4 025 résultats
1955152818Los Angeles: Twentieth Century-Fox 1955. Final Shooting script for the 1956 film. <br/><br/>Based on the 1945 musical by Richard Rodgers and Oscar Hammerstein II in turn based on the 1909 play "Liliom" by Ferenc Molnar. A former carousel barker dies in the process of committing a robbery but is granted the opportunity to return to Earth for one day to make amends to his wife and daughter 15 years after his death.<br/><br/>Set and shot on location in Augusta Newcastle Camden and Boothbay Harbor Maine.<br/><br/>Beige titled wrappers noted as SHOOTING FINAL on the front wrapper rubber-stamped copy No. 646 and production No. 7 dated July 14 1955. Title page present dated July 14 1955 noted as Shooting Final Script with credits for screenwriters Phoebe and Henry Ephron. 126 leaves with last page of text numbered 117. Mimeograph duplication on eye-rest green stock rectos only with blue and pink revision pages throughout dated variously between 8/1/55 and 11/22/55. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown books
1994WRCLIT47089London & Los Angeles: Polygram Film International 1994. 8104 leaves. Large quarto 29.5 x 21cm. Photomechanically reproduced typescript printed on rectos only ringbound in stiff printed studio wrappers. Portraits. A few faint marks to wrappers otherwise about fine. A special studio-generated promotional presentation of the 8th draft of Hampton's award-winning script including prefatory biographical notices of Hampton Emma Thompson and Jonathan Pryce. Hampton also directed the film and in 1995 it was awarded the Special Jury Prize at the Cannes Film Festival. This precedes publication of the script in book form. Polygram Film International unknown books
1954140965London: Romulus 1954. Draft script for the 1954 film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. <br/><br/>Based on the play of the same name by Campbell and Dorothy Christie. A court martial process delves into why an officer embezzled funds from his unit. Released in the US as "Court Martial." <br/><br/>Pink untitled wrappers. Title page present dated May 10 1954 with credits for screenwriter John Hunter and playwrights Dorothy and Campbell Christie. 117 leaves with last page of text numbered 116. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with two silver brads. Romulus unknown books
1970137622Chicago: Zev Braun Productions 1970. Draft script for an unproduced film called "Carruthers" circa early 1970s. Written by David Zelag Goodman whose film credits include "Monte Walsh" 1970 "Straw Dogs" 1970 "Farewell My Lovely" 1975 "Logan's Run" 1976 and "Eyes of Laura Mars " 1978. <br/><br/>Based on a story by Benjamin Manaster "Goldstein" 1964 director set in Texas just before the Civil War with lead character named Carruthers an Army Captain and references to the Mexican Army and the Alamo. Black slave characters also present as well as reference to the "N" word. It appears Carruthers is hung from the gallows at "Fade Out."<br/><br/>White titled wrappers. Title page present undated with credits for screenwriter Goodman and story writer Manaster. 111 leaves with last page of text numbered 109. Mechanical duplication. Pages and wrapper Near Fine bound internally with three gold brads. Zev Braun Productions unknown books
1962139027Paris: Filmsonor 1962. Vintage black-and-white still photograph from the 1962 French-Italian film. Featuring French actor and comedian Pierre Repp on the set mounted on a Boxer. Printed on Agfa-Brovira paper. <br/><br/>Repp 1909-1986 was a French film actor and comedian noted for his stuttering speech and particularly popular in Parisian music halls and cabaret. Notable film credits include "Hello Smile!" 1956 Truffaut's "The 400 Blows" 1959 Giono's "Croesus" 1960 and Demy's "Donkey Skin" 1970. <br/><br/>7 x 9.25 inches. Small bruise to one edge else Near Fine. Filmsonor unknown books
1965149424Rome: Euro International Film 1965. Vintage borderless reference photograph from the 1965 film showing director Mario Monicelli and a camera crew filming a scene with actors Marcelo Mastroianni and Margaret Lee on the set of the 1965 Italian film. With holograph ink annotations on the verso.<br/><br/>An army officer romances his way through Europe with the caveat that he can only find romantic satisfaction in situations where his life is in danger. <br/><br/>Set and shot on location throughout France Italy Switzerland Burma and Germany. <br/><br/>9.5 x 7 inches. Very Good plus lightly edgeworn. Euro International Film unknown books
1946129748N.p.: N.p. 1946. Treatment script for an unproduced film. <br/><br/>A wounded Polish soldier is treated by a Jewish doctor in World War I and impregnates the doctor's daughter before he is sent back home. The same Jewish doctor treats him again years later when he is found disfigured in the wreckage of an attack on Jews by Polish forces now pitted against each other and the doctor gives him a Jewish name and face out of spite. The man lives only briefly with the doctor daughter and child before he is killed protecting the family from another attack by troops he had previously belonged to. <br/><br/>Tan cloth-look wrappers with the A and S Lyons agency information on the front wrapper. Title page present with credits for Ladislas Fodor. 36 leaves mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. N.p. unknown books
1995149323Universal City: Universal Pictures 1995. Two truly striking vintage reference photographs taken on the set of the 1995 film. With holograph pencil and ink annotations regarding layout and the printed label of the film's still photographer Phillip V. Caruso to the verso. Shown in the two photographs are Scorsese working with actors and crew on the expansive casino floor set. Also shown are Robert De Niro Don Rickles Billy Crystal and others. <br/><br/>Based on screenwriter Nicholas Pileggi's 1995 nonfiction book "Casino: Love and Honor in Las Vegas." Martin Scorsese's fifteenth film one of his finest a fast-paced bloody tale following a low-level mobster and gambling expert who climbs to power at the Mafia-run Tangiers Casino in the 1970s.<br/><br/>Set and shot on location in Las Vegas with casino scenes shot at the Riviera.<br/><br/>10 x 8 inches. Fine. <br/><br/>Spicer US Neo-Noir. Universal Pictures unknown books
1966149516Beverly Hills CA: Batjac Productions 1966. Vintage borderless reference photograph from the 1966 film showing actors Kirk Douglas and Angie Dickinson. With holograph pencil annotations regarding layout on the verso.<br/><br/>Based on the real experiences of David "Mickey" Marcus a US military officer recruited to command units of the Israel Defense Forces forces during the 1948 Arab-Israel War. <br/><br/>Shot on location in Israel and Italy.<br/><br/>10 x 8 inches. Near Fine. Batjac Productions unknown books
1986151196London: Virgin Films 1986. Draft script for the 1986 film. Copy belonging to an unknown crew member with holograph pencil annotations throughout regarding shooting locations and times of day. <br/><br/>Based on the 1983 book written by Lucy Irvine which detailed her experiences living for a year on the remote uninhabited island of Tuin in the Torres Strait with middle-aged writer Gerald Kingsland. <br/><br/>Shot on location in London and the Seychelles. <br/><br/>Mustard untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter Allan Scott and book credits to Lucy Irvine. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with light rust marks near the binding bound internally with two silver brads. Virgin Films unknown books
1981WRCLIT71142Universal City: Universal City Studios Inc. 1981. 1168 leaves. Quarto. Mechanically reproduced typescript printed on rectos only bradbound in studio wrappers. Ink name on upper wrapper otherwise near fine. A "final draft" of this reinterpretation by Ormsby of DeWitt Boden's original story for Jacques Tourneur's 1942 classic. Paul Schrader directed and Nastassia Kinski Malcolm McDowell and John Heard starred along with the city of New Orleans in part. Universal City Studios, Inc. unknown books
1981WRCLIT66721Universal City: Universal City Studios Inc. 1981. 1168 leaves. Quarto. Mechanically reproduced typescript printed on rectos only bradbound in studio wrappers. Ink name on upper wrapper otherwise near fine. A "final draft" of this reinterpretation by Ormsby of DeWitt Boden's original story for Jacques Tourneur's 1942 classic. Paul Schrader directed and Nastassia Kinski Malcolm McDowell and John Heard starred along with the city of New Orleans in part. Accompanied by seven pictorial 11 x 14" color lobby cards promoting the film. Universal City Studios, Inc. unknown books
1980144156London: N.p. 1980. Draft script for an unproduced film. <br/><br/>Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and untraditional US president embarks on an diplomacy trip to address The Soviet Unions recent breach of an anti-nuclear treaty. His first stop is the UK where he narrowly avoids assassination. <br/><br/>White titled wrappers Title page present dated 1980 with credits for screenwriter Michael Joseph. 28 leaves with last page of text numbered 27. Xerographically reproduced. Pages Fine wrapper Fine comb binding. N.p. unknown books
1980146539N.p.: N.p. 1980. Treatment script for an unproduced film. With a holograph ink annotation to the title page. <br/><br/>Set in the near future the Ayatollah Khomeini has recently died and the new leftist regime in Iran has begun to work together with the Soviet Union. The young and untraditional US president embarks on an diplomacy trip to address the Soviet Union's recent breach of an anti-nuclear treaty. His first stop is the UK where he narrowly avoids assassination. <br/><br/>White titled wrappers. Title page present dated 1980 noted as Story Outline with credits for screenwriter Michael Joseph. 29 leaves with last page of text numbered 26. Xerographically reproduced on orange stock rectos only. Pages Very Good plus wrapper Very Good plus with black comb binding. N.p. unknown books
1968152820Hollywood: Paramount Pictures 1968. Revised Final Draft script for the 1970 film. <br/><br/>Based on Joseph Heller's searing 1961 antiwar novel about a US Air Force bombardier seeking an escape from the endless senseless brutality of World War II. Director Mike Nichol's third feature film released the same year as Robert Altman's "MASH." <br/><br/>Set in the Mediterranean shot on location in Sonora Mexico and Rome. <br/><br/>Teal untitled Paramount Pictures wrappers with a die-cut title window in the British style stamped copy No. 221 on the front wrapper. Title page present dated July 29 1968 noted as FINAL REVISED DRAFT with credits for screenwriter Buck Henry. 187 leaves with last page of text numbered 186. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Paramount Pictures unknown books
1970133488Hollywood: Paramount Pictures 1970. Vintage studio still photograph from the 1970 film. Based on the novel by Joseph Heller. <br/><br/>8 x 10 inches with studio credit at the bottom margin. Very Good to Near Fine a few photos with shallow creasing. Paramount Pictures unknown books
1969138986Paris: Libra Films 1969. Vintage Moyenne medium poster for the 1969 French-German-Italian film. <br/><br/>Based on Juliette Benzoni's 1963 novel "Il suffit d'un amour" the first of her "Catherine" series. Set in the Middle Ages Catherine Georges-Picot is a Joan of Arc-style heroine. <br/><br/>Director Borderie wanted the "Catherine" film to mark a new series of historic heroine films like his previous "Angelique" films 1964 1965 1966 1967 1968 but the project never fully developed. Actress Georges-Picot jumped to her death in 1997. <br/><br/>22.5 x 30 inches folded. Very Good plus with edge creases and short tears and a tiny tear to the center. Libra Films unknown books
1976152323N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 Italian film.<br/><br/>A jealous lawyer suspects his wife of hiding her lover in their utility closet and becomes obsessed with catching her in the act. <br/><br/>Set and shot on location in Rome and Milan. <br/><br/>7 x 4.75 inches. Near Fine. N.p. unknown books
1972151979N.p.: Fildebroc 1972. Vintage borderless reference photograph of Sami Frey Romy Schneider and Yves Montand on the set of the 1972 film. Two "Le Spectacle du Monde" stamps and a "NOV 1972" stamp on verso. <br/><br/>Cesar Montand is desperate to win the affections of Rosalie Schneider only to be complicated by the arrival of her old flame David Frey. <br/><br/>Set in and shot on location in Paris and Ile de Noirmoutier France. <br/><br/>9.25 x 6.5 inches. Near Fine. Fildebroc unknown books
1966132892London: Warner-Pathe 1966. Collection of 3 vintage black-and-white still photographs from the 1966 UK release of the 1966 US film. Mimeograph snipes and distributor rubber-stamps on the versos. <br/><br/>Patrick O'Neal stars as a vengeful killer who escapes death-by-execution ravaging the city of Baltimore on the hunt for those responsible for his incarceration. <br/><br/>8 x 10 inches. Faint toning and creasing overall else Near Fine<br/><br/>Complete collation details available on request. Warner-Pathe unknown books
1935146172Hollywood: Fox Film Corporation 1935. Final Shooting Script for the 1936 film with holograph pencil annotations to the front wrapper. Included with the script is a bound set of revisions and retakes dated February 28 1936 also with holograph pencil annotations to the front wrapper.<br/><br/>A gambling rogue seduces rich women in order to use their dowries to support his decadent lifestyle and pay off his debts. When he falls in love with a copper heiress in the process of trying to swindle her he must decide between the wealth and power their marriage would bring him and the social disgrace she would encounter if his prior indiscretions were ever made public.<br/><br/>Final shooting script 10-2-35:<br/><br/>Green titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated 10-2-35 with credits for screenwriter Allen Rivkin and story credits to Gene Markey. Title page integral with the front wrapper as issued. 113 leaves with last page of text numbered 104. Mimeographed rectos only with blue revision pages throughout dated variously between 10/4/35 and 11/2/35. Pages Near Fine wrapper Very Good plus bound internally with three gold brads.<br/><br/>Revisions and Retakes:<br/><br/>Blue partial wrappers noted as FINAL SHOOTING SCRIPT / REVISIONS & RETAKES on the front wrapper dated February 28 1936 with credits for associate producer Edward T. Lowe and story credits to Gene Markey. Title page integral with the front wrapper as issued. 45 leaves with last page of text numbered 40. Mimeographed rectos only with blue revision pages throughout dated 3/2/36. Pages Near Fine wrapper Poor quite dry with some cracking and a lower right corner of the front rear wrapper detached bound internally with three gold brads. Fox Film Corporation unknown books
147441N.p.: N.p. Unknown. Treatment script for an unproduced film. <br/><br/>An aging millionaire arranges to have his daughter-a cold-hearted nosy serial bride-kidnapped and taken to a chateau in rural France in order to stop her from interfering in his libidinous affairs. Screenwriter Stephen Kandel was best known as a writer for television in the late 20th century including episodes of "Sea Hunt" "Hawaii Five-O" "The Six Million Dollar Man" and "MacGyver."<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Set in London Paris and rural France.<br/><br/>White self-wrappers with title integral with the first leaf as issued. 28 leaves with last page of text numbered 28. Spirit duplication rectos only. Pages Very Good plus bound with one gold brad. N.p. unknown books
1975150795N.p.: N.p. 1975. Complete set of eight vintage oversize color studio still photographs from the US release of the 1975 French hardcore adult film. With holograph ink annotations on the verso noting the film's English title and several with opaque black stickers on the recto ostensibly blocking out the studio details and French title. <br/><br/>A prominent French politician is blackmailed with tapes of her son performing in pornographic movies leading her to recruit a private investigator to find and stop the culprit. <br/><br/>Set and shot on location in Paris. <br/><br/>11.5 x 9.25 inches. Very Good plus with a few small scuffs and creases.<br/><br/><br/>Bier 161. N.p. unknown books
1966144543Universal City: Universal Pictures 1966. Vintage photograph from the 1966 film. With holograph annotations on the verso. <br/><br/>Rooks' first film a semi-autobiographical account of a man who travels to France to undergo a drug-withdrawal cure. With cameos by a virtual who's-who of counterculture figures of the time including Allen Ginsberg as "Messiah" William S. Burroughs as "Opium Jones" Ravi Shankar as "Sun God" Moondog as "The Prophet" and Ornette Coleman as a peyote eater. <br/><br/>8 x 10 inches. Near Fine. Universal Pictures unknown books
1963149327Paris: Films sans Frontieres 1963. Vintage reference photograph of actors Cary Grant and Audrey Hepburn filming a scene on location on the banks of the Seine for the 1963 film. <br/><br/>The greatest box office success of noted director Stanley Donen's career owing to an excellent screenplay and what Donen's biographer Stephen M. Silverman refers to as the film's three stars: "Cary Grant Audrey Hepburn and Paris." Though very much influenced by Hitchcock's "North by Northwest" "Charade" is simultaneously lighter and more complex with an even more entertaining tailspin of deception than its predecessor. <br/><br/>Set and shot on location in Paris.<br/><br/>10 x 8 inches. Near Fine lightly toned. <br/><br/>Criterion 57. Penzler 101. Films sans Frontieres unknown books
