rubber-stamped copy No. 48 dated October 1 1966 and dated as copied October 17 1966 with credits for screenwriter Fred Coe and novelist Richard Martin Stern. Title page integral with the front wrapper as issued. 194 leaves with last page of text numbered 192. Mimeograph duplication rectos only with white revision pages throughout dated 10-13-66. Pages Very Good wrapper Very Good with light toning to the extremities and tearing at the rear wrapper's binding bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1956145504Los Angeles: Bert E. Friedlob Productions 1956. Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. <br /> <br /> A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. <br /> <br /> Shot on location in Chicago. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Bert E. Friedlob Productions unknown
1972WRCLIT68340Culver City: Columbia Pictures 1972. Eight pictorial lobby cards 11 x 14". Cards #s 1 and 2 show heavy creasing with #1 having a 1" closed tear from the middle top edge faint production crease to top edges of three others lower corner margin of #4 has a few dust spots otherwise a nice set unused. A complete set of the lobby cards promoting Gardner's superb adaptation to the screen of his own first novel. John Huston directed and Stacy Keach Jeff Bridges Candy Clark and Susan Tyrell starred. Tyrell was nominated for an Academy Award in the category of Best Supporting Actress for her performance as the barfly Oma. Columbia Pictures unknown books
1970141703N.p.: N.p. 1970. Draft script for an unproduced film. Manuscript note laid in.<br /> <br /> In 1926 a sex worker decides to strike out on her own and form a bordello finding women who are brave and courageous enough to do what they want. <br /> <br /> Set in San Francisco. <br /> <br /> Lacking wrappers. Title page present with credit for screenwriter Garrie Bateson. 113 leaves pages not numbered. Xerographic duplication rectos only. Pages Near Fine housed in a three ring binder. N.p. unknown
1950142329N.p.: N.p. 1950. Draft script for an unproduced film. Ribbon copy typescript. <br /> <br /> A gentleman pays the bail of a recently-jailed political activist who is then invited to a meeting of the League of Free Men. When the activist turns up murdered a few days later with a mysterious note found on his body the police begin investigating exactly what this organization is all about. <br /> <br /> Set in London. <br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present noted as First Version with credits for G.E. Moore. 98 leaves with last page of text numbered 94. Ribbon copy typescript with type in black and red. Pages Very Good plus wrapper Very Good plus bound with a string binding. N.p. unknown
1950142332N.p.: N.p. 1950. Treatment script for an unproduced film. Ribbon copy typescript. <br /> <br /> A violent gang of men chaos all over the outskirts of London by beating up the daughter of an older woman they are sheltering and abducting people throughout the London countryside. <br /> <br /> Set in London. <br /> <br /> Brown titled wrappers with typescript title label affixed on the front wrapper. Title page present with credits for screenwriter G.E. Moore. 34 leaves with last leaf of text numbered 31. Ribbon copy typescript. Pages Near Fine wrapper Near Fine with string binding. N.p. unknown
1970153160N.p.: N.p. 1970. Draft script for an unproduced film.<br /> <br /> In order to force their brother's release from prison two dimwitted men decide to steal the Liberty Bell. <br /> <br /> Set in Philadelphia. <br /> <br /> Brown wrappers with a printed title label affixed to the bottom right corner of the front wrapper. Title page present undated with credits for screenwriter Gene Fiskin. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a black Velo binding. N.p. unknown
1974146534Los Angeles: Selznick/Glickman Productions 1974. Treatment script for an unproduced film. Laid in with the script is a typed letter on Selznick/Glickman Productions letterhead introducing the screenplay addressed to an agent at the Paul Kohner casting agency and signed by film producer Daniel Selznick.<br /> <br /> Based on the 1972 novel. An American physician is the only doctor who can perform a surgery that will save a Soviet scientist's life-but the scientist is on the verge of an atomic breakthrough that could kill millions.<br /> <br /> Set in Russia and Paris.<br /> <br /> Yellow untitled card wrappers. Title page present noted as Screen Treatment with credits for screenwriter Gene R. Kearney and novelist Marshall Goldberg. 29 leaves with last page of text numbered 28. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three silver brads. Selznick/Glickman Productions unknown
1983141716Los Angeles: Sasha and the Greystones 1983. Treatment script for an unproduced film. <br /> <br /> The son of a Bulgarian oligarch has just completed his postgraduate degree at Oxford and been promoted in the Navy when he announces to his father that he wishes to marry his English sweetheart. His father tries desperately to change his son's mind and not to throw away his career for romance. <br /> <br /> Pink untitled wrappers dated June 30 1983. Title page present dated May 25 1983 noted as First Draft with credit for screenwriter George Ganchev. 17 leaves with last leaf of text numbered 16. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Sasha and the Greystones unknown
1983141726Los Angeles: Sasha and the Greystones 1983. Treatment script for an unproduced film. <br /> <br /> An unlikely quartet of international spies begins operating in Europe under the control of no particular government in order to thwart a terrorist plan.<br /> <br /> Blue untitled wrappers dated May 13 1983. Title page present dated March 1983 noted as Revised with credit for screenwriter George Ganchev. Eleven leaves with last page of text numbered ten. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Sasha and the Greystones unknown
1973141080N.p.: N.p. 1973. Treatment script for an unproduced film. <br /> <br /> A British expatriate living in Burma decides to travel to Hong Kong but is imprisoned en route when heroin is found in his luggage. He also finds himself the target of assassination attempts for no discernible reason.<br /> <br /> Set in Hong Kong. <br /> <br /> Red untitled wrappers. Title page present dated 1973 with credit for screenwriter George M. Reid. 75 leaves with last leaf of text numbered 72. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine unbound. N.p. unknown
1961162066N.p.: Trans-Lux 1961. Vintage studio still photograph from the US release of the 1961 French film. Provenance stamp on the verso. <br /> <br /> Based on the 1952 novel "La Mort de Belle" by Georges Simenon. Jean Desaily plays everyman Stéphane Blanchon a professor living a quiet life with his wife Christine in Geneva until a beautiful American student Belle living next door is found strangled to death.<br /> <br /> Shot on location in Geneva Switzerland and Val-de-Marne France. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Selby France. Trans-Lux unknown
1973161911N.p.: Maturpix Corp 1973. Vintage studio still photograph from the 1973 film. Provenance stamp on the verso. <br /> <br /> A strange and obscure "roughie" wherein we follow the sexual exploits of the cynical and misogynistic Barney who records his thoughts into a portable tape recorder he carries everywhere with him. <br /> <br /> Shot on location in Philadelphia Pennsylvania. <br /> <br /> 8 x 10 inches. Very Good plus. Maturpix Corp unknown
1970141962Berlin: CCC-Film CCC-Filmkunst 1970. Draft script for an unproduced film. Annotations in manuscript pencil on two leaves. <br /> <br /> A spoiled young man the titular Schliemann searches in vain around the world for an answer to the secret of happiness. <br /> <br /> Salmon titled wrappers with credit for screenwriter Gerhard Menzee. Title page present with credit for screenwriter Gerhard Menzee. 175 leaves with last page of text numbered 172. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a silver prong. CCC-Film [CCC-Filmkunst] unknown
1963150563N.p.: National Screen Service 1963. Eight vintage black and white studio still photographs from the 1963 film. <br /> <br /> An exploration of unusual people and behaviors throughout the world narrated by George Sanders. Includes a performance artist who sticks long needles into his body footage of the Grand Guignol theatre in Paris reindeer castrations and many more. <br /> <br /> 10 x 8 inches. Near Fine. National Screen Service unknown
1971147059Rome: Vogue Film 1971. Treatment script for an unproduced film. Laid in with the script is a two-page typed summary dated 2-17-72. Text in English. <br /> <br /> A married lawyer travels to Tehuantepec to seek the extradition of a vicious killer to Italy. He falls in love with a beautiful Mexican woman and decides to leave his wife and children in the US to live with her unaware that a darker fate awaits him.<br /> <br /> Set in Tehuantepec Mexico.<br /> <br /> Black untitled wrappers. Title page present dated 1971 noted as film treatment with credits for screenwriters GIROGIO BONTEMPI and MIGUEL SABIDO. 47 leaves with last page of text numbered 43. Carbon typescript rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Vogue Film unknown
1954160264Universal City CA: Universal International Pictures 1954. Vintage studio still photograph of actress Gloria DeHaven from the 1954 film. <br /> <br /> Three sailors on furlough in Paris meet three women they would all like to get to know better. <br /> <br /> Set in Paris. <br /> <br /> 5.25 x 7.25 inches trimmed. Very Good plus with some creasing and one small bruise to the center of the bottom border on the recto. Universal International Pictures unknown
1970141821N.p.: N.p. 1970. Draft script for an unproduced film. Annotation in manuscript pencil on the title page noting an address.<br /> <br /> Gloria Goldsmith was known primarily as a writer of television movies including "Girls on the Road" 1972 and "The Secret Life of Kathy McCormick" 1988. <br /> <br /> Goldenrod titled wrappers. Title page present with credit for screenwriter Gloria Goldsmith. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1962167588Los Angeles: Twentieth Century-Fox 1962. Vintage studio still photograph from the 1962 film. <br /> <br /> Loosely based on the 1920 German silent film "The Cabinet of Dr. Caligari." After her car breaks down a woman seeks shelter at the vast estate of Caligari a perverse Welsh hermit who imprisons the woman for his harem of tortured "guests." <br /> <br /> 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1976141015N.p.: N.p. 1976. Draft script for an unproduced television program. <br /> <br /> A Latino man goes to small claims court to collect money owed by his landlady. He then begins translating for a different man who does not speak English helping the man win his case. <br /> <br /> Set in California. <br /> <br /> Lacking wrappers. Title page present dated April 2 1976 with credits for screenwriter Gonzalo Munevar. 49 leaves with last page of text numbered 49. Xerographic duplication rectos only. Pages Near Fine unbound. N.p. unknown
