4 025 résultats
1979140019London: ITC Entertainment 1979. Collection of 6 vintage full color British lobby cards from the 1979 international film. Produced in Italy the UK Brazil and the US. <br/><br/>Jewel heist gone wrong in piranha-infested waters with a band of thieves struggling to find cohesion. <br/><br/>Shot on location in Brazil. Hot on the tail of Joe Dante's satirical horror film "Piranha" itself a shadow of Spielberg's 1975 epic thriller that started a new "wave" of sea monster movies "Jaws."<br/><br/>11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown books
1960144084Rome: Zebra Films / Cineriz 1960. Collection of 64 vintage borderless single weight film still photographs for the 1960 Italian film. Starring actress Signoret is prominently featured looking pensive or embracing costar Mastroianni and in stunning group images with her female costars. Numerical annotations in holograph pencil on the versos five with Contino's rubberstamp and two are dupes made by the original developer. <br/><br/>Based on an original screenplay about the 1958 Merlin Law making brothels illegal in Italy. Adua Signoret and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living instead of returning to prostitution. Their permit is rejected because of their lurid history but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant charging them rent. The restaurant is ironically successful and Adua even romances Piero Mastroianni but her landlord's excessive rent finally vanquishes her hopes for a brighter future. She holds her ground against the man but no moral deed is without consequences in the underworld and she is last seen as her destitute former self. <br/><br/>Petrangeli also directed "She Wolf" 1953 Visconti's "Ossessione" 1943 assistant director and screenwriter and Rossellini's "Europe '51" 1952 second assistant director; he was a prolific filmmaker in the Commedia all'italiana and died while shooting his last film "How When and with Whom" 1969. <br/><br/>7 x 9.5 inches some slightly smaller. Very Good plus overall with curling and a few scattered creases. Zebra Films / Cineriz unknown books
1960144085Paris: Zebra Films / Cineriz 1960. Original oversize program for the 1960 Italian here under the original title. Illustrated in red with black-and-white stills from the film. Starring actress Signoret is prominently featured looking pensive or embracing costar Mastroianni and in stunning group images with her female costars. Also included is an original press packet detailing film credits a synopsis and brief star biographies. <br/><br/>Based on an original screenplay about the 1958 Merlin Law making brothels illegal in Italy. Adua Signoret and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living instead of returning to prostitution. Their permit is rejected because of their lurid history but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant charging them rent. The restaurant is ironically successful and Adua even romances Piero Mastroianni but her landlord's excessive rent finally vanquishes her hopes for a brighter future. She holds her ground against the man but no moral deed is without consequences in the underworld and she is last seen as her destitute former self. <br/><br/>Petrangeli also directed "She Wolf" 1953 Visconti's "Ossessione" 1943 assistant director and screenwriter and Rossellini's "Europe '51" 1952 second assistant director; he was a prolific filmmaker in the Commedia all'italiana and died while shooting his last film "How When and with Whom" 1969. <br/><br/>Program 12.5 x 13.5 inches saddle-stapled 4 card stock leaves. Very Good with a heavy vertical crease and foxing. Press packet mimeograph on white stock corner-stapled 7 leaves Very Good plus. Zebra Films / Cineriz unknown books
1973130718Beverly Hills CA: United Artists 1973. Post-production script for the 1973 film. <br/><br/>The story of two jaded police officers who turn to crime using knowledge they learned as cops to plan heists and augment their low salaries. Westlake's darkly comic and bitter story received a very positive critical response. Set in 1970s era New York and shot there on location this film offers a candid and engaging portrait of the city's gritty pre-gentrified past. Gorman's first starring role. <br/><br/>Blue brad-bound titled wrappers dated May 23 1973 noting 5 reels and footage of 7968 feet. Mechanical duplication. Near Fine. United Artists unknown books
1974142572Beverly Hills CA: EK / United Artists 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel adapted by Charles Grodin. <br/><br/>Howard Chesser Grodin is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. <br/><br/>Set in London shot there on location and in Warwickshire England. <br/><br/>Burnt orange titled wrappers. Title page present noted as Revised Screenplay with credits for screenwriter Bloom. 130 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. <br/><br/>Lee The Heist Film. EK / United Artists unknown books
1945147118Los Angeles: Loma Vista Vilma 1945. Final Draft script for the 1946 film. <br/><br/>An escaped Nazi war criminal in hiding seeks to reclaim the stolen valuables he has stashed in a Casablanca hotel and has steadily murdered the hotel's managers to maintain control of the property. The newest manager however is Groucho Marx as Ronald Kornblow a blissfully unaware womanizer who continually escapes the Nazi's grasp with the help of his self-appointed bodyguards Harpo and Chico Marx. The fourteenth Marx Brothers film and the seventh Marx Brothers film after the departure of Zeppo Marx.<br/><br/>Set in Casablanca Morocco. <br/><br/>Blue titled wrappers noted as FINAL rubber-stamped copy No. 93 dated July 23 1945. Title page present dated July 23 1945 noted as FINAL. 134 leaves with last page of text numbered 148. Mimeographed rectos only with blue pink and yellow revision pages throughout dated variously between 9/15/45 and 10-24-45. Pages Near Fine wrapper Very Good plus bound with three gold brads. Loma Vista Vilma unknown books
1938141604Los Angeles: Samuel Goldwyn Company 1938. Vintage studio still photograph from the 1938 film. <br/><br/>Archie Mayo's 1938 film depicts the adventures of Marco Polo starring Garry Cooper Sigrid Gurie and Basil Rathbone. <br/><br/>Shot on location in California. <br/><br/>8 x 10 inches. Near Fine. Holograph pencil notation to the verso. Samuel Goldwyn Company unknown books
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br/><br/>Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br/><br/>Set and shot on location in New York and Massachusetts.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request. United Artists unknown books
1958134797Beverly Hills CA: United Artists 1958. Original lobby card for the Quebecois release of the 1958 film "Anna Lucasta" a remake of the 1949 film directed by Irving Rapper adapted from screenwriter Yordan's 1936 play. <br/><br/>Lobby card number three in the set with the Quebec Censorship board's approval seal to the top right corner. An early Eartha Kitt film with a predominantly black cast in which Kitt plays a prostitute estranged from her family who reconciles with her father through marriage to a "respectable" college graduate. <br/><br/>14 x 11 inches. Very Good plus condition with cello tape to each corner. United Artists unknown books
1955146135Culver City CA: MGM 1955. Composite script for the 1956 film. With occasional copied handwritten annotations throughout but made from a master with machine hole punches and no hole shadows and rainbow revisions throughout.<br/><br/>A Korean War veteran returns home only to be swiftly court-martialed for collaboration with the Chinese while in captivity as a prisoner of war. One of Paul Newman's first starring film appearances and an early exploration of the horrors of psychological torture and brainwashing-a predecessor to films such as "Time Limit" 1957 "The Manchurian Candidate" 1962 and "Telefon" 1977.<br/><br/>Goldenrod titled wrappers noted as VAULT COPY / COMPOSITE SCRIPT / COMPLETE on the front wrapper rubber-stamped copy No. 173 and production No. 5630 dated 10-25-55 with credits for director Arnold Laven and screenwriter Stewart Stern. 214 leaves with last page of text numbered 108. Mimeographed rectos only with pink and white revision pages throughout dated variously between 10-24-55 and 12-15-55. Pages Near Fine wrapper Very Good plus with tidemarks to the upper edge of the rear wrapper bound with two gold brads. MGM unknown books
1972140762Dharma Productions 1972. Draft script for an unproduced film. <br/><br/>Escaping her recent divorce and death of her child Leslie an American ends up in India where Buddhism has its roots Banhasa along the banks of the Ganges. A mysterious man gives her a ring that will not come off her finger with a strange symbol on it later revealed to be the atma or that from which all emanates. She is set off on a both a liberating and terrifying journey to destroy the ego and become at peace with herself. <br/><br/>Set in Banhasa India. <br/><br/>Green titled wrappers with credits for screenwriter Arnold Schulman. Title page present dated January 1972 with credits for screenwriter Schulman. 102 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. Dharma Productions unknown books
1970139098Beverly Hills CA: United Artists 1970. Original one-sheet US poster for the 1970 UK-US film. Style B variant. <br/><br/>Based on Doyle's eponymous sleuth. Holmes Stephens eagerly takes the case to search for Gabrielle's Page missing husband. The clues somehow lead to Loch Ness and the mysterious lake monster a 30-foot model director Wilder had constructed. <br/><br/>Shot on location in Scotland notably at Loch Ness. <br/><br/>27 x 41 inches folded as issued. A few central pinholes else Near Fine. United Artists unknown books
1929121976Hollywood: Paramount Pictures 1929. Early Treatment script for the 1929 film the first Sherlock Holmes film to have been produced with sound and the first to include the Holmes utterance "Elementary my dear Watson" a phrase never used by Doyle though that statement regrettably does not appear in this draft. <br/><br/>The first known treatment was written by Oliver P. Garrett followed by this one scripted by F. Hugh Herbert and the final writing credits went to Garrett Fort and director Basil Dean. This treatment differs substantially from the finished film and is more faithful to Doyle's source material. A rare surviving artifact from the great detective's earliest days on the screen. <br/><br/>Tall side-stapled self wrappers noted as an "Outline Treatment" on the front wrapper rubber-stamped project No. 1491 and MASTER FILE dated May 21 1929 with a credit for screenwriter Herbert. 52 leaves mixed original and carbon typescript on yellow stock with a few holograph pencil annotations on the first leaf including "1st Rough Draft." Very Good condition with some wear to the first leaf at the bottom stitch. Paramount Pictures unknown books
1976145403Universal City: Universal Pictures 1976. Vintage photograph of director Arthur Hiller and actor Rod Steiger on the set of the 1976 film. Mimeo snipe on the verso. <br/><br/>A dramatization of the latter part of the famous showman's life. Based on a memoir by Carlotta Monti Fields' partner during the last fourteen years of his life. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine. Universal Pictures unknown books
1977132355London: Twentieth Century-Fox 1977. Two vintage black-and-white still photograph from the 1977 UK release of the 1976 US film. Features Jill Clayburgh with mimeograph snipes and ink annotations on the verso. <br/><br/>A book editor on a trip from Los Angeles to Chicago thinks he witnesses a murder on a train. When no one believes him he starts investigating on his own. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1970144319Los Angeles: Paramount Pictures 1970. Vintage borderless still photograph of Ali MacGraw Ryan O'Neal and Arthur Hiller on the set of the 1970 film. With typed identifying description holograph annotations regarding layout and press agency stamps on the verso. <br/><br/>Based on screenwriter Erich Segal's novel of the same name. Oliver Barrett IV Ryan O'Neal a wealthy Harvard Law student and Jennifer Cavilleri Ali MacGraw a working class music student fall in love despite their class differences. As their love grows into a serious relationship and eventually marriage they face the disapproval of the Oliver's father despite Jenny's attempts to find common ground. Winner of the 1971 Academy Award for Best Original Score and nominated for six others. <br/><br/>Shot on location in California New York China Massachusetts and England. <br/> <br/>9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
1970141441Hollywood: Paramount Pictures 1970. Vintage borderless studio still photograph from the 1970 film. Snipe affixed to the verso. <br/><br/>Based on Erich Segal's classic novel whose central character Oliver Barrett IV Segal states was inspired by two notable Harvard students politician and philanthropist Al Gore romantic hero aspect and actor/director Tommy Lee Jones sensitive stud aspect both attendees at the Ivy League school in 1968. Ryan O'Neal and Ali MacGraw both received numerous accolades for their performances and the film won an Academy Award 1971 for Best Original Score composed by Francis Lai. Lai's other credits include the ending credits theme song for the 1992 short blaxploitation/sci-fi satire "Gayniggers sic from Outer Space" and the soundtrack to the "Love Story" sequel "Oliver's Story" 1978. <br/><br/>Shot on location in California New York China Massachusetts and England. <br/><br/>8 x 10 inches. Fine with a red holograph notation to the snipe. Paramount Pictures unknown books
1966149376Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1966. Vintage reference photograph from the 1966 film showing director Arthur Hiller inspecting camera angles for actors Natalie Wood and Ian Bannen in between takes while filming on location in Central Park for the 1966 film. With a mimeo snipe on the verso. <br/><br/>A bored kleptomaniac housewife decides to steal 60 thousand dollars from the bank where her husband works.<br/><br/>Set and shot on location in New York.<br/><br/>10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1990140555Universal City CA: Universal Pictures 1990. Revised script for the 1992 film. <br/><br/>A biography of famed baseball legend Babe Ruth who was born in Baltimore and given to an orphanage there by his father. He soon demonstrates his amazing hitting ability and adopted by a scout who has him play for the Orioles until he is sold to the Red Sox and consequently angers the owner and is sold to the Yankees for whom he helps win the 1932 World Series. He is soon pushed out of the spotlight by Lou Gehrig and eventually sold to the Braves. At the end a boy he met at the start of his career is all grown up and reminds him that Ruth is still his hero and that he's the best. <br/><br/>Set in Baltimore New York Boston Pittsburgh Chicago shot on location in Chicago and California. <br/><br/>Title page present dated November 22 1990 noted as Revised with credits for screenwriter John Fusco. 132 leaves with last page of text numbered 131. Later generation photocopy. Pages Very Good plus wrapper missing bound with two gold brads. Universal Pictures unknown books
1967148092Culver City CA: Columbia Pictures 1967. Vintage studio still photograph of Anne Jackson and Sudie Bond from the 1967 film. <br/><br/>Based on Murray Schisgal's 1963 play "The Tiger."<br/><br/>Lonely frustrated and alienated mailman Ben Harris Eli Wallach decides he has had enough and set to get a girl Anne Jackson the only way he can by kidnapping her. <br/><br/>Set in and shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
1969139465Hollywood: Paramount Pictures 1969. Two vintage color studio still photographs from the 1969 film. <br/><br/>This goofy comedy of errors follows the story of an Ohio businessman played by Jack Lemmon who travels with his mousy wife Sandy Dennis to New York City for a game-changing job opportunity. However the couple is met by nothing but trouble on their journey and begin to regret ever leaving Ohio. <br/><br/>Set in Manhattan shot on location in New York and Massachusetts. <br/><br/>10 x 8 inches. Near Fine with a small crease to the bottom left corner. Paramount Pictures unknown books
1969128885Hollywood: Paramount Pictures 1969. Final Draft script for the 1970 film. Here under its slightly different hyphenated working title. <br/><br/>A seminal New York comedy and an Arthur Hiller high spot shot on location in the city in early 1970. A document of the times it captures the city's lovable insanity in countless ways from airports to garbage strikes to Central Park muggers to hotels. <br/><br/>Shot on location in New York City Long Island and Boston. <br/><br/>Blue green titled wrappers with die-cut window. Title page present dated March 6 1969 noted as FINAL DRAFT with credits for screenwriter Simon producer Nathan and director Hiller. 138 leaves mimeograph duplication with the last leaf of text numbered 137. Pages Near Fine wrapper Near Fine internally bound with two gold brads. Paramount Pictures unknown books
1964150636Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Collection of eight vintage studio still photographs from the 1964 film. <br/><br/>Based on William Bradford Huie's 1959 novel. A biting antiwar satire which follows a laconic US Navy officer who falls in love with a British woman shortly before being sent off on a dangerous D-Day mission. <br/><br/>Shot on location in London England and Oxnard California. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
1974115207Los Angeles: Cinevision Ltee 1974. Final script for the 1975 film "The Man in the Glass Booth" directed by Arthur Hiller based on the play by Robert Shaw written for the screen by Edward Anhalt and starring Maximilian Schell. In a custom quarter leather clamshell box.<br/><br/>A complex thriller built around a Jewish businessman who survived the concentration camps in World War II. Well-known for being bizarrely and viciously antisemitic he is unexpectedly put on trial for reputed war crimes. The film version was initially disowned by the playwright likely due to the near-riots and early closure of the play due to misunderstandings and misinterpretations over its meaning. Shaw changed his mind after seeing the finished film but it was by that time too late to add his name to the credits and he died a few years later. The film did quite well upon its release and Maximilian Schell was later nominated for an Academy Award for Best Actor in a Leading Role. Almost completely unavailable for viewing in any form for nearly twenty years the film has recently been remastered and released on DVD and is considered by many to be a career performance for Schell. <br/><br/>Yellow titled wrappers with titles stamped in silver on the front wrapper. Title page present with a date of 4/10/74 and credits for Anhalt and Shaw. 107 leaves mechanical duplication with non-colored revision pages throughout dated variously between 4/3/74 and 4/9/74. Pages Near Fine wrapper Very Good plus bound with two gold brads. Cinevision Ltee unknown books
1965146897N.p.: N.p. 1965. Final Draft script for the 1965 film. With a "With Compliments" card from Seven Arts Productions laid in with the script along with a set of three stapled revision pages on pink stock.<br/><br/>In order to provide a father figure for her infant son a recently widowed woman attempts to choose between two marital prospects-the grumpy child psychologist for whom she works or her hippie next-door neighbor.<br/><br/>Set in Greenwich Village NY.<br/><br/>Blue untitled wrappers with a die-cut title window in the British style. Title page present noted as Final Draft with credits for screenwriter William Peter Blatty. 124 leaves with last page of text numbered 122. Mimeographed rectos only with pink revision pages laid in dated 21.1.65. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books