4 025 résultats
1973133031Los Angeles: American International Pictures AIP 1973. Two vintage black-and-white still photographs from the 1973 US film. <br/><br/>De Palma does "Rear Window" sort of in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. <br/><br/>A story set and shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine with some light toning. <br/><br/>Complete collation details available on request. American International Pictures [AIP] unknown books
1989135643Burbank CA: Warner Brothers 1989. Two original screenplays for the 1990 film one being a First Draft 1988 and the other a Second Revised Draft 1989. Brief annotations in holograph ink on the title page of the second script. <br/><br/>Director De Palma's unfortunate box-office flop based on Tom Wolfe's first novel. Sherman McCoy Hanks the "master of the universe" is a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin Griffith. One day the two find themselves in the South Bronx where Maria sees a black youth approaching so frightened she guns the engine and runs him over killing him. The two drive away and decide not to report the accident to the police. Alcoholic journalist Peter Fallow Willis anxious for a story hears about the incident through a local black community activist. Once the story is out the end is inevitable for Sherman. <br/><br/>Set in New York shot on location there and in California. <br/><br/>De Palma would return to independent filmmaking with his next effort the creepy horror film "Raising Cain" 1992 starring John Lithgow. <br/><br/>First Draft script:<br/><br/>White wrappers. Title page present dated October 1 1988 noted as FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe.163 leaves with last page of text numbered 161. Xerographically reproduced. Pages and wrapper Near Fine bound with two gold brads. <br/><br/>Second Revised Draft script;<br/><br/>Yellow wrappers. Title page present dated October 12 1989 December 15 1989 in holograph ink just above the printed date noted as SECOND REVISED FIRST DRAFT with credits for screenwriter Cristofer and novelist Wolfe. 154 leaves with last page of text numbered 152. Xerographic duplication with pink blue green and yellow revision pages throughout dated variously between 10/17/89 and 10/27/89. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1981132621London: Cinema International Corporation 1981. Vintage black-and-white still photograph from the 1981 UK release of the 1980 US film. Mimeograph snipe affixed to the verso. Features Faye Dunaway. <br/><br/>Based on Lawrence Sanders' 1973 novel about a serial killer in New York and the aging inspector Sinatra who is trying to solve the case. <br/><br/>8 x 10 inches. Faint rust from a paperclip at the top edge else Near Fine. Cinema International Corporation unknown books
1960147433N.p.: N.p. 1960. Draft script for an unproduced film.<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Actor and director Brian G. Hutton noted for "Where Eagles Dare" 1968 and "Kelly's Heroes" 1970 adapts William Jacobs' 1959 western novel "This Violent Land" for the screen.<br/><br/>Violence sires violence in this tale of two brothers Travis and Bowie Malibar. After Bowie kills their father Travis sets out to seek revenge and to prove his manhood to the widow Zoanna who loves Bowie. Travis succeeds in killing his brother Bowie only to be shot by Zoanna's teen son upon his return.<br/><br/>Set in Arizona.<br/><br/>Blue untitled wrappers with die-cut title window in the British style. Title page present with credits for screenwriter Brian G. Hutton and novelist William Jacobs. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near FIne wrapper Near Fine bound internally with two flat metal brads. N.p. unknown books
1980152392N.p.: Warner Columbia Film 1980. Archive of material from the screening of the 1980 British film at the 1980 Cannes Film Festival including three borderless reference photographs one pressbook and one xerographically reproduced competition sheet. All text in French. <br/><br/>A young punk singer from London rises to stardom but discovers that fame comes at the expense of her friends and integrity. The directorial debut of Brian Gibson who would go on to direct a plethora of films focusing on rock musicians most notably "What's Love Got to Do with It" 1993 and "Still Crazy" 1998. <br/><br/>Set and shot on location in London. <br/><br/>Photographs 9.5 x 7 inches. Pressbook 8.25 x 11.5 inches 15 leaves. All materials Near Fine. <br/><br/>Carlson and Connolly Destroy All Movies. Olive Films 309. Warner Columbia Film unknown books
140830N.p.: N.p. Draft script for an unproduced film. With a single notation in holograph ink. <br/><br/>Pete is a freeloader who makes a little money at the swap meet but has a keen propensity for getting laid off and living off his current wife. When wife number two tells him he has to keep his job for six months so that she won't run out on him with their child he gets fired in a matter of weeks for insulting a receptionist and being a bad bowler. Rather than go home he hitches to Las Vegas and is picked up by a smut dealer who robs him before he gets to his destination. After getting fired from a restaurant he ends up at Caeser's Palace looking for his ex-wife who is getting too old to be a showgirl and wants nothing to do with Pete. <br/><br/>Set in California and Nevada. <br/><br/>White titled self wrapper lacking rear wrapper with credits for screenwriter Brian Mori. 147 leaves with last page of text numbered 145. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with a comb binding. N.p. unknown books
1977137086Universal City CA: Steve Krantz Productions / American International Pictures AIP 1977. Third Revised Draft script for the 1978 film. <br/><br/>Based on a story by producer Steve Krantz. Jennifer Pelikan is a young woman just entering a new private school where the other students torment her to the breaking point. Her only course of action is revenge which she enacts by communicating telepathically with snakes. <br/><br/>A beautiful example of exploitation at its best borrowing from both from its obvious antecedent "Carrie" 1976 and another mind-over-animal film "Willard" 1971 where rats became tools of justice. <br/><br/>Green titled wrappers. Title page present dated October 26 1977 noted as THIRD REVISION with credits for screenwriter Johnson and story writer Krantz. 118 leaves with last page of text numbered 102. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br/><br/>Muir 1970s. Steve Krantz Productions / American International Pictures [AIP] unknown books
1967152312N.p.: N.p. 1967. Vintage black and white reference photograph from the set of the 1967 film showing actress Brigitte Bardot in the bath between takes with director Serge Bourguignon to her right. With cropping annotations in pencil on the verso along with a provenance stamp. <br/><br/>A French woman is tempted to stray from her older English husband when she meets a vibrant younger man. <br/><br/>Shot on location in London and Paris. <br/><br/>8 x 10 with wide side margins. Near Fine. N.p. unknown books
1987WRCLIT68132Burbank: Warner Bros. 1987. 11301 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in studio logo wrappers. Faint handsoiling to white wrappers else near fine. An unspecified draft of this original screenplay by the Academy Award winning screenwriter for GANDHI CRY FREEDOM SANDINO and many others. The script in hand treats among other topics the plight of refugees from Latin American police states and appears to be unproduced though sharing concerns with SANDINO. Warner Bros. unknown books
1977WRCLIT69500Bel Air West Los Angeles: Simon Productions / 20th C. Fox 1977. 1130 leaves plus lettered inserts. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound in hot-stamped stiff card wrapper. Title handlettered on spine but very good or better. Copy #85 of an unidentified but revised early draft of Marcus's adaptation of Brodeur's novel. Richard Rush directed the June 1980 release starring Peter O'Toole in an Oscar and Golden Globe nominated role Steve Railsback Barbara Hershey et al and Rush was co-credited for the final screenplay. Marcus and Rush shared Oscar and Golden Globe nominations for the adaptation. [Simon Productions / 20th C. Fox] unknown books
1976152241N.p.: MTM Enterprises 1976. Post-production script for the season 6 episode 1 "Edie Gets Married" of the classic television series which aired on September 13 1975 printed on yellow pages.<br/><br/>Lou is taken aback when his ex-wife Edie Priscilla Morrill announces she is getting married. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br/><br/>Yellow self wrappers integral with title page with "Revised" dated July 23 1975 with credits for screenwriter Bob Ellison. 48 leaves with last page of text numbered 46. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. MTM Enterprises unknown books
1976152237N.p.: MTM Enterprises 1976. Post-production script for the season 6 episode 21 "Mary's Aunt Returns" of the classic television series which aired on February 7 1976 printed on yellow pages.<br/><br/>Mary's aunt respected newswoman Flo Meredith Eileen Heckart is in town to collaborate on a public television documentary with Lou enlisting the news team to help. When Lou and Flo disagree on approach the news team is forced to take sides. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br/><br/>Goldenrod titled wrappers. Title page present with "Revised" dated January 7 1976 with credits for screenwriter David Lloyd. 52 leaves with last page of text numbered 50. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. MTM Enterprises unknown books
1975152239N.p.: MTM Enterprises 1975. Post-production script for the season 6 episode 20 "Murray Takes a Stand" of the classic television series which aired on January 31 1976 printed on goldenrod pages.<br/><br/>The new station owner's policies infuriate Murray and when Murray makes an irate late night call to the owner Lou is instructed to fire him and the news team needs to band together to get Murray's job back. One of the most cherished and acclaimed television series of the 20th century recipient of 29 Primetime Emmy Awards it aired on CBS for seven seasons from 1970 to 1977. <br/><br/>Goldenrod self wrappers integral with title page with "Revised" dated December 17 1975 with credits for screenwriter David Lloyd. 52 leaves with last page of text numbered 50. Xerographic duplication rectos only. Pages Very Good plus with title page separated and creasing bound with two gold brads. MTM Enterprises unknown books
1965141553Culver City CA: Columbia Pictures 1965. Collection of 12 vintage color studio still photographs from the 1965 film. <br/><br/>After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. <br/><br/>Shot on location in Cambodia China Malaysia and England. <br/><br/>8 x 10 inches. Fine. Columbia Pictures unknown books
1958125456Culver City CA: Sage Productions / Columbia Pictures 1958. Vintage pressbook for the 1958 film noir. Based on the 1949 Frederic Brown novel. <br/><br/>One of the weirdest and most wonderful of the Columbia B-noirs a very faithful adaptation of Fredric Brown's byzantine mystery novel with Anita Ekberg pre-"La Dolce Vita" put to good use as a dancing siren and the Red Norvo Trio performing icy strains of modern jazz both live and in the soundtrack. <br/><br/>One sheet folded once as issued with one insert 14 x 15 1/2 inches. Very Good or better with a faint horizontal fold crease at the center of the insert wrapper and pages several tiny closed tears at the edges and minor toning. <br/><br/>Lyons US. Selby US. Silver Classic Noir. Spicer US. Sage Productions / Columbia Pictures unknown books
1958135480Culver City CA: Columbia Pictures 1958. Two vintage black-and-white studio still photographs from the 1958 film. Based on the 1949 Fredric Brown novel. <br/><br/>One of the weirdest and most wonderful of the Columbia B-noirs a very faithful adaptation of Fredric Brown's byzantine mystery novel with Anita Ekberg pre-"La Dolce Vita" put to good use as a dancing siren and the Red Norvo Trio performing icy strains of modern jazz both live and in the soundtrack. <br/><br/>8 x 10 inches. Very Good plus with a tiny chip to the edge of one photo. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
1950WRCLIT67661Culver City: Vanguard / Selznick 1950. 139 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in typescript wrappers. Some slight tanning at edges else very good or better. A substantial treatment for an unproduced film version of Brown's 1949 book. Taylor's own career as a dramatist was distinguished and as a screenwriter his credits include VERTIGO SABRINA and TOPAZ. Vanguard / Selznick] unknown books
1954WRCLIT77623Np: Nat'l Screen Service for 20th Century-Fox 1954. 71pp. Folio 38 x 28cm; 15 x 11". Pictorial self- wrapper. Horizontal fold otherwise very good to near fine. An original pressbook or Lenny Bruce's second or just possibly third screenwriting credit released the same year as his thematically polar-opposite riff on burlesque DREAM FOLLIES. Bruce co-wrote this script with Jack Henley basing it on a story by G. W. George and G. F. Slavin. Oscar Rudolph directed the family-oriented science fiction comedy which starred Charles Coburn Spring Byington Anne Francis and John Agar. Bruce's first credit DANCE HALL RACKET appeared in early 1953.Includes a synopsis cast-list all the available publicity paper and some publicity suggestions. Bruce is credited in the text and on the majority of the reproduced posters window cards advert copy etc. Nat'l Screen Service for 20th Century-Fox unknown books
1986139486N.p.: De Laurentiis Entertainment Group 1986. Collection of 3 vintage black-and-white studio still photographs from the 1986 film. <br/><br/>Three sisters reunite in their hometown of Hazelhurst Mississippi. This black comedy is based on the Pulitzer Prize-winning play by Beth Henley. Henley also wrote the screenplay for the film. <br/><br/>Set in Mississippi shot on location in North Carolina. <br/><br/>8 x 10 inches and 10 x 8 inches. . Near Fine. De Laurentiis Entertainment Group unknown books
1978132533London: National Broadcasting Company NBC 1978. Collection of 8 vintage black-and-white still photographs from the 1978 release of the 1976 US television film. Mimeograph snipes affixed to the versos with distributor rubber-stamps and cropping annotations. <br/><br/>Mardi Gras is interrupted by African killer bees! Ben Johnson is cast as the local sheriff and would reprise his tenure with the bees in the 1978 follow-up "The Swarm."<br/>Of the many "killer bee" films this is regarded as one of the best. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. National Broadcasting Company [NBC] unknown books
1973139055Beverly Hills CA: United Artists 1973. Original British quad poster for the 1973 US film. <br/><br/>Harry Coburn is a professional pickpocket who teaches Ray Sarrazin and Sandy Devere the ways of the trade and how to work as a team. Ray and Sandy are good but Harry is better. until he is caught. . <br/><br/>30 x 40 inches folded as issued. Several edge tears else Near Fine. Uncommon. United Artists unknown books
1972148862Hong Kong: Golden Harvest / Concord Productions 1972. Collection of three vintage lobby cards for the 1972 film likely for an international release. <br/><br/>The first film produced by Bruce Lee's Concord Productions studio as well as Lee's screenwriting and directorial debuts and the film debut of Chuck Norris who battles Lee in an iconic fight scene at the film's climax. Originally released in the US as "Return of the Dragon." <br/><br/>14.75 x 10.5 inches. Fine. Golden Harvest / Concord Productions unknown books
1994152770N.p.: N.p. 1994. Revised First Draft script for the 1995 film here under the working title "Simon Says: Die Hard III." <br/><br/>The third film in the Die Hard series following "Die Hard" 1988 and "Die Hard 2" 1990 and preceding "Live Free or Die Hard" 2007 and "A Good Day to Die Hard" 2013. In this installment NYPD Lieutenant John McClane Bruce Willis teams up with a local electrician Samuel L. Jackson to stop a mysterious terrorist from setting off bombs across New York city. <br/><br/>Set in New York City shot on location there as well as South Carolina and Maryland. <br/><br/>Self wrappers. Title page present dated March 29 1994 noted as FIRST DRAFT / REVISED with credits for screenwriter Jonathan Hensleigh. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown books
1988149439Neuilly-sur-Seine France: Gaumont 1988. Collection of seven vintage borderless reference photographs from the 1988 French film. All with mimeo snipes and holograph ink and pencil annotations regarding layout on the verso and two with collector labels.<br/><br/>A dramatization of the career of talented lesser-known sculptor Camille Claudel who began as an apprentice to Auguste Rodin later became his muse and lover and struggled to differentiate herself and her work from his legacy.<br/><br/>9.5 x 6.25 inches. Near Fine.<br/><br/>Complete collation details available on request. Gaumont unknown books
1968132826Los Angeles: Twentieth Century-Fox 1968. Collection of 8 vintage full-color British front-of-house cards from the 1968 US release of the 1968 UK film. <br/><br/>Based on Desmond Cory's 1965 novel and one of the more unusual heist films of the 1960s starring Michael Caine as a recently recovered alcoholic mixed up in a diamond heist with a woman and her recently out-of-the-closet husband. <br/><br/>Shot on location in Spain. <br/><br/>8 x 10 inches. About Fine. Twentieth Century-Fox unknown books