388 résultats
08298London c. 1880: Cassell Petter and Galpin. Full Leather. Very Good. Large Quarto. A very good copy bound in full black leather with raised bands spine gilt lettering and decoration spine gilt decoration covers gilt inner dentelles marbled endpapers all edges gilt three ribbon bookmarks. Illustrated with more than nine hundred highly finished engravings. Family Register Births Marriages and Deaths are blank. Mild fading to gilt covers Gift inscription ffep. A nice family bible. <br/><br/> Cassell, Petter and Galpin hardcover books
181608246Brattleboro VT: J. Holbrook's 1816. Hard Cover. Very Good. Large Quarto. With Marginal Notes and References. To Which are Added an Index: an Alphabetical Table of all the Names in the Old and New Testaments with their Significations: and what has Never Before been Added an Account of the Lives and Martyrdom of the Apostles and Evangelists.Third Edition. Engraved frontispiece and title page. Engraved title page dated 1816 printed title page dated 1817. A very good copy bound in three quarter leather and cloth covered boards raised bands spine gilt lettering and decoration spine all edges gilt marbled endpapers. Many maps and engraved illustrations. Dark spot front cover where label was been removed. Mild cover edge wear Light scattered foxing. Small hole affecting rfep and last few pages. 931 pp. Concordance. <br/><br/> J. Holbrook's hardcover books
1904219427Boston: Hinkley 1904. Limited. hardcover. very good. Numerous illustrations with tissue guards and colored frontispieces. 14 volumes tall 8vo 3/4 brown calf raised bands with blind stamped design marbled boards top edge gilt. Boston: Hinkley no date circa 1904. Limited Edition. A very handsome set. Very good.<br/><br/> Limited and extra illustrated edition. One of 500 numbered copies designed by D.B. Updike and the Merrymount Press.<br/><br/> Hinkley unknown books
1959300378New York Abradel Press 1959. 1959. Rembrandt edition. 4to. 44 color illustrations; 72 b/w drawings and etchings. Original black pebbled leatherette stamped in gilt and blind; red endpapers a.e.g.; red silk ribbon book mark. Very good-fine. Sam B. Whitworth's copy with his name stamped in gilt on the lower front cover. Hardcover. Very Good/No Jacket. New York, Abradel Press [1959]. hardcover books
1814243382Philadelphia: Mathew Carey 1814. Later Carey edition. 1080 pp. on gray paper. 1 vols. 4to. Contemporary full polished calf red morocco spine label. Lightly rubbed with chip from tail of spine. Title page foxed with some sporadic foxing thereafter. Chips and closed tears to "Family Record" leaves and New Testament title page. Very good. Later Carey edition. 1080 pp. on gray paper. 1 vols. 4to. Carey published the first Catholic Bible in America in 1790; this printing is an edition of the King James Bible. Clarkin 764; Shaw-Shoemaker 30869; Hills 257 Mathew Carey unknown books
1814313413New York: Collins and Co 1814. Third Collins edition. Text in two columns separate title for New Testament. Folio. Contemporary diced morocco marbled endpapers. Some scuffing and wear to boards leaves browned. Third Collins edition. Text in two columns separate title for New Testament. Folio. This copy without the plates sometimes found in this edition. The family records between the Old and New Testaments detail the ancestors and decendents of William Hartman Woodin 1821-1886 of the Jackson & Woodin railroad manufacturing concern of Berwick Pennsylvania. His grandson of the same name was Frankling Roosevelt's secretary of the treasury in 1933. O'Callaghan p 117. Provenance: W.H. Woodin stamped in gilt on spine; genealogical records between OT & NT Collins and Co unknown books
182542274New York: Printed and Published by T. Kinnersley 1825. Illustrated. 1 vols. Folio. Bound in full polished mottled calf with the name "Fanny Beecher 1836" stamped on the upper cover loss at bottom edges. Zion Library Label. Illustrated. 1 vols. Folio. Beecher Family Bible. Printed and Published by T. Kinnersley unknown books
1950300658New York Family Circle ca. 1950. 1950. Family Circle edition. Small 4to. Illustrations; maps. Original limp black leatherette wallet edges a.e.g. Very good. With a presentation inscription to director Frank Capra from Jim and Lena Phelps 1950. Hardcover. Very Good/No Jacket. New York, Family Circle, ca. 1950. hardcover books
1821FF2451Oxford:: Samuel Collingwood 1821. 1821. Thick 8vo. 1039 1 pp. All but a few leaves printed in two columns. Original full gilt-stamped red straight grain morocco lavender endleaves; rebacked preserving original spine. Early ownership inscription. With a fore-edge painting of Canterbury painted by 'Stevens' ca. 1945-1960. kMW Samuel Collingwood, 1821. unknown books
1949CNJL314Cleveland and New York: The World Publishing Company 1949. Limited First Edition. Hardcover. Very good. Rogers Bruce. Two volumes the Bible one of 975 copies elephant folio size 942 pp. and Making of the Bible number 178 of 1875 copies quarto size 41 pp. The second folio Bible designed by Bruce Rogers this time for an American publisher his first was the "Oxford Lectern Bible" published in 1935 using the King James Version. No other book designer / typographer from the history of printing can claim to have designed two complete folio Bibles each one highly regarded. Bruce Rogers 1870-1857 American typographer who invented the "Centaur" tyepface based on the Renaissance-period printing of Nicolas Jenson is considered by many to be one of the greatest book designers of the twentieth century. He designed books for the Riverside Press Cambridge when he cut his first typeface "Montaigne" named for the first book it appeared in "The Essays of Montaigne" 1903; he designed "Centaur" while working as house designer for the Metropolitan Museum of Art. In 1916 he worked for the Cambridge University Press and a few years later returned to the U.S. where he met William Edwin Rudge and was employed by him at his Mount Vernon Press. During this time he also designed books for Harvard University Press and served as typographic advisor to Lanston Monotype. In 1928 Rogers returned to England where he produced what many have called "the most important and notable typographic achievement of the twentieth century" being his Oxford Lectern Bible. The present work was done during his later years but is no less formidable in both size and scope and essential to any collection of his work.<br/><br/>___DESCRIPTION: Original publisher's red cloth with gilt-stamped illustration to upper board lettered in gilt to backstrip top-edge gilt quarto volume in matching red cloth with similar gilt motif to upper board and gilt lettering to backstrip with original glassine jacket and housed in a blue paper slipcase numerous flourishes and initials vintage bookseller ticket on rear pastedown; types used include Fred Goudy's Deepdene Italic Forum and Oldstyle type paper is 74 lb. 75 percent white linen rag paper from Barcham Green Mill in England elephant folio size 19.25" by 14"; "Making of the Bible" quarto size 11.5" by 8.5" pagination: Bible i-vi vii-xxii xxiii-xxiv 1-941 942 1 colophon; Making of the Bible 1-4 5-19 20-41 limited first editions of both volumes with the folio being one of 975 copies and the accompanying quarto being number 178 of 1875 copies.<br/><br/>___CONDITION: A very good copy of the folio with some professional restoration to the backstrip/joints some minor rubbing at edges the binding with only light dustiness gilt is bright with a few rubbed spots and the interior clean other than some minor soiling to the endpapers free of prior owner markings one very short closed tear to the upper margin of the dedication page to King James; quarto fine overall with some extremely light wear to the joints at the head and tail of the spine its glassine wrapper alas fair only as the spine has perished and we only have the panels/flaps its slipcase very good plus sturdy with some overall wear.<br/><br/>___POSTAGE: Please note that this is an extremely large and heavy book and therefore additional postage will apply as the standard shipping charge will not cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The World Publishing Company hardcover books
184011870Philadelphia: E. Cummiskey J. Howe 1840. 8vo. Frontis. to each testament engr. general t.-p. 691 1 blank pp. 3 ff. 191 1 pp.; 2 plts. <br><br>Reprint of the 1836 edition whose text was based on the fifth Dublin edition. As per collation a frontispiece to each testament an engraved general title-page and two other plates. <br>Â Â Â Â <br>Â Â Â Â Hills 1078. Publisher's diced calf spine elegantly gilt and covers with delicate gilt border hinges inside open but sewing strongly holding; otherwise general moderate wear and abrasion to covers rubbing with loss to edges and corners discolorations to spine in lowest compartment. Library bookplate on front pastedown; charge pocket and slip on rear endpapers; Inked private ownership inscriptions on front pastedown and title-page. Light foxing and browning second half of volume with crescent of stain to lower margin across gutter. E. Cummiskey, J. Howe unknown books
1683310465London: Printed for Moses Pitt at the Angel in St. Pauls Churchyard at whose said shop Bibles testaments and Common Prayers in all volumes are to be sold that are printed at the Theatre in Oxford 1683. Engraved title from another copy loosely inserted and 159 of 163 copper-engraved plates. Frontispiece portrait of Charles II from printed bible without letterpress general title; separate letterpress title for New Testament dated 1683; index at end. 4to. Contemporary paneled calf hinges restored. Occasional edge-tears dedication trimmed a few plates repaired but overall very good binding scuffed. Engraved title from another copy loosely inserted and 159 of 163 copper-engraved plates. Frontispiece portrait of Charles II from printed bible without letterpress general title; separate letterpress title for New Testament dated 1683; index at end. 4to. Illustrations for the King James Bible. A suite of finely engraved plates illustrating key scenes in the bible with English language captions. The set was sold separately to be interleaved with print editions of the King James bible as here and is typically found with a few plates missing. The printed bible is comprised of the Old and New Testament without Apocrypha; the imprint on the letterpress title for the New Testament reads Oxford: printed at the Theater and to be sold by Moses Pitt . Peter Parker . Thomas Guy 1683. The set of engravings is uncommon in the market. Printed for Moses Pitt at the Angel in St. Pauls Churchyard at whose said shop Bibles testaments and Common Prayers in all volum unknown books
18088633Baltimore: Henry S. Keatinge 1808. 12mo. 458 pp. <br><br>Compiled from the writings of the most eminent historians divines and commentators. <br>Â Â Â Â <br>Â Â Â Â Shaw & Shoemaker 15257. Contemporary sheep spine with gilt-stamped leather title label; binding worn and abraded with leather cracking over spine. Some offsetting to endpapers; pages age-toned. Henry S. Keatinge hardcover books
163226102London: Robert Barker.by the assignes of John Bill 1632. Folio 34 cm 13.4". 15 507 1 ff. lacking 7 prelim. ff. <br><br>preceded by Speed John. The genealogies recorded in the Sacred Scriptures according to euery familie and tribe. London: F. Kingston 1632. Folio. 2 34 pp. with Bible. O.T. Psalms. English. Sternhold & Hopkins. 1632. The whole booke of Psalmes. Collected into English meeter. London: Pr. by R. Badger for the Co. of Stationers 1632. Folio. 2 114 pp. lacking 8 index pp.<br>Â Â Â Â Attractive folio King James Bible set in roman in double columns ruled in red throughout with woodcut headpieces and decorative capitals. Darlow and Moule suggest that this edition was actually printed in early 1633 as a number of copies are recorded as having their title-page dates altered by hand to read 1633 as is the case here.<br>Â Â Â Â The Apocrypha are present with the blank space on the last page of Malachi filled with an early inked "account of the several books in the Apocrypha." => The Psalter following the Bible includes music. The O.T. title-page is engraved and signed very faintly in this example by William here "Guilielmus" Hole and is framed by an elaborate architectural border displaying the coats of arms of the 12 tribes of Israel and portraits of the 12 Apostles. => The recto of the list of books is a full-page engraving of Adam and Eve in the Garden of Eden surrounded by animals. The New Testament has a separate title-page dated 1632 with an ornate wood-engraved border featuring Justice and Truth along with the British lion and unicorn and various architectural motifs.<br>Â Â Â Â The volume opens with two fly-leaves bearing genealogical records in several different early inked hands with dates ranging from 1743 through 1847. A copy of Speed's Genealogies precedes the Old Testament while the "Description of Canaan" with map that should close the Genealogies has been bound in after the O.T. title-page. <br>Â Â Â Â <br>Â Â Â Â ESTC S122379; Darlow & Moule 359; STC 2nd ed. 2298.5. Speed: ESTC S126191; STC 2nd ed. 23039a.4. Psalms: ESTC S122383; STC 2nd ed. 2633. Recent mottled calf covers fillet-framed and panelled in blind with decorative inner blind roll and blind-tooled corner fleurons; spine with gilt-stamped title and gilt-ruled raised bands. Front cover with two slender scrapes; title-page with date altered in ink to 1633 as above. Front fly-leaves with margins repaired; Description of Canaan with inner margin reinforced. Bible seven preliminary leaves lacking calendar dedication preface and list of books all present; Psalms four final index leaves only lacking; foliation slightly erratic. Varying degrees of age-toning occasional light waterstaining some margins with faint smudging; in fact and in sum a nice volume to hold and work with. Robert Barker...by the assignes of John Bill hardcover books
200835166Litchfield Park AZ: Bible Museum 2008. Folio. Unpaginated. <br><br>A 400th anniversary edition of the King James Bible being an accurate complete full-size facsimile of the "Great He" Bible. This copy is one of 1000 designated "The Subscriber's" version with => two original leaves from the 1611 printing one from the Old Testament leaf Fff2 Psalms 88:6 through 90:5 and one from the New leaf K3 John 8:39 through 9:41. Both leaves are in excellent condition.<br>Â Â Â Â This book is very large and extremely heavy and will require considerable extra shipping charges. Bound in full brown leather and in an open-back slipcase. As new. Bible Museum hardcover books
1851303732<p>12mo. Engraved frontispiece and engraved title page. Bound in at end are "The Psalms of David in Meter." Bound in full contemporary red morocco with wallet style flap a.e.g. rubbing Good. Contemporary signatures of Miss Harriet Hand dated 1852. Printed by C. Sherman.</p> Miller & Burlock hardcover books
1770WRCLIT66987Oxford: Printed by T. Wright and W. Gill . 1770. Not paginated. A8-3C5 †A8 -†M4 3D8-3S6. Thick octavo. Contemporary unlettered red morocco spine gilt extra covers with gilt roll of vines at edges with oval black morocco central inlay with the sacred monogram and cross within a gilt sunburst a.e.g. marbled endsheets. Vertical crack in spine with shallow losses at crown and toe front binder's blank detached but present rear inner hinge cracking after free endsheet some wear to joints and forecorners; still a good internally fresh and crisp copy. An attractive octavo printing including the Apocrypha. Wright and Gill printed an edition in folio the same year. A highly likely association copy of some interest signed on the front binder's blank "Sarah S. Villiers 1804" probably Sarah Sophia Child-Villiers 1785-1867 Countess of Jersey and with the earlier signature of "Sarah Child 1779" her mother Sarah Anne Child 1764-1793. Sarah Childs married Lord Villiers on 23 May 1804. As heir to Child's Bank and to the property at Osterley Park she brought considerable resources to the marriage and was engaged as an active partner at the bank. She exerted influence in political circles and was prominent socially sufficient to provide models for fictional characters in novels by Disraeli and Lady Caroline Lamb. ESTC T91638. DARLOW & MOULE HERBERT 1206. Printed by T. Wright and W. Gill ... unknown books
1763306680Birmingham: John Baskerville Printer to the University 1763. The third variant of the Subscriber's list with the most names ending with that of the Hon. Charles York Esq Attorney General. 1146 pp. 1 vols. Folio. Bound in full dark blue straight-grained morocco covers tooled in gilt with wide Greek key and drawer handle border with floral cornerpieces narrow gilt filet-bordered rectangles tooled all over with drawer handle and sunburst tools and semé off small dots with central gilt-stamped L with crown spine with six double raised bands titled in one compartment stamped with owner's name "Frederic Powys" in another and the rest richly gilt a.e.g. pink endsheets by Staggemeier and Welcher with their circular pink paper label on front pastedown. Front joint and headcap with conservation repairs of the highest quality light foxing to text. The third variant of the Subscriber's list with the most names ending with that of the Hon. Charles York Esq Attorney General. 1146 pp. 1 vols. Folio. Baskerville's Masterpiece in Staggemeier & Welcher Binding. The 1763 edition of Baskerville's Bible has always been recognised as his masterpiece and is one of the high-points in the history of printing in Britain. This beautiful and monumental binding can be closely dated because Thomas Powys formerly MP for Northamptonshire was created Baron Lilford in 1797 and Staggemeier & Welcher are recorded in partnership on Villiers Street as of 1799. By 1810 Welcher was in business alone at that address. The Hon and Rev. Frederic Powys whose name appears on the spine was the third son of the first Lord Lilford; he married in 1807. Whether the binding was commissioned for his taking holy orders or on the occasion of his marriage can only be conjectured. A landmark of printing in a splendid binding. Nixon p. 184; Gaskell Bibliography of John Baskerville 26; Ramsden p. 135. Provenance: Frederic Powys his name tooled in gilt to spine Lilford Library booklabel John Baskerville, Printer to the University unknown books
1724255482London O.T.; Oxford N.T.: Printed by John Baskett . 1724. Additional engraved title-page by Sturt with Imprint "Printed and Sold by Richard Ware at Ye Bible & Sun in Amen Corner"; 200 engravings on 50 plates engraved by J. Cole. 1 vols. 4to. Contemporary black gilt-panelled morocco Cambridge style. Covers worn and scuffed lower cover detached; text slightly darkened and well-thumbed but impressve and intact. Additional engraved title-page by Sturt with Imprint "Printed and Sold by Richard Ware at Ye Bible & Sun in Amen Corner"; 200 engravings on 50 plates engraved by J. Cole. 1 vols. 4to. Bound between THE BOOK OF COMMON PRAYER Baskett 1724 with engraved portrait of King George and additional engraved title-page of the series of 200 engravings by J. Cole and THE WHOLE BOOK OF PSALMS Baskett 1724. the latter water-stained toward the rear. Holy Bible: ESTC T89252 Herbert 970; The Historical Part of the Holy Bible: ESTC T94971; Book of Ccommon Prayer: ESTC N32783 Griffiths p.150; The Whole Book of Psalms: ESTC T89253 Printed by John Baskett .. unknown books
1763300386Birmingham: John Baskerville Printer to the University 1763. The third variant of the Subscriber's list with the most names ending with that of the Hon. Charles York Esq Attorney General. Unpaginated 1146 pages A2 B-13D2 13E1 a-e2 f1. With A Form of Prayer and Thanksgiving to Almighty God 4pp. Eyre and Spottiswoode: London 1859 and 2 pp. of manuscript prayers laid-in. 1 vols. Folio 18-3/4 x 12-3/8 in. Contemporary dark blue morocco covers gilt with wide roll borders surrounding central gilt cross built up from small tools. Some light scuffing and wear to joints and corners very slight staining to outer margin of first few leaves in all a very clean and handsome copy. Provenance: Richard Bellamy b. 1741 Manuscript birth and wedding register on rear free end paper for Richard Bellamy and his wife Elizabeth née Griffiths married in 1760 and their 7 children; John William Burns Kilmahew bookplate. The third variant of the Subscriber's list with the most names ending with that of the Hon. Charles York Esq Attorney General. Unpaginated 1146 pages A2 B-13D2 13E1 a-e2 f1. With A Form of Prayer and Thanksgiving to Almighty God 4pp. Eyre and Spottiswoode: London 1859 and 2 pp. of manuscript prayers laid-in. 1 vols. Folio 18-3/4 x 12-3/8 in. Baskerville's Masterpiece. The 1763 edition of Baskerville's Bible has always been recognized as his masterpiece and is one of the high-points in the history of printing in Britain. This copy in a beautiful contemporary binding in the style of the leading Cambridge binder of the day Edwin Moor with multiple border rolls and a central lozenge here a cross made up of small tools all typical of Moor's style. Nixon p. 184; Gaskell Bibliography of John Baskerville 26; Ramsden p. 135 John Baskerville, Printer to the University unknown books
166153527Cambridge: Printed by John Field Printer to ye Universitie 1661. Old Testament only. With Apocrypha in separate volume. With elaborate engraved title page by Vaughan. 2 vols. 8vo. Bound in contemporary black calf in the 'somber" mode. Bookplate of Daniel M. Friedenberg. Old Testament only. With Apocrypha in separate volume. With elaborate engraved title page by Vaughan. 2 vols. 8vo. Herbert 674 Printed by John Field Printer to ye Universitie unknown books
171733327Oxford: John Baskett 1717. 2 volumes folio. 20 3/4 x 13 1/2 inches. Engraved frontispiece in vol. I engraved vignettes on general title and New Testament title engraved head- and tail-piece vignettes and engraved initials. Contemporary black panelled morocco gilt the covers with gilt roll-tooled borders around a series of concentric gilt panels with ornamental leafy sprays and corner-pieces central lozenge gilt composed of similar small tooling spines richly gilt in nine compartments morocco lettering piece in the second compartment gilt dentelles marbled endpapers and gilt edges discreet expert repairs at top and bottom of joints<br/> <br/>Provenance: Sir John Hynde Cotton armorial bookplate; William Charles Smith armorial bookplate; Maggs Bros. catalogue 1212 Bookbinding in the British Isles item 86<br/> <br/>First edition of the monumental splendidly illustrated "Vinegar Bible" -- a "magnificent edition" Darlow & Moule here ruled in red and handsomely bound.<br/> <br/>Commonly known as the "Vinegar Bible" from the misprint "the parable of the vinegar" for "vineyard" in the headline above Luke Chapter 20. While a contemporary lambasted Baskett for this and other typographical errors in the text calling it a "Baskett-ful of errors" Oxford historian of printing Harry Carter states that "only Baskerville's Bible is its equal among English Bibles for beauty of type impression and paper" The History of the Oxford University Press 1975 I p. 171 In 1709 John Baskett purchased the exclusive royal patent to print Bibles in England control of which his family retained until 1799. This magnificent edition of the Bible is among Baskett's most important works highly regarded for its large elegant type; its 60 striking copper-engraved vignette head- and tailpieces; and its many delicately engraved historiated initials. Two distinct varieties occur. This copy is Darlow & Moule's issue A with additional engraved general title page depicting Moses writing the first words of Genesis here bound as frontispiece; vignette view of Oxford on the general title page; and vignette title page for New Testament depicting the Annunciation dated 1716. The present example is noted for both its lovely contemporary black morocco gilt binding and for being ruled in red throughout. Similar bindings on this edition of the bible are noted in both the Wardington Collection and in Mirjam Foot's Studies in the History of Bookbinding p. 409.<br/> <br/>Darlow & Moule 735; Herbert 942. John Baskett unknown books
1613D15149London: Robert Barker 1613. First Edition thus. Full Calf. Good. 4to 8 1/2 x 6 1/8 in.; 216 x 156 mm. Black letter text in double columns 71 lines to the full column New Testament title in heart-shaped center within woodcut border woodcut initials head-and tailpieces. The First Quarto Edition of the King James Bible in black letter with "he" in Ruth 3:15. "This and many subsequent issues were produced in close imitation of those black-letter quarto editions of the Geneva Bible which had proved so popular." Herbert As they are often found our copy is imperfect bound with additional bits and pieces also imperfect Our copy is lacking preliminary quire A including general title scattered browning and staining throughout two tears just touching text two holes costing a few words. Bound before the Bible: An imperfect and defective copy of the Book of Common Prayer lacks all before quire B; and Speed's Genealogies stained throughout without the map of Canaan. Bound after the Bible: the 1615 edition of Herrey's Concordances last two leaves defective; and Sternhold & Hopkins' metrical psalms lacks title-page quite stained and frayed toward the end. Bound in Eighteenth-century tree calf; worn joints cracked but generally sound. Label to spine states it incorrectly as Geneva Bible. Our copy has an interesting line of provenance as follows: William Albin several signatures dated 1727 1729 and 1732 Theophilus Jones gift inscription to Thomas G. Evans dated 1867 Birth records of the Welsh family Evans 18471874 in one hand on flyleaf Christmas Evans inscription dated 1935; Evans's probable namesake and ancestor was the famous Welsh Noncomformist minister Christmas Evans 17661838 $5500 <br/><br/> Robert Barker unknown books
17636390Cambridge: John Baskerville 1763. Very Good/Printing a grand bible had been Baskerville's cherished ambition but the royal privilege belonged exclusively to Oxford and Cambridge Universities. Consequently Baskerville applied and was elected printer to the University of Cambridge. An innovator a micromanager a workaholic and an exacting perfectionist he threw everything into the bible project. He invented a stiffer blacker ink for it designed the types and the page layout and demanded smoother paper than was generally available. Ultimately he emptied his own bank accounts and borrowed money when the support of subscribers failed. Indeed he was not able to sell the entire edition of 1250 copies and ended up remaindering more than a third of the press run for pence on the guinea to his enormous personal disappointment and financial pain. The book remains a landmark in the history of English printing "one of the most beautiful books printed in the world" according to the bibliographer Frognall Dibdin a sentiment frequently echoed in Great Britain. This copy with the third longest list of subscribers ending with York. . Imperial folio 50 cm; 573 leaves. Text in double columns. In straight-grain blue morocco with gold-tooled border. Rebacked with original gold-tooled spine laid down. All edges gilt. Later reinforcements to joints and hinges. Light foxing on first and last leaves. Old bookplate on pastedown. Extra shipping charges will apply. References: Gaskell "John Baskerville a Bibliography" 26; Rothschild 2640; Darlow & Moule 857. John Baskerville unknown books
123054Cambridge: Printed by John Baskerville Printer to the University 1763. Royal folio 573 unnumbered leaves. A2 1 B-13D2 a-e2 f1. English binding of contemporary full blue-green morocco covers with elaborate gilt border backstrip richly gilt with red morocco lettering pieces stamped in gilt "HOLY BIBLE" and at the foot "BASKERVILLE" gilt edges marbled endpapers. Inevitable slight signs of wear on such a huge book but in all a very good unrestored copy internally flawless. § First edition of Baskerville's masterwork in a magnificent contemporary English binding. Third issue of the subscribers' list as usual. "John Baskerville was a monumental figure in the history of English bookbinding and printing with contemporary accounts of his work ethic revealing a man deeply engaged in virtually every aspect of book production. Yet for most of his life and indeed for many decades afterwards he was decried as a mere amateur. Still other sources show an individual with highly idiosyncratic and paradoxical habits -- he lived with Sarah Eaves for nearly two decades out of wedlock; a devout atheist who was buried in his own backyard without Christian ceremony; a man who 'had wit but always against religion and decency'†F.E. Pardoe in John Baskerville of Birmingham: Letter-Founder and Printer 1975. Paradoxically after taking the position of Printer to the University of Cambridge on 1 December 1758 Baskerville produced one of the few great Bibles. It is a true masterwork expertly printed with impeccable attention to ink type spacing paper quality and ease of use. Published on 4 July 1763 “the adjective that inevitably comes to mind is ‘noble’ and the volume warrants the word. It was conceived and executed on a grand scale… to show that he had now learnt his craft and was able to practice it in a masterly fashion… and the result shows again that Baskerville must be placed in the very top rank of book designers†Pardoe 87. Morison and Day The Typographic Book 1963 write that “Baskerville’s folio English Bible printed for the University of Cambridge is the finest presentation of Holy Writ since Richelieu’s Latin Vulgate printed at the Imprimerie Royal†48. Gaskell 26. Herbert 1146. Morison & Day The Typographic Book 48. Huntington Library Great Books in Great Editions 7. Rothschild 2640. Rumball Petre 145. Printed by John Baskerville unknown books