3 930 résultats
63-1806Moscow: Maly Theatre 1960. 42 Black & White Photographs 7" x 5" Oblong includes a few duplicates. Very Good. Notes inked on verso of photographs in Russian. Photographs from the Alma Law Collection. Moscow: Maly Theatre, 1960. unknown
63-1807Moscow: Central Children's Theatre 1960. Two Black & White Photographs 7" x 5" Oblong. Very Good. Notes inked on verso of photographs in Russian. Photographs from the Alma Law Collection. Moscow: Central Children's Theatre, 1960. unknown
20297Bruxelles, Imprimerie H. Wellens, W. Godenne, 1927. 16 x 24, 10 pp., broché, bon état.
1998Q-0689806310Atheneum Books for Young Readers 1998-11-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Atheneum Books for Young Readers hardcover
1996x-0226305074Univ of Chicago Pr 1996. Paperback. New. reprint edition. 184 pages. 9.25x6.25x0.50 inches. Univ of Chicago Pr paperback
63845523University of Chicago Press pp. 302 2 Maps Index. Papeback. New. University of Chicago Press unknown
1996Q-0226305074University of Chicago Press 1996-12-15. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of Chicago Press paperback
63-1848Moscow: Mossoviet Theatre 1964-65. Four Black & White Photographs 7" x 5" Oblong. Very Good. Notes inked on verso of photographs in Russian. Photographs from the Alma Law Collection. Moscow: Mossoviet Theatre, 1964-65. unknown
1975517936Macmillan. Good. 1975. stapled/soft Cover. R11 . Macmillan paperback
199167685Giunti. New. 1991. Paperback. 8809603788 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian and English. 158 pp. With 116 ills. 78 col. and 16-page insert in pocket with 7 ills. one foldout. 27 x 23 cm. -- with a bonus offer-- . Giunti paperback
2021G1731649061I4N10Discovery Library Jr 2021. Hardcover. Very Good. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Discovery Library Jr hardcover
Bologna, 1933 (ma ristampa, 1984), 8vo stralcio con copertina posticcia muta, pp. 24. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1984420926Barcelona Madrid: Editorial Egales 1984. Softcover. Fine. First Spanish edition. Illustrated self-wrappers. Octavo. 197pp. Fine in self-wrappers. A lesbian novel based on the life of American folk artist Mary Ann Wilson about two women living together in Greene County New York in 1816. The original self-published edition was sold by Routsong outside meetings of the New York chapter of the Daughters of Bilitis. A later hardcover version published by McGraw-Hill under the title Patience and Sarah won the American Librarians Association's first Gay Book Award now called the Stonewall Book Award in 1971. This edition is uncommon. Editorial Egales unknown
8416449546.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20225001339912022 2022.
2021500224991Reworld media 2021 2021.
53925Arista. CD
195628253Paris Robert Laffont 1956 In-8 313 pp,et 6 pp d'annexes cachets discrets photos hors texte et cartes
2051131Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1882. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2051128Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1882. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2051129Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1882. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2051130Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1882. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1920148130N.p.: N.p. 1920. Two vintage matte double weight portrait photographs of silent film actresses Alma Rubens and Anita Stewart respectively circa 1920s. Insignia of photographer Albert Witzel from the negative at the bottom corners. One with the stamp of King Features Syndicate to the verso.<br /> <br /> Witzel Studios was founded in 1909 and rapidly rose to success as one of Hollywood's foremost portrait studios and society photographers. Witzel occasionally took on freelance assignments for Fox Studios work which gradually became less frequent as studios established their own portrait and stills departments. All but one of Witzel's portrait studios were closed following the photographer's death in 1929. <br /> <br /> Both photos 7.5 x 9.5 inches. Near Fine. N.p. unknown
1937Alibris.0005964New York: Henry Harrison 1937. First edition. Hard cover. Very good in very good dust jacket. Small closed tears to dust jacket. Exceedingly scarce 95 p. Henry Harrison hardcover
19438330Washington D.C.: National Woman's Party 1943. Very good. 14†x 4¼â€; 11†x 4¼â€. Handbills. Very good: a bit of light creasing and corner wear; faint scuff to one top edge.<br /> <br /> This is a set of two handbills written by a noted feminist and leader in the fight for women's rights Alma Lutz.<br /> <br /> Alma Lutz was born in 1890 and graduated from Vassar College in 1912. She was a writer and editor for the National Woman's Party NWP from the 1920s to the 1940s and was for many years a member of the party's national council. Lutz published numerous books and articles on women's rights and women's history not limited to Created Equal: A Biography of Elizabeth Cady Stanton published in 1940 Susan B. Anthony: Rebel Crusader Humanitarian 1959 and Crusade for Freedom: Women of the Anti-Slavery Movement 1968. She was part of historian Mary Beard's circle of women activists and scholars and served on the advisory board of the Schlesinger Library. Lutz died in 1973.<br /> <br /> The text on these handbills originated in a column entitled “A Feminist Thinks It Over By Alma Lutz†printed in Equal Rights the official magazine of the NWP. Founded in 1923 the publication was directed towards women but also strove to educate men about the benefits of women's suffrage and women's rights. NWP an outgrowth of the Congressional Union for Woman Suffrage was formed in 1913 by Alice Paul and Lucy Burns. The group is best known for its efforts in writing revising publicizing and advocating for the passage of the Equal Rights Amendment; they fought for this bill for decades including a pivotal rewrite in 1943 and it was finally passed in 1972.<br /> <br /> One of the present editorials urged “Women Your Country Needs You!†It noted that women held “fewer public offices in the United States than in countries which we regard as far less progressive†likely due to having been taught “for so many generations that government is man's sphere and subconsciously this fallacy still controls their thinking.†Lutz pled that the nation needed its women “not only to keep up morale not only to bind up its wounds†but also to “share in government.†The other handbill bemoaned “The Blindness Of The Exceptional Womanâ€: “Why is it that women are still afraid of the words freedom and equality when applied to them Why are they still so eager to hide from the term equal rights Why do they think that other freedoms and other rights are more important than their own†While Lutz may not have had the answers she did argue that the ongoing struggle for “an amendment to the Constitution guaranteeing to women justice and equal rights with men under our laws†was as “noble a goal†as the Declaration of Independence.<br /> <br /> Rare handbills showcasing the work of an important feminist writer and leader. Not located in OCLC nor in the finding aids for any collections of Lutz' papers. [National Woman's Party] unknown
