27 résultats
1708241111764RIOT SEASON 2017-08-11. audioCD. Very Good. 5x0x4. collectible OOP Acid Mothers Temple CD release; REPOSECD07; a few dings to front insert; otherwise jewel case and rear cover art are in excellent condition; disc shows light superficial surface wear & comes guaranteed to play flawlessly; because we care that your order arrives in the condition stated we have additionally sealed the case in bubblewrap for added protection during shipment RIOT SEASON unknown
173886013Paris Prault 1738, in-12 (10x16,5cm), broché sous couverture d'attente, tranches rouges, VIII, 290p., (12p.) Bel exemplaire, très frais. Frontispice.
173871188Seconde édition, 1 vol. in-12 reliure pleine basane marbrée, dos lisse orné, toutes tranches marbrées, Chez Prault fils, Paris, 1738, XVI-276 pp.
1771PHO-2048Parisiis, Apud J. Barbou, 1771, in-12 (16x9,5cm), 1f.-LXXII-269pp.-1f., veau marbré époque, dos lisse, triples filets aux plats, tranches dorées, manque la pièce de titre, charnière fendillée, coins usés. De la bibliothèque de L. Dimier avec son cachet au titre et signature en page de garde.
1757PHO-2049Paris, Barbou, 1757, in-12 (15,9x9cm), 108pp.-1f.-192pp.-2ff., veau marbré époque, dos lisse orné avec pièce de titre grenat, tranches rouges, coins usés, début de fente, frottements aux charnières. Texte en latin avec sa traduction française en seconde partie, jolie vignette au titre représentant une imprimerie par Papillon
173866985Seconde édition, 1 vol. in-12 reliure de l'époque pleine basane marron, dos à 5 nerfs orné, Chez Prault Fils, Paris, 1738, XVI-191-104 pp. et 4 ff. n. ch.
176012583London, o.Dr., 1760. Kupferstich. Blattgröße: 27,7 x 18,4 cm, Druckspiegel: 27 x 17,8 cm. [2 Warenabbildungen]
1738485991738 AMSTERDAM, chez François Changuion - 1738 - Cette édition a paru à la même date que l'originale de Paris, chez Prault - In-16, 82 x 132 mm - Reliure veau de l'époque - Dos à nerfs à caissons fleuronnés - Pièce de titre en maroquin rouge, titre doré - Tranches jaspées - roulettes dorées sur les coupes - frontispice, (2) ff. de faux-titre et titre imprimé en rouge et noir, (10) pages, (1) f. blanc, 362 pages, (1) f. d'approbation.- Dans l'approbation, Danchet écrit :"J'ai lû par ordre de Monseigneur le chancelier, un Manuscrit qui a pour titre " Essais sur la Necessité et sur les Moyens de Plaire" J'ai trouvé cet ouvrage rempli de sentiments délicats, & de préceptes très sages : je crois que l'impression n'en sera pas moins utile qu'agréable au Public". Fait à Paris ce 30 Septembre 1737 - Bel exemplaire - Envoi rapide et soigné - Réf. 48599
17911305080007Maradan 1791-01-01. Hardcover. Very Good. 2 volume set. Leather spine green boards. Light wear to extremities. Clean unmarked pages. French. Moncrif was a noted poet member of the Academie and royal historiographer to Louis XV. Maradan hardcover
1751113071751 Paris, Brunet, 1751; 3 volumes in-12°, plein veau brun , triple filet doré sur les plats, dos à nerfs compartiments ornés de fleurons et petits fers dorés, auteur, titre et tomaison dorés sur 2 étiquettes de maroquin rouge, tranches dorées; (4) - XVIpp.- 369 - (1)pp.; ( 4) - 349 - (2)pp. ; ( 4) - 352 pp. - (4)ff. Orné de 3 titres gravés par Bacquoy d'après de Séve ( le même au 3 volumes), un portrait de Moncrif par Duflos et 4 figures hors texte d'après de Sève.
1738169A Paris, chez Prault fils, 1738. In-8 de XVI-191-104-(8) pp., veau blond, dos orné à nerfs, tranches rouges (reliure de l'époque).
1791610552 vol. in-8 reliure demi-basane marron, Chez Maradan, Paris, 1791, VIII-408 pp. avec frontispice et 4 planches hors texte ; 484 pp. avec frontispice (avant la lettre, par De Sève) Titre complet : Oeuvres de Moncrif, Membre de l'Académie Françoise & de celles des Sciences & Belles-Lettres de Nancy & de Berlin. Nouvelle édition augmentée de l'Histoire des Chats
174340308Chez Bertrand Brunet | à Paris 1743 | 9.50 x 16.50 cm | relié
17380037061738 Amsterdam, Changuion, 1738. In-16 (82 X 132 mm) veau blond, plats ornés d'un encadrement de triple filet doré avec armes dorées au centre, dos lisse orné et cloisonné de filets dorés, guirlandes dorées, pièce de titre grenat, roulette dorée intérieure, tranches dorées (reliure de l'époque) ; frontispice, (2) ff. de faux-titre et titre imprimé en rouge et noir, (10) pages, (1) f. blanc, 362 pages, (1) f. d'approbation. Dos habilement refait.
176620601Florence Italy: Giuseppe Vanni 1766. Print. Very good condition. A somewhat bizarre example of tail feathers with an attenuated beak head and body attached of birds of paradise. Period hand-colored copper engraving from the Natural History of the Birds Treated Systematically and Adorned with Copperplate Engraving Illustrations in Miniature and Life-Size 1766-1777. <br /> <br /> The work carries some interesting historical importance according to Peter Dance: "The production of its five massive folio volumes must have been one of the most remarkable publishing ventures ever undertaken in Florence. Begun in 1767 and based on birds taken from the collection of Giovanni Gerini it was completed ten years later. It was larger better engraved and more vividly coloured than any previous work on birds but these are not its only claim to fame. The attitudes of the birds themselves give this book its unique character. Strutting parading posturing and occasionally flying.are birds whose real-life counterparts would surely disown them and not without reason for Manetti seems in these pictures to be depicting the human comedy the habits and mannerisms of contemporary Italian society. His book may still be rated among the very greatest bird books if only for its magnificent comicality" S. Peter Dance The Art of Natural History: Animal Illustrators and their Work. London 1978.<br /> <br /> Approx. 10 5/8 x 13 1/2" platemark on watermarked paper measuring 14 1/2 x 18". The original images were drawn by Lorenzo Lorenzi Violante Vanni or Manetti himself. Giuseppe Vanni unknown
176620598Florence Italy: Giuseppe Vanni 1766. Print. Very good condition. A somewhat bizarre example of tail feathers with an attenuated beak head and body attached of birds of paradise. Period hand-colored copper engraving from the Natural History of the Birds Treated Systematically and Adorned with Copperplate Engraving Illustrations in Miniature and Life-Size 1766-1777. <br /> <br /> The work carries some interesting historical importance according to Peter Dance: "The production of its five massive folio volumes must have been one of the most remarkable publishing ventures ever undertaken in Florence. Begun in 1767 and based on birds taken from the collection of Giovanni Gerini it was completed ten years later. It was larger better engraved and more vividly coloured than any previous work on birds but these are not its only claim to fame. The attitudes of the birds themselves give this book its unique character. Strutting parading posturing and occasionally flying.are birds whose real-life counterparts would surely disown them and not without reason for Manetti seems in these pictures to be depicting the human comedy the habits and mannerisms of contemporary Italian society. His book may still be rated among the very greatest bird books if only for its magnificent comicality" S. Peter Dance The Art of Natural History: Animal Illustrators and their Work. London 1978.<br /> <br /> Approx. 10 5/8 x 13 1/2" platemark on watermarked paper measuring 14 1/2 x 18". The original images were drawn by Lorenzo Lorenzi Violante Vanni or Manetti himself. Giuseppe Vanni unknown
174340308à Paris: Chez Bertrand Brunet 1743. Fine. Chez Bertrand Brunet à Paris 1743 9.50 x 16.50 cm relié First edition. Contemporary full marbled and glazed brown calf binding. Spine with raised bands attractively decorated. Thin split at foot measuring 0.5cm. 2 corners slightly bumped. Good copy. A mixture of critiques plays poetry and speeches. Contains notably ""Les Réflexions sur quelque ouvrages faussement appelés ouvrages d'imagination""; ""Les âmes rivales histoire fabuleuse""; ""Les abdérites"" and ""L'empire de l'amour"" plays; ""Discours de l'Académie française"" and other pieces. Chez Bertrand Brunet hardcover
179117206Paris, Maradan, 1791 ; 2 tomes in-8, demi veau blond à coins, dos à nerfs, caissons décorés à la grotesque, pièce de titre rouge, et de tomaison anthracite, tête dorée, tranches ébarbées (reliure du XIXe) ; VIII, 408 ; 484 pp. , portrait de Moncrif gravé par Duflos en frontispice et 4 figures ; portrait de Stanilas, Roy de Pologne, ajouté.
172518279London, printed for Jacob Tonson in the Strand., 1725. The Twelfth Edition. To which is fixed an account of his life. Frontispiz (Portrait des Verfassers), XXVIII, 4 n.n. Bll., 350 SS., 24 n.n. Bll. Index (letztes Bl. weiß), 12 Kupfertafeln von P. Fourdrinier. Kl.-8°, Leder der Zeit auf 5 Bünden, verg. Rückenschildchen. Oberes Kapital beschädigt, etwas berieben.
176869786Chez la veuve Regnard | à Paris 1768 | 9.80 x 16.50 cm | 4 volumes reliés
176869786à Paris: Chez la veuve Regnard 1768. Fine. Chez la veuve Regnard à Paris 1768 9.80 x 16.50 cm 4 volumes reliés New edition the best and most complete published of this author with the musical scores of the songs. It contains 5 engraved titles by De Sceve a portrait of the author as frontispiece after Duflos and 5 figures by De Scève all on strong paper. Some engravings are 1 cm shorter in the lower margin as the volume has not been trimmed. 60 pages of engraved musical score with the words of the songs and Christian poetry. A handsome well-printed edition. Contemporary full marbled and glazed calf binding. Decorated spine with raised bands. Red morocco title-label black wax volume label. Red edges. A small lack to the lower joint at the head of volume I. Worming at the foot of volume II. 5 corners slightly bumped. Traces of rubbing. A very handsome set decorative on perfectly fresh paper. Volume I: On the necessity of pleasing. Fairy tales 5. Letters and replies to the King of Poland. Volume II: Speech to the French Academy. Letters reflections and criticism. Volume III: Poetry comedies ballets songs. Volume IV: Ballets poetry songs pastorals. NB: This work is available at the bookshop upon request within 48 hours. Chez la veuve Regnard hardcover
176620589Florence Italy: Giuseppe Vanni 1766. Print. Very good condition. Period hand-colored copper engraving from the Natural History of the Birds Treated Systematically and Adorned with Copperplate Engraving Illustrations in Miniature and Life-Size 1766-1777. <br /> <br /> The work carries some interesting historical importance according to Peter Dance: "The production of its five massive folio volumes must have been one of the most remarkable publishing ventures ever undertaken in Florence. Begun in 1767 and based on birds taken from the collection of Giovanni Gerini it was completed ten years later. It was larger better engraved and more vividly coloured than any previous work on birds but these are not its only claim to fame. The attitudes of the birds themselves give this book its unique character. Strutting parading posturing and occasionally flying.are birds whose real-life counterparts would surely disown them and not without reason for Manetti seems in these pictures to be depicting the human comedy the habits and mannerisms of contemporary Italian society. His book may still be rated among the very greatest bird books if only for its magnificent comicality" S. Peter Dance The Art of Natural History: Animal Illustrators and their Work. London 1978.<br /> <br /> Approx. 10 5/8 x 13 1/2" platemark on watermarked paper measuring 14 1/2 x 18". The original images were drawn by Lorenzo Lorenzi Violante Vanni or Manetti himself. Giuseppe Vanni unknown
174493481744-45 1) Les Augustales, divertissement, représenté par lAcadémie royale de Musique le dimanche 15 novembre 1744. Mis en musique par Mrs Rebel et Francoeur surintendans de la Musique du Roy et inspecteurs de lAccadémie (sic!) royale de Musique. Prix en blanc 6 lt. A Paris, chés Mme Boivin marchande rue St Honoré à la Règle dOr; chés le Sieur Le Clerc, rue du Roule, à la Croix dOr. Avec privilège du Roy, 1744. [4]+53+[1bl] pages gravées. 2) Le Trophée, divertissement à loccasion de la victoire de Fontenoi [sic!]. Mis en musique par Mrs Rebel et Francoeur sur-intendans de la Musique du Roy. Représenté par lAcadémie royale de Musique le mardy 10 aoust 1745. Prix en blanc avec Zélindor 9 lt. Et avec les Augustales 15 lt. A Paris, chez Madame Boivin marchande rüe St Honoré à la Règle dOr, le Sieur Le Clerc marchand rüe du Roule, à la Croix dOr. Les paroles sont de Mr de Moncrif lecteur de la Reine, et lun des quarante de lAcadémie françoise. Avec privilège du Roy, 1745. [2]+40 pages gravées par le Sr Hue.3) Zélindor roi des Silphes, divertissement représenté devant Sa Majesté les mercredy 17 et 24 mars, et par lAcadémie royale de Musique le mary 10 août 1745. Mis en musique par Mrs Rebel & Francoeur sur-intendans de la Musique du Roi. Les paroles sont de Mr de Moncrif lecteur de la Reine, et lun des quarante de lAcadémie françoise. Avec privilège du Roi, 1745. [2]+38 pages gravéesLe tout en un volume in-4° à litalienne (298 x 220 mm) sous reliure de lépoque en pleine basane marbrée. Dos à nerfs orné, pièce de titre brune, tranches rouges. Coiffes et coins restaurés. la dernière pièce porte, au bas de la page 40 une signature «Francoeur». Très bon état.
174291805Chez la Veuve Oudot | Troyes 1742 | 9.6 x 15.9 cm | Relié
174291805Troyes: Chez la Veuve Oudot 1742. Fine. Chez la Veuve Oudot Troyes 1742 9.6 x 15.9 cm Relié Second edition partly original notably augmented with several additional pieces complete with the caricature woodcut portrait of the widow Oudot as frontispiece printed in green as is the title. According to Barbier the burlesque portrait was engraved by one of the authors the comte de Caylus himself. Contemporary full mottled brown calf smooth spine richly gilt with fleurons palms and scrollwork brown-red morocco lettering-piece triple gilt fillet bordering the boards with fleurons at corners gilt fillet on board edges all edges gilt pastedowns and endpapers of small-comb pattern marbled paper. Small losses to the headcaps lower joint of the front board split over 1 in. light wear to the joints some surface scratching to the board margins front board slightly warped corners bumped. Marginal stain on p. 19. A collection of bons mots satires and anecdotes Les Étrennes de la St Jean is a collective work assembled around the comte de Caylus in the salon of mademoiselle Quinault. The members of the group Moncrif Voisenon Crébillon fils. called themselves the Société du Bout-du-Banc and composed in the wake of copious and convivial dinners several miscellanies: Les Étrennes de la Saint-Jean one of the best known and most celebrated Les Écosseuses ou les ufs de Pâques Histoire de Guillaume Quelques Aventures curieuses et galantes des bals de bois Recueil de ces Messieurs etc. ""As a young man the comte de Caylus had paid considerable tribute to the literature of fairy tales which the translations from the Arabic and Persian by Galland and Pétis de la Croix had brought into fashion; his true self is not to be found in these artificial creations to which he returned when nearly seventy. But in the intervening years his personality as a writer emerged and declared itself in accordance with his manners and tastes and in how favourable a setting! The Société du Bout-du-Banc that academy of Gallic ribaldry presided over by Mlle Quinault; those suppers at which an inkwell served as centrepiece and which La Chaussée d'Armenonville Voisenon Moncrif the Grand Prior of Vendôme Duclos Salley and Crébillon fils inflamed with their bawdy and bantering wit. All men of letters with little taste for philosophy all content to let the world go its own way and finding it well enough as it was all of that sacred flock of Epicurus somewhat metamorphosed by Circe where each is satisfied or nearly so with what their presiding lady said was sufficient for Duclos the least fastidious among them. The popular literature of the eighteenth century that is the literature which took the common people as the subject of its observations and tableaux was born in this company of ribaldry and folly and the comte de Caylus was its natural father and its foster father; it took its first lively flights in these Écosseuses 1739 in these ""Étrennes de la Saint-Jean"" 1742 in these ""Mémoires de l'Académie des colporteurs"" in these ""Aventures des bals des Bois"" in these ""Fêtes roulantes"" 1748 a veritable magic lantern of Parisian popular life ."" Avertissement ""Mémoires et réflexions du comte de Caylus"" 1874 Second edition partly original of a collection in the poissard vein marked by its lightness of tone and naive style born of the fashionable suppers of the Société du Bout-du-Banc where several of the finest minds of the eighteenth century gathered among them Montesquieu and d'Alembert. Chez la Veuve Oudot hardcover
