Peraza Rangel, Migdalia CaridadBiblio.com
314 résultats
6202810610.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20192-6139439841EAE 2019. Paperback. New. Spanish language. 8.78x6.10x0.71 inches. EAE paperback
93436s-Gravenhage Martinus Nijhoff/Amsterdam Elsevier/'s-Gravenhage Instituut voor Nederlandse Geschiedenis 1979/1985/1989/1994/2001/2008. 6 delen 680 654 695 602 602 615 p. Linnen met stofomslag s-Gravenhage, Martinus Nijhoff/Amsterdam, Elsevier/'s-Gravenhage, Instituut voor Nederlandse Geschiedenis 1979/1985/1989/1994/20 unknown
1907157471907/08. Berlin 1904 1907/08 1912/13 8° ca. 750 pp. zahlr. Abbildungen 5 OBroschBde. unknown
43559282-nnew. unknown
2016x-9811016119Springer 2016. Hardcover. New. 9.25x6.25x0.75 inches. Springer hardcover
2021x-1350241067Bloomsbury Methuen Drama 2021. Hardcover. New. 245 pages. 8.75x5.75x0.75 inches. Bloomsbury Methuen Drama hardcover
#[36999]'s Gravenhage Martinus Nijhoff 1979-2008. 6 volumes. Cloth with dust-jackets. R.G.P. - The Biographical Dictionary of the Netherlands BWN1880-2000 is a scientific reference work. It contains short biographies of persons who were significant in any way in the Netherlands or its overseas territories at the end of the nineteenth century and in the twentieth century. Foreigners who have distinguished themselves here and Dutchmen who have made a name for themselves abroad are also in principle provided with a minibiography. These miniature biographies are written by a large number of expert authors with a total of 2071 mini-biographies. hardcover
2016BN240029Intellect Books 2016. 2016. Softcover. JARMAN all this maddening beauty and other plays <br/><br/>JARMAN all this maddening beauty and other plays Caridad Svich Intellect Books paperback
BN319230Grupo M&G Difusión S.L. Softcover. Guía de cefalópodos del mundo <br/><br/>Guía de cefalópodos del mundo Mark Norman et Caridad Gascón Montes Grupo M&G Difusión, S.L. paperback
2018x-1474250882Bloomsbury Methuen Drama 2018. Hardcover. New. 288 pages. 8.75x5.75x0.75 inches. Bloomsbury Methuen Drama hardcover
16051381146Paris: Abel L'Angelier 1605. Hardcover. Octavo 314 2-76 8 leaves. In Very Good minus condition. Bound in period full black calf with elaborate gold tooling to boards and spine. Corners of boards moderately bumped and board edges moderately worn with several chips to leather and a scrape rendering illegible to one word printed on the front board. Chip to head of spine. Text block age toned with scattered staining and minor chips to scattered pages. Front paste down shows modern ink ownership inscription and evidence of a removed bookplate. With engraved plates throughout text. Text in French and Latin; fully rubricated. OCLC: 8653645. EH Consignment. Shelved in Room X. 1381146. Special Collections - Downstairs. Abel L'Angelier hardcover
2000mon0000421873Iuniverse Inc 2000-04-01. Paperback. Very Good. 0.7300 in x 9.0200 in x 6.0100 in. Iuniverse Inc paperback
1932169144N.p.: N.p. 1932. A small archive of five vintage French pamphlets flyers and broadsides announcing 1931 and 1932 screenings of the banned 1930 surrealist film. All items are housed loose in a custom bound volume with a "L'Affaire de L'Age d'Or" label on the spine with each item laid in on separate leaves overlaid with heavy protective tissue housed in a custom slipcase. Rare.<br /> <br /> The archive includes:<br /> <br /> "L'Affaire de 'L'Age d'Or'" bi-fold pamphlet printed on rectos and versos with a satin-finish photo illustrated insert also printed on the recto and verso published by Nancy Cunard on the occasion of her January 1931 private screening of the film in London. The bi-fold includes the essay "Exposé des Faits" "Statement of Facts" describing the film's initial riotous reception "Extraits du Programme" "Excerpts from the Program" a "Questionnaire" regarding political and legal actions taken in response to the film and an extensive "Extraits de la Presse" "Excerpts from the Press" followed the names of signatories Maxime Alexandre Aragon André Breton René Char René Crevel Salvador Dali Paul Eluard Georges Malkine Benjamin Péret Man Ray Georges Sadoul Yves Tanguy André Thirion Tristan Tzara Pierre Unik and Albert Valentin.<br /> <br /> Two satin-finish variants of a flyer printed on rectos only for a screening of the film on April 27 1932 by Les Spectateurs de l'Avant-Garde at La Bellevilloise a workers' cooperative theatre with each flyer featuring a different image from the film. A second screening was later added on April 30 not noted on the flyers. The screenings were decidedly low-key private events with Buñuel insisting "No protests." French director Jean Vigo was reportedly among the participants of the screenings.<br /> <br /> And two items relating to a screening presented by Le Club de L'Ecran at Cine-Casino in Belgium on May 10 1932:<br /> <br /> A 4 x 5.5 inch announcement for the screening printed on the recto only noting the film as being presented by P.G. van Hecke Paul-Gustave Van Hecke followed by seating and ticket prices purchase locations and Club de L'Ecran membership prices.<br /> <br /> A large newsprint broadside printed on the recto and the verso for Le Club de L'Ecran announcing the May 10th screening with articles on the recto regarding the film club's activities and an excerpt from the Surrealist manifesto published upon the film's premiere with the verso dedicated entirely to numerous texts and articles on "L'Age d'Or" featuring two images from the film and a portrait of Buñuel.<br /> <br /> A key and archetypal work of Surrealist cinema alongside "Un Chien Andalou" 1929 also written by Buñuel and Dali and directed by Buñuel featuring a series of absurdist vignettes scathingly and sardonically rebuking the sexual hypocrisy of bourgeois society the Catholic Church and 20th century European society in general.<br /> <br /> The violence the uproar "L'Age d'Or" created remains as shocking as the film itself: days into the first screenings at Studio 28 on December 3 1930 the theatre was stormed by fascist youths enraged at the film's perceived anti-patriotic and anti-Christian message. Demonstrators threw ink at the screen shouted anti-Semitic death threats smashed the theatre windows and completely destroyed an exhibition of surrealist books and art in the foyer. In response the Board of Censors re-reviewed the film and on December 10 the film was banned from further public showings in France. The film's producers subsequently withdrew "L'Age d'or" from commercial distribution and public exhibition for more than 40 years although three years later in 1933 the film was privately exhibited at the Museum of Modern Art in New York.<br /> <br /> "L'Affaire de 'L'Age d'Or':" Bi-fold 7.5 x 10.5 inches. About Near Fine with a Very Good plus 7.5 x 10 inch insert with both items previously folded horizontally.<br /> <br /> Two Les Spectateurs April 27 Flyers: 8.25 x 10.5 inches. One Near Fine. One Very Good plus with light creasing faint toning and a .25 inch closed tear to the top edge.<br /> <br /> Le Club de L'Ecran Announcement: 4 x 5.5 inches. Near Fine.<br /> <br /> Le Club de L'Ecran Broadside: 14.25 x 21.75 inches folded as issued. About Near Fine with an additional lightly toned horizontal fold.<br /> <br /> Housed in a 9.25 x 12 inch custom bound Near Fine volume with a 9.5 x 12.25 inch Near Fine slipcase.<br /> <br /> BFI. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
