Radke, Rudolf und Helmut KrackenbergerAntiquariat.de
2 639 résultats
1994213110Freiburg im Breisgau/Basel/Wien: Herder, 1994. 111 S., überw. Ill., Kt., 24 x 28 cm. Opp., gebundene Ausgabe, SU.
199452583Freiburg im Breisgau; Basel; Wien: Herder 1994. 111 S.: überw. Ill., Kt.; 24 x 28 cm Pappe 0
199117821München ; Leipzig : List, 1991. 244 S. : Ill. 8°. OPpbd. ohne SU.
1961LFA-126725784Un ouvrage de 326 pages, format 110 x 170 mm, illustré de cartes dépliables, publié en 1961, Imprimerie des Pères Franciscains, bon état
198043259ABHamburg, Hoffmann und Campe, 1980. 1. Aufl., [1. - 10. Tsd.] 22 cm. 430 S. : Ill., Kt. Pp. Rü. leicht berieb. u. verblichen, innen guter Zust., 1 Biblioth.-Stempel a. Tit.-Bl. 10
22x17 cm. 208 pages. Softcover. Cover corners and spine edges slightly wrinkled. Else in good condition.
SIGNED BY AUTHOR. 22x17 cm. 208 pages. Softcover. Cover corners and spine edges slightly wrinkled. Else in good condition.
1980LFA01a65Une plaquette de 60 pages, format 135 x 215 mm, brochée, publiée en 1980, Editions du Cerf - Vie Montante
1981LFA01a66Une plaquette de 58 pages, format 135 x 215 mm, brochée, publiée en 1981, Editions du Cerf - Vie Montante
1731901485AGAmsterdam:, Westersteins en Smith, 1731. Kupferstich 29,5 x 44 cm, Blattgröße 39,5 x 47 cm.
TM 656<p>ILLUMINATED MEDIEVAL MANUSCRIPT IN LATIN ON PARCHMENT Northern Italy c. 1440-1470. 203 x 153 mm. 70 folios complete collation i-vii10 remnants of quire and leaf signatures flourished vertical catchwords written in a humanist minuscule on 30 long lines justification 147-149 x 95-100 mm horizontal lines ruled very lightly in ink single vertical bounding lines ruled in lead prickings remain in top and bottom margins on some leaves rubrics and paragraph marks in pale red two-line red or blue initials with contrasting pen flourishes in violet or red two five-line blue initials ff. 29v and 35 infilled and on square grounds of elaborate penwork; f. 64v seven-line polished GOLD INITIAL with white vinestem decoration extending along twenty lines of text and into the upper margin infilled and edged in deep red and blue with numerous tiny silver dots; f. 1 five-line polished GOLD HISTORIATED INITIAL of St. Jerome bearded and dressed in red standing before a Crucifix with a hilly landscape in the background on a white vinestem ground extending into a FULL WHITE VINESTEM BORDER infilled and edged in deep red and blue with tiny silver dots and an erased coat of arms in lower margin with modern F.A. BINDING: Early almost certainly contemporary reddish-brown leather over wooden boards flat spine with three slightly raised bands head and tail bands clasp and catch fastening front to back with brass catch lettered ave front cover decorated most likely in the nineteenth century with an attractive painted border in green orange and gray connecting four brass studs and the title De laudibus et miraculis divi Hieronymi with initials F.C. at the bottom back pastedown is leaf from a late fourteenth-century Italian copy of Donatuss Latin grammar front pastedown shows offset script from removed pastedown from a fourteenth-century Italian text in Latin verse. TEXT: This manuscript is a vivid witness to the importance of St. Jerome in fifteenth-century Italy and includes the foundational texts for his cult: three letters regarding his death miracles and titles to glory and veneration and purporting to be written by three contemporaries of St. Jerome c. 347-420 namely St. Eusebius of Cremona d. 423 St. Augustine of Hippo 354-430 and Bishop Cyril of Jerusalem c. 313-386 but probably written in Rome at the end of the thirteenth or beginning of the fourteenth century; a life of St. Jerome by an unknown author probably writing in Italy in the twelth century; and Jeromes own life of St. Paul the Hermit written in 374 or 375. These texts were widely disseminated in both Latin and in vernacular translations and they influenced the work of numerous writers and visual artists. ILLUSTRATION: The iconographical choice in the historiated initial f. 1 to depict the ascetic Jerome contemplating the Crucifixion dates from c. 1400 in Italy and can be particularly associated with Hieronymite congregations in Tuscany. PROVENANCE: Copied in Northern Italy in the middle years of the fifteenth century as suggested by the evidence of the script and decoration; the penwork initials in particular seem to point to Northern Italy. The manuscript almost certainly once included the coat of arms of its original owner in the lower margin of the illuminated border on f. 1. Three sets of initials are inscribed in three different hands all possibly initials of owners: within the roundel on f. 1 a modern owner inscribed an outline of a shield in pen and the initials F.A.; inside front cover white embossed seal with the initials L.F.; on front cover as part of the added decoration F. C. CONDITION: Slight loss of the leather at the back top of the spine and over the lower band of the binding; top of the painted border on f. 1 is very slightly trimmed; f. 1 is darkened; and there is some soiling throughout but overall in very good condition. Full description and photos available TM 656.</p> hardcover
TM 656ILLUMINATED MEDIEVAL MANUSCRIPT IN LATIN ON PARCHMENT Northern Italy c. 1440-1470. 203 x 153 mm. 70 folios complete collation i-vii10 remnants of quire and leaf signatures flourished vertical catchwords written in a humanist minuscule on 30 long lines justification 147-149 x 95-100 mm horizontal lines ruled very lightly in ink single vertical bounding lines ruled in lead prickings remain in top and bottom margins on some leaves rubrics and paragraph marks in pale red two-line red or blue initials with contrasting pen flourishes in violet or red two five-line blue initials ff. 29v and 35 infilled and on square grounds of elaborate penwork; f. 64v seven-line polished GOLD INITIAL with white vinestem decoration extending along twenty lines of text and into the upper margin infilled and edged in deep red and blue with numerous tiny silver dots; f. 1 five-line polished GOLD HISTORIATED INITIAL of St. Jerome bearded and dressed in red standing before a Crucifix with a hilly landscape in the background on a white vinestem ground extending into a FULL WHITE VINESTEM BORDER infilled and edged in deep red and blue with tiny silver dots and an erased coat of arms in lower margin with modern F.A. BINDING: Early almost certainly contemporary reddish-brown leather over wooden boards flat spine with three slightly raised bands head and tail bands clasp and catch fastening front to back with brass catch lettered ave front cover decorated most likely in the nineteenth century with an attractive painted border in green orange and gray connecting four brass studs and the title De laudibus et miraculis divi Hieronymi with initials F.C. at the bottom back pastedown is leaf from a late fourteenth-century Italian copy of Donatuss Latin grammar front pastedown shows offset script from removed pastedown from a fourteenth-century Italian text in Latin verse. TEXT: This manuscript is a vivid witness to the importance of St. Jerome in fifteenth-century Italy and includes the foundational texts for his cult: three letters regarding his death miracles and titles to glory and veneration and purporting to be written by three contemporaries of St. Jerome c. 347-420 namely St. Eusebius of Cremona d. 423 St. Augustine of Hippo 354-430 and Bishop Cyril of Jerusalem c. 313-386 but probably written in Rome at the end of the thirteenth or beginning of the fourteenth century; a life of St. Jerome by an unknown author probably writing in Italy in the twelth century; and Jeromes own life of St. Paul the Hermit written in 374 or 375. These texts were widely disseminated in both Latin and in vernacular translations and they influenced the work of numerous writers and visual artists. ILLUSTRATION: The iconographical choice in the historiated initial f. 1 to depict the ascetic Jerome contemplating the Crucifixion dates from c. 1400 in Italy and can be particularly associated with Hieronymite congregations in Tuscany. PROVENANCE: Copied in Northern Italy in the middle years of the fifteenth century as suggested by the evidence of the script and decoration; the penwork initials in particular seem to point to Northern Italy. The manuscript almost certainly once included the coat of arms of its original owner in the lower margin of the illuminated border on f. 1. Three sets of initials are inscribed in three different hands all possibly initials of owners: within the roundel on f. 1 a modern owner inscribed an outline of a shield in pen and the initials F.A.; inside front cover white embossed seal with the initials L.F.; on front cover as part of the added decoration F. C. CONDITION: Slight loss of the leather at the back top of the spine and over the lower band of the binding; top of the painted border on f. 1 is very slightly trimmed; f. 1 is darkened; and there is some soiling throughout but overall in very good condition. Full description and photos available TM 656. hardcover books
New English Orginal bdg. HC. 4to. (30 x 21 cm). In Turkish and summaries in English. 376 p., b/w ills. and reproductions of the Ottoman documents, with a CD. Administration of Christian denominations and communities in Jerusalem: Critical edition of defters of Church of Holy Sepulchre.= Kudüs'te Hristiyan mezhep ve milletlerin idaresi: Kiyame Kilisesi defterlerinin karsilastirmali nesri. Prep. by Numan Yekeler, Yilmaz Karaca, Mehmet Selim Temel, Iskender Türe, Vahdettin Atik. Translated into English by Durmus Kandira.
41103Paris.1922.In-12 en percaline éditeur verte.802 p.Cartes et plans rempliés soulignés de couleurs. BE.Tranches rouges.
186068691Accurante J.P. Migne, 3 vol. in-4 reliure de l'époque demi-chagrin vert, dos à 4 nerfs dorés, Apud J.P. Migne, Petit-Montrouge, 1860. Rappel du titre complet : Procopi Gazaei, Christiani rhetoris et hermeneutae, Opera quae reperirir potuerunt omnia, accedunt S. Sophroni Hierosolymitani, Joannis Moschi, Alexandri Monachi scripta vel scriptorum fragmenta quae supersunt (1 Tome en 3 volumes - Complet). Patrologiae Cursus completus. Series Graeca. Tomus LXXXVI Prima, Secunda, Tertia [ Patrologia Graeca Tome 87 en trois volumes - Procope de Gaza, Jean Moschus, Sophrone de Jérusalem, Alexandre le Moine ]
PHO-1303Augsbourg , Académie Impériale des Arts Libéreaux au Négoce commun de l'Académie Impériale d'Empire des Arts Libereaux ,dimension feuille 485x360 et impression 440x315 , verso blanc ,titre en miroir dans la marge supérieure : La Pentecôte a Hierusalem ,papier effrangé sans manque, petits trous en marge.
133051968X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332946681.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1921339123Boston: Roxburgh Publishing Company 1921. 258p. hardcover some tearing to interior hinges but mostly intact; minor scuffing and rubbing to boards title dulled on spine thumbsoil to edges of some pages. After a prefatory portion which postulates neurological conditions responsible for criminality the majority of this odd work resembles a hardboiled crime novel with occasional insertion of factual statistics about neglected children and misconduct a reprint of ads for explicit publications illustrating a section on vice etc. The author is thought to have been an immigrant named either Eleasar Issac Goldreich or I.E. Goldreich. Roxburgh Publishing Company unknown
19-7421Jerusalem Israel: Prime Minister’s Bureau Jerusalem 1971. Single page autographed typewritten note on 8 x 5 letterhead. Very Good. Minor loss on top right corner. Dated Dec 19 1971.From the estate of Herb Yellin 1935 - 2014 the publisher of the Lord John Press. Jerusalem, Israel: Prime Minister’s Bureau, Jerusalem, 1971. unknown
1877PHO-2147Paris, Morel, 1877, 4 volumes, 3 volumes de gravures in-folio et 1 volume de texte in-4 Texte ; VIII-296pp, illustré de 34 gravures h.t. et de nombreuse dans le texte, demi basane époque, dos lisse avec titre, frottements, rousseurs éparses. Atlas ; 3 volumes in-folio en feuilles, sous emboîtages moderne. Comprenant pages de titre et tables des planches, complets des 199 (sur 200) planches (22 gravées et 177 lithographiées dont 39 vues teintées et 130 chromolithographies, plusieurs rehaussées d'or), lithographiées ou gravées, parfois en couleurs et certaines d'après Girault de Prangey, l'un des tout premiers voyageurs français à photographier Le Caire et Jérusalem. Les planches représentent des vues de vestiges, de nombreux détails d'ornementations (portes, heurtoirs, flambeaux, plats, etc.) ainsi que des meubles, des textiles, des céramiques, des boiseries, des carrelages, des armes et des armures, des verres et des émaux, des tapis, des manuscrits et des corans, une planche déchirée sans manque. Édition originale de l'ouvrage le plus important du XIXe siècle entièrement consacré à l'art arabe.
IN HEBREW. THIS VOLUME ONLY. Contains b&w plates. Map missing. 245X175mm. 441+9 pages. Hardcover. Cover rubbed. Cover edges and corners slightly bumped. Spine rubbed. Sticker on inner cover. Few pages corners slightly wrinkled. Few pages age-stained - no damage to text. Pages yellowing. Else in good condition.
In Hebrew. This Volume only. Contains plates in b&w. Contains maps. 175X245 mm. 9+441 pages. Hardcover. Cover slightly rubbed. Cover corners slightly rubbed. Spine edge slightly rubbed. Pages slightly yellowing. Else in good condition.
IN HEBREW. Contains b&w plates. Contains a paper in German and a paper in French. 24.5x16 cm. 382+8 pages. Hardcover. Spine edges slightly worn. Wormhole on title page and the four first pages - no damage to text. Else in good condition.
in-8°, 321 pages, ill. hors texte N&B, notes, index, broche, jaq. ill. plast. Exemplaire non coupe. [CA28-1]
