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Pink mass market sized paperback. Small blemish on front cover from price tag removal. Age-toned pages. Stated first printing. 226 pages, plus advertisements. Volume Three. Starts with chapter four of "La Rose D'amour: Or the Adventures of a Gentleman in Search of Pleasure," (translated from the French."
Oversize 175p., illus. SOFTCOVER. Commerative magazine w/ ads for the coronation of Queen Elizabeth II. Newspaper re Queen Mary's death laid-in. Paperback Good condition; paper wrappers bent, some small tears
F.to: 21x27; pagg. 24; BN; rileg. Punto metallico. Editore: The Realist , New York, 1968.
F.to: 21x27; pagg. 24; BN; rileg. Punto metallico. Editore: The Realist , New York, 1968.
273-360 p. Paperback Good condition
pagg. 40; COL e BN; Editore: Oracle Co-operative Publishing Co., San Francisco., 1967.
80 pages. Features: ; Unmarked with average wear. A quality vintage copy. Book
F.to: 28,5x40; pagg. 32; COL e BN; Editore: Seed Publishing, Chicago, 1973.
"Labyrynth issue" (in co-operation with Gordon Fazakerley and Eduard Mazman) — pagg. 184; BN; rileg. brossura. Editore: Jacqueline de Jong, Paris, 1963.
72p. Paperback Very good condition Cover by Georgia Warren
124p. Paperback Good condition, some edge-wear Cover illus. of Clark Gable and Mamo by Georgia Warren.
152p. Paperback Good condition, some edge-wear Cover by Victor Tchetchet..
152p. Paperback Good condition, some edge-wear Cover by Victor Tchetchet..
Barcelona, Camper Creative Team, 2003. S.N. 8º. Rústica editorial ilustrada. Muy buen ejemplar.
100 S. (9) Tafeln. Original Broschur mit Deckeltitel. Einband mit starken Gebrauchsspuren, Rücken teils aufgeplatzt, ein größerer (ca. 2cm), zwei kleinere Einrisse, Einstich am unteren Rand. Innen sonst sauber und in ordentlichem Zustand. Aus dem Inhalt: Die Verweltlichung der Taufe, Eros in christlicher Sicht, Als Christ im heutigen "Israel", Kirche für den Menschen in Ost und West, Der Schnapspriester, Schicksale, Was mache ich hier? - Mit Abbildungen auf 9 Tafeln.
Testi: Germano Celant, Leblanc Gerard et al. F.to: 18,5x27; pagg. 112; BN; rileg. brossura. Editore: Editions Esselier, Paris, 1972.
Includes texts by Francesco Dal Co, Manfredo Tafuri, Vittorio Feo, Giorgio Ciucci, Marco De Michelis, Françoise Very, Giorgio Kraiski, Vieri Quilici, Bruno Cassetti, Ilya Ehrenbourg, Sergei Tretiakov, Nicolaj Ladovskij, Dokoutchaief, Bounine et Krouglovoj, Ruchljadev et Krinsky, Henrik Berlage, George Grosz, Lurçat, Paul Nizan. All texts in French. Supplemental images include but are not limited to images by George Grosz, Kazimir Malevich, El Lisickij, Kurt Schwitters, Ivan Puni, and A. Rodcenko. — Testi: Dal Co Francesco, Cassetti Bruno et al. F.to: 18,5x27; pagg. 224; BN; rileg. brossura. Editore: Editions Esselier, Paris, 1972.
The French weekly magazine VU was where the modern status of photography in the media was first established. Spearheading the media revolution of the 1920s, it ran over 600 issues between 21 March 1928 and 29 May 1940. Like a cinema newsreel on paper, it aimed to set itself apart with its ‘illustrated reporting of world affairs’. The magazine covered an eclectic range of subjects including politics and current events, social issues, discoveries, disasters, the arts, sport, entertainment, and anything that would surprise or delight its readers. It promised ‘pages crammed with photographs’ and ‘sensational illustrated features’ – and it always delivered. VU also made use of photomontage as a vehicle for pointed political or social criticism, in particular through the work of Alexander Liberman, who was art director from 1932 and had worked with Cassandre, who designed the VU logo. The rotogravure printing technique gave VU’s layout artists more creative leeway and gave new quality and power to the photographs themselves, by photographers including Kertész, Man Ray, Krull, Lotar and Brassaï. This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU: striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an unparalleled insight into how the modern media came into being, as well as offering a superb snapshot of an entire era. — Testi: Frizot Michel, De Veigy Cédric. F.to: 26x31; pagg. 320; COL e BN; rileg. rigida. Editore: Thames & Hudson, London, 2009.
Barcelona, Edit. Roca, 2007. Numerosas ilustraciones en color. 138 p. 4º mayor. Rústica editorial ilustrada. Muy buen ejemplar.
Barcelona, Edit. Roca, 2007. Numerosas ilustraciones en color. 138 p. Folio. Rústica editorial ilustrada. Muy buen ejemplar.
336p. Hardcover Good condition, p155 & 157 torn with small loss of text
22,5cm x 16cm. 6, 68, 66, 80, 60, 72, 80, 72 S. Original Karton mit illustriertem Deckeltitel und handschriftlichem Rückentitel auf Leinenrücken. Leichte Gebrauchsspuren am Einband, Name auf Vorsatz, Bindung teils etwas gelockert. Insgesamt guter Zustand. Rebind der Hefte ab 1985, mit Inhaltsverzeichnis und Vorwort der Redaktion.
Testi: Evrard David. pagg. 320; COL e BN; rileg. brossura. Editore: Komplot, Brussels, 2012.
Testi: Hamilton Anthea, Dermience Fabrice. pagg. 320; COL e BN; rileg. brossura. Editore: Komplot, Brussels, 2013.
The ultimate compendium of counterculture press in the United States and the Netherlands during the heady decades of the 1960s and ’70s, this volume is the definition of sex, drugs, and rock ‘n roll. From underground pornography, free love, anti-establishment anarchism, and Provo, to anti-war protests, spiritual empowerment, the Black Panthers, and women’s liberation, it’s all here. Page after page of magazine covers, articles, advertisements, and clippings encapsulate the era when academia revolted, gays marched in the streets, and hippies wondered if Jesus got high, too. — Testi: De Donno Emanuele, Simonetti Gianni-Emilio et al. F.to: 23x31; pagg. 496; 64 COL e 450 BN; rileg. brossura. Editore: A&Mbookstore Edizioni, Milano, 2016.
