545 résultats
1997UNIELAN00DPESelf published 1997. Fine. Nielson Marilyn. The Land of Golden Opportunity And Other Stories Through the Years of West Millard County. Millard County: Self published 1997. 201pp. Illustrated. Glossary. 4to. Navy buckram with gilt lettering and designs. Book condition: Near fine with very gently rubbed edges. Stamped numbers on front free endsheet. Self published hardcover books
2007221408New York: St. Martin's 2007. First. hardcover. near fine/very good. Illustrated. xii 500pp. 8vo cloth d.w.; dust wrapper lightly rubbed. New York: St. Martin's Press 2007. First edition. A near fine copy in a very good dust wrapper.<br/><br/> St. Martin's unknown books
196832326San Francisco: Daughters of Bilitis 1968. Magazine. 48p. including covers 5.5x8.5 inches very good digest-size magazine in pictorial wraps. Contains an essay by Jeannette Foster "Dominance" Daughters of Bilitis was formed in 1955 in San Francisco by Del Martin and Phyllis Lyon and was based upon - and in the beginning supported by - the homophile organization The Mattachine Society and One Magazine. The Ladder was the house organ/newsletter and published information news events articles poetry and stories relevant to the lesbian reader. Daughters of Bilitis unknown books
1996148578New York: Harmony 1996. Softcover. Fine. First edition. Fine in wraps softcover/uncorrected proof. Uncorrected Proof. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information. Harmony unknown books
1996914307NY: Harmony. 1996. Fine in a fine dust jacket. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Fine. Harmony hardcover books
1996709319NY: Harmony Books. 1996. Advance Reading Copy. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Harmony Books paperback books
1961134255Los Angeles: Pad-Ram Enterprises 1961. Original pressbooks two variants for 1961 re-releases of the 1959 film. Featured are the two most commonly seen layouts used for publicity: the full-color illustrated "hat" variant and the other with Mr. Teas surrounded by a bevy of well-developed women the female leads of the film from left to right: Ann Peters Michele Roberts Dawn Danielle and Marilyn Wesley. <br/><br/>The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br/><br/>Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br/><br/>For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br/><br/>Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br/><br/>Both pressbooks 11 x 17 inches folded horizontally. "Hat" variant includes a 9 x 12 ad mat dated "Fri. Aug. 18 1961." Light rubbing overall rubber stamps from "Sack Amusement Enterprises" in Dallas Texas and a few light creases and tiny closed tears else Near Fine. Pad-Ram Enterprises unknown books
1959134256Los Angeles: Pad-Ram Enterprises 1959. A collection of 8 vintage still photographs from the 1959 film. Included are 4 stills from the US release and 4 stills from the UK release under the title "Mr. Teas and His Playthings." From a cursory glance one can immediately see the differences with regard to nudity paid by both US and UK publicists the UK stills decidedly more liberal with regard to the "forbidden flesh."<br/><br/>The US stills were taken directly from scenes of the film and the UK stills appear to be from either a deleted scene or a mock setup designed for foreign publicity with Mr. Teas seen in a bathhouse with the "Buxom Bath House Beauties" Baby Dahl Chicky Fricase Frenchie Tost Teri Clawthe that were not seen in the final cut. The UK stills purport "Monstrous Murder!" and "Sizzling Suspense!" taglines however the final cut features neither murder nor suspense. <br/><br/>The story finds the shy Mr. Teas played by William Ellis Teas a door-to-door dental appliance salesman who has a chemical reaction with an anesthetic that allows him to have X-ray vision as in "seeing through women's clothes." He also overcomes all of his inhibitions leading to ribald encounters with his dental nurse his therapist his secretary a girl in a bar etc. <br/><br/>Russ Meyer's first feature produced by Pad-Ram Enterprises a monogram using the initials of director Russell Albion Meyer and producer Peter A. DeCenzie and the film that basically launched the lighthearted "nudie" pictures of the early 1960s. The film was immediately touted as "ribald" and "Frenchy" with regard to the "genuinely sexy sequences with generous expanses of attractive flesh" that used to be seen strictly in foreign films. At a time when Hollywood moguls were losing audiences to the comfort of in-home cinema through television Meyer and DeCenzie who spent years on the burlesque and night club circuits released an independent naturally sexy endeavor in the tradition of the great Chaplin films. The bigger productions companies would never have made a film as far overboard on sex. <br/><br/>For his debut Russ Meyer did even more of the crew work than usual shooting in four days during the spring of 1958 with a budget of $24000 ultimately making over $1.5 million worldwide. The film was marketed as a "nudist" film with a "French" sensibility but exhibited all the distinctive traits for which Meyer would soon become known including large bosoms insane plots a somewhat feminist perspective campy dialogue and guerilla cinematography. <br/><br/>Shot on location in various California destinations including Malibu Lagoon State Beach. Meyer even shot various scenes at his beach-front home in Los Angeles. <br/><br/>All stills 8 x 10 inches some differ slightly in size. Two US stills Very Good plus others Near Fine. UK stills Near Fine. Pad-Ram Enterprises unknown books
199610847Austin: Nortex Press 1996. First edition. Hardcover. Fine. Fine first edition in printed navy blue boards. Errata slip laid in. 383 pp. Published by the Texas Society of Pathologists. <br/><br/> Nortex Press hardcover books
1999916849NY: Harmony. 1999. Fine in a fine dust jacket. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Fine. Harmony hardcover books
2008118887New York New York: Lower East Side Printshop Inc 2008. Softcover. VG. White wraps; 91 pp.; 30 color plates. Accompanied an exhibition marking the 40th anniversary of the Lower East Side Printshop; Includes works by Mike Bidlo Donald Tarantino Clarissa Sligh Jose Guinto Jackie Battenfield Sheila Pepe and more. Lower East Side Printshop, Inc unknown books
20064412Old Lyme: Florence Griswold Museum 2006. 1st edition original illustrated stiff paperwraps as issued. Signed by author. Sub-titled "Connecticut Landscapes Through the Eyes of Venture Smith" this volume is a collection of "Poems by Marilyn Nelson inspired by the slave narrative of Venture Smith and paired with American paintings from the Florence Griswold Museum" from the title page notes. A beautiful pairing of Nelson's moving lines with stunning illustrations reproduced in full color. A handsome publication the present copy is specially signed by Nelson on the title page in black ink. Offered in 'as new' fine condition. Florence Griswold Museum unknown books
1993176855Seattle: University of Washington Press 1993. Hardcover. ix 287p. prologue conclusion appendixes; biographies & organizations bibliography index illustrations and photos very good first edition in cloth boards and lightly-worn unclipped dj. University of Washington Press hardcover books
1981Embry 176439Wayne State U. Press 1981. First printing thus facsimile of the 1853 edition with critical remarks and bibliographical appendices. Fine in fine dust jacket in mylar cover. Wayne State U. Press, 1981. First printing thus, facsimile of the 1853 edition with critical remarks and bibliographical appen unknown books
198424294NY: E.P. Dutton 1984. 1st edition. Plum-colored cloth spine with blue paper-wrapped boards. Dust jacket. NF/VG pc. 168 pp. 8vo. <br/><br/> E.P. Dutton hardcover books
1999110323Tempe: Arizona State University Art Museum 1999. Softcover. Good with two small scrapes to spine and very slight bumps to corners. Red blue white and yellow illus. wraps with black lettering; French flaps; 64 pp. with 27 bw and color illustrations. Published in conjunction with the exhibition held November 1999 to February 2000 curated by Zeitlin; with essays about the collection and the collectors; includes an exhibition checklist. Arizona State University Art Museum paperback books
197344718n. p. 1973. 1st Printing. Self-wrappers. Now housed in an archival mylar sleeve. Age-toning to paper. "A Peace Center Conference" penned to front cover under printed title. Top corner chipped; grease stain to last two pages. Very Good. 6 mimeographed sheets corner stapled printed text both sides unpaginated though 12 pp. Conference itinerary to the last page. Cover page with large drawing incorporating divers organizational acronyms e.g. the hat band has CIA MSU & AID. 11' x 8-5/8" <br/><br/>The handout no doubt provided to those attending the 1973 Empire's New Clothes conference held at Michigan State University which was to discuss U.S. foreign policy and specifically MSU's involvement in said policy. The item thoroughly details MSU's direct involvement in the Vietnam War through its international programs for which it had received government funding. "After the U. S. government had approached MSU about a possible technical assistance project in Vietnam . 4 individuals made a two week inspection tour of Vietnam and returned recommending that MSU provide 'technical assistance' to the Diem regime." And here we are. unknown books
1992148764New York: Borghi & Co 1992. Softcover. VG- Clean and tight but with a light wrinkle to upper right corner and stain to back cover. Color-illustrated glossey wraps with black lettering on white spine. 100 pp. with 85 color plates. Catalogue of paintings by Achsah Barlow Brewster Earl Henry Brewster and sculptures by Willi Soukop. Includes chronologies of each artist and an essay by Marilyn Kushner. Preliminary comments by Soukop and Earl Henry Brewster. Very intriguing catalogue. Borghi & Co paperback books
198331064New York: G. P. Putnam's Sons 1983. Octavo printed wrappers. Advance copy uncorrected proof of the first edition. A fine copy. #31064 G. P. Putnam's Sons unknown books
200650857NY: HarperCollins 2006. First printing. Narrow 8vo pp. viii 244. Appendix notes bibliography. Illustrated with photographs of obit writers. Paper over boards. Remainder mark on bottom edges o/w a nice copy in dj. HarperCollins unknown books
2006MB718-003New York: HarperCollins Publishers 2006. First Edition. Hardcover. Very Good. FIRST EDITION with a full number line. A near fine copy in dust-jacket lightly read. Marilyn Johnson's first book. The New York Times Book Review wrote of it: "A fascinating book about the art history and subculture of obituary writing" and "downright amazing." Marilyn Johnson is an American writer and the author of the nonfiction books "Lives in Ruins: Archaeologists and the Seductive Lure of Human Rubble;" "This Book is Overdue! How Librarians and Cybrarians Can Save Us All;" and "The Dead Beat." Enjoy! HarperCollins Publishers hardcover books
201414223Glendo WY: High Plains Press 2014. First edition. Paperback. Fine. Octavo 21.5 cm pp. 283. Pictorial wraps. Includes map showing location of 1947 coal camps near Rock Springs Wyoming black and white photos and list of Stansbury residents. High Plains Press paperback books
2003UROGCOM00LAWMeredith Books 2003. Very Good. Rogers editor Marilyn. The Complete Perennials Book. Des Moines IA: Meredith Books 2003. 256pp. Indexed. Illustrated. 4to. Paperback. Book condition: Very good with gently bumped and subtly yellowed edges. Meredith Books paperback books
2003UARNCLA00MWBonneville 2003. Very Good. Arnold Marilyn. The Classmates. Springville UT: Bonneville 2003. 285pp. 8vo. Paperback. Book condition: Very good with light rubbing to edges. Bonneville paperback books
1984709428NY: Harper & Row. 1984. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Harper & Row paperback books