545 résultats
201119782ELos Angeles: The Weinstein Company 2011. First Edition. Small format paperbound 5 1/2†x 8 1/2†120 pages. This is first appearance in book form of this screenplay specially printed for distribution to members of the Academy of Motion Pictures Arts & Sciences in consideration for nomination of the Best Adapted Screenplay. Shooting script for the film My Week with Marilyn by Adrian Hodges based on the book by Colin Clark. Faint smudge to the front cover else fine in printed wrappers. The film was directed by Simon Curtis and stars Michelle Williams as Marilyn Monroe Eddie Redmayne Kenneth Branagh Julia Ormond and Emma Watson. The affectionate memoirs of Colin Clark Redmayne a young film student and an employee of Sir Laurence Olivier's Branagh relates the tense interaction between Olivier and Marilyn Monroe during production of the film comedy The Prince and the Showgirl. My Week with Marilyn received two Oscar nominations: Best Actress Michelle Williams and Best Supporting Actor Kenneth Branagh. Michelle Williams won a Golden Globe for Best Performance by an Actress in a Motion Picture - Comedy or Musical and the film was nominated for two more: Best Motion Picture - Comedy or Musical and Best Performance by an Actor in a Supporting Role in a Motion Picture Kenneth Branagh. The Weinstein Company unknown books
19891340500New York: A Thomas Dunne Book St. Martin's Press 1989. First edition. Hardcover. Octavo; First edition; VG/VG-; Hardcover with DJ; DJ spine blue with white print; DJ has light edgewear else clean and bright; Boards quarter bound with blue cloth to spine and white paper to boards clean and strong; Text block clean and tight; Inscribed in ink by both authors on the title page; 263 pages. 1340500. FP New Rockville Stock. A Thomas Dunne Book, St. Martin's Press hardcover books
1972147895Brockton Massachusetts: Brockton Art Center Fuller Memorial 1972. Softcover. G Few marks as ex-library otherwise clean. Cream paper wraps 12 pp. 5 BW illus. Issued in conjunction with a 1972-1973 exhibition offering "a very specialized look at the etchings of 1857 through 1861 with only three later works included for comparison" rendered by American artist James McNeill Whistler 1834-1903. With an essay by Marilyn Friedman Hoffman a catalogue of 29 items and 5 of them pictured here. A quiet and unassuming catalogue and perhaps enough for someone special. Brockton Art Center, Fuller Memorial unknown books
1987155489Manchester NH: Currier Gallery of Art 1987. Hardcover. VG Ex-gallery owned with few ownership marks near front; rebound into buckram by previous owner. Black library buckram gilt letters on spine & front cover. White & illus. wraps within. 48 pp. 16 color 54 bw plates. Issued in conjunction with a series of 1987 exhibitions of the Zorachs' art. An essay by Marilyn Friedman Hoffman accompanies a checklist of 40 works for Marguerite and 87 works for William. Many are pictured here. A nice introduction to the duo and a rare hardback edition of this catalogue. Currier Gallery of Art hardcover books
19742957Brockton Massachusetts: Brockton Art Center 1974. Softbound. VG clean tight internally. White wraps with color illus. and black lettering. 88 pp. 1 color 60 bw plates. Catalogue from the exhibition of Nov. 14 1974 to Jan. 5 1975. Includes a very detailed chronology. All works in the exhibition are annotated some in great depth. An uncommon catalogue. Brockton Art Center unknown books
199457741NY:: Philomel Books. Fine in Fine dust jacket. 1994. Hardcover. 0399219676 . First impression. Fine in a fine dust jacket. . Philomel Books, hardcover books
199457742NY:: Philomel Books. Near Fine in Near Fine dust jacket. 1994. Hardcover. 0399219676 . First impression. Brief gift inscription on front free endpaper else near fine in a near fine some fading to spine and front panel dust jacket. . Philomel Books, hardcover books
1976102047Indianapolis IN: Indianapolis Museum of Art 1976. Softcover. VG ex art linbrary copy with marks seldom used. Color wraps. 142 pp. 1 color many many bw plates. Includes several essays and severals different lists of works exhibited. Published to accompany the exhibition held in Indianapolis IN: Indianapolis Museum of Art Nov. 6 1976 to Jan. 2 1977 one other location. Indianapolis Museum of Art unknown books
199511897Albuquerque: University of New Mexico Press. Fine in Near Fine dj. c.1995. First Edition. Hardcover. 0826316352 . book is tight/clean with no discernible wear; jacket shows the tiniest bit of surface rubbing. B&W photographs . University of New Mexico Press hardcover books
608126"Marilyn" boldly penned in black on 1/2 length full face portrait of Marilyn Horne in costume. Photograph is by Louis Melancon for the Metropolitan Opera Co with logo in the lower right corner and is on single weight stock; 10" x 8"; very good minor signs of handling. 1975. Boldly signed and inscribed: "For Ulric With love & ever warmest greetings Marilyn 72". Signed by Authors. No Binding. Very Good. unknown books
607521"Marilyn Horne" boldly penned in black on 1/2 length full face portrait of Marilyn Horne. Titled in the lower margin: "Marilyn Horne" - "Columbia Artist Management Inc. 165 West 57th Street New York N.Y. 10019". Photograph is by Christian Stainer with his name in the right margin and is on single weight stock; 10" x 8"; very good minor signs of handling. 1984. Boldly signed and inscribed: "To Joyce Huff Cordially Marilyn Horne 84". Signed by Authors. No Binding. Very Good. unknown books
318987 photographs each 90 x 130 mm. Black and white glossy. In a blue cardstock Kodak "Album Prints" wrapper with Horne's manuscript annotation to upper "The Arthur Godfrey Show 1954!."<br/><br/>From the collection of the distinguished American mezzo-soprano Marilyn Horne b. 1934. Horne auditioned for Arthur Godfrey's Talent Scouts in Los Angeles singing for radio star Goodman Ace 1899-1982. She recounts the experience in her autobiography Marilyn Horne: The Song Continues p. 72:<br/><br/>Goodman a brusque Runyonesque heart-of-gold character had had a bellyful of talent by the time I got to him.<br/>"Okay kid whatcha gonna do" he queried disinterestedly.<br/>"I'm going to sing an operatic aria."<br/>"Esshhh" sighed Goodman obviously not bowled over by my announcement. He sat back with his eyes closed as I sang "Ritorna vincitor" from Aida. When I finished his eyes were wide open.<br/>"What else can you do kid" he asked enthusiastically.<br/>This time I sang a popular song of the day and when I finished Goodman blasted me.<br/>"Are you crazy to sing junk like that with a voice like yours!"<br/>"Listen" I shot back "I'll sing anything!"<br/>"That's the most ridiculous thing I've ever heard. You stick to opera kid."<br/><br/>She was given a spot on the show in 1955 and performed "Un bel dì" from Madame Butterfly. In Horne's words: "I sang the hell out of it and won." It was her first appearance on national television and her success meant that she was able to sing on Godfrey's radio show every day for a week. <br/><br/>"Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown books
31896Five photographs:<br/>- From Simon Boccanegra 1957. 122 x 91 mm. Colour glossy. <br/>- From Handel's Ezio 1958. 121 x 89 mm. Colour glossy.<br/>- From Handel's Ezio 1958. 138 x 90 mm. Black and white semi-glossy postcard.<br/>- From Wozzeck 1960. 138 x 90 mm. Black and white semi-glossy postcard.<br/>- From La Bohème 1960. 240 x 175 mm. Black and white glossy.<br/><br/>All identified on verso in Horne's hand.<br/><br/>From the collection of the distinguished American mezzo-soprano Marilyn Horne b. 1934.<br/><br/>Slightly worn. After being invited by Igor Stravinsky to perform at the 1956 Venice Festival Horne remained in Europe performing for three seasons with the Gelsenkirchen Opera. This small city in Germany's industrial west significantly raised its artistic profile with the opening of the modernist Musiktheater im Revier in 1959. <br/><br/>"Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown books
314731000 x 350 mm. Rolled. <br/><br/>From the collection of the distinguished American mezzo-soprano Marilyn Horne b. 1934. "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown books
31919124 x 99 mm. 120 mm with "928 Kodak Safety Film" printed to left upper margin. <br/><br/>From the collection of the distinguished American mezzo-soprano Marilyn Horne b. 1934.<br/><br/>Upper right margin slightly chipped. "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown books
1983235236New York: Atheneum 1983. First. hardcover. very good/very good. Illustrated with black-and-white photographs. 258 pages 8vo purple and blue cloth-backed boards dust wrapper chipped at top of spine. New York: Atheneum 1983. First edition. Very good.<br/><br/> Atheneum unknown books
1987162294Athens OH: Trisolini Gallery of Ohio University 1987. First edition. Softcover. 32 pages. Exhibition catalog for a show that ran May 4 through July 13 1987 at the Trisolini Gallery of Ohio University and then August 1 through October 3 1987 at the Parkersburg Art Center. Text by Marilyn Hunt-Nishi and Judith Marie Perani. Includes numerous color and black and white illustrations. An about good copy in stapled wrappers with some wear and some splitting to the top of the spine. Uncommon. Trisolini Gallery of Ohio University unknown books
2001258222London: Fluid Magazine 2001. Magazine. 148p. includes covers 9x11.75 inches articles essays interviews fashion reviews events photos illustrations ads very good glossy LGBTQ Fashion magazine in pictorial wraps. Fluid Magazine unknown books
199730193NY: North-South Books. Fine in Fine dust jacket. 1997. Hardcover. 1558588191 . Illustrated by the author. Third printing. Fine in a fine dust jacket. . North-South Books hardcover books
1997Embry 173443North South Books 1997. Fine in fine dust jacket in mylar cover. Color illus. by Marilyn Janovitz. North South Books, 1997. unknown books
1979149713N.p.: N.p. 1979. Collection of 13 vintage borderless matte-finish reference photographs from the 1979 French hardcore film. <br/><br/>Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s.<br/><br/>All photos 5 x 7 inches. Very Good plus to Near Fine overall.<br/><br/>Bier p. 449. N.p. unknown books
2006172002New York: Metropolitan Museum of Art 2006. Hardcover. VG/VG. Aqua cloth boards with gilt stamped spine lettering. Glossy color-illustrated dust jacket with blue and black lettering. xi 247 pp. Mainly color illustrations. "What follows in these pages is the chronicle of ceramic objects unearthed in Raqqa in the first quarter of the twentieth century. Marilyn Jenkins-Madina Curator Emerita of Islamic Art at the Metropolitan Museum describes the dramatic journey of these ceramics from their discovery in the medieval city to the emporiums of Paris and New York the drawing rooms of the great collectors and the galleries of the Metropolitan Museum. Using art-historical detective work archival documents and scientific data the author convincingly establishes provenance and dating placing these objects - some of the most exquisite ever produced by Islamic potters - in a secure historical context for the first time."--Jacket. Metropolitan Museum of Art hardcover books
1983281861London: Sotheby's 1983. First. hardcover. near fine/fine. Numerous color plates. 157pp. 4to purple cloth d.w. London: Sotheby Publications 1983. A near fine copy in a fine dust wrapper.<br/><br/> With ownership signature of Mildred Schmertz who was the editor-in-chief of Architectural Record.<br/><br/> Sotheby's unknown books
1991212755Virginia Beach: Donning Company 1991. First. hardcover. near fine/near fine. Many Illus. some in color. 4to white boards d.w. Virginia Beach: Donning Company 1991. Near Fine<br/><br/> Donning Company unknown books
1961149748Beverly Hills CA: United Artists 1961. Vintage reference photograph from the 1961 film showing actors Clark Gable and Marilyn Monroe outside a Dayton bar holding a hatful of collected cash bets to pay Montgomery Clift's rodeo fee. With the stamp of Les Artistes Associes on the verso along with a stamp of a large capital "S." <br/><br/>The final completed film for Gable and Monroe before their deaths. Notoriously a trying endeavor for the actress who was struggling with her drug problem and pending divorce from Arthur Miller and would often fail to show up to the set and for director John Huston who would drink and occasionally fall asleep while filming. Gable performed all of his own stunts then suffered a heart attack only two days after filming ended and died ten days later. <br/><br/>Set and shot on location in Dayton Nevada.<br/><br/>10 x 8 inches. Near Fine. United Artists unknown books