201 résultats
63-8892Paris France: Films Paramount ca. 1933. B&W post card 9 x 14 cm. Good removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Films Paramount, ca. 1933. unknown
63-8893Paris France: Films Paramount ca. 1933. B&W post card 9 x 14 cm. Good removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Films Paramount, ca. 1933. unknown
63-8867Paris France: Films Paramount ca. 1933. B&W post card 9 x 14 cm. Good removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Films Paramount, ca. 1933. unknown
63-8724Paris: Films Paramount 1933. B&W post card 9 x 14 cm. Good removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris: Films Paramount, 1933. unknown
1980Alibris.0006619Paramount Pictures / Bantam 1980. First edition. . Trade paperback. Very good. consists of folder with light shelfwear two two sided maps for a total of four maps complete excellent condition along with the booklet which is also excellent. Paramount Pictures / Bantam paperback
1981371580Los Angeles : Paramount Studios 1981. First Edition. Softcover. Single sheet movie poster for Paternity. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: A single man searches for a woman who will bear his baby with no strings attached. Los Angeles : Paramount Studios paperback
197667267N.P.:: Zeeuswe Maatschappij N.V. 1976. Fine original condition. 8 x 10 inches. Zeeuswe Maatschappij N.V., unknown
1981371366Los Angeles : Paramount Pictures 1981. First Edition. Softcover. Single sheet movie poster for Gas. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: Susan Anspach stars in this comedy as a news reporter who investigates a story about stolen milk causing milk and gas prices to rise. During the course of her investigation other people become involved culminating in a multiple car chase. Los Angeles : Paramount Pictures paperback
1991048271Impel/Paramount Pictures 1991. Ephemera. Fine. No Binding. First Edition/First Printing. A shrink wrapped item still in original shrink wrap as issued This item is not returnable if opened. THIS COPY IS IN MY POSSESSION AND NORMALLY SHIPS NEXT DAY. Impel/Paramount Pictures unknown
1974371255Hollywood : Paramount Studios 1974. First Edition. Softcover. Single sheet movie poster for The Apprenticeship of Duddy Kravitz. Good copy with some wear and tearings to the edges faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: In a bid to gain respect the neglected younger son of a working class Jewish family in Montréal embarks on a series of get-rich-quick schemes to buy land surrounding a lake. Hollywood : Paramount Studios paperback
1949L069427NP Paramount Pictures Inc 1949. First Edition. Unknown. Very Good/No Jacket. 8vo - over 7¾" - 9¾" Tall large. Slight browning to edges; slight browning to acetate and album matting. 12 leaves rectos only except for 1 newspaper clipping recto/verso; unpaginated. Series of 8 film stills in all from the Paramount picture released in 1949 directed by Cecil B. DeMille from a script by Jesse L. Lasky Junior and Fredric M. Frank starring Hedy Lamarr and Victor Mature plus supplementary photographs showing Ms. Lamarr's peacock feathered cape 2 from the studio both from November 1948; one with designers Jeanne Wheeler and Jane Moore working on the costume and one with Jane Moore alone working with the feathers; and one excerpted from the Los Angeles Times taken by Iris Schneider of the entire costume and the Norman Rockwell portrait of Samson from the 'De Mille Dynasty Exhibition' undetermined date; with the added bonus portrait photograph of Lamarr 3/4 right profile pose undetermined photographer and date with 'HL-DL-62' in white in lower left corner boldly signed and inscribed by Lamarr in lower right corner: 'To Jane -- With every good wish -- Hedy Lamarr / 1948'. A genuine token of affection of a star for a notable costume designer Ms. Moore being a protegee of Edith Head at Paramount with relevant supplementary matter; sold as a unit. Lamarr 1913-2000; born Hedwig Eva Maria Kiesler; Austrian-born leading lady of the 1930's and 1940's; noteworthy for her nude appearance in the 1933 Czech film 'Extase' or 'Ecstasy'; in Hollywood from 1937 on 'Algiers' 1938; 'Boom Town' 1940; 'White Cargo' 1942; 'Samson and Delilah' 1949; 'My Favorite Spy' 1951; etc.12 b/w Photographs including Film stills. NP [Paramount Pictures, Inc?] unknown
63-5542Hollywood CA: Larry Felix 1994. Typed letter signed single letter-sized pages Very Good.Provenance: Herb Yellin 1935-2014 was the highly respected publisher and founder of Lord John Press considered by many to be one of the most important small presses of the 20th century. Hollywood, CA: Larry Felix, 1994. unknown
253462 December 1957. On letterhead of Paramount British Productions Ltd Plaza Theatre Offices Jermyn Street London S.W.1. 1p 4to. Addressed to 'Dear Miss Cond' and signed 'G P Bachmann'. In fair condition lightly aged and creased. Folded twice for postage. He apologises for the late reply to her ‘nice note and the book-plate’. He gives details of two films he has been ‘terribly busy making’ ‘neither of them stories I wrote’: ‘The Phoenix is to start in Berlin this winter as a very big film with three big stars. And The Lorelei is to be made this summer on the Rhine as a film.’ He is sorry to learn that she has given up her restaurant in Honiton ‘Deer Park’: ‘It was a lovely place and without doubt the finest English cooking we’ve found.’ He ends by informing her that his wife has returned to California for the winter on account of her health. ‘So I’m alone with the two poodles.’ Eileen M. Cond was an enthusiastic collector of autographs. 2 December 1957. On letterhead of Paramount British Productions Ltd, Plaza Theatre Offices, Jermyn Street, London, S.W.1. unknown
1148408991.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980371612Paramount Pictures 1980. First Edition. Softcover. Single sheet movie poster for Rough Cut. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: Two sophisticated jewel thieves join forces to steal $30 million in uncut jewels. Despite a continuous exchange of quips they eventually become romantically involved. Starring Burt Reynolds. Paramount Pictures paperback
1979371582Los Angeles :Paramount Studios 1979. First Edition. Softcover. Single sheet movie poster for Starting Over. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: A divorced man falls in love but somehow he can't get over his ex-wife. This affects his love life in comic ways. Based on Dan Wakefield's novel. Los Angeles :Paramount Studios paperback
WALTER-FILM007475Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1931. Vintage original 8 x 11" 20 x 28 cm black-and-white double weight glossy silver gelatin keybook photo. Keybook punch holes at top fine. Anna May Wong starred in this pre-Code vehicle for Paramount in which she plays Princess Ling Moy a young and beautiful Chinese aristocrat who unbeknownst to her lives next door to Dr. Fu Manchu a brilliant but mad and twisted genius who is setting out to rule the world. Travis Banton top designer at Paramount designed Wong's costume and it is believed that the studio spent more on these than for any other star at the studio. Paramount unknown
1932WALTER-FILM007826<p><em>Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1932. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Near fine. </em></p><p>A beautiful portrait of Anna May Wong for one of her most substantial roles in a major talking film the notorious pre-Code opus <em>Shanghai Express</em> directed by Josef von Stroheim. Though Wong received third billing behind Marlene Dietrich and Clive Brook her portrayal of Hui Fei is universally regarded as a masterclass in acting. Hui Fei is a fiercely independent woman navigating a train ride from Peking to Shanghai during the Chinese Civil War which is hijacked by rebel forces. Her performance often overshadowed Dietrich's. Unfortunately she would not be cast in another role as complex as this. Wikipedia</p><p>Photo coded P671-245.</p> Paramount
68-7592Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Good with tears perforations minor loss at corner. Additional photo included. Hollywood, CA: Paramount, 1939. unknown
68-7556Hollywood CA: Paramount 1942. B&W Photo. 8" x 10" Very Good with creasing. Hollywood, CA: Paramount, 1942. unknown
68-7599Hollywood CA: Paramount 1947. B&W Photo. 8" x 10" Very Good Hollywood, CA: Paramount, 1947. unknown
68-7577Hollywood CA: Paramount 1939. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1939. unknown
68-7553Hollywood CA: Paramount 1957. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1957. unknown
68-7549Hollywood CA: Paramount 1956. B&W Photo. 8" x 10" Very Good. Hollywood, CA: Paramount, 1956. unknown
1933WALTER-FILM006815<p><em>Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1933. Set of five 5 vintage original 8 x 10" 20 x 25 cm. black-and-white double weight matte finish photos. Very minor corner wear and some with tiny pinholes at corners about fine. </em></p><p>When Buster Crabbe lost out to fellow Olympic swimmer Johnny Weissmuller in playing Tarzan at MGM Paramount came up with this competitive story. It was Buster's first feature film and the studio photographers wasted little time in presenting photography of his physique which bared nearly all and would not be tolerated once the Production Code was enforced.</p><p>This series of images introduced moviegoers to Crabbe. They are amongst the finest photos in male beefcake.</p><p>Photos coded P-1495-2 3 4 6 27.</p> Paramount