8 550 résultats
9682323177.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ETRYHERN18265NEW. NEW. Enviamos a todo el mundo por USPS. UPS o DHL. 100% garantia en su compra. We ship worldwide. unknown
1036404994.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
6204114085.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995Q-0814623581Liturgical Press 1995-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Liturgical Press paperback
19951-0814623581Liturgical Pr 1995. Paperback. New. 208 pages. 8.25x5.50x0.75 inches. Liturgical Pr paperback
0264675029.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0323228925.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1498214673.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19585633Tel Aviv: Dvir Publishers. Very Good in Very Good dust jacket. 1958. First Edition. Illustrated folder with trace soil mild edgewear and creasing and lightly bumped corners and spine ends. Protected in removable mylar. Laid in are the staplebound booklet of text and 30 artwork prints on loose plates. Gift inscription inside front cover of folder. No stickers or stamps. ; Folio softcover 15 pages 30 plates. . Dvir Publishers paperback
195827123Tel Aviv Israel: Dvir Publishers. As New. 1958. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED - Description: RARE "ASSOCIATION COPY" -- Inscribed Signed & Dated By Author. Inscription is to artist Archibald Ziegler. -- Author and artist Esther Lurie 1913-1998 was imprisoned in the Kovno ghetto during the Nazi occupation 1941-44 along with other Jews. As soon as she entered the ghetto in mid-1941 Lurie began to sketch views of her new world. She has left behind a detailed written testimony of her life and work during World War II. This combination of literary and visual testimony make up a "living witness". They enable us to enter deeply into her life as an artist during this period under these difficult conditions. Lurie drew everywhere in the ghetto including the various workshops. Including a pottery workshop. During her visits there Lurie got the idea of asking the Jewish potters to prepare a number of jars for her. She would use these to conceal her art works if the situation worsened. After the deportation of 26 October 1943 in which 3000 ghetto inmates were removed to forced labor camps in Estonia Lurie hid her art collection approximately 200 drawings and watercolors in the large jars she had prepared in advance. In July 1944 as the Red Army approached Lithuania the ghetto was liquidated and those remaining were transferred to concentration camps and forced labor camps in Germany. The ghetto was set on fire and the buildings were blown up and burnt to prevent those hiding from escaping. Some people were burned to death in their hiding places. Esther Lurie was sent to Stutthof concentration camp leaving her hidden works behind. After the war some of her drawings were recovered surviving with the Ältestenrat's archive. Avraham Tory succeeded in rescuing 11 sketches and watercolors and 20 of the photographs of her works. During the Eichmann trial which took place in Jerusalem in 1961 Lurie's Second World War works were exhibited as part of the testimony - giving an "official authorization" from Israel's Supreme Court to the rich documentary value of her sketches and watercolors. This is in addition to their aesthetic value as objects of art. -- Archibald Ziegler 1903-1971 was a painter portrait sculptor and teacher. He studied art at Central School of Arts and Crafts and then from 1927-30 under Sir William Rothenstein at Royal College of Art. Ziegler was an excellent draughtsman and taught drawing and painting at St. Martin's School of Art. He also taught art history at Morley College London. He gave of his time to the Workers' Educational Association in the East End of London. There were numerous exhibitions of his work in London and the provinces including Adams Gallery 1935; Leger Gallery 1938 and Ben Uri Gallery in 1950. The Ben Uri also held a retrospective in 1955 and works by Ziegler are in their permanent collection. He was an active and prominent member of the Chelsea Arts Club. --Rare Association Copy of this scarce and important work. -- with a bonus offer-- . Dvir Publishers paperback
0880924705.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0396078133.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980G0396078133I4N00Dodd Mead 1980. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Dodd Mead hardcover
1980G0396078133I3N00Dodd Mead 1980. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Dodd Mead hardcover
A9781845199555Paperback / softback. New. "To this day I am unable to understand how I managed to survive against all odds." So relates the memoir of a young woman Eva Szek later Eisenkeit who survived the Nazi onslaught against Jews in her beloved city of Lublin in Poland an important centre of Jewish religion and culture. Eva recounts with compelling testimony her fearless fight not to fall into German hands and to save her family. Her experiences under German occupation her struggle to survive and her subsequent liberation is an historical account of the tragedy of a Jewish community destroyed. The memoir describes Jewish Lublin life before the war its religious institutions and charities; Polish-Jewish relations; the German bombing and invasion; the Russian escape options; the German occupation and registration of Jews; Eva's escape from the ghetto and two labour camps; her hiding in villages and farms and complex wartime relations with Poles; her negotiated freedom with Mr. X a Polish man who hid Jews for money and cannot be considered a "Righteous"; life in liberated Lublin including the first Passover celebration; meeting other survivors and trying to make a living; and Eva's postwar move to Lodz and marriage and then to a Displaced Persons DP camp in Germany. As her eighty-fifth birthday approached Eva asked her daughter Esther to take down her life story "so the whole world will know what the Germans did." A Lublin Survivor: Life is Like a Dream not only provides an extraordinarily complete and descriptive picture of life in pre-war and liberated Lublin but a first-hand account of the obliteration of its Jewish community and one individual's indomitable determination to survive against all odds. paperback
2018x-1845199553Sussex Academic Press 2018. Paperback. New. 419 pages. 9.00x6.00x1.25 inches. Sussex Academic Press paperback
1845199553.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2011Q-1461065976CreateSpace Independent Publishing Platform 2011-04-18. Paperback. New. In shrink wrap. Looks like an interesting title! CreateSpace Independent Publishing Platform paperback
1996Q-0816516200University of Arizona Press 1996-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of Arizona Press paperback
6356224The Haworth Press Incorporated pp. 126 . Papeback. New. The Haworth Press, Incorporated unknown
19982-1560239190Haworth Pr Inc 1998. Paperback. New. 1st edition. 111 pages. 8.75x6.25x0.50 inches. Haworth Pr Inc paperback
192853255Boston: Houghton Mifflin 1928. first edition. Hardcover. Very good. 6 x 9 in. Tan cloth spine with decorative paper boards red paper spine label. Frontis and some text vignettes. Condition is VERY GOOD ; covers very clean one tiny spot on spine. Minor shelf wear. Spine label has a little wear ti edges. Binding tight with a little pulling in the text at pg 25 that does not affect the binding. Text unmarked one pg has a spot. Fic. RGR. Houghton Mifflin hardcover
1928128596Houghton Mifflin Company 1928. First Edition. hardcover. Very Good. 0x0x0. Signed by Author. 1928 Houghton Mifflin signed limited edition 182 of 200 for sale out of 220. Page edges untrimmed. Pictorial frontispiece and woodcut illustrations by Robert Gibbings. Patterned boards. Some of the pages did not separate cleanly resulting in chipped margins. Tight binding no marks. Top edge dust dulled. Missing the slipcase. Please email for photos. Houghton Mifflin Company hardcover
192810501<p>Houghton Mifflin Company Boston and New York 1928. First Edition. HC VG has a distinct green and tan geometric or "checkerboard" style design with a red paper label now sunned and looks more orange. Previous owner's name on inside cover. Beautiful woodcut illustrations by Robert Gibbings. This story centers around a young girl who gets caught up with the Salem Witch Trials. Denounced by a relative as being a witch and the hysteria of these trials in 17th Century New England.</p> Houghton Mifflin Company hardcover
