Anobile, Richard JosephMareMagnum
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First US edition. No marks or inscriptions. A very clean crisp very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked with small tears to upper and lower edges of front. 224pp. With over 800 frame Blow-ups and dialogue from the short films of W C Fields.
dedica di appartenenza e leggerissimi segni del tempo
6566'Wien 25. Oct. 1923'. The sepia photograph 10 x 7 cm shows Korff's head and torso. He is dressed in the costume of a flying ace with leather coat gloves googles and scarf and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper 24 x 20 cm removed from an album. In very good condition and attractively mounted with a piece of nicely-patterned paper 12 x 8.5 cm beneath the photograph acting as a frame. Korff's large bold signature runs across the page beneath the phtograph reading 'Arnold Korff Wien 25. Oct. 1923'. Image on application. 'Wien 25. Oct. 1923'. hardcover
1932FTT1835Berlin, Scherl, 1932. (Illustrierte Filmbücher), 48 unpag. Seiten, ca. 50 Abbildungen, 8°, OKart. - Minimale Gebrauchtsspuren, guter Zustand. broschiert/ Taschenbuch/ paperback
192633472Librairie Félix Alcan, 1926-1931. Série complètes des huit numéros de la revue l'Art cinématographique au format broché 19 x 12 cm, de 100 à 148 pages avec 8 planches hors-texte par volume.- Au sommaire des 8 revues : N° 1 « Le Fantastique » par Pierre Mac-Orlan ; « Le comique et l'humour » par A. Beucler; « L'émotion humaine » par Charles Dullin ; « La valeur psychologique de l'image » par le Dr R. Allendy.(108pp) - N° 2 : « Signification du cinéma » par L. Pierre-Quint ; « Les esthétiques, les entraves la cinégraphie intégrale » par G. Dulac ; « Formation de la sensibilité » par L. Landry ; « Le temps de l'image est venu ! » par A. Gance (108pp) - N° 3 : « La poésie du cinéma » par André Maurois ; « La musique des images » par E. Vuillermoz ; « Théâtre et cinéma » par A. Lang; « Cinéma et littérature » par André Bergé (156pp) - N° 4 : « le cinématographe et l'espace » par Marcel L'Herbier ; « Cinéma, expression sociale » par Léon Moussinac ; « Pour une poétique du film » par André Levinson ; « Introduction à la magie blanche et noire » par Albert Valentin (120pp) - N° 5 : « HOLLYWOOD au ralenti » par Charles Meunier-Surcouf. (144pp) - N° 6 : « Le Décor » par Robert Mallet-Stevens ; « Le costume » par Boris Bilinski ; « Le maquillage » par Maurice Schutz ; « La technique » par A.P. Richard. (144pp) - N° 7 : "Le cinéma en France, en Italie, en Amérique" par Boisyvon, Emilio Ghione, Ferri Pisani - N° 8 : "Le cinéma allemand" par René Jeanne ; "Le cinéma nordique" par Ture Dahlin ;" Le cinéma russe" par G. Altman. Pages un peu jaunies, bel état général.
19911202060Wings Books; New York; Random House Comp., 1991. VII; 440 Seiten; sehr zahlr. Illustrationen in s/w; fadengeh. Orig.-Halbleinenband m. illustr. OUmschlag.
Gutes Exemplar; Umschlag stw. geringfügig berieben. - Englisch. - Fred Astaire (* 10. Mai 1899 in Omaha, Nebraska; † 22. Juni 1987 in Los Angeles, Kalifornien; eigentlich Frederick Austerlitz) war ein US-amerikanischer Tänzer, Choreograf, Sänger und Schauspieler. Seine Karriere in Film, Fernsehen und Theater umspannte insgesamt 76 Jahre. Gemeinsam mit Ginger Rogers bildete er in zehn Tanzfilmen ein weltbekanntes Leinwandpaar. Er gilt als prägende Gestalt in der Entwicklung des Tanz- und Musicalfilms. Besonders berühmt wurde er für seine Stepptanznummern. Fred Astaire wurde vom American Film Institute auf Platz 5 in der Liste der 25 größten männlichen Filmlegenden gewählt. ... Die Filmgesellschaft RKO Pictures nahm ihn 1933 unter Vertrag und lieh ihn zunächst für den Film Dancing Lady mit Joan Crawford und Clark Gable an MGM aus. Danach drehte RKO im selben Jahr mit ihm und Ginger Rogers in Nebenrollen den Film Flying Down to Rio, der Dolores del Río groß herausstellte, ein Erfolg an der Kinokasse wurde und den eigentlichen Durchbruch in Astaires Filmkarriere darstellte. Die positive Reaktion auf Flying Down to Rio war derart groß, dass Astaire und Rogers insgesamt neun weitere Filme zusammen drehten, in denen ihre Figuren sich nach anfänglicher Abneigung ineinander verlieben und gemeinsame Tanz- und Gesangsnummern durchführen. Astaire und Rogers schafften in den 1930er-Jahren den Sprung unter die zehn kassenträchtigsten Kinostars und sind bis heute das wohl bekannteste Tanzduo der Filmgeschichte. Die beiden sangen in ihren Filmen die Hits von populären Komponisten wie George Gershwin, Irving Berlin und Cole Porter. Astaire sang stets selbst und lehnte im Gegensatz zu vielen seiner Kollegen Stimm-Doubles und Nachsynchronisierungen konsequent ab. Er nahm auch zahlreiche Schallplatten auf. Von ihren neun Astaire-Rogers-Filmen werden insbesondere Ich tanz’ mich in dein Herz hinein (1935) von Mark Sandrich und Swing Time (1936) von George Stevens herausgehoben. ... (wiki) // Filme: DANCING LADY ----- FLYING DOWN TO RIO ----- THE GAY DIVORCEE ----- ROBERTA ----- TOP HAT ----- EOLLOW THE FLEET ----- SWING TIME ----- SHALL WE DANCE ----- A DAMSEL IN DISTRESS ----- CAREFREE ----- THE STORY OF VERNON AND IRENE CASTLE ----- BROADWAY MELODY OF 1940 ----- SECOND CHORUS YOU'LL NEVER GET RICH ----- HOLIDAY INN ----- YOU WERE NEVER LOVELIER THE SKY'S THE LIMIT ----- ZIEGFELD FOLLIES YOLANDA AND THE THIEF ----- BLUE SKIES EASTER PARADE ----- THE BARKLEYS OF BROADWAY THREE LITTLE WORDS ----- LET'S DANCE ----- ROYAL WEDDING ----- THE BELLE OF NEW YORK ----- THE BAND WAGON ----- DADDY LONG LEGS ----- FUNNY FACE ----- SILK STOCKINGS ----- FINIAN'S RAINBOW. // Fred Astaire presents us with a rare phenomenon: his dance career spanned half a century, yet because his primary medium was film, most of his work has been preserved. As a profoundly welcome result, his brilliance is there to be discovered and enjoyed by generation after generation. He has been compared to Bach by George Balanchine; Merce Cunningham calls him a genius; Rudolf Nureyev considers him the greatest American dancer in history. But what exactly is it that makes Astaire's dancing so extraordinarily beautiful and timeless? What is it in his choreographic style that is so distinctive, so inimitable? To help answer these questions, John Mueller has made extensive use of recently released material from a number of Hollywood archives and of interviews-including one with Astaire himself-and has assembled from every one of Astaire's filmed dance numbers an essential sequence of frame enlargements (there are more than 2,300 in all) to accompany his thorough, lucid descriptions of what is being danced and how. In this way he anatomizes Astaire's entire filmed dance career-movie by movie (there are thirty-one chapters, one for each of his musical films), number by number, almost step by step. And he considers, as well, the films themselves-here are incisive evaluations of the scripts and the musical scores, of Astaire's partners and his supporting casts. And in an extended introduction, the author examines Astaire's career on stage and television as well as in film; his original and influential use of the movie camera; and his significant contribution to the integrated musical. He discusses Astaire's personality (so different from his on-screen persona), his working methods, the problems and successes he had with his various co-stars, and the nature of his association with such songwriters as Irving Berlin, Jerome Kern, the Gershwins, Cole Porter, and Johnny Mercer. … (Verlagstext)
19851001Henri Veyrier 1985 “Chronique cinématographique du 20e siècle”. in-8 broché, 408 pp.
RIZZOLI LAROUSSE 2006 FONDO DI MAGAZZINO: VOLUME PARI AL NUOVO. 5.800 lemmi per raccontare attori, registi, filmografie complete con titoli anche in lingua originale. E poi i fantastici mestieri del cinema, i grandi sceneggiatori, le star degli effetti speciali, i geniali direttori della fotografia, i grandi compositori di musica da film. Tutto il glamour di Hollywood, l'attenzione ai grandi festival mondiali, ma anche un occhio di riguardo per il vivace cinema indipendente e per le filmografie asiatiche e africane. Un'opera tutta a colori, puntuale, accurata e aggiornata. In appendice l'elenco completo e illustrato di tutti i vincitori dell'Oscar per il miglior film, della Palma d'Oro di Cannes e del Leone d'Oro di Venezia, dalla nascita dei Premi a oggi.
63-3688Hollywood CA: Autrey ca. 1940. 8" x 10" Glossy Black and White Photograph with Autograph appears to be Original using fountain pen black ink by subject. Very Good. Stamp on verso from Morison's Talent Agency. Hollywood, CA: Autrey, [ca. 1940]. unknown
1990053887New York., Crown Publishers., 1990. Photographs by Sid Avery, text by Richard Schickel. 144 Seiten mit zahlreichen Schwarzweiß-Fotografien. Zustand: Abgesehen von dem fehlenden Schutzumschlag ist das Buch in gutem Zustand. 4°. OLeinen.
DADAX1538129787Rowman & Littlefield Publishers 2019-05-30. Fourth. paperback. New. 8.08x0.74x8.19. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers paperback
2016x-1643278940Morgan & Claypool 2016. Hardcover. New. 93 pages. 9.25x7.00x10.00 inches. Morgan & Claypool hardcover
43618581-nnew. unknown
43618581like new. unknown
2016x-1681740079Morgan & Claypool 2016. Paperback. New. 93 pages. 10.00x7.00x0.19 inches. Morgan & Claypool paperback
128 pages. Features: Gorgeous one-page color-photo Chanel ad featuring Catherine Deneuve; Two-page Vantage cigarette ad features Dave Ness of Seattle; Ending an End to Cosmic Loneliness - Goldstone Tracking Center radiotelescope seeks out intelligent life; Behind the Lazar Berman Legend; In England Now, by John le Carre; When Fat was in Fashion - abundant flesh was a thing of beauty to artist Peter Paul Rubens, who was born 400 years ago; To be Young, Black and Out of Work - depressing photos and stats on the 'Clockwork Orange' epidemic in the ghettos of America's cities; Great two-page color-photo ad for the Talon Channel-Zip zipper features stuntmen in action; Color-photo ad for Lakeland coats features New York Giants running back Gordon Bell; Silent Fall - Dissidents behind the iron curtain are being suppressed - with photos of folk singer Wolf Biermann, Rumanian writer Paul Goma, correspondent Rober Toth, Czech playwright Paul Kohout, Yugoslav writer Mihajlo Mihajlov, and Anatoly Shcharansky; Tennis player Marty Riessen is featured in a tennis school ad; At Home with a Skyscraper - architects Oliver Lundquist and John Stonehill build a townhouse next to a 50-story skyscraper in New York; The Maestro - Cellist Mstislav Rostropovich; "Dewar's Profile" on back cover features film animation producer, director and designerJim Simon of North Hollywood. Average wear. Unmarked. A sound vintage copy. Book
199626414Abbeville 1996 In-8 broché 21 cm sur 16,5. 254 pages. Nombreuses illustrations in et hors-texte. Bon état d’occasion.
Tela c/sovr., cm22x28.5, pp 256; ampiamente illustrato in nero nt e ft. In Inglese.
2002100149896Fallois / Littérature 2002 in8. 2002. Broché. Pierre Barillet célèbre auteur de théâtre explore dans ce recueil de quatorze nouvelles l'illusion d'Hollywood qu'il découvre être un mirage lors d'un voyage à vingt ans. Il y décrit les destinées éphémères d'hommes et de femmes aspirant à entrer dans ce monde factice une terre stérile qui consomme talents et jeunesse sans laisser de racines
48p. + Photograph Frontis. Damp stained. 12mo. Original pink wraps, front cover decorated with a female dancer and stars. Damp stained. PA PAMPH 20_5 BX2
254 pages. "Here is one of the most unique books ever published about movie and television celebrities and Hollywood film making. The more than 300 black and white photographs reveal the role of cars in movies, in television, and in the personal lives of famous stars of the personal lives of famous stars of the entertainment world. Never has such a rare and impressive collection of photographs and information on customized cars and other vehicles been published." - from dust jacket. Light wear to book. Initials atop front free endpaper, otherwise contents clean and unmarked. Average wear to dust jacket which is now preserved in a glossy new archival-grade Brodart cover. A sound copy of this entertaining work which features dozens of photos of stars and their wonderful cars. Book
76 pages. Features: The return of the rag; Annie Hickman - populating an insect world; The fabric of Sha Sha Higby's imagination; Mummery - Philadelphia's happy new year; Judit Kele - the sound of the way it feels; Through the camera's eye - Howard Munson's body coverings; The fashionable pallet of Pittsburgh paints; Gilbert Adrian - creating the Hollywood dream style; Custuming for rock music videos; Kitt Miller; Claire Campbell Park; Grace Kraft; Susan Klebanoff; Barbara MacCallum; Elmyra Tidwell; Gail McDonnell; Jane Dunnewold; and more. Clean and unmarked with moderate wear. A sound copy. Magazine
197230798From the publisher's International Film Guide series, first published in 1972. In-12 broché (16 x 13,3 cm), 172 pages, photographies, texte en anglais.- 230g.- Très bon état.
10012NF Condtion SIGNATURE GUARANTEED AUTHENTIC. Signed by Author. Unbound. unknown
