Jacques-Henri BERNARDIN DE SAINT-PIERREBiblio.com
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183868350Paris: Editions Curmer 1838. Fine. Editions Curmer Paris 1838 17 x 25.70 cm Un Vol. relié First edition by Curmer and first printing. Publisher's so-called ""Oriental"" binding commissioned from Simier. Full red shagreen. Smooth spine decorated with a plate featuring orientalist motifs. Boards richly stamped with a large plate with a 6-pointed star at its center. Edges gilt. One missing stitch at the internal joint after the first board without consequence. One missing stitch at the internal joint of the upper board causing slight play at the bottom of the first board without consequence. Scattered foxing unevenly distributed. Paper remained white. Tissue guards present. The endpaper covered with white moiré paper is detached at the end of the volume. Old restoration to head otherwise perfect condition of this famous and rare publisher's binding. Unquestionably one of the finest books produced by Romanticism this is one of those editions that made the glory of the romantic book. Abundantly but elegantly illustrated endowed with careful typography. 29 wood engravings on China paper by Tony Johannot and 450 vignettes by Huet Meissonier Français. 7 portraits engraved on steel one colored map. Sainte-Beuve's notice comprises 9 lines against 8 in most copies on p. LII. See Vicaire. Copy from rue Richelieu. The engraving of the ""bonne femme"" p. 418 is missing as in all copies of the first printing. However while the copy corresponds to several characteristics of the first printing it does not possess them all. Rare copy in its ""Oriental"" publisher's binding by Simier. Editions Curmer hardcover
0104L836633Paperback. Fair. FIRST EDITION. Utrecht: Antoine Schouten 1713. 12mo. Volume 1 only. Hardcover but now lacking both front and rear boards as well much of the spine strip and front blank prelims. With engraved frontis engraved vignette on titles full engraved portrait of Saint-Pierre. French text. Lacks the second and later published third volume pub. 1717. 10 xxiv 400 10 6 An older institutional library copy with a few internal stamps. Some pages at rear a bit browned with old light stain at top; edges are spotted and soiled else a very good copy with well preserved contents. hardcover
19533129Paris, Textes Prétextes, 1953. In-folio (324 x 250 mm) en feuilles, 123 pp., couverture rempliée imprimée du titre, chemise et étui de l’éditeur. Édition originale imprimée sur les presses de Madame J. Daragnès, illustrée de 55 COMPOSITIONS DE RAOUL DUFY (1877-1953) en premier tirage, dont 15 LITHOGRAPHIES ORIGINALES dont 8 EN COULEURS en hors-texte, et de 40 reproductions lithographiques de dessins de l'artiste conçus pour l'ouvrage. Tirage à 277 exemplaires tous numérotés ou justifiés sur vélin d’Arches, celui-ci avec l'état définitif (n°207).
1820133905Méquignon 1820 19 volumes in-18 pleine basane rouge, dos lisse orné, tranches marbrées, triple filet doré sur les plats. Roulettes en contreplats. Portrait frontispice gravé par F. Lignon d’après Girodet-Trioson et 25 planches hors-texte. Rares rousseurs. Dos lég. passés. Infimes défauts d’usage sinon très bon exemplaire.
17708P., Les Editions de la Roseraie, 1927, In-8, plein maroquin marine , dos à nerfs ( légèrement passé), tête dorée, étui bordé, filets dorés sur les coupes, couverture et dos conservés, non rogné, 221 pp.
22760Paris, L. Curmer, 49, rue Richelieu, 1838 ; fort in-8°, demi-maroquin vert pois-cassé, dos à nerfs soulignés d'un filet doré, caissons large filet à froid et titre doré, tranches dorées (reliure de l'époque), LVI, [6] ff., Table des noms des dessinateurs et des graveurs, 458 pp., [1] f. de Table des Matières ; double portrait de l'imprimeur A. Everat et L. Curmer, au titre, en forme de médailles. L'Avant-propos est de Sainte-Beuve.Le premier titre porte l'adresse du 25, rue Sainte-Anne, 1838, et le second 49, rue de Richelieu, 1838 : le livre tout entier a été publié rue Sainte Anne, mais la couverture originale porte l'adresse de la rue Richelieu (Carteret p. 536). L'illustration se compose : 1) d'environ 450 vignettes gravées sur bois dans le texte par Lavoignat, Brevière, Porret, etc., d'après Meissonier, Français, Tony Johannot, Isabey, Paul Huet, Marville, Steinheil, etc. ; 2) de 29 planches dessinées et gravées sur bois par les mêmes artistes, tirés à part sur chine collé ; 3) de 7 portraits dessinés par Lafitte, Tony Johannot et Meissonier et gravés sur acier par Cousin, Pelée, Pigeot et Revel et tirés sur chine, avant la lettre et collés ; 4) d'une carte "Ile de France" dressée par Dufour et gravée par Dyonnet, imprimée sur chine collé en noir et blanc.
179115353chez P. Fr. Didot le jeune, De l'Imprimerie de Monsieur à Paris, 1791. In-16 de XLVII-(1)-130 pp., maroquin rouge à grain long, triple filet et roulette dorés en encadrement, dos lisse orné, dentelle intérieure, tranches dorées (reliure de l'époque).
178822642P., Imprimerie de Monsieur, Didot et Mequignon 1788 4 volumes in-12 (10 X 17 cm) veau havane raciné, dos à nerfs orné de fers dorés, pièce de titre de maroquin rouge, tomaison verte, tranches rouges. XXX + 648 + 650 + 596 + 532 pp. (Reliure de l'époque. Quelques minimes rousseurs aux premiers feuillets du tome IV, petite galerie de ver au bas du premier plat du tome I et au bas du deuxième plat du tome II).
183811657Paris, Curmer, 1838. 1 vol. in-4. Plein maroquin rouge d'époque, large décor constitué d’entrelacs à froid et de décors végétaux dorés, dos à nerfs orné, titre et nom du relieur dorés, double filet doré sur les coupes, doublures et gardes de papier blanc brillant imitant la moire, tranches dorées [LARDIÈRE].
183868350Editions Curmer | Paris 1838 | 17 x 25.70 cm | Un Vol. relié
201205267Paris, Chez P. Dupont Libraire, 1826-1826 ; in-8, cartonnage de l'éditeur. Les 12 volumes. Par L. Aimé-Martin - nouvelle édition revue et corrigée et augmentée - reliure basane noir a décor frise liseré doré, dos a caisson toute les tomes sont en bon état - sauf le tome 6 et le tome 12 qlq rousseurs - tranches marbré.
1838000068Paris Curmer 1838
17372786A Rotterdam, chez Jean Daniel Beman, 1737. 2 parties en 1 vol. in-12 de (338)-96 pp., veau brun marbré, dos orné à nerfs, pièce de titre en maroquin rouge, tranches rouges (reliure de l'époque).
47426Méquignon-Marvis.1818.12 vols.in-8 demi-reliés.1ère édition collective. TBE.Demi-reliures romantiques avec ornements dorés,estampages à froid,dos de couleur brique.Infimes rousseurs.Portrait par Girodet.Gravures sous serpentes.Cartes.
1791CLL-305Paris, Didot-le-Jeune, 1791 In-12 de XLVIII, 128 pp., maroquin bleu, filets dorés sur les plats, dos à nerfs très orné et doré, coupes et bordures décorées, entièrement non rogné (Thibaron-Joly)
18384181838 À Paris, chez L. Curmer, 1838.
17847401Paris DIDOT 1784 5 Illustrations de Moreau le Jeune. Paris, Didot, 1784. 5 volumes in-12, veau, demi-chagrin brun à filets dorés et de fleurons, tranches mouchetées rouges, 623, 631, 574, 532 et 539 pages.
183853176Paris L. Curmer 1838 In-4, demi-maroquin noir cpoins, plats de papier chagrin noir, dos sans nerfs orn de fleurons style rocaille et de filets pousss or; doublures et gardes de papier glac moir crme, tranches lisses dores (reliure de l'poque). La perle des livres illustrs du XIXe sicle, comme le qualifie Brivois. Son illustration comporte environ 400 vignettes in texte et 29 planches hors texte, graves sur bois par les meilleurs graveurs franais et anglais d'aprs Meissonier, T. Johannot, Franais, etc. L'ouvrage comporte galement une carte colorie de l'le de France et 7 portraits hors texte, gravs sur acier d'aprs Lafitte, Meissonier et T. Johannot. Toutes les planches hors texte sont tires sur chine coll et accompagnes d'une serpente en papier rose avec une lgende imprime. Bel exemplaire en reliure de l'poque, l'adresse de la rue Richelieu, avec les portraits du Docteur et de Mme de La Tour gravs respectivement d'aprs Johannot et Meissonier. Quelques rousseurs.
183851600Paris: L. Curmer 1838. Fine. L. Curmer Paris 1838 16.50 x 26 cm relié Famous illustrated edition with nearly 450 wood-engraved vignettes 29 plates printed on China paper and 7 steel-engraved portraits after T. Johannot Meissonnier Iasbey P. Huet. Full bottle-green shagreen binding smooth spine decorated with blind-ruled frame gilt rocaille arabesque motifs and gilt bird and butterfly ornaments; gilt roulettes on headcaps; boards decorated with quadruple frame of gilt and blind fillets gilt rocaille arabesque motifs and small gilt rose-branch ornaments applied in the corners; gilt roulette frame on pastedowns central gilt bilobed cartouche enriched at angles with gilt romantic ornaments gilt dentelle frame on pastedowns white watered silk endpapers and pastedowns gilt fillet on leading edges all edges gilt some minor scratches on leading edges elegant contemporary romantic binding signed by Rivage. Our copy is complete with its map of Ile-de-France by Dyonnet and the two so-called ""English"" portraits. The title is in first printing with the address 25 rue Sainte-Anne the portrait of the ""Bonne femme"" is not engraved on page 418. Some foxing. Handsome copy of this landmark book one of the finest achievements of romantic illustration in a perfect romantic binding by Laurent. L. Curmer hardcover
19494261Port-Louis - Ile Maurice: Éditions Esclapon 1949. Jouvancourt Limited Edition. Hardcover. Outer Case : Fair / Inner Case Text and Lithographs : Very Good to Near Fine. Huges de Jouvancourt. No. 24 from an edition 250 copies. The colophon and publishers ad insert both state that the lithograph stones were destroyed after printing. A series of unbound signatures in a cloth backed case with a paper spine label folio size 16 inches tall pp. 12 132 8 illustrated w. head and tailpieces 13 full page lithographs inc. the internal case front cover and frontis - 11 being signed in pencil by Jouvancourt. Text in French. The prints and text are contained in an inner case with an original lithograph on front cover and all signatures remain untrimmed and unbound as issued. The outer case is worn and slightly bowed near bottom corner with soil stains and some discoloration hinges cracked lacks original ties from fore-edge label is chipped ; inner case is clean with a few small spots and a small crack to joint at foot of lower cover text with an occasional spot of soil or closed tear to leaf extremities - not affecting prints. Huges de Jouvancourt has created a beautiful set of prints to illuminate this edition of a classic French love story. "Paul et Virginie sometimes known in English as Paul and Virginia is a novel by Jacques-Henri Bernardin de Saint-Pierre first published in 1788. The novel's title characters are friends since birth who fall in love. The story is set on the island of Mauritius under French rule then named Île de France. Written on the eve of the French Revolution the novel is recognized as Bernardin's finest work. It records the fate of a child of nature corrupted by the artificial sentimentality of the French upper classes in the late eighteenth century. Bernardin de Saint-Pierre lived on the island for a time and based part of the novel on a shipwreck he witnessed there." wiki. Éditions Esclapon hardcover
1949IJOul& J0Port-Louis-Île Maurice: Éditions Esclapon 1949. 1949. folio. pp. 10 132 8. 12 full-page lithographed illus. 11 signed in pencil by Jouvancourt 9 large lithographed head & tailpieces & ornamental initials. Uncut & loose as issued original in original bds. with front cover illus. by Jouvancourt short tear to upper joint small discolouration to inner bd. corners. cloth-backed chemise spine label chipped lower edges of covers slightly puckered & bd. slipcase faded & discoloured some chipping to & short splits along edges. Inscribed by the Artist. First Edition Illustrated by Jouvancourt limited to 250 copies of which this is No. 156. Inscribed by the Artist. First Edition Illustrated by Jouvancourt limited to 250 copies of which this is No. 156. Inscribed by Illustrators. 1st Edition. Hardcover. Very Good. Port-Louis-Île Maurice: Éditions Esclapon, 1949. Hardcover
STLD0170Paris Curmer 1838. Lex.8°. LVI S. 6 Bl. Abbildungsverz. 4582 S. auf starkem Papier. Mit Holzschn.-Vign. auf Rücks. d. Vortit. Titelvign. gest. Portr. nach Louis FRANCAIS als Frontisp. gest. Tit. kolor. gest. Karte d. Ile de France Mauritius 28 Holzschnitt-Taf. . nach Tony Johannot Paul Huet Louis Francais u. Ernest Meissonier sowie 468 Vign. u. Init. dav.7 in Stahlst. im Text. Schöner hellbrauner geglätteter Lederband d. Zt. auf 4 falschen Bünden m. Zentralmedaillon u. Bordüren in Blindpr. goldgepr. Fileten u. reicher Rückenvergoldung. dreis. Goldschn. OU. eingebunden. Kanten geringf. berieben Rücken etw. geblichen frisch u. fast fleckenfrei. Ein Meisterwerk der franz. Buchillustration. Paris, Curmer 1838. unknown
1927D18949Paris: Éditions de la Roseraie 1927. Paperback. Near Fine. 4to. 15 hand-colored engraved plates including double-page folding map numerous hand-colored engraved illustrations in text extra suite of uncolored illustrations bound as a separate volume. Publisher's wrappers edges uncut glassine dust jackets custom marbled paper boxed slipcase. LIMITED EDITION SIGNED AND INSCRIBED BY FALKÉ number 35 of 110 copies on rives paper with extra suite of uncolored etchings. Monod Manuel de l'amateur de livres illustrés modernes 1875-1975 1447. Some tears to glassine jackets but contents are very fresh and house in stylishly deluxe box. <br/><br/> Éditions de la Roseraie paperback
181825268Paris: Chez Méquigon-Marvis. Libtraire rue de L'École de Médecine 1818. First Collected edition. Mises en ordre et Précédées de la Vie de l'Auteur par L. Aimé-Martin. Engraved frontispiece portrait of the author in volume I and numerous other engraved plates throughout. 12 vols. 8vo 8-1/4 height; widith 1-14 inches but varies slightly; 14 inches in total length. Full contemporary brown sprinkled calf gilt spine with contrasing leather spine labels. Spines uniformly darkened a little small chip from one label otherwise a fine clean attractive set. First Collected edition. Mises en ordre et Précédées de la Vie de l'Auteur par L. Aimé-Martin. Engraved frontispiece portrait of the author in volume I and numerous other engraved plates throughout. 12 vols. 8vo 8-1/4 height; widith 1-14 inches but varies slightly; 14 inches in total length. Chiefly remembered today for his Paul et Virginie Barnardin de Saint-Pierre was also a naturalist who wrote extensively on the harmony and order of nature. Paul et Virginie in fact appears in Volume IV of his Etudes de la Nature. This is the first collected edition of his works published four years after his death in 1814. Brunet V 57 Chez Méquigon-Marvis. Libtraire, rue de L'École de Médecine unknown
18381409290001Paris : L. Curmer 49 rue Richelieu 1838-01-01. Hardcover. Very Good. 4to. lvi 458p. 1 hand-coloured engraved map 7 ports 28 engravings all on mounted papier de Chine ca 450 vignettes throughout text. French. Bound in contemporary full red Moroccan leather. Gilt lettering and tooling on spine. Gilt tooling on spine. Inlaid gilt tooling on inside board extremities. 4 raised bands. AEG. Good binding and cover. Wear to extremities. Clean unmarked pages. Scattered foxing. Vicaire VII 42ff.; Carteret III 532-547; cf. Negley 1551; Fortunati/Trousson 489f. <br><br>Paul et Virginie or Paul and Virginia is a novel by Jacques-Henri Bernardin de Saint-Pierre first published in 1788. The novel's title characters are very good friends since birth who fall in love. The story is set in the island of Mauritius under French rule then named Ile de France which the author had visited. Written on the eve of the French Revolution the novel is hailed as Bernardin's finest work. It records the fate of a child of nature corrupted by the false artificial sentimentality that prevailed at the time among the upper classes of France. <br><br> Saint-Pierre attacked the issues of divided social classes present in eighteenth century French society. In Paul et Virginie Saint-Pierre describes perfect equality occurring on Mauritius where inhabitants share the same possessions have equal amounts of land and all work to cultivate it. They live in harmony without violence or unrest. These beliefs of Saint-Pierre's echo those of Enlightenment philosophers such as Jean-Jacques Rousseau. <br> The book also presents an Enlightenment view of religion: that God or "Providence" had perfectly designed the world to be harmonious and pleasing. Paris : L. Curmer, 49, rue Richelieu hardcover
