4 025 résultats
1968139776Burbank CA: Warner Brothers / Seven Arts 1968. Vintage borderless black-and-white on the set photograph from the US release of the 1968 film. <br/><br/>On the set of "Sweet November" pictured are actors Anthony Newley and Sandy Dennis as well as cinematographer Daniel L. Fapp. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>9 x 7 inches. Near Fine with two yellow tape stains to the verso. Warner Brothers / Seven Arts unknown books
1968139469Burbank CA: Warner Brothers / Seven Arts 1968. Vintage borderless black-and-white on the set photograph from the US release of the 1968 film. <br/><br/>On the set of "Sweet November" pictured from left to right: cinematographer Daniel L. Fapp and actors Anthony Newley and Sandy Dennis. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine with a blue holograph notation to the verso. Warner Brothers / Seven Arts unknown books
1968139778Burbank CA: Warner Brothers / Seven Arts 1968. Collection of three vintage black-and-white still photographs from the 1968 film. <br/><br/>The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine with film details affixed to the verso of image 508-27. <br/><br/>Complete collation details available on request. Warner Brothers / Seven Arts unknown books
1967147239Los Angeles: Gershwin-Kastner Productions 1967. First Draft script and a Revised Estimating script for the 1968 film. The First Draft script is early written well over two years before the film's release. The Revised Estimating script is on all yellow stock except for distribution page white and pink "This Script Is Not Final and Is Given to You for Advance Information Only" page. Written a year prior the film's release the Revised Estimating script is only 79 pages ending with "PART II TO FOLLOW." <br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>A workaholic manufacturer meets a carefree young woman who takes lovers for a period of one month in order to help them get over their problems though complications ensue when he agrees to be her "November." Remade in 2001 directed by Pat O'Connor and starring Keanu Reeves and Charlize Theron.<br/><br/>Set in and shot on location in Manhattan and Brooklyn New York. <br/><br/>First draft script:<br/><br/>Blue titled wrappers dated July 9 1965. Title page present dated 7/9/65 noted as First Draft with credits for screenwriter Herman Raucher. 135 leaves with last page of text numbered 134. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads.<br/><br/>Rev. Estimating script:<br/><br/>Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 65 dated February 1. 1967. Distribution page present with receipt intact. Title page present dated 2/1/67. 83 leaves with last page of text numbered 79. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Gershwin-Kastner Productions unknown books
1963146288N.p.: The Landau Company 1963. Draft script for the 1968 film. <br/><br/>As early as 1950 there was talk of adapting Carson McCullers' 1940 debut novel "The Heart is a Lonely Hunter" for the screen. In 1963 producer David Susskind took over Jose Quintero's attempt at adapting the novel which began two years earlier with a script from British screenwriter Gavin Lambert. Susskind passed on Lambert's script opting for a script from Thomas C. Ryan.<br/><br/>Susskind planned to shoot the film in New York City with director Sidney Lumet but the project ended up being held up indefinitely. Four years later Marc Merson's Brownstone Productions had taken over the film rights with Thomas C. Ryan's original 1963 script and with Ryan co-producing. During filming Ryan and director Robert Ellis Miller would make extensive re-writes as they went.<br/><br/>One of the great film adaptations of any American novel starring Sondra Locke in her debut film opposite Alan Arkin. Although much of the political aspect of McCullers' novel was removed from the film the themes present in the author's work are readily apparent: race loneliness impoverishment and anger. Arkin and Locke were nominated for Best Actor and Best Supporting Actress Oscars. <br/><br/>Set in in a small Southern town shot on location in Selma Alabama.<br/><br/>Red titled vinyl Hart Stenographic Bureau wrappers. Title page present dated 8/26/63 with credits for novelist Carson McCullers and screenwriter Thomas C. Ryan. 130 leaves with last page of text numbered 127. Mimeographed rectos only with pink revision pages throughout dated 8/26/63. Pages Very Good plus wrapper Very Good plus bound with two metal screw brads. The Landau Company unknown books
1964145375Burbank CA: American Broadcasting Company ABC 1964. Revised Final script for Season 1 Episode 31 of the 1964-1966 television show "The Outer Limits" originally aired April 27 1964 on ABC. <br/><br/>Robert Duvall plays a disaffected CIA agent sent to infiltrate an alien flying saucer that has crash landed. He finds that the genetic material used to alter his appearance has overridden his human nature and he ultimately chooses to return to the home planet of the benevolent aliens and leave humanity and its violence behind. <br/><br/>Red titled wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 52 and production No. SF# 30 dated March 3 1964 with credits for screenwriter Robert Towne. Title page present with credits for screenwriter Towne. 49 leaves with last page of text numbered 48. Mimeograph duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. American Broadcasting Company [ABC] unknown books
1965132145Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. <br/><br/>The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O."<br/><br/>Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
1984147136Beverly Hills CA: Walter Shenson-Robert Dornhelm 1984. Second Draft script for the 1986 film. With a single holograph ink annotation to the front wrapper and a few copied holograph annotations to page 59 and 60 noting grammatical revisions. <br/><br/>A young pizza delivery worker falls for his new roommate a single mother who wants to be an actress but can only find work as a telegram-singing stripper. Meanwhile their next door neighbor an Austrian bodybuilder idolizes Arnold Schwarzenegger and dreams of true love.<br/><br/>Set and shot on location in Echo Park Los Angeles and Vienna Austria.<br/><br/>Blue untitled wrappers. Title page present dated May 1 1984 noted as Second Draft with credits for screenwriter Michael Ventura. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walter Shenson-Robert Dornhelm unknown books
1961139747N.p.: Continental Distributing 1961. Vintage studio still photograph from the US release of the 1961 French film. <br/><br/>An unlucky man's life is made worse by the sudden acquisition of an expensive vehicle. <br/><br/>Shot on location in Paris and Haut-de-Seine France. <br/><br/>10 x 8 inches. Near Fine with light red fingerprints to the verso. <br/><br/>Complete collation details available on request. Continental Distributing unknown books
1988142395Los Angeles: Columbia Broadcasting System CBS 1988. Third Draft script for the 1988 television film originally broadcast on CBS. Copy belonging to actor Brandon Marsh who portrayed Tommy with annotations in holograph ink related to his role. <br/><br/>Country musician John Denver stars as John Clayton a disillusioned CIA agent who retires to become a bush pilot in the Alaskan wilderness with his best friend. When his friend is murdered and branded a bootlegger Clayton works to solve the crime and clear his name. <br/><br/>Set in Alaska shot on location in British Columbia CA. <br/><br/>White titled wrappers. Title page present dated Februay 5 1988 noted as THIRD DRAFT with credits for screenwriter Michael Eric Stein. 117 leaves with last page of text numbered 115. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
1967147886Los Angeles: Paramount Pictures 1967. Three vintage photographs from the 1967 film one studio still and two on the set photographs. <br/><br/>The second of three Tarzan films to star Mike Henry.<br/><br/>Tarzan is called to Brazil by his old friend The Professor Paulo Gracindo to help stop the evil Barcuma Rafer Johnson and the Jaguar Cult from destroying villages and enslaving natives. <br/><br/>Set in and shot on location in Brazil. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
1981146142Beverly Hills CA: Orion Pictures 1981. Vintage studio still photograph of Sidney Lumet and Treat Williams on the set of the 1981 film. French mimeo snipe on the verso. <br/><br/>Based on Robert Daley's 1978 nonfiction book of the same name. New York detective Daniel Ciello Treat Williams joins the Department of Justice to help put an end to police corruption. Along the way he uncovers a conspiracy and finds himself getting closer to the heart of the corruption than he anticipated. <br/><br/>Shot on location in New York City. <br/><br/>10.25 x 8 inches. Near fine some edgewear. <br/><br/>Spicer US Neo-Noir. Orion Pictures unknown books
1967147882Los Angeles: Twentieth Century-Fox 1967. Vintage color studio still photograph from the 1967 film. <br/><br/>A South African DeLuxe Color remake of William A. Wellman's 1948 film "Yellow Sky" based on W.R. Burnett's unpublished novel which was loosely based on William Shakespeare's "The Tempest."<br/><br/>Prospector Oupa Decker Vincent Price and his granddaughter Diana Ivarson are targeted by bandits led by 'Stretch' Hawkins Robert Gunner.<br/><br/>Set in South Africa shot on location in Australia and South Africa. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books
1986146118Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987.<br/><br/>A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI."<br/><br/>Set in Washington DC<br/><br/>Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown books
1978132909London: National Screen Service / EMI Films Limited 1978. Vintage full-color still photograph from the 1978 UK release of the 1977 Chinese-American film. <br/><br/>Robert Mitchum stars as ex-DEA agent Quinlan hired by a the leader of a drug cartel in Amsterdam to act as a rat and give the DEA information on drug deals. <br/><br/>8 x 10 inches. Very Good plus with a diagonal crease and slight waviness to the top edge. National Screen Service / EMI Films Limited unknown books
1980140786Los Angeles: Twentieth Century-Fox 1980. First Draft script for Episode 3 from Season 1 of the 1981 television series. The debut season of the show received eight Emmy Awards and a total of 98 Emmy nominations during its seven season run. <br/><br/>A police drama with the appearance of a documentary feel. In the last episode a presidential visit is scheduled for the Hill Street Station. In this episode negotiations about the visit continue while old partners split up and some cops take bribes. <br/><br/>Set on Hill Street. <br/><br/>Red untitled wrappers. Title page present dated October 20 1980 noted as Script #2 with credits for screenwriter Michael Kozoll and Steven Bochco. 63 leaves with last page of text numbered 60. Mechanical duplication with revision pages throughout dated variously between June 28 1980 and October 20 1980. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1996146034Los Angeles: Turbulence Productions 1996. Revised Fourth Draft script for the 1997 film.<br/><br/>After both pilots and the navigator are killed mid-flight by two prisoners on board a brave flight attendant must direct the plane to safety.<br/><br/>Blue titled wrappers. Title page present dated May 6 1996 noted as Revised Fourth Draft with credits for screenwriter Jonathan Brett and revisions by Steven E. de Souza and John Herzfeld. 146 leaves with last page of text numbered 119. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 1996 and May 6 1996. Pages Near Fine wrapper Near Fine bound with two gold brads. Turbulence Productions unknown books
1959140945France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and holograph pencil annotations regarding layout and identifying the image on the verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>5 x 7.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown books
1959148847N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>7.25 x 5.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown books
1977145745Paris: Sunchild Productions 1977. Collection of eight vintage photographs from the 1977 film. <br/><br/>In a fine outing from a director who basically made no missteps protagonist Charles drifts Bressonially through politics religion and psychoanalysis rejecting them all. Once he realizes the depth of his disgust with the moral and physical decline of the world he lives in he decides that suicide is the only option. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. Sunchild Productions unknown books
1966151335London: Gala Film Distributors 1966. Collection of four vintage reference photographs from the 1966 French film. With printed mimeo snipes specific to the film's UK release affixed to the verso. <br/><br/>A donkey named Balthazar is followed through his life in rural France as he is passed from owner to owner most treating him cruelly. Revered as one of the masterpieces of French cinema. <br/><br/>Set in and shot on location in Yvelines France. <br/><br/>10 x 8 inches. Very Good plus several with faint soil on the edges. Gala Film Distributors unknown books
1956143336Neuilly-sur-Seine France: Gaumont 1956. Vintage borderless photograph from the set of the 1956 film showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. <br/><br/>Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny about a French Resistance member's escape from the Nazi controlled prison of Montluc. Like Devigny Bresson himself was a French POW during the war. Nominated for the Palme d'Or at Cannes. <br/><br/>6.5 x 9 inches. Very Good plus with shallow diagonal creasing to the corners. <br/><br/>Criterion Collection 650. Ebert IV. Rosenbaum 1000. Selby France. Gaumont unknown books
1983131330Beverly Hills CA: Metro-Goldwyn-Mayer MGM / United Artists 1983. First Draft script for the 1984 film. Numerous annotations possibly belonging to Rob Lowe in holograph ink and in pencil on the front wrapper and throughout the script noting his character's emotions style and motivations. <br/><br/>An American hustler targets a wealthy English woman and follows her to England. His only chance of engaging her is by joining the rowing team at Oxford University. One of the first "Brat Pack" films and a remake of the 1938 Jack Conway film "A Yank at Oxford." <br/><br/>Self wrappers. Title page integral with front wrapper dated October 13 1983 noted as FIRST DRAFT with credits for screenwriter Boris and producer Kastner. 125 leaves photocopied. Pages about Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] / United Artists unknown books
1961139518Beverly Hills CA: United Artists 1961. Vintage oversize double weight borderless still photograph from the 1961 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>Based on Lillian Hellman's 1934 play about two teachers at an all-girls boarding school accused of being in a lesbian relationship by one of the students ruining the careers and personal lives of both. The play was previously adapted by William Wyler in 1936 as "These Three" though the Production Code forced Hellman to change the substance of the rumor from homosexuality to infidelity. The 1961 version restores the content of the child's lie and is overall incredibly faithful to the stage play. Nominated for five Academy Awards including a Best Supporting Actress nomination for Fay Bainter. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.5 x 9.25 inches. Near Fine. United Artists unknown books
1958139533Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily holograph description of the scene on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown books