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200021843Newark VT: The Janus Press 2000. First edition. One of 200 copies of which 50 copies were specially published for Janus Press patrons. Accompanied by a bifolium explaining the volumes of vulnerability artists' book exhibition organized by Susan Johanknecht and Katharine Meynell. This book represented Claire Van Vliet in the exhibition. Very fine copy. Small oblong 8vo illustrated with numerous wood and metal printers' dingbats and commercial linecuts 24 unnumbered pages created from an 11- x 23 inch sheet cut into thirds horizontally and folded into fourths vertically publisher's board slipcase. Very fine copy. The Janus Press unknown books
200021843Newark VT: The Janus Press 2000. First edition. One of 200 copies of which 50 copies were specially published for Janus Press patrons. Accompanied by a bifolium explaining the volumes of vulnerability artists' book exhibition organized by Susan Johanknecht and Katharine Meynell. This book represented Claire Van Vliet in the exhibition. Very fine copy. Small oblong 8vo illustrated with numerous wood and metal printers' dingbats and commercial linecuts 24 unnumbered pages created from an 11- x 23 inch sheet cut into thirds horizontally and folded into fourths vertically publisher's board slipcase. Very fine copy. The Janus Press unknown
1660236711660. ... Vicino a qello al segno .A. si uede un arco piccolo di forma quadra ornato di otto pilastri d'opera Corinthia, fu drizzato quest' arco dalli argentieri et mercanti di detto foro boario in honore di Settimio et Marco Aurelio Imperatori, Vedesi ancor nel segno.B.un condotto d'acqua antico che fu ritrouato sotto terra, doue per beneficio publico iui si sono fatte bellissime fontane con un lauatore et si chiama quella piazza la fontana di santo Giorgio per esser iui la chiesa di questo Santo." Kupferstich von Marco Sadeler. Blattmaß: 32x23 cm, Plattengröße: 27x16 cm. - Das Bild zeigt den Janus-Tempel in Rom und dessen Umgebung, darunter ein unterirdischer Wasserkanal. Marco Sadeler (1614-1660) war Teil der Sadeler-Familie, welche eine der berühmtesten Druckerfamilien der Zeit war. Im weißen Rand etwas angeschmutzt. Insgesamt schönes und sauberes Exemplar.
1998Q-3931141780Scalo Publishers 1998-04-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Scalo Publishers hardcover
DADAX3931141780Brand: Scalo Publishers 0000-00-00. hardcover. New. 6.75x1.00x9.75. Buy with confidence. Excellent Customer Service & Return policy. Brand: Scalo Publishers hardcover
1120059976.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1953029655Szepirodalmi Konyvkiado 1953. Book. Good Book Condition. Hardcover. Cover good only. Sunning and several tears to thin film over boards. Boards are intact. Title and cover design faded however the text is fine. Text clean binding strong. Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair. Szepirodalmi Konyvkiado Hardcover
140030Leather Bound. Condition: Good. Christopher G. Janus 1983. Moderate general wear. Part of leather chewed by a dog. Size: 8vo. Bound for a member of Janus' Family. Contents: Great Grandfather George Personal Notes 1811-1899 by Christopher G. Janus 34 pg. Christopher G. Janus Judicious Risk-Taker by Lynn Poole 51 pg. The Inheritance by Christopher G. Janus 16 pg. Only for Your Eyes by Christopher G. Janus. Biography 5917 hardcover
199610934Newark VT: Janus Press 1996. Fine binding. 2-1/4" x 2-1/4." 28 pp. Limited edition one of 200 numbered copies. Signed by Van Vliet and Audrey Holden who assembled them. Miniature cut letter alphabet of offcuts from the Janus Press edition of Praise Basted In: A Friendship Quilt for Aunt Sallie 1995. Housed in a non-adhesive cube of MacGregor-Vinzani pink abaca paper with a linocut pattern in yellow. In plastic outer box. A fine copy. <br /> <br /> "Waste not; want not" as they say. What better way to employ the offcuts from a significant project than to create this absolutely delightful alphabet. Of any number of throughlines in Van Vliet's long career her joy is certainly one of the most prominent. It appears in her most ambitious projects as much as it does in this wonderfully playful artist's book. Fine The Janus Press - Fifty Years p. 52. Janus Press unknown
201510892Newark VT: Janus Press 2015. Hard Cover. Fine binding. Octavo. 42 pp. illus; 42 pp. illus. pop-up errata; 80 pp. illus. Limited edition each is from an edition of 140 to 150 numbered copies 115 of which were thus gathered together and wrapped in a handmade paper-over-boards chemise with a single bifolium "Notes on Trio" laid in. Housed in slipcase with printed paper title label on the spine. Each signed by the author-Eclipses is additionally signed by Van Vliet. Variously bound and illustrated with a lithograph and digital prints by Van Vliet. Fine copies. <br /> <br /> A wonderful gathering of poetry that showcases many aspects of Van Vliet's design and decoration: from Kinsey's work with Van Vliet's beautiful illustrations of the moon and Ellen Dorn Levitt's diagrams of eclipses to Haswell's more playful design including numerous different papers and inclusion as well as the letterpress printing of the poems both in type and her own handwriting scanned and made into polymer plates to Hesse's four-season Cosmos that is bound in-the-round so that once that last page is turned the reader is looking at the first begging the question: what is first and what is last Janus Press unknown
0931356016.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19789042Newark VT: The Janus Press For Charles Seluzicki 1978. 1978. Decorations cut by Dorian McGowan. Limited to 300 numbered copies SIGNED by Snodgrass this being #143. 4to. Unpaginated. Bound in stiff decorated grey wrappers. Printed by Claire van Vliet and Victoria Fraser at the Janus Press. Very fine. Signed by Authors. 1st Edition. Soft cover. As New. Newark, VT: The Janus Press (For Charles Seluzicki), 1978. paperback
200217075Milan: Mondadori Electa Spa 2002. Corners of the front and rear panels tapped else near fine in photo-illustrated wrappers with moderate edgewear to the front cover. First Edition. Quarto. INSCRIBED by Tony Oursler with a drawing of a smiley face: "For Leila / Tony Oursler." Catalogue for Oursler's exhibition at the Museo d'Arte Contemporanea Roma October 2002 - January 2003 devoted to his video art. Features numerous film stills and images of his other work essays by Elizabeth Janus and Oursler and an interview conducted by Mike Kelly. Text in English and Italian. Milan: Mondadori Electa Spa unknown books
2002007331Electa Editrice Milan 2002. Book. Near Fine. Flexi-bound. 241 pp. many illustrations in color. Slight scuffing to the covers otherwise a fine copy. Text is in Italian and English. Published on the occasion of the exhibition from the Museo d'Arte Contemporanea di Roma from October 12 2002-January 19 2003. Electa Editrice, Milan Paperback
20231708961V&R unipress 2023. 1st. hardcover. New. 6x1x9. V&R unipress hardcover
A9789535134138Hardback. New. hardcover
120208Leiden Lugduni Batavorum 1757. 12mo in 8 & 4 sheets. 3 volumes in 1: IVIV124 p. a portrait of Beza; X106 p. a portrait of Muretus; IV3-156 p. Green morocco 16 cm Ref: Brunet 1239; Graesse cf 1359 where we find the imprint Paris 1757 Details: Green morocco; red morocco shield on the back; gilt floral decoration on the back; boards with gilt triple fillet borders; inside dentelles gilt; marbled endpapers; edges of the bookblock gilt; woodcut printers' mark of Joseph Gérard Barbou on all three titles depicting an old man who stands in the shade of a vine-entwined elmtree. The motto is 'Non solus'. The 2 portraits have been etched by Fiquet Condition: Some wear to the extremes. A small bump in the bottom edge of the front board. Two tiny and almost invisible wormholes in the front joint Note: All three titles in this book have a false imprint 'Lugduni Batavorum' i.e. Leiden in the Dutch Republic. It was according to Brunet actually published in Paris by Barbou. He does not explain but the printer's mark paper printing and layout looks indeed very Barbou. The Short Title Catalogue Netherlands STCN is not sure either about Leiden it adds 'printed in France' § In Latin elegiac and epigrammatic poetry from Roman times to the Renaissance there is constant reference to the 'poetry of youth' as 'standing in contrast to a kind of poetry suitable to be written in old age. The poets characterize the latter poetry as serious moral and austere touching on wars and politics and patriotism. The former is filled with passion and exuberance concerned not with weighty national issues but with jokes and laughter and erotic affaires'. K.M. Summers 'The Iuvenilia of Marc-Antoine Muret' Columbus 2006 p. XXV-XXVI § The first edition of 'poemata juvenilia' of the young Calvinist theologian Theodore de Bèze or Theodorus Beza 1519-1605 was published in Paris in 1548. 'It had certain rather free pieces printed which were afterwards made a matter of bitter reproach against him. He therefore suppresed them in the following editions'. Ebert This first edition including the erotic love poems which Beza later regretted having ever published was clandestinely reprinted. Beza was considered to be among the best Neo-Latin poets of his time. He is however best known for his Latin translation of the New Testament his critical Greek edition of the New Testament and for being the founder of the University of Geneva. § The Frenchman Marc Antoine Muret latinized as Marcus Antonius Muretus 1526-1585 'exemplifies the essence of French Renaissance humanism. A master of Latin and student of Classical Antiquity he not only engaged in the recovery and exposition of ancient texts he also actively employed the old genres and skills in the contemporary ecclesiastical and public spheres. He wrote Latin poetry both sacred and profane delivered public orations in Latin and lectured in various schools throughout France and Italy on authors as diverse as Catullus and Tacitus and on topics as varied as Greek philosophy and Roman law'. K.M. Summers 'The Iuvenilia of Marc-Antoine Muret' Columbus 2006 p. XIII His 'Iuveninlia' were first published in 1552. § The Dutch neolatin poet Janus Secundus Nicolai Hagiensis was born on the 15th of november 1511 the day of the martyr Secundus in The Hague. He died very young in 1536. In 1528 he moved to Mechelen the residence of the Austrian vicequeen Margaretha of Parma. The southern part of the Netherlands was in this time the center of a florishing urban civilization. In May 1530 Secundus met a young prostitute from Mechelen called Julia and fell in love with her. Julia became the subject of his first book of elegies his 'Julia Monobiblos' in which he tells how he won and lost his love. During his studies in Bourges under the famous jurist Alciati he wrote his first 'Basia'. Alciati introduced Secundus there also to the newest Italian poetry. A humanist poet often started his career with erotic poetry like Piccolomini and Beza. Secundus' 'kiss-poems' are a variation on two 'kiss-poems' of the Latin poet Catullus ca. 84-54 B.C who became during the Renaissance a model for love-poetry. Secundus wrote in his short life 6835 lines of poetry of which only 425 lines were printed during his lifetime. He wrote 'with equal fluency all kinds of lyrical heroic and elegiac verse. Down to the present day Secundus lives in literary history as the kissing poet' . 'Until far in the 18th century Secundus is mentioned as one of the classics of love poetry' IJsewijn Companion to Neo-Latin studies I Leuven 1990 p. 152 The first edition of his collected works was posthumely published in 1541 in Utrecht and was edited by Secundus brother Marius. § After the poems of Janus Secundus we find 46 pages with the 'Pancharis Joan. Bonefonii Averni ad Jacobum Guellium p. 111-156 Provenance: On the verso of the front flyleaf: 'John Wordsworth Edinburgh 1827'. This is the English classical scholar John Wordsworth 1805-1839 nephew of the Romantic poet William Wordsworth. 'In October 1824 he entered Trinity College Cambridge. His university career was distinguished. In 1825 he obtained the Bell scholarship in 1826 a scholarship at his own college and was second for the Porson prize; in 1827 he obtained it. In 1828 he proceeded to the B.A. degree but was disqualified for classical honours through distaste for mathematics. In 1830 he was elected fellow of his college. . In 1834 he was appointed a classical lecturer in Trinity College and undertook to edit Richard Bentley's Correspondence afterwards completed by his brother Christopher Wordsworth'. Source Wikipedia Collation: pi4 plus portrait; A8 B4 C8 D4 etc. K4 L2; Portrait A8 B4 etc. X8 Y4 Photographs on request hardcover
2006Q-1580131603Kar-Ben Pub 2006-06-06. Hardcover. New. In shrink wrap. Looks like an interesting title! Kar-Ben Pub hardcover
197392588A. Zwemmer Ltd. 1973. Hardback with dust-wrapper. 30.5cm x 25.5cm. Unpaginated. Numerous b&w photographic plates. D/w a little age-discoloured and edge worn. Private ownership. 92588. Hard Cover. Very Good/Very Good. A. Zwemmer Ltd. Hardcover
1973SUTHERLA011847A. Zwemmer London. 1973. First edition. Quarto. Unpaginated. Six-page introduction by Giorgio Soavi Janus followed by numerous black and white photographs of the artist living and working in Menton Venice Kent and Pembrokeshire. Also includes family photographs of Sutherland's earlier life as well as a text by him and reproductions of thirteen unpublished drawings.Inscribed by the artist on the title-page: ''with best wishes - Graham Sutherland.'' From the library of noted collector Allen Freer with his nameplate on the front pastedown.Three small puncture marks to spine. Very good indeed in near-fine slightly nicked dustwrapper. A. Zwemmer, London. unknown
1990Q-0929371232Kar-Ben Publishing ® 1990-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Kar-Ben Publishing ® paperback
9785Newark VT: Janus Press 2016. Wrappers. Fine binding. Quarto. 114 pp. frontis. illus. Limited edition one of 120 numbered copies. Signed by Hulme and Van Vliet. Bound using a woven strip binding designed by Claire Van Vliet; the covers are a dynamic pulp-painting with a vitreograph frontispiece with five additional illustrations that were digitally composed by Van Vliet and are original archival inkjet prints on handmade paper; these seem to blend photography and Van Vliet's pulp painting creating a striking and textured result. This is accompanied by a small octavo glossary with eight letterpress pages and fold-out photograph. All laid into a clamshell box of paper boards with acrylic-painted fore-edge and moon inset on the spine; map of Moeraki mounted inside the upper cover; maple and tamarack sides. Housed in slipcase with printed title label. A fine copy. <br /> <br /> Among the most ambitious projects of the press it is one of the largest at 114 pages and the longest projects of the Press taking 20 years from contact to completion. Each of the 6 "Conversations" are printed on different handmade papers many of which have varying leaf sizes. The poetry by Booker Prize-winning author of Bone People Keri Hulme rewards attention and patience. Similarly Van Vliet's books require more attention from the reader and Silences is no exception. For instance in one "conversation" she varies the page size and relationship—some leaves being half-page strips on the lower portion of the book can be paged through while sequences of cutouts and illustrations along the top remain are turned less frequently creating a constancy. Even the form of the book can be altered: the page-spread illustrations for instance can be pulled forward at the inner fold making what was two dimensional into three-dimensional. One can do this with all the illustrations simultaneously creating what Van Vliet describes in her Notes for Press Patrons "a three dimensional wagon wheel display." This book is a beautiful choreography between text image and form—all elements in harmony. Buchtel John A. The Art of Paper: Claire Van Vliet and the Janus Press: Papermaking Collaborations 2024. Janus Press unknown
1975012030Macmillan. Stated First Printing. DJ in archival cover. . Fine. Hardcover. 1st Edition. 1st Printing. 1975. Macmillan hardcover
