PEPITONE, L. - STADIEM, W. - HAKIM, M.MareMagnum
Antiquariat.de
Marilyn.
199285696München, Orbis Verlag für Publizistik, 1992. 191 S. 2° Folio, Hardcover/Pappeinband
Antiquariat Boller · DE - Staufenberg9,40 €
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in-8°, 248 pages, illustrations hors texte N&B, broche, couverture illustree plastifiee. Bel exemplaire [CA32-2]
199285696München, Orbis Verlag für Publizistik, 1992. 191 S. 2° Folio, Hardcover/Pappeinband
in-8°, 416 pages, illustre h.t. n/b, biblio, filmo, broche, couverture illustree plastifiee. Bel exemplaire. [CA33-7][CA33-8]
No marks or inscriptions. No creasing to covers or to spine. A lovely clean crisp very tight copy with bright unmarked boards and no bumping to corners. 189pp. Biography in black & white captioned photographs from the Lesberg collection plus filmography.
196533667Constantin-Film, ca. 1965. Ca. 85 x 60 cm.
1932FTT1835Berlin, Scherl, 1932. (Illustrierte Filmbücher), 48 unpag. Seiten, ca. 50 Abbildungen, 8°, OKart. - Minimale Gebrauchtsspuren, guter Zustand. broschiert/ Taschenbuch/ paperback
20017664Nicolai Berlin, 2001. 265 S., OLn., OU, 27 x 27 cm. Zustand: sehr gut.
in-8°, 240 pages, ill. hors texte N&B, broche, couverture illustree plast. Bel exemplaire. [CA27/7]
1950WALTER-FILM005325<p><i>Set of eight 8 vintage original 7 1/4 x 9″ 23 x 18 cm. black-and-white print still photos JUST ABOUT FINE.</i></p><p>A set of portraits of Marlon Brando. Stamps and date stamps on the back of a couple indicate that this photo shoot was used for <i>Hear Hollywood</i> magazine. Two photos show him by his bongo drum which in a 1955 <i>Person to Person</i> broadcast on CBS he was also shown playing.</p> Hear Hollywood
70759Paris, éd. Bookking, 1992,gd. in-4, cartonnage souple à rabats éd., couv. photo en bleu éd., 190 pp., papier glacé, très nb. photos en noir, filmographie, texte en français, Très bel ouvrage sur la vie et la carrière de Marlène Dietrich. Belle iconographie. Pas courant Très bon état
22067On her letterhead Sherman Oaks California. 28 February 2005. 3pp 4to. In good condition lightly aged. A long and entertaining letter beginning: 'Dear Mr. Fry Probably late in 1949 in a New York City duplex living room two married couples lay prone on the floor fanned out around a single copy of “The Lady's Not for Burning†the better to read aloud all its colorful roles. The couples were Alfred Drake with whom I had played the previous season in my first Broadway play his wife my writer husband i.e. Robert Presnell Jr and I. Alfred had just come across “The Lady†and had to share his discovery with us.' The reading gave her 'a lifetime favorite play'. She describes how she had to 'miss playing in “A Phoenix too Frequent†being hard at work then in G. B. Shaw's “The Devil's Disciple†at the Royale Theatre'. The 'floor-reading foursome' attended a performance of 'The Lady' by the British cast at the same theatre 'and were spellbound. I especially recall the mellow beauty of Pamela Brown's voice and noting well the actor playing Richard the copying clerk also a Richard last name Burton.' She describes a production she was in with Vincent Price 'first at Southern California's La Jolla Playhouse then at San Francisco's Alcazar Theatre': 'Audiences trooped backstage to thank us for the feast of language they had enjoyed – a rare attention to text. Loving the play we all longed to take it on tour but previous commitments forbade and so the magic spell we'd been under was broken. But Vinnie Price and I did have one more go at it a few years later when his hometown St. Louis Missouri showed that middle-America could relish Christopher Fry just as much as did our east and west coasts.' She contrasts how Fry's words 'fly upward like the sparkling drops of an exuberant fountain' with how T. S. Eliot's speeches 'in the simplest barest of words could leave the listener baffled as to what it was he was saying. I even had trouble learning those lines.' She ends by explaining that 'That very nice fellow-actor Ted Donaldson encouraged me to tell you what joy your writing has brought me – and so many others in these distant outposts. Your unique gifts have enriched all who have come across them. Thank you oh thank you for sharing them with us.' On her letterhead, Sherman Oaks, California. 28 February 2005. unknown
Octavo in a yellow DJ ; 342 p., [32] p of plates : illus, ports ; 25 cm Film -- History -- United States -- Biography
1938ABE-1380713810SEPTEMBRE 38 LE MOIS LE PLUS DRAMATIQUE QUE LE MONDE AIT VECU DEPUIS VINGT ANS-M. NEVILLE CHAMBERLAIN ANNONCE LE RENDEZ VOUS A MUNICH-LE MATCH DE LA VIE/MUNICH-SOUS L'UNIFORME DE RESERVISTE LES RECONNAISSEZ VOUS?-.ET LES LUMIERES DE PARIS SE RALLUMENT/CASINO DE PARIS/NITA RAYA-UNE NOUVELLE RUEE VERS L'OR/YELLOWKNIFE-EVANOUISSEMENTS-IL Y A TROIS GRANDES RACES EN EUROPE/6P-A 19 ANS UNE JEUNE CYCLISTE PARISIENNE CONQUIERT UN RECORD DU MONDE/JEANINE ZUSCHMITT-LES PLUS ETRANGES METIERS DE HOLLYWOOD-MAURICE CHEVALIER EN 4 DE COUV.
1939ABE-1710013992887EDDY LAMARR EN UNE-HITLER APPLAUDIT TINO ROSSI, PHOTO-PIE XII, 9 PAGES-UNE VIE POUR DEUX: LES FRERES BRET, JUMEAUX, SOSIES ET GENERAUX, 4 PAGES-UNE NUIT DANS LE TRAIN BLEU., 6 PAGES-LES LOUFOQUES DE HOLLYWOOD, 4 PAGES-UN CERVEAU DE GENIE DANS UN CORPS MORT, J L BRETON, 4 PAGES-CES HOMMES SE DISPUTENT LE SORT DU PLUS GRAND CRIMINEL DE CE TEMPS, WEIDMANN, 8 PAGES-MARQUES DE RELIURE EN MARGE GAUCHE DE COUVERTURE SINON QUASI NEUF-(BC324)
1993SPN-1145Centre culturel de Fécamp / Éditions Corlet / Telérama, 1993. Broché 24x17cm, couverture illustrée couleur recto-verso, 215 pages illustrées de photographies de films et téléfilms en noir, téléfilmographie. [BEG, quelques surlignements au stabilo bleu p.58]
199521307Zürich Haffmans, 1995. 407 S. 22 cm, Leinen ,mit Schutzumschlag ,mit Goldprägung auf Einband ,
2001035094London., HarperCollins Entertainment., 2001. 497S. Mit 16S. Abbildungen. Die Ränder des Schutzumschlags sind minimal berieben. 8°. OPappband mit OUmschlag.
200160082Berlin : Henschel Verlag 2001. 288 S. : Ill. ; 22 cm, mit Schutzumschlag Top Zustand, Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in sehr gutem Erhaltungszustand
2001940920Berlin : Henschel, 2001. 288 S. : Ill. Gebundene Ausgabe mit Schutzumschlag.
No marks or inscriptions. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with slight traces of storage. 80pp. Pictorial biography of Australian actor Mel Gibson.
194247394Hollywood 1942. 1st Printing. Card stock self wrappers full color illustration to upper wrapper slip is a leaf of off white card stock all lettering printed in navy blue slip held in by a metal clip. Now housed in a mylar sleeve. A VG copy. Very light soiling otherwise bright. 4 pp. unnumbered. One slip. Illustrated upper wrapper. 11-1/2" x 7-1/2" <br/><br/> unknown books
In-8° (20,4 x 13,9 cm), pp. 252, (4), legatura editoriale con sovraccoperta illustrata. Con 16 tavole fuori testo, in carta lucida, ospitanti 27 illustrazioni fotografiche in bianco e nero. Lievi segni d'umido al taglio di testa, per il resto, ben conservato. Titolo originale: My Wonderful World of Slapstick. Traduzione di Edoardo Nesi, filmografia di Raymond Rohauer. Indice. Nota al testo. Memorie a rotta di collo. 1. I tre Keaton. 2. Divento un fatto sociale. 3. I Keaton invadono l'Inghilterra. 4. Di ritorno a casa nella terra di Dio. 5. Un modo per entrare nel cinema. 6. Quando il mondo era nostro. 7. Sensazionale sia con gli uomini che con gli animali. 8. Il giorno che le risate finirono. 9. Il matrimonio e la prosperità mi si appropinquano furtivi. 10. La mia casa da 300.000 dollari e certi altri semi-trionfi. 11. Il più grosso errore della mia vita. 12. La rivoluzione del sonoro. 13. Il capitolo che odio scrivere. 14. Uno scivolone può anche essere una bella cosa. 15. Tutto è bene quel che finisce bene. Filmografia di Raymond Rohauer.
Roma, 1933, 9 aprile, copertina illustrata a colori in fascicolo originale completo di pp. 16 de "La Tribuna illustrata - Supplemento illustrato de La Tribuna"
1922WRCLIT49410Garden City & Toronto: Doubleday Page & Co. 1922. Cloth. Faint old discoloration on top and fore-edge at the upper fore-corner otherwise a very good copy in the scarce pictorial dust jacket the latter with a couple of old inner mends some overall dust-darkening some short tears and chipping at the crown of the spine panel just touching the top line of letterpress and some surface abrasions to the text on the lower panel. First edition of this fictional send-up of the film industry at the time itself the basis for several film adaptations. This copy bears the author's inscription on the front free endsheet: "To Sam Marx: It's funny in spots - but the picture business is funnier at least to yours truly Harry Leon Wilson." The candidates for recipient include either the producer suggesting a date a few years later than publication for the inscription or the father of the Marx Bros. Uncommon in dust jacket. SMITH W-717. Doubleday, Page & Co. hardcover books
in-8°, 271, photos n-b., broché, couverture illustrée. Bel exemplaire. [AFF-1] Cette histoire véridique relate un des crimes les plus étranges commis à Hollywood…
