800 résultats
200615323Paris, Nouvelle librairie de france , 1964 ; in-8, 176 pp., broché, couverture illustr. L'histoire et la sexualité.
200615322Paris, Nouvelle librairie de france , 1964 ; in-8, 169 pp., broché, couverture illustr.
200615321Paris, Nouvelle librairie de france , 1966 ; in-8, 160 pp., broché, couverture illustr. N° 10.
200608795Paris, Nouvelle librairie de france , 1966 ; in-8, 160 pp., broché, couverture illustr. N° 10.
201001503, 1964 ; in-8, broché, couverture illustr. N°4 décembre 1964.
198721717Newark VT: Janus Press 1987. First edition. One of 150 copies signed by Burke and Fine the entire edition. Fine copy. 8vo original stiff printed wrappers 9 irregularly sized pages accordion folded with an irregularly sized 24-page pamphlet sewn between pages 7 and 8. Fine copy. Janus Press unknown
197721713Newark VT: The Janus Press 1977. First edition. One of 75 copies the entire edition. Very fine copy. Large 8vo original cloth over boards original lithograph by Claire Van Vliet over front cover printed paper spine label. Very fine copy. The Janus Press unknown
9777Newark VT: Janus Press 2012. Wrappers. Fine binding. 6-1/2" x 7." 28 ll. illus. Limited edition one of 120 numbered copies. Signed by Sgantas. Bound in Barcham Green 140lb DeWint handmade watercolor paper using a woven strip binding designed by Claire Van Vliet. Each leaf folds out to reveal a three-page spread—the digitally printed insect-embellished Roman capital letterforms in black and white on the left and in color on the right with the field-guide descriptions in between is printed letterpress. All housed in cloth clamshell with printed paper title label on the spine. A fine copy. <br /> <br /> This is an engaging collaboration between Sgantas and Van Vliet describing common garden pests and plants with information ranging from "common habitat" to "natural control." Simultaneously delightful and useful with consultations from entomologist Trish Hanson as well as gardeners Mark and Jan-Michael Sgantas. Janus Press unknown
197521723Newark VT: The Janus Press 1975. First edition. One of 50 numbered copies signed by Johanknecht the entire edition. Fine copy. Large 8vo original illustrated wrappers. Fine copy. The Janus Press unknown
199110453Newark VT: Janus Press 1991. Broadside. Broadside. 20" x 14-3/8." Limited edition one of 100 copies. Pulp painted with masonite relief cut by Peter Schumann and text set in 8 line Clarendon Condensed wood type with colophon retreating into the pulp painting being set in 10 pt Trump Mediaeval italic. Fine copy. <br /> <br /> A beautiful broadside wonderfully designed using pulp painting by Van Vliet for the base. Schumann's cut at the bottom with the text stacked vertically. An engaging design with Sappho's evocative poetry here translated from the Greek by Johanna Prins. Fine Janus Press — Fifty Years p. 45-6. Janus Press unknown
200510451Newark VT: Jansu Press 2005. Broadside. Broadside. 24" x 19-1/2." Limited edition one of 100 copies. Base paper is Barcham Green's DeWint with collage of Chiyogami Twinrocker McGregor Vinzani and Janus papers. Printed in brown yellow and mauve. Fine. <br /> <br /> A striking broadside adapted from a quilt by Lucy Mooney Gees Bend Alabama 1935 reproduced in a book of postcards published by Chronicle Books in 2004. Fine Janus Press — Fifty Years p. 60. Jansu Press unknown
198210456Newark VT: Janus Press 1982. Broadside. Broadside. 20" x 14." Limited edition one of 550 copies. Updike's prose printed in 28 and 36 pt Trump Mediaeval capitals. Van Vliet's woodcut in rainbow roll from orange to blue all on Barcham Green Boxley paper. This from the printer's archive it was once framed for an exhibition and there are small tabs on the verso; very light foxing. A near fine copy otherwise. <br /> <br /> A beautiful sentiment from Updike attractively designed and illustrated by Van Vliet. The broadside was commissioned by Beverly Lynch for the American Library Association. Ruth Fine The Janus Press 1981-1990 p. 45. Janus Press unknown
200610457Newark VT: Janus Press 2006. Broadside. Broadside. 22-1/2" x 15." Edition unknown. Collage broadside with a facsimile of the U.S. Constitution on a cream laid paper across which is laid the printed line: "It's just a goddamned piece of paper!" Beneath the facsimile is a description. A fine copy or nearly so. <br /> <br /> This was printed by Van Vliet and Ellen Dorn Levitt at the Janus Press for the 219th Anniversary of the signing of the Constitution. It relays an unfortunate outburst by then President George W. Bush in an Oval Office meeting between Republican Congressional leaders discussing the renewal of the USA Patriot Act in November of 2005. And while this was a moment in time the sentiment remains relevant in terms of the continued degradation of the founding document in the subsequent decade. Janus Press unknown
198910514Janus Press & the Minnesota Center for Book Arts 1989. Broadside. Broadside. 17-1/2" x 22-1/8." Limited edition one of 140 copies. Printed dry in 10 and 12 pt. Optima in three different blues on Tenjugo inclusion in "quilt" of Japanese lace papers and kozo and gampi papers handmade by Amanda Degener. Fine copy. <br /> <br /> This is a beautiful poem by Kaufman so perfectly rendered in this striking collaboration between Claire Van Vliet Amanda Degener Barb Schubring and Michael Tarachow who set the type at his Pentagram Press in Minnesota. John Buchtel aptly describes this: "The result is a quilt-like pattern of different cut papers with the text on Tenjugo a nearly invisible extraordinarily thin Japanese tissue. A fine layer of fibrous gampi holds the pieces together and gives the feeling of a much used favorite quilt" The Art of Paper p. 40. As is the case with most of the Janus Press broadsides this is rare in commerce. Fine The Janus Press 1981-1990 p. 46. Note: Copy #10 that is depicted is sold another number from the limitation will be shipped if purchases. Janus Press & the Minnesota Center for Book Arts unknown
10880Newark VT: Janus Press 1992. Broadside. Broadside. 24" x 17." Limited edition one of 90 copies. Signed by Lopez. Printed dry in black and blue on pulp painting landscape made from kozo gampi and abaca fibers. A fine copy. <br /> <br /> A beautiful except from Lopez's Arctic Dreams the pulp painting is a inspired illustrations to Lopez's sentiment: "Whatever evaluation we make of a particular stretch of land no matter how accurate or profound it finally proves inadequate. The land retains an identity of its own still deeper and more subtle than we can know. Our obligation toward it then becomes simple: to approach with an uncalculating mind with an attitude of regard. To try to sense the range and variety of its expression—its weather and colors and animals. To intend from the beginning to preserve some of the mystery within it as a king of wisdom to be experienced not questioned. And to be alert for its openings for that moment when something sacred reveals itself within the mundane and you know the land knows you are there." Fine Janus Press — Fifty Years p. 46. Janus Press unknown
200510879Newark VT: Janus Press 2005. Broadside. Broadside. 20" x 14." Limited edition one of 75 copies. Signed by Van Vliet. Pulp painting screenprinted by Ellen Dorn Levitt. Johnson's poem printed in 12 pt Rudolph Koch's Wallau. Fine. <br /> <br /> A striking and complex broadside on Van Vliet's pulp painted sheet Levitt has screenprinted letters from Hildegard von Bingen's lingua ignota secret alphabet. Ruth Fine Janus Press — Fifty Years p.60. Buchtel The Art of Paper p. 73. Janus Press unknown
198921835Newark VT: The Janus Press 1989. First edition. One of 175 numbered copies signed by McPherson Claire Van Vliet and others involved in the production. Very fine copy. Square 8vo irregularly cut colored papers bound accordion-fold original patterned cloth publisher's cloth clamshell box. Very fine copy. The Janus Press unknown
199021825London and Newark VT: Gefn Press / Janus Press 1990. First edition. One of 150 numbered copies signed by Johanknecht and Meynell the entire edition. Very fine copy in a custom tray case. Small oblong folio 9 line cuts by Susan Johanknecht and 6 photographs by Susan Johanknecht and Katharine Meynell one fold-out original vellum-backed split boards covered with South of the Thames plaster mixed with acrylic wrapped in publisher's linen napkin with linen tie. Very fine copy in a custom tray case. Gefn Press / Janus Press unknown
198521724Portland and West Burke VT: Trace Editions / The Janus Press 1985. First edition. One of 150 copies signed by McPherson & Van Vliet out of an entire edition of 550. Fine copy. Square 8vo original patterned cloth over boards printed paper spine label. Fine copy. Trace Editions / The Janus Press unknown
197621722West Burke VT: The Janus Press 1976. First edition. One of 150 numbered copies printed letterpress with the lithographs printed from the stone signed by Van Vliet the entire edition. Very fine copy. 8vo original printed hand-made wrappers by Jim Bicknell. Very fine copy. The Janus Press unknown
197721714Newark VT: The Janus Press 1977. First edition. One of 75 copies the entire edition. Spine panel faintly sunned otherwise a fine copy. Large 8vo original cloth over boards original lithograph by Claire Van Vliet over front cover printed paper spine label. Spine panel faintly sunned otherwise a fine copy. The Janus Press unknown
202510907Gefn Janus and Plowboy Presses 2025. Original Wrappers. Fine binding. Accordion. 9-1/2" x 4-3/4" closed. 12 pp. Limited edition one of 100 copies. Signed by Johankneckt Van Vliet and Miller-Brown at the colophon. As issued in stiff wrappers of Barcham Green India Office illustrated with an image of Bach's last known musical score the unfinished Fugue of The Art of the Fugue. The accordion style structure designed by Van Vliet folds into 12 unnumbered pages that read parallel to the folds recto and verso. All housed in a handmade paper slipcase with "fugal" printed on the spine. A fine copy. <br /> <br /> A wonderful collaboration between Susan Johanknecht Claire Van Vliet and Andrew Miller-Brown. Inspired by Bach Fugues Johanknecht's poem is printed on the recto of accordion-fold. As Van Vliet and Miller-Brown were puzzling over the project last fall it became apparent that the lines could be read aloud in any order. This morphed into the accumulating text on the verso. True to the musical definition of a fugue this presentation of the poem develops through repetition and interweaving. A wonderful homage to the musical form and to Bach in particular; all the while developing into something that is not merely an homage. Gefn, Janus, and Plowboy Presses unknown
20139775Newark VT: Janus Press 2013. Original Wrappers. Fine binding. 6-1/2" x 7." Limited edition one of 120 copies. Accordion fold with 8 panels 4 of them are fold-down pages. Each of the four page-spreads include letterpress text in various typefaces and colors which fold-down expanding the canvas of words sayings and accusations including a catalog of U.S. Senators and Representatives of the 111th Congress who became lobbyists—a list that fills the fold-down page in a small font; these opposite a lithograph by Van Vliet each lithograph is titled by the top word on the opposite page: Propagandist Lobbyist Banker Joe Public. Bound in gold paper repeated printed with the word "Greed" and all housed in gold slipcase. A fine copy. <br /> <br /> In a contemporary newspaper article in the Burlington Free Press Candace Page relates an interview with Van Vliet: "She picks up dummy of GREED a slim volume that will sit inside a glittery cover of gold paper. It opens like an accordion to display four Van Vliet black-and-white lithographs of distorted faces: A banker a lobbyist a newscaster she says 'and this one on the end the sap John Q. Public us.'" <br /> <br /> Van Vliet continues in the Page interview: "The word 'greed' will be printed multiple times on the cover in heavy unevenly inked type as though it were printed contemptuously by some greedy person with no respect for the written word. The paper is not handmade — that would be too good for the book. Instead it is 'slick nasty machine-made paper' she says. The edges of the gold cover will be sharp 'because greed is not a comfortable subject.'" There is a wonderful irony that the lithographs employed in Greed were originally drawn for an edition of Kafka decades before that just weren't quite right for the project. Here they are perfect! <br /> <br /> This is a striking book a political book one might say an angry and defiant book. Van Vliet's politics being informed by the McCarthy era during which she was a student she admits to having distrusted the powerful ever since. This edition sold out very quickly and is now rare in commerce. A book that was is and will always be relevant. Janus Press unknown
197921573West Burke VT: The Janus Press 1979. First edition. One of 150 numbered copies the entire edition printed on Barcham Green deWint paper signed by Helen Siegl with the woodcuts hand-colored by the artist. Very fine copy of Siegl's most beautiful book and certainly one of the most beautiful books from the Janus press. Scarce. SIEGL Helen. 4to illustrated with hand-colored woodcuts original cloth printed paper spine label. Very fine copy of Siegl's most beautiful book and certainly one of the most beautiful books from the Janus press. Scarce. The Janus Press unknown
202010966Newark VT: Janus Press 2020. Original Wrappers. Fine binding. Octavo. 2 71 3 pp. illus. Limited edition one of 120 numbered copies. Sewn longstitch with three different colors of thread into St. Armand Papeterie's Canal paper with small printed embellishment on front cover. Letterpress printed in black and brick red on Canaletto paper. Strikingly illustrated with photographs ink knife images and collages all of which are digitally printed many are folding. In card slipcase with printed paper label on the spine. A fine copy. <br /> <br /> A remarkable collection Luck's lyrics are by turns searching defiant and resigned but always personal and human "I thought when I threw away the bus transfers / I used again and again / I would lose this turbulence / in the coming and going / from here to there." A wonderful book of poetry wonderfully illustrated by Luck; and here beautifully designed and printed in the inimitable fashion of the Janus Press. And few Janus Press books are issued without some novel playfulness or unique element to their structure. Here a three-leaf section with short "grook" poems one on top and one on the bottom of each page that has a horizontal cut across the middle so the top and bottom of each leaf turn independently allowing the reader to navigate these several poems in a less prescriptive manner. Janus Press unknown