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1874133018London: George Routledge and Sons 1874. First English edition of the rarest of Mark Twain's works: the only novel he wrote with a collaborator and the book that gave the era its name in history. Octavo three volumes original publishers green cloth gilt titles to the spine illustrated. The only multi-volume work Clemens produced except for the two-volume Tramp Abroad London 1880 the first English edition of The Gilded Age is the rarest of Mark Twain's major works and the most difficult to obtain. Its rarity is due largely to its format three volume sets were quite expensive and were produced almost solely for circulating libraries during the Reconstruction era and so the books were vigorously read by many readers generally rebound and most were pulped in paper drives during the Second World War. In 1873 Samuel Clemens had written only four other major books - The Celebrated Jumping Frog of Calaveras County The Innocents Abroad Mark Twain's Burlesque Autobiography and Roughing It. A relatively unknown American author in London at the time the English edition would have necessarily been small no more than a few hundred. From the library of noted collector Frederic R. Kirkland. Kirkland formed a well-known collection of Americana and American and British literature much of which was sold in 1962. In very good condition. Housed in a custom half morocco folding chemise slipcase. Exceptionally rare with one other copy traced in auction records and only the Yale set listed in the Bibliography of American Literature. The first major American novel to satirize the political milieu of Washington D.C. and the wild speculation schemes that exploded across the nation in the years that followed the Civil War The Gilded Age gave this remarkable era its name. Twain and good friend and neighbor Charles Warner borrowed the term from William Shakespeare's King John 1595: "To gild refined gold to paint the lily. is wasteful and ridiculous excess." Another interpretation of the title of course is the contrast between an ideal "Golden Age" and a less worthy "Gilded Age" as gilding is only a thin layer of gold over baser metal so the title now takes on a pejorative meaning as to the novel's time events and people. Although more than a century has passed since its publication the novel's satirical observations of political and social life in Washington D.C. are still pertinent and the work has appeared in more than 100 editions since its original publication. BAL 3359. George Routledge and Sons hardcover
1882182650London: B. S. Williams at the Victoria and Paradise Nurseries 1882-97. Orchidelirium First edition of this magnificent work one of the great orchid books of the 19th century. The Orchid Album was published at the height of the "orchidelirium" that had been building in Britain for some decades until it seized the imaginations of late Victorian horticulturists in the same way that the tulip craze inflamed the minds of collectors in Golden Age Holland. The British horticultural writer Anna Pavord notes: "some of the grander Victorian growers such as the Duke of Devonshire at Chatsworth in Derbyshire and the Duke of Northumberland at Syon House in Middlesex employed their own collectors but orchid fanciers like John Day acquired their best treasures at auction. Nurserymen such as James Veitch Conrad Loddiges and Benjamin Samuel Williams of the Victoria and Paradise Nurseries in Upper Holloway regularly sent consignments of orchids to be auctioned by Messrs Stevens of King St Covent Garden. It was in their sale room that after an epic battle with a fellow enthusiast Sir Trevor Lawrence a contemporary of Day's acquired the one single plant of Aerides lawrenciae imported by Frederick Sander from the Philippines". The stunning plates are the work of John Nugent Fitch 1840-1927 the nephew of Walter Hood Fitch. His "work was more flamboyant than that of such predecessors as Ehret Redouté or the Bauer brothers combining botanical accuracy with a flair for page design. In Britain and Europe he had little competition being rivalled only by the Frenchman Alfred Riocreux" ODNB. Bibliographies call for 528 plates but overlook the fact that the only folding plate which appears in Volume I is double-numbered as 9-10. This is a complete set and includes the four-page obituary for Benjamin Samuel Williams in Volume IX. 11 vols 315 x 240 mm. With 527 fine hand-coloured lithograph or chromolithograph plates by John Nugent Fitch one double-numbered folding plate in Vol. I some with tinted backgrounds. Contemporary half dark green morocco spines with raised bands gilt-lettered direct in two compartments gilt floral device in others boards ruled in gilt marbled boards and endpapers marbled endpaper vols. I-IV grey; V-VI dark green VII-IX light blue top edges gilt. Bookplates and shelf marks of Reeves Library Westminster College Missouri gifted by Carl F. Setz. Bindings refurbished small nick to fore edge of vol. V endpapers of vol. VII with minor abrasions with free endpaper detaching but holding and a few minor text repairs starting before title of vol. XI occasional foxing or faint marginal damp staining: a very good copy. Nissen 2107; not in Plesch or Pritzel. Anna Pavord review of "A Very Victorian Passion: The Orchid Paintings of John Day" in The Independent 29 May 2004. hardcover
18747227London: George Routledge and Sons 1874. First UK edition. Fine. Finely bound by Zaehnsdorf in full brown morocco with double gilt rules on the boards and spine compartments. Top edges gilt marbled end papers. A Fine copy complete with all half-titles. Clean and fresh throughout. A few leaves in volume 3 a little bent at the lower margin. Otherwise an exceptional copy inside and out. <br /> <br /> "The Gilded Age a period of gross materialism and blatant political corruption in US history during the 1870s gave rise to important novels of social and political criticism. The period takes its name from the earliest of these The Gilded Age written by Mark Twain in collaboration with Charles Dudley Warner. The novel gives a vivid and accurate description of Washington DC and is peopled with caricatures of many leading figures of the day including greedy industrialists and corrupt politicians" Britannica. Among these notable "robber barons" were recognizably John D. Rockefeller Andrew Carnegie Cornelius Vanderbilt and J.P. Morgan. Fine. George Routledge and Sons unknown
5239Madison Wisconsin: J. J. Stoner Publisher; Chas. Shober & Co Prop's Chicago Litho'g Co. 1876. Tinted lithograph 34.125 x 21.875" plus margins. <p>A large and quite impressive bird's eye view of Portland Maine as it appeared after a decade of rebuilding following the great fire of 1866.</p> <br /> <br /> <p>This fine richly detailed view of Portland depicts the city-viewed from an elevated eastern vantage point-as a lively prosperous place with a busy harbor an active waterfront crowded with wharves and ships numerous factories with smoke spilling out of their smokestacks trains coming and going and many fine commercial public and private buildings. A key in the title margin identifies some 118 buildings and wharves many of them along the waterfront including the Eagle Sugar Refining Company Portland Star Match Co. Works the Grand Trunk Rail Road Depot Portland Co.'s Machine Shops and others. The Portland & Ogdensburg Rail Road and the Maine Central Rail Road serve the western end of the waterfront while the Grand Trunk Rail Road and the Portland & Rochester Rail Road serve the eastern end. Beyond the city proper the Back Cove and other more sparsely developed areas can be seen against a distant mountainous backdrop. The railroads stretch across this landscape disappearing into the distance.</p> <br /> <br /> <p>Bird's eye view publisher Joseph John Stoner 1829-1917 a native of Highspire Pennsylvania was apprenticed to a chair-ornamenter in Harrisburg before migrating to Cincinnati where he worked as a map and book agent in the 1860's. By 1865 Stoner had resettled in Madison Wisconsin eventually becoming a sales agent for city view artist Albert Ruger with whom he formed a partnership Ruger & Stoner in 1869. Stoner worked both in partnership with Ruger and independently into the 1890s publishing at least 314 views with his imprint on them and likely a good many lacking his imprint as well making him one of the most prolific town and city view publishers of the 19th century.</p> <br /> <br /> <p>Charles Shober ca 1920-1906 was born in Germany immigrated to America and is known to have been working as a lithographer with Charles Reen in Philadelphia by 1856. The two moved to Chicago in 1857 and established the firm of Reen & Shober but soon thereafter Shober entered into partnership with August Roth. The company operating as Charles Shober and later Charles Shober & Co. produced some of the finest lithography in Chicago specializing in advertising posters and sheet-music covers until their building was destroyed in the Great Chicago Fire of 1871. Afterwards Shober and Edward Carqueville assumed management of the rebuilt Chicago Lithographic Company operating as Chicago Lithographing Company Shober & Company Proprietors until 1877 when the firm became known as Shober & Carqueville. Specializing in advertising posters and trade cards the company also became one of the leading producers of circus and theatrical posters in the country and was the largest lithographic firm in Chicago for the last quarter of the nineteenth century.<br /> <br /> <p>A splendid view of Henry Wadsworth Longfellow's "City by the Sea."</p> <br /> <br /> <p>CONDITION: Very good.</p> <br /> <br /> <p>REFERENCES: Reps 1238; Podmaniczky Christine B. and Earle G. Shettleworth Jr. Through a Bird's Eye: Nineteenth Century Views of Maine Rockland ME 1981 p. 41.</p> Madison, Wisconsin: J. J. Stoner, Publisher; Chas. Shober & Co Prop's Chicago Litho'g Co., 1876 unknown
2002Manohar-9781861521613Thomson 2002. Hardcover. New. Thomson hardcover
2002Manohar-9781861521613Thomson 2002. Hardcover. New. Thomson hardcover
2001CBS-9781861521613Sp Cengage Learning 2001. New. Sp Cengage Learning unknown
2001CBS-9781861521613Sp Cengage Learning 2001. New. Sp Cengage Learning unknown
19653117228New York: Praeger. Near Fine in Near Fine dust jacket. 1965. First Edition; First Printing. Hardcover. First American edition. First edition in English. SIGNED by Mies Van der Rohe on half-title . 228pp. 10" X 10 1/4" Near fine in near fine dust jacket. Short edge tear at bottom edge of text affecting only a few pages. Shallow damp spots at top & bottom tips of dust jacket. No effect on white cloth beneath. Books signed or inscribed by Mies Van der Rohe are rare in the market. ; 10" x 10 1/4"; 228 pages . Praeger hardcover
1886005152London: B. S. Williams 1886. First Edition . Leather. Very Good. Folio. John Nugent Fitch. Volumes 5 and 6 bound as one. Original half dark blue morocco leather over blue pebbled cloth boards four double raised bands gilt titles marbled endpapers and edges 12.5 x 10.75 inches. First Editions: vol. 5- 1886 vol.6- 1887. Unpaginated; each volume illustrated with 48 96 total plates tissue-protected chromolithographs by John Nugent Fitch 1836-1895. One of the great orchid books of the nineteenth century published at the height of the 'Orchidelirium' mania. Exterior showing some wear and rubbing heaviest at extremities spine sunned to brown as expected light typical foxing and toning to text pages all plates clean and bright. Provenance: Bookplate from the Royal Horticultural Society Lindley Library deaccessioned with "Cancelled" stamp on bookplate no other library markings in book. The Lindley Library in London is the largest horticultural library in the world. <br/> <br/> B. S. Williams hardcover
1851139641New York: George P. Putnam 1851. Only "surpassed by Uncle Tom's Cabin in sales and popularity" First edition of Susan Bogert Warner's first novel written under the pseudonym of Elizabeth Wetherell in bright condition. Warner 1819-1885 began writing The Wide Wide World in 1848. It was to become one of the most popular American novels of its time however initially had difficulty finding a publisher. "Even when George P. Putnam accepted the novel for publication in 1850 largely because his mother was enthusiastic about the manuscript he initially printed only 750 copies; two years later the novel was reprinted for the fourteenth time and for decades to come only Harriet Beecher Stowe's Uncle Tom's Cabin surpassed Warner's first novel in sales and popularity" ANB. Henry James wrote admiringly of the work in the Nation in 1860 praising Warner's realistic depiction of rural life. This copy is in the third state listed in BAL without the printer's imprint on the copyright page and the final signature of vol. II being 154; the order of priority given as "probable". Blanck notes in his juvenilia bibliography Peter Parley to Penrod that as in the present copy "in first printed copies the folio at p. 157 vol. I and the folio at p. 34 vol. II are misplaced and appear at the inner portion of the page rather than at the fore-edge" Blanck p. 4. 2 vols octavo. Original green morocco-grain cloth titles and decorative motifs to spine in bronze covers stamped in blind within double-rule frames yellow coated endpapers BAL binding b no priority. Spines gently cocked and a little sunned faint spotting to joints touch of wear to tips occasional foxing; a very good copy indeed. BAL 21253; Jacob Blanck Peter Parley to Penrod: a bibliographical description of the best-loved American juvenile books 1938. hardcover
62377London: Constable and Co. 1936. Crime Mystery INSCRIBED FIRST EDITION first impression. Octavo 19 x 13cm pp.6 314. Publisher's orange cloth with blue titles to spine and upper top edge blue in typographic dust-wrapper priced at 7/6. With author's ink inscription to flyleaf; Neil and Alice / With love from / E.C.B. Extremities and spine a little toned some minor edgewear shallow chips to spine ends. Near fine. The long-awaited sequel to 'Trent's Last Case' 1913 being a mystery with a golfing theme. London: Constable and Co., 1936 unknown
109155Oxford Basil Blackwell 1936. . First edition first impression inscribed by the author; 8vo; colour frontispiece 8 plates in black and white previous ownership inscription to front pastedown; publisher's burgundy cloth gilt lettering to spine with the unclipped pictorial dust-jacket closed tear to front panel loss to corners and foot of spine slight spotting and soiling else very good.<br /> First edition of Rex Warner's first novel lengthily inscribed by him in blue ink to the front pastedown: 'Poor old / RCBM 1934 in another hand / was compelled by financial difficulties to sell this lone book written in 16 days. It was since acquired by Mr C.L. Greenwood when flushed by illusory triumphs at imperfectly understood games is dedicated to him by a grateful but athletically inferior author. / Rex Warner'.<br /><br />This volume is number eight in the scarce Basil Blackwell series Tales of Action by Men of Letters in which the publisher made the bold experiment of commissioning swashbuckling adventure stories for young adults from scholarly types like the classicist Warner.<br /> Oxford, Basil Blackwell, 1936. hardcover
20021-0743234510Meadowbrook Pr 2002. Paperback. New. original edition. 256 pages. 7.25x5.25x0.50 inches. Meadowbrook Pr paperback
196294020Gallery. New. 1962. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 65 pages; illustrated mostly in black and white. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Gallery hardcover
196294021Gallery. New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 65 pages; illustrated mostly in black and white. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Gallery paperback
37484Oxford: Privately Printed for Presentation to the Members of the Roxburghe Club 1910. Folio 374 x 275 mm lx2 56 2 iv 2pp. with coloured frontispiece and 238 pages of collotype facsimile half red morocco by Bayntun of Bath spine with five raised bands ruled in gilt second compartment lettered in gilt direct t.e.g. uncut a very nice copy. "The Benedictional is one of the most magnificent of the tenth-century English manuscripts; it had been one of the most important and most discussed exhibits at the Society of Antiquaries Exhibition in 1896 and its reproduction and the introductions by Warner and Henry Wilson were a major event in the study of palaeography and liturgiology."Barker. Provenance: Armorial bookplate of Phythian-Adams. Barker 156. Oxford: Privately Printed for Presentation to the Members of the Roxburghe Club, 1910 hardcover
1918374343New York: Warner M. Van Norden 1918. First Edition. Illustrated. 148pp. Small handbill by Norden tipped to the rear pastedown. 1 vols. 8vo. Publisher's grey cloth lettered in red staining wear at board edges. Staining. First Edition. Illustrated. 148pp. Small handbill by Norden tipped to the rear pastedown. 1 vols. 8vo. A very rare early twentieth-century illustrated directory of Chinese businessmen in New York with detailed biographical information. Preceding the directory is a section on Chinese farmers in America; the final section of the book comprises "Glimpses of China" as photographed by the author Warner M. Van Norden. Warner M. Van Norden unknown
1882005151London: B. S. Williams 1882. First Edition . Leather. Very Good. Folio. John Nugent Fitch. Volume one. Original full green morocco leather raised bands gilt titles and decorative compartments and boards inner dentelles marbled endpapers all edges gilt 12.5 x 10 inches. First Edition. Unpaginated; illustrated with 47 chromolithographed plates including 1 folding by John Nugent Fitch 1836-1895. One of the great orchid books of the nineteenth century published at the height of the 'Orchidelirium' mania. Exterior showing some light wear and rubbing heaviest at extremities light typical foxing to text pages all plates clean and bright. Provenance: Bookplate from the Royal Horticultural Society Lindley Library deaccessioned with "Cancelled" stamp on bookplate no other library markings in book. The Lindley Library in London is the largest horticultural library in the world. <br/> <br/> B. S. Williams hardcover
190432471Hartford: American Publishing Company 1904. 15 volumes. The Autograph edition one of 612 copies signed by Lounsbury and on behalf of the publisher. Included are a manuscript page from "In The Levant" a second manuscript page with numbering in Warner's hand and an autograph letter signed "C. D. Warner" to Lounsbury dated March 6 1883. This copy also the most desirable with plates in two states. With a hand-coloured photogravure portrait frontispiece hand-coloured vignette title page and other photogravures plates 2 signed by artists Frank T. Merrill and E.H. Garret. This copy with the initial portrait in two states both hand-coloured and uncoloured. 8vo bound in three-quarter dark green morocco over marbled paper covered boards the spines with raised bands gilt tooled gilt decorated and tooled in two compartments gilt lettered in two compartments with the remaining large compartment elaborately decorated with gilt borders enclosing a pair of gilt floral decorations top edges gilt. A fine and handsome set with some very light mellowing as is typical the text-blocks and illustrations all in essentially pristine condition. FIRST OF THE EDITION WITH MANUSCRIPT LEAVES AND A MANUSCRIPT LETTER. A sumptuous publication of the great American novelist essayist and close friend of Mark Twain with whom he wrote THE GILDED AGE. His works are popular for their abounding and refined humor their mellow personal charm their wholesome love of outdoor things their suggestive comment on life and affairs and their delicately finished style. Interestingly Warner is known for making the famous remark "Everybody complains about the weather but nobody does anything about it". This was quoted by Mark Twain in a lecture and is frequently misattributed to him.<br> The volumes contain the following writings and are illustrated in all volumes:<br>Volume I “My Summer in a Garden†“Backlog Studies†“Baddeckâ€<br>Volume II “Saunteringsâ€<br>Volume III “My Winter on the Nileâ€<br>Volume IV “In the Levantâ€<br>Volume V “A Roundabout Journeyâ€<br>Volume VI “In the Wilderness†“Captain John Smithâ€<br>Volume VII “Being a Boy on Horsebackâ€<br>Volume VIII “Studies in the South and West with Comments on Canadaâ€<br>Volume IX “Washington Irving†“The Work of Washinton Irivng†Our Italyâ€<br>Volume X “Their Pilgrimageâ€<br>Volume XI “A Little Journey in the Worldâ€<br>Volume XII “The Golden Houseâ€<br>Volume XIII “That Fortuneâ€<br>Volume XIV “As We Were Saying†“As We Go†“Fashions in Literatureâ€<br>Volume XV “Relation of Literature to Life†People for Whom Shakespeare Wrote†American Publishing Company hardcover
198450872London England: Weidenfeld & Nicholson / Royal Academy of Arts London. As New. 1984. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Pages unmarked tight to spine - 123 works catalogued. Many color and black & white illustrations. Among the artists represented: Edward Lear W. H. Hunt Gerome Guillaumet Fromentin and others. -- with a bonus offer-- May be either: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition . Weidenfeld & Nicholson / Royal Academy of Arts, London paperback
18013865<p>A scarce book of country excursions taking in some of the most striking landscapes and great houses within a day's journey of Bath. Three excursions are presented in the course of four letters with each excursion illustrated with a small part-page engraved map. The author describes in detail the landscapes cities and great houses along the way with plentiful information about the history of the towns gardens and architecture visited. Of particular note are Longleat Stourhead Fonthill and Wardour Castle. 'I am now to introduce you to one of the most splendid mansions in the kingdom Fonthill the seat of Mr. Beckford; where expence has reached its utmost limits in furniture and ornaments; where every room is a gold mine and every apartment a picture-gallery' p. 119. The description of Beckford's library is alas rather brief: 'The library is a large room filled with choice and expensive books; and decorated with appropriate paintings on the ceiling' p. 126.</p><p>Warner also visits 'new' Wardour Castle - it was built in the 1770s - and gives a room by room commentary of the architecture furniture and paintings. Or particular interest is his description of the chapel: 'From this apartment we are carried into the western gallery of the <em>chapel</em>; a structure that displays superlative taste and magnificence. Crimson furniture and gilded ornaments produce an immediate striking <em>coup d' œil; </em>but when the decorations are examined individually the splendour and expence become more perceptible. Three immense pictures by Rubens cover the southern wall of the chapel; and one by this artist and another by Guido of the same majestic size are their opposite companions. The altar-piece is a Dead Christ by Cades. A large gallery is constructed at the western end superbly fitted up for Lord Arundel and his party; a second at the east end of the north side for the choir; and a third at the east end of the north side for the accommodation of visiters sic. Benches occupy the middle of the chapel for the reception of the domestics and such of the villagers as profess the Romish faith; for there is a Catholic seminary here the pupils of which punctually attend at morning and evening prayers. The eastern end of the chapel recedes into a semi-circular form through the windows of which light is admitted; but as these are placed high and consist of coloured glass the effect is extremely striking and solemn. The central window exhibits Angels and the awful Tetragrammaton from which is an emanation of glory. Brought forward from the eastern end sufficiently to allow the processions around it stands the Altar a most costly piece of workmanship fixed on a splendid sarcophagus of ebony; and constructed of porphyry agate and amber. A magnificent crucifix of silver surmounts the altar; and two censers of solid gold embossed with silver suspended over it pour through the chapel odiferous clouds of ever-burning frankincense. Every thing around indeed evinces that the Romish ritual is observed here with the utmost vigour and magnificence; and doubtless the celebration of its higher offices amid such seducing objects must act with infinite force upon the imagination. The effect produced by the <em>externals</em> of worship every man experiences who attends our Cathedral service which has not been stripped of so much of its <em>lace</em> as the common parochial ritual; how much then must this be increased when aided by exquisite examples of sculpture and painting; amid the strains of angelical music the glare of unnumbered lights and the Hallelujahs of numerous multitudes! The tamest fancy must be roused by such a scene and the coldest heart warmed into transport … It is but proper to add that the attendance of strangers at the service in Wardour chapel is considered as a compliment and every convenience provided for their accommodation' pp. 137-141.</p><p>Richard Warner was an antiquary and an Anglican clergyman originally from the coastal town of Lymington in Hampshire. He became curate to Wililam Gilpin whose influence can be clearly seen in the present work dedicated to walking and the natural beauties of the west country. Warner obtained his first position in Bath in 1794 and remained there for some years writing a number of topographical works and a gothic novel <em>Netley Abbey</em> 1795 inspired by local ruins. He was a friend of Wordsworth who collected Warner's picturesque writings alongside those of Gilpin and who is known to have dined with him in Bath. In his lifetime Warner was mostly known for his controversial pacifist sermons and writings: it is thought that Blake was referring to Warner in the lines 'ask him if he is Bath or if he is Canterbury' in Jerusalem as claimed by David Erdman.</p><p>Although this copy is in a later nineteenth century binding and was bound without the half-title a previous owner - possibly from the 1840s or 1850s perhaps contemporaneous with the binding and the newspaper cutting - has added an engraved portrait a Latin celebration of Bath an engraving of Farleigh Castle and a newspaper cutting referring to Paul Methuen of Corsham.</p><p>OCLC lists BL University of Edinburgh the Natural History Museum and the Rubenianum in Antwerp only.</p> Crutwell & G.G. and J. Robinson
1962C94020Gallery. As New. 1962. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 65 pages; illustrated mostly in black and white. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Gallery hardcover
1962C94021Gallery. As New. 1962. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 65 pages; illustrated mostly in black and white. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Gallery paperback
193062548Hollywood CA & New York NY; Oshkosh WI & Parkersburg WV: The Strand Theatre Smoot Theatre Lincoln Theatre & Warner Bros. 1930-1934. Oblong folio. 14.5 x 11.5 in. 100 pp unpaginated. two different papers many preserved in archival mylar sleeves. With 90 original silver gelatin photographs either mounted or loose and inserted into sleeves sized from 2 x 2 in. up to 8 x 10 in. most sized approx. 5 x 7 in. many w/ photographer’s imprints 71 pieces of mounted ephemera including promotional cards souvenir promotional items such as napkins studio advertising mimeograph typescript marketing scripts lobby cards newspaper clippings and more. All leaves bound w/ brass screw posts at gutter margin many preserved in archival mylar sleeves some leaves w/ chipping & tears at fore=-edges offset tears and or reside on versos of a few photos some scuffing old glue markings cropping to some leaves still a VG artifact preserved as album. This exceptional original Warner Bros. Studio marketing photo album/scrapbook chronicles the movie industry’s system of engaging the movie-going public during the Great Depression in a form of interactive promotional live theatre to immerse them in the cinematic experience. Featuring physical props displays special lighting costumed extras studio scripts featuring a myriad of promotions the Warner Bros. Studios theatre group was able to enhance and pull in far more movie-goers and set the foundation for their marketing system in the coming decades. By using their opulent and fabulous 1920’s era created movie palaces these images capture the pre-Code sexualized Mae West in slinky costumes emblazoned on radio station cars physical stand-up showroom displays restaurant menus post-Prohibition tavern beer coasters and even pulled in local officials such as Mayor George Oaks of Oshkosh WI. Also featured here are photos and flyers for the giveaway cars tie-ins with the Oshkosh State Teachers College football team and nearby department store window displays which significantly expanded the visual and immersive experience.Of particular interest is the included and very detailed 117 step campaign script for Mae West’s iconic “I’m No Angel†featuring the titillating star as Tira the circus beauty who manages to always be mistress of the situation whether in the cage with wild beasts her boudoir filled with admirers to be bedded or even charming and seducing the judge at the end of the film with only a wiggle. The pre-Code campaign encourages the Warner Bros. Studio theatre’s to include a “Try your figure†display panel where young women would measure themselves against the busty silhouette and those that matched closest to the scantily gowned West would receive free tickets. Another stunt was setting up a “Mae West Voice Test†using a dictaphone in the lobby with a “pretty girl attendant†set up in charge to ask potential women movie-goer attendees to utter “Come up and see me sometime†and free tickets were awarded for the best Mae West imitations. Other movies featured at the Strand in Oshkosh or the Smoot & Lincoln Theatre’s in Parkersburg WV depicted here with promotions souvenirs and photographs include: “The Sea Wolf†based on Jack London’s book and which starred Milton Sills Jane Keithley and Raymond Hacket released just 1 week after Sills’ death and features stunts with potential young movie-goers to bring their Rin Tin Tin like dogs as well as airplane stunts and lobby card; or elaborate window displays and automobile floats mocked up as dirigibles and costumed extras for Frank Capra’s “Dirigible†released in 1931 and starred Fay Wray Jack Holt Ralph Graves and Hobart Bosworth set against the drama of a competition by fixed-wing aircraft and dirigible airships to reach the South Pole. Other movies briefly archived in the group here feature “When Ladies Meet†released in 1933 starring Ann Harding Myrna Loy and Robert Montgomery or a couple mentions of the 1931 Bela Lugosi Dracula. The 1933 Gold Diggers is featured in several photos which starred Joan Blondell Aline MacMahaon Monica Bannister Joan Barclay and Connie Blackwood as out-of-work Broadway chorus girls. Also appearing here in approximately one fourth of the photo album/scrapbook is a similar campaign as that for Mae West for the 1932 “Fireman Save my Child!†with the wildly popular comedian Joe E. Brown starring as Joe Grant inventor fireman and baseball player offered to play in the big leagues in the film but earning more money from his inventions Again the script advises engaging the local fire department to put on stunts include the supplied advertising on their fire engines and even encourages the use of a large animatronic mechanical head of Brown in a fireman’s hat in the lobby. The movie was actually a natural fit for Joe Brown who had launched his physical comedy during the 1893 Depression by making faces at the firemen on passing coal-burning trains so they would throw coal at him to collect and sell and later worked as circus acrobat and newsboy and was a lifelong baseball fan. From 1930-July 1934 the Hollywood studios were largely self-regulating their content with continued threats by outside groups to “clean†up their movies and somehow balance the puritanical group sensibilities against the ever growing demands by audiences for movies that were daring edgy naughty and even sexualized often depicting spousal abuse sexual bondage marital infidelity free love with stars such as Mae West Norma Shearer Kay Francis Dorothy Mackaill Nancy Carroll and Constance Bennett typically depicted half-clad or in bed. At the time the movie studios and theatre’s were attempting to recoup the massive investments in transitioning to sound films and market the new technology by cultivating a sophisticated campaign system often hiring Broadway writers directors and actors to travel around and oversee their promotions productions. See: John Farr How Movies Got Us Through the Great Depression Best Movies 2024; David P. Hayes Production Code of the Motion Picture Industry 2009; Mae West Reveals Herself as a Circus Queen in “I’m No Angel†at the Paramount New York Times Oct. 14 1933. The Strand Theatre, Smoot Theatre, Lincoln Theatre, & Warner Bros., unknown