4 025 résultats
1941126200Universal City CA: Universal Pictures 1941. Post-production Continuity and Dialogue script for the 1941 film "Horror Island" along with a script for a "Double Bill Trailer" in which this film was featured with another George Waggner film of the same year "Man Made Man-Made Monster." The latter film was based on a story called "The Electric Man" written by H. J. Essex director of "I the Jury" 1958 Sid Schwartz and Len Golos with Joseph West Waggner as screenwriter. <br/><br/>Hal Erickson: "It has been alleged that 'Horror Island' was the least expensive of Universal's 1940s second features. While it certainly looks that way it remains an enjoyable outing from fade-in to fade-out. In the tradition of 'Ten Little Indians' a group of disparate types are lured to a supposedly haunted mansion on a remote island. Their 'host' is peg-legged privateer Tobias Leo Carrillo who possesses half of a valuable treasure map. One by one the treasure-hunters are killed off by a mysterious assailant with Tobias the first victim. <br/><br/>White wrappers production No. 1132 dated March 22 1941 with credits for cast members Dick Foran Leo Carrillo Peggy Moran Fuzzy Knight John Eldredge and Lewis Howard as well as director Waggner. 133 leaves mimeograph duplication. <br/><br/>The "Double Bill Trailer" script is in white wrappers side-stapled rubber-stamped copy No. 6883 production nos. 1137 and 1119 dated March 29 1941 with credits for both films and "Central Files" in holograph pencil in the upper left corner. 8 leaves mimeograph duplication. <br/><br/>Pages Near Fine with a small corner crease to the first page. Wrapper Very Good plus or better with a touch of toning and short corner creases to the front wrapper bound with two gold brads. Wrappers encapsulated in archival mylar. Universal Pictures unknown books
1985141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. <br/><br/>An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. <br/><br/>Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. <br/><br/>Set in <br/><br/>Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographically duplicated. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown books
1985141860Munich 1985. Draft script for an unproduced film. Laid in is a business card for Alex Tudor a screenwriter and director. <br/><br/>Clear untitled wrappers. Title page present dated 1984-1985 with credits for screenwriter Roger Lynn and director and screenwriter Alex Tudor. 55 leaves with last page of text numbered 52. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with prong binding. unknown books
1985141852Munich: N.p. 1985. Draft script for an unproduced film. Text in German language. Laid in is a business card for Alex Tudor a screenwriter and director. <br/><br/>Teal untitled wrappers. Title page present dated 1984-1985 with credits for screenwriter Roger Lynn and director and screenwriter Alex Tudor. 170 leaves with last page of text numbered 167. Xerographically duplicated first generation copy with no copied punch holes. Pages Near Fine wrapper Near Fine perfect bound. N.p. unknown books
1989152816N.p.: N.p. 1989. Draft script for the 1990 television film here under the working title "Fast Lane." <br/><br/>A woman discovers that the man with whom she has just had a one-night stand is a hired assassin and tries to stop him from completing his next hit. <br/><br/>Set in New York. <br/><br/>Self wrappers. Missing title page presumably as issued. 107 leaves with last page of text numbered 102. Xerographic duplication on blue stock rectos only with pink yellow and green revision pages throughout. Pages Near Fine bound with two gold brads. N.p. unknown books
1939144998Los Angeles: Twentieth Century-Fox 1939. Vintage photograph of director Alfred Werker and actors Preston Foster Lynn Bari George Barbier and Russell Gleason on the set of the 1939 film. Printed description on the verso. <br/><br/>Steve Drum Preston Foster a crusading newspaper editor helps free a man framed for a crime and aids in finding the real culprit. Staff reporter Maxine Thomas Lynn Bari goes along for the ride. <br/><br/>10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
138996N.p.: N.p. circa. First Draft script for an unproduced film. <br/><br/>Altschuler is best known for her work on Harold Young's 1939 film "Sabotage." Story of a romance between a shopgirl named Amy and a struggling writer named James. <br/><br/>Brown production company wrappers The Feldman-Blum Corporation. Title page present with credits for screenwriter Alice Altschuler. 96 leaves with last page of text numbered 95. Carbon typescript on onionskin stock. Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1970139424Beverly Hills CA: United Artists 1970. Original one-sheet US poster for the 1970 X-rated film. Distributor rubber stamp on the verso. <br/><br/>Director Funt notable for his "Candid" series of adult films explores further the human psyche when confronted with nudity in unusual candid situations. Richard "Shaft" Roundtree plays one-half of an interracial couple in his film debut. <br/><br/>27 x 41 inches folded as issued. Very Good plus fold stress small central chips and a few short tears. United Artists unknown books
1936130393N.p.: N.p. 1936. Treatment script for an unproduced film. <br/><br/>A newsboy meets a professional dancer and the pair become highly respected in the couples dance circuit in New York City before the newsboy's boss desires the dancer for himself and sends the newsboy to cover the dance circuit nationwide in order to get him out of the picture. <br/><br/>Untitled manila wrappers. Title page integral with the first page of the script dated April 22 1936 with credits for screenwriter Rivkin. 12 leaves mimeograph on onionskin stock. Pages Near Fine wrapper Near Fine side stiched. N.p. unknown books
1973141856N.p.: N.p. 1973. Draft script for an unproduced film. <br/><br/>A woman checks into a motel in Wyoming renting a cabin for a week and begins cleaning a rifle. No one has the slightest suspicion that she is responsible for a string of murders and will likely strike again. <br/><br/>Set in Wyoming. <br/><br/>Blue untitled wrappers with a die cut title window in the British style. Title page present dated 1973 with credits for screenwriter Alton Wilde. 92 leaves with last page of text numbered 91. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. N.p. unknown books
1964139751Beverly Hills CA: United Artists 1964. Two vintage studio still photographs from the US release of the 1964 French film. <br/><br/>A 1960s update on the deathless French crime figure. Fantomas is an infamous criminal with uncanny impersonation skills. With the use of various masks and disguises he assumes a plethora of identities in order to successfully carry out his crimes. Pictured in these photos is the hapless Inspector Juve here played by Louis de Funes for whom Fantomas is always just a few steps away but still out of reach. <br/><br/>Shot on location in various locations around France. <br/><br/>10 x 8 inches. Near Fine with a holograph notation to the verso. <br/><br/>Complete collation details available on request. United Artists unknown books
1976143866N.p.: N.p. 1976. Draft script for an unproduced film. Laid in autograph letter signed by Andrea Ireland Stapley addressed to an anonymous editor recipient dated March 4th 1976. <br/><br/>Blue untitled wrappers. Title page present with credits for screenwriter Andrea Ireland Stapley. 191 leaves with last page of text numbered 176. Xerographically reproduced Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1990140098N.p.: Cos Group 1990. Vintage Hong Kong double crown poster for the 1990 Hong Kong-Taiwanese film. SIGNED on the recto in Chinese by an unknown person. <br/><br/>In Ann Hui's semi-fictional autobiography she weaves a tale of familial dysfunction uncertain origin and self discovery. After being passed up for a job at the BBC 26-year-old Cheung Hueyin returns home to Hong Kong. There she must reconcile the strained relationship between her and her mother a Japanese immigrant unable to assimilate to Hong Kong's culture. The two return to her mother's birthplace in Japan and attempt to gain a better understanding of one another. <br/><br/>Shot on location in Hong Kong Japan and London. <br/><br/>21 x 30 inches. Very Good plus with small scratches to the recto stamped to the versoand lightly wrinkled overall. Cos Group unknown books
1958132460London: Twentieth Century-Fox 1958. Collection of 7 vintage full-color still photographs from the 1958 UK release of the 1958 Australian film. <br/><br/>Based on Moore Raymond's novel of the same name about a young boy in the Australian bush and hailed as the Australian "Huckleberry Finn." <br/><br/>8 x 10 inches. Several stills with moderate creases else Near Fine. Twentieth Century-Fox unknown books
1972120967Beverly Hills CA: United Artists 1972. Complete set of 8 lobby cards for the 1972 crime film "Across 110th Street." Because it is set in Harlem this very underrated crime drama is often lumped with "blaxploitation" pictures of the same era. In truth it belongs to the great pantheon of gritty violent police procedurals of the early 1970s-something of a New York City companion to Don Siegel's "Dirty Harry" released the year before. A few faint scratches to a couple of the cards and a faint dampstain to the bottom edge of a few others; a bright clean set overall. <br/><br/>Parish and Hill 3. United Artists unknown books
1979140019London: ITC Entertainment 1979. Collection of 6 vintage full color British lobby cards from the 1979 international film. Produced in Italy the UK Brazil and the US. <br/><br/>Jewel heist gone wrong in piranha-infested waters with a band of thieves struggling to find cohesion. <br/><br/>Shot on location in Brazil. Hot on the tail of Joe Dante's satirical horror film "Piranha" itself a shadow of Spielberg's 1975 epic thriller that started a new "wave" of sea monster movies "Jaws."<br/><br/>11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown books
1973130718Beverly Hills CA: United Artists 1973. Post-production script for the 1973 film. <br/><br/>The story of two jaded police officers who turn to crime using knowledge they learned as cops to plan heists and augment their low salaries. Westlake's darkly comic and bitter story received a very positive critical response. Set in 1970s era New York and shot there on location this film offers a candid and engaging portrait of the city's gritty pre-gentrified past. Gorman's first starring role. <br/><br/>Blue brad-bound titled wrappers dated May 23 1973 noting 5 reels and footage of 7968 feet. Mechanical duplication. Near Fine. United Artists unknown books
1972140762Dharma Productions 1972. Draft script for an unproduced film. <br/><br/>Escaping her recent divorce and death of her child Leslie an American ends up in India where Buddhism has its roots Banhasa along the banks of the Ganges. A mysterious man gives her a ring that will not come off her finger with a strange symbol on it later revealed to be the atma or that from which all emanates. She is set off on a both a liberating and terrifying journey to destroy the ego and become at peace with herself. <br/><br/>Set in Banhasa India. <br/><br/>Green titled wrappers with credits for screenwriter Arnold Schulman. Title page present dated January 1972 with credits for screenwriter Schulman. 102 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. Dharma Productions unknown books
1965135450Culver City CA: Florin / Columbia Pictures 1965. Collection of three vintage black-and-white studio still photographs from the 1965 film. Featuring images of Warren Beatty and Alexandra Stewart. <br/><br/>Some say that the New Hollywood era began with "Bonnie and Clyde" in 1967 others say "Mickey One" in 1965. Either way you look at it the director was Arthur Penn. Beatty was not only the muse for Penn's avant-garde tale of a comic who runs afoul of the mob but also the crazed youngster who would get Penn assigned to Bonnie and Clyde and initiate the second golden age of cinema. Stan Getz laid improvisations onto the progressive and somewhat classical score for the film against the backdrop of a full orchestra. <br/><br/>Set in Chicago and shot on location there. <br/><br/>8 x 10 inches. CONDITION. <br/><br/>Complete collation details available on request. Florin / Columbia Pictures unknown books
1971149549Mexico: Cinematografica Jalisco 1971. Vintage poster for the 1971 Mexican Western film. <br/><br/>26 x 36.75 inches. Very Good with pinholes to the corners starting to the creases and light toning. Folded as issued. Cinematografica Jalisco unknown books
1998143688Los Angeles: Freyda Rothstein Productions 1998. Draft script for the 1998 television film originally aired July 19 1998 on Lifetime Television. <br/><br/>Elaine Marshall Jean Smart catches her husband John Terry with his male lover in a hotel room. Their idyllic family life is turned upside down as they are forced to confront his long kept secret. <br/><br/>Shot on location in Portland Oregon. <br/><br/>Green titled self-wrappers dated 3/21/98 with credits for screen writers Aaron Mendelsohn Ken Carter and Annette Haywood-Carter. 124 leaves with last page of text numbered 102. Xerographic duplication with green blue and pink revision pages throughout dated variously between 3/16/98 and 3/21/98. Pages Near Fine wrapper Very Good plus bound with three gold brads. Freyda Rothstein Productions unknown books
141931N.p.: N.p. Draft script for an unproduced film. <br/><br/>After her father loses his grip on reality and murders his wife Annie is picked up and taken in by her aunt and soon falls for a pony rider in the local fair. Their love last years and despite whatever distance may be between them. <br/><br/>Set in the American Southeast. <br/><br/>Brown titled wrappers. Title page present with credits for screenwriter Barry Schneider. 119 leaves with last page of text numbered 116. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1996WRCLIT69347New York: Miramax 1996. Folio 27" x 39 3/4" 69 x 101 cm. Very good to near fine. A striking teaser one sheet "Basquiat is Coming" for the then forthcoming film biography of Basquiat adapted from stories by L.J. Majewski and John Bowe and directed by Julian Schnabel. The ensemble cast included Jeffrey Wright in the title role as Jean Michel Basquiat David Bowie Dennis Hopper Gary Oldman Michael Wincott Benicio Del Toro Claire Forlani Courtney Love Parker Posey and Christopher Walken. The film won Special Recognition from the National Board of Review and Schnabel was nominated for a Golden Lion Award at the Venice Film Festival. Shipped rolled. Miramax unknown books
143182Burbank CA: National Broadcasting Company NBC. Final script for the two-hour October 24 1954 television special an anthology of stories commemorating the 75th anniversary of the invention of the light bulb by Thomas Edison. An ambitious undertaking with adaptations and original stories by G.K. Chesterton Arthur Gordon Irwin Shaw Max Shulman John Steinbeck and Mark Twain. Much of the script doctoring and story continuity was handled by Ben Hecht. <br/><br/>Blue titled wrappers noted as Final on the front wrapper copy No. 60 dated October 24 1954 with credit for screenwriter Selznick. 114 leaves with last page numbered 149. Mimeograph duplication with white green yellow and pink revision pages throughout dated between 10-15-54 and 10-22-54. Pages Near Fine wrapper Good to Very Good with offsetting and some closed tears at the extremities bound with three gold brads. National Broadcasting Company [NBC] unknown books
1954128635Burbank CA: National Broadcasting Company NBC 1954. Final script for the 1954 television special an anthology of stories commemorating the 75th anniversary of the invention of the light bulb by Thomas Edison. An ambitious undertaking with adaptations and original stories by G.K. Chesterton Arthur Gordon Irwin Shaw Max Shulman John Steinbeck and Mark Twain. Much of the script doctoring and story continuity was handled by Ben Hecht. <br/><br/>Blue titled wrappers noted as Final on the front wrapper copy No. 64 dated October 24 1954 with credit for screenwriter Selznick. 110 leaves mimeograph duplication with white green yellow and pink revision pages throughout dated between 10-15-54 and 10-22-54. Pages Near Fine wrapper Good to Very Good with offsetting and some closed tears at the extremities bound with three gold brads. National Broadcasting Company [NBC] unknown books