7 résultats
20001272563Caracas Venezuela: GalerÃa De Arte Nacional 2000. 4to. 83pp.; VG/VG-; spine tan with black lettering; softcover in wraps; mild bumping and shelfwear; interior clean; text in Spanish; shelved Front Table. 1272563. Shelved Dupont Bookstore. GalerÃa De Arte Nacional unknown books
200583658Caracas: Museo de Bellas Artes 2005. 31cm. Coordinación General e Investigación. 435p color plates cat. indice appen. bibl/hem. d.j. in paper slipcase. Other title: "Colecciones: pintura escultura instalaciones videoarte tapices." OCLC: 123408090 First volume of the ambitious editorial project of the Museum of Fine Arts that will represent the complete inventory of the institution's collection. This first number is a descriptive catalogue of the museums holdings of Latin American and Universal paintings sculptures installations video art and tapestry covering from the medieval to present times. Each entry includes technical information photographs along bibliographic and hemerographic references. Includes exhibition list and artists and general index Museo de Bellas Artes unknown books
1992155933RÃo Piedras P.R.: Centro de Investigaciones Sociales Universidad de Puerto Rico 1992. Paperback. xvii 188p. 8.5x10.5 inches preface introduction text in Spanish footnotes references very good trade paperback in pictorial wraps Centro de Investigaciones Sociales, Universidad de Puerto Rico paperback books
1993186330Managua: Editorial Vanguardia 1993. Paperback. 67p. text in Spanish very good first edition trade paperback in pictorial wraps. Poesia Nicaraguense. The Nicaraguan poet's first collection. She resides in Managua and Washington D.C. Editorial Vanguardia paperback books
200133334Barcelona: Editorial AUSA 2001. Softcover. VG/VG. Grey cloth gray & black & illus. DJ illus. flyleaves. 347 pp. Profuse bw & color plates 3 fold-outs; weighs 6.5 lbs. Text in Spanish. Considers the life and work of Spanish painter Modest Urgell 1839-1919. A biographical treatise is followed by many pages of color plates of his paintings. A terrific introductio to this artist. Editorial AUSA paperback books
100466Lima: Museo de Arte de Lima MALI; Americas Society Art Gallery Del 8 de marzo al 1 de julio 2012. 20cm. textos 150 pages b/w plates covers. OCLC: 810531365 Milagros de la Torre an exhibition guest curated by Dr. Edward J. Sullivan Helen Gould Sheppard Professor of the History of Art at the Institute of Fine Arts and the Department of Art History New York University. The exhibition March 6 to July 1 2012 coincided with the Bienal de Fotografía de Lima which opened on March 19 and will continued until July 22 2012. Indicios: Milagros de la Torre is a collaborative project between MALI and Americas Society which opened the concurrent exhibition Observed: Milagros de la Torre on February 8 in New York and will be on view until April 14 2012. The exhibition features twelve series and over fifty works. Selecting photographic works from the 1990s to the present Indicios will be the artist's first monographic show in Lima. Focused on stark object-based images the exhibition examines contemporary issues related to violence memory and the socio-political construction of identity. As Edward Sullivan has suggested the notion of pain also plays a prevalent role throughout de la Torre's work. Never displayed in an active or aggressive manner the physical or emotional trauma manifests itself through quiet allusion. Several of her series develop out of her own experiences in countries that have had waves of crippling violence such as Mexico and Peru or that have had extended periods of censorship. Research has served as a fundamental basis for her images many of which are examinations of criminality and surveillance. The Lost Steps 1996 is a seminal project deeply informed by nineteenth-century photographic techniques. De la Torre employed these methods to focus on images of incriminating evidence taken from the archive of the Palace of Justice in Lima Peru during the violent years of the Shining Path. The seemingly everyday objects shown in an isolated manner convey stories of acts of terrorism passion and other crimes. In Censored 2001 de la Torre depicts passages from seventeenth and eighteenth-century manuscripts from the collection of the University of Salamanca inked-out by officials during the Spanish Inquisition. The series is made up of abstract images capturing the stroke and stain of each censored text. De la Torre's first series Under the Black Sun 1991-1993 comprises portraits engaged with a subtle treatment of color. They were appropriated or reconfigured images from street photographers in Cusco in which the skin of the clients was lightened with Mercurochrome. Also included is the never before seen series It All Stays in the Family. An exploration into the concept of the family portrait these photographs printed on vintage paper use an "unsynchronized" flash to produce an image that is covered in a shadow that increases from grey to deep black thereby blurring the connective association between each relative. . ENGLISH AND SPANISH TEXTS Museo de Arte de Lima, MALI; Americas Society Art Gallery unknown books
200536798NY:: Thunder's Mouth Press. Fine in Fine dust jacket. 2005. Hardcover. 1560256540 . First printing thus. Fine in a fine dust jacket. . Thunder's Mouth Press, hardcover books
