221 résultats
Office du Livre 1980, In-4 relié toile verte éditeur sous jaquette illustrée. 285 pages. 211 photos noir et blanc et couleurs. Bon état.
1375968Lisboa: Instituto Português de Museus, 1997 in-4, 194 pages, 13 illustrations + catalogue de 81 pièces de porcelaine en couleurs. Bibliographie. Broché, couv. à rabats, très bon état (les pages 12 et 13 ont un point de collage). Texte portugais.
1995152479Tianjin: Tianjin Yangliuqing huadian c.1995. An exquisite hand-coloured album chronicling a famous Chinese legend A beautiful album of hand-coloured paintings narrating the Legend of the White Snake an enduring Chinese folk tale recently adapted into a hit Netflix series. The 16 bright and dramatic scenes produced by artisans at the distinguished Yangliuqing workshop showcase traditional Chinese styles of rendering figures and perspective. WorldCat notes just three copies of this wonderful production. The legend tells the story of a white snake spirit dwelling in Hangzhou's West Lake. Curious to experience life as a human the spirit transforms itself into a beautiful girl Bai Suzhen who falls in love with the young scholar Xu Xian. Meanwhile Fahai an evil monk plots to break them apart because he opposes any union between spirits and humans. Fahai tricks Xu into leaving the now pregnant Bai and she is defeated in a battle with Fahai's heavenly forces while trying to rescue her husband. Having given birth to a son Bai is then imprisoned by Fahai under a pagoda and there she remains until her son manages to rescue her several decades later. "The story's profound uncanniness lies in the humanity of the nonhuman spirit who metamorphasizes from a human-devouring demoness to a human-saving goddess" Liang p. 3. Originating in the Hangzhou region the legend quickly spread across China being retold as a novel a ballad and on the stage over many centuries. In the 20th century the story appealed to intellectuals as a tale of female empowerment and it was enjoyed by moviegoers and fans of Peking opera throughout the Republican period and into the 1950s. Following the Maoist Cultural Revolution the Peking opera version was quickly revived alongside new adaptations for television including a version presented to Western audiences on Netflix in 2019. The present album exemplifies the artisanship for which the publisher Tianjin's Yangliuqing workshop remains famous. The Yangliuqing region has been a well-known producer of prints since the 18th century and the elite workshop was founded in 1958 as an amalgamation of various printmakers. Each Yangliuqing production is a piece of book art down to the different design combinations of silk brocade used to make the covers and case for each copy of the present album. Oblong folio concertina-style 310 x 432 mm. With 16 woodblock printed and hand-coloured scenes. Original decorative silk brocade boards front board with gold-speckled green label lettered in black with red publisher's seal. Housed in original silk brocade interlocking folding case with bone ties title label and decorative silk lining. Brocade bright upper board slightly bowed trace of skinning on title label couple of edges neatly re-glued. A near-fine copy in the attractive case with bump at one corner slight soiling on title label couple of spots of wear on internal lining tie damaged with another missing. Liang Luo The Global White Snake 2021. hardcover
19831078761983 Edité par China House Gallery, China Institute in America - 1983 - In-4, broché - 144 p. - Reproductions photographiques en N&B + une carte en couleurs
18199Athènes, Technopolis, 2008. In-4, 207 pp., cartonnage éditeur fuchsia, jaquette originale identique (quelques petits frottements).
8984Paris, L'Asiathèque, 1977. 1 volume, in-8, 188 pp., enriched with black and white and coloured illustrations and photographs of Chinese Bronzes, in excellent condition.
8246C. T. Loo & Cie, Paris, 48 rue de Courcelles, 1932. In-8, plaquette agrafée, 7 pp. V n° décrits.
200058038ABParis, Edition du Club Ffrance Loisir, 2000. 4° (28x22), 111 p., avec nombreuses illustrations, reliure d'editeur rigide, tres bon etat,
Roy. 8vo., First Edition, with numerous coloured and monochrome plates; cloth, gilt back, a near fine copy in the dustwrapper.
19821081681982 Editions Han-Shan Tang - 1982 (reprint de l'édition originale de Gillick Press de 1938) - In-Folio, cartonnage toilé vert sous jaquette éditeur - 95 p. + LXXII planches en N&B commentées - Nombreuses reproductions photographiques en N&B - Texte en anglais
201565385CBKöln, Wienand Verlag, 2015. 4°. 29,5 x 24,5 cm. 493 (3) Seiten. Gebundener Original-Pappband mit Lesebändchen.
A clean, unmarked book with a tight binding. Previous owner's name inside. 8 3/8"w x 10 3/4"h. 324 pages.
This is a very good hardcover copy in a very good dust jacket with just light wear. The jacket is a little chipped at the top of the spine, and has some creasing to the back panel edges. Very clean inside and out. Text in German. 24 color plates + 117 black & white photogravure illustrations + 184 black & white photographs in the Catalogue. 12" high X 10" wide, 283 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
18200São Paulo, Museo de Arte Brasileira, 2002. In-4, 272 pp., cartonnage éditeur illustré (petits frottements).
Flammarion 1972, In-8 broché. 210 pages + photos. Bon état.
1372670Paris: Flammarion, 1979 in-8, 212 pages, 57 illustrations hors-texte, 22 dessins dans le texte. Broché, bon état. Texte inédit de V. Segalen, fruit des observations recueillies au cours de ses deux principales missions en Chine (1914 et 1917).
1961110024(Washington D.C.) 1961. Smithsonian Publication No. 4476. XXXII plates. 48 p. Kl.-4to. OBrosch.
87269aafOxford, Phaidon, 1981, in-4to, 243 p. with 214 ill., including 65 in colour, orig. clothbound with jacket. Fine copy.
1991BAA4321,9 cm X 27,6 cm, 256 pp, couverture souple illustrée, très grand nombre de photographies et de reproductions couleurs hors et dans le texte, plusieurs pleine page. Catalogue en anglais.
Roy. 8vo., Third Edition, with a coloured frontispiece, 26 coloured plates on 21, 101 sepia-toned plates on 62, and several illustrations and a full-page map in the text; endpapers and fore-edge mildly spotted; red cloth, upper board and backstrip lettered in black, a good, firm copy in unclipped dustwrapper, the latter spotted at fold-ins. First published in 1935 as a heavily revised version of Burlington Magazine Monograph 1. Includes a register of hall-marks.
Sm. 8vo., First Edition, with a frontispiece and 23 plates; original yellow wrappers, printed in red, covers mildly dust-soiled, a very good, clean copy. Includes a chronology and select bibliography. SCARCE
87455aafNew York, Universe Books, 1964, gr. in-4to, 361 p., ill. with 174 reprod. in colour and in b/w, orig. clothbound, orig. jacket ill. in colour.
49443aafLondon, Oldbourne press, 1964, gr. in-4°, 360 p. with 174 plates in colour and in b/w, orig. clothbound with jacket. Slipcase. Fine Copy.
48039aafNew York, Universe Books, 1964, gr. in-4to, 360 p. with 174 plates in colour, orig. clothbound with ill. jacket + Orig.-Slipcase.
49708aafNew York, Universe Books, 1964, gr. in-4to, 360 p. with 174 plates in colour, orig. clothbound. no jacket, small stains on first cover, else fine.