141 résultats
201911402Stillwater ME 2019. Artist's book unique from a series with excerpts from Celia Thaxter's AN ISALND GARDEN reflecting the noted poet's garden in Spring and Summer on Arches text wove signed and dated by the artist Nancy Ruth Leavitt with the notation that this is her 121st manuscript book. Page size: Autumn: Still the Garden Glows. Excerpts from AN ISLAND GARDEN ; 30pp. 24 of which are painted in watercolor and gouache. The previous two titles in the series were slightly larger as befits the longer seasons they represent. Bound by the artist: handsewn in Katie MacGregor handmade paper wrappers on which the artist has painted three large green blooms; housed in custom-made light green cloth over boards clamshell box with label and painted by the artist in greens and oranges - each letter a variant color. <br/>The text is as with the two previous volumes taken from Celia Thaxter's last book she died the year the book was published and according to the important American bibliographer Jacob Blanck it was "one of the most elaborate pieces of bookmaking of the period" featuring cover and page design by Sarah Wyman Whitman and chromolithographs after paintings by Thaxter's friend and guest on Appledore Island Childe Hassam. <br/>Nancy Ruth Leavitt has chosen to interpret Thaxter's text through the flowers the poet describes so lovingly - with smaller amounts of text - scattered below above and beside the major "event" of each page: the flowers. This is the exact opposite of the first edition of Thaxter's important book where the text is first and foremost highlighted by single stalks and single page chromolithographs of Hassam's renderings of the landscape of Appledore Island the gardener and some of her garden. Ms. Leavitt's dizzying exuberant images of flowers are a perfect reflection of the prose: "the clumps of wild roses glow with the red haws in the full light" and "goldenrod and wild asters bloom and a touch of fire begins to light up the huckleberry bushes." The last quote included by Ms. Leavitt signals the closing down of the summer garden until the following spring: "Autumn laying here and there a fiery finger on the leaves." This is lettered in oranges and greens on a vertical above the bold image of greens tipped with orange and red slanting down to the bottom of the last page. Although we are saddened to see the end of the growing season we know it will return and until then we have the inspiring images created here. unknown books
201811364Stillwater ME 2018. Artist's book one in a series of three all on Katie MacGregor hand-made papers the suite of plates on paper made by Ms. MacGregor and "Pulp Painted" while in the mold by Ms. Leavitt signed and numbered by her on the colophon. Page size: 15W x 10-1/4L inches for volume with text of poem and plates; plate portfolio: 18W x 12L inches; 10pp; and 11 original prints in separate portfolio. Bound by Joelle Webber: full lime green book cloth over boards for text and plate volume with original pulp paintings in oranges and greens inset into front panel matching print portfolio in larger size; both laid into an orange cloth over boards custom-made clamshell box hand-lettered paper label in lime green on white inset into spine the whole a playful and arresting presentation. The artist's choice of text the poem "Slime Molds Have Eleven Sexes" by Professor Margaret Price Ohio State University is a playful list of nature's more obscure creatures. Her verse was originally published in "Gay and Lesbian Review" in November / December 2003. The slime mold vocabulary each print is labeled is: Eukarya Protista Zygote Dictyolsteliomycota Sporangium Spores Amoeboid Flagella Mitosis and Plasmodium. The original prints are paper pulp paintings made by Ms. Leavitt with Katie MacGregor papers. Working with Ms. MacGregor the artist assembled her pulp colors in plastic squeeze bottles and "squirted" them onto a formed sheet of wet paper. The effect is at once organic as befits slime molds and colorful with a depth and texture also befitting the organisms. The artist has hand lettered each print with the name of the mold in a colored gouache complementary to each pulp paper painting. The text is lettered in multi-colored gouache harmonizing with the paintings - mostly orange shades of green yellow pink and blue. The entire presentation is witty and charming - words not usually associated with molds. Such is the talent of the artist Nancy Leavitt that she was able to accomplish such beautiful work. unknown books
201210567Stillwater ME 2012. Unique artist's book on Arches text wove paste paper signed and dated by the artist Nancy Ruth Leavitt. Page size: 13 x 8.75 inches; 56pp. all of which are painted and 43 of which are painted and lettered. Bound: loose as issued by artist housed in custom-made black cloth with orange flecks over boards clamshell box interior of box lined with the artist's own pastepaper. The text is the artist's own combined with the text from a publication of metal furniture manufacturer Steelcase Inc. who supply schools among other institutions. The sun motifs were inspired by children's drawings and rock petroglyphs. In vibrant orange yellow and gold this book is like a warm summer day. The artist has created a vibrant page by lettering on the paper and then painting with chalk pastels and then pasting it. Additional lettering and paint in gouache and watercolor were then added. The result is a resounding luminosity - many times in a sunburst pattern. _Words related to the sun as well as facts relating to earth's source of light radiate out on some pages while others are traditional lettering but all are on a ground of pink orange and yellow. For example below a green sphere lettered in blue is the text "Chloroplasts give plants / their green color and use / light energy to power / the formation of organic / compounds in a process / called photosynthesis." There are further pages about white light and color. We are reminded of the very basic relationship of man to the sun from the dawn of time with man's early attempts to mark seasons. One page is devoted to color - and the visible spectrum. The effects of light and vision which are so central to the human psyche are beautifully written out in words and visually portrayed in a gorgeous sunburst of yellows and pinks. Reading / viewing this book is to feel the warmth of the sun and to revel in it. unknown books
201510949Stillwater ME 2015. Artist's Book one in a series of 10 "named" copies on handmade "North Pole white" paper by Katie MacGregor hand painted and lettered by Nancy Ruth Leavitt and signed by her on the colophon. Page size: 6 x 9 inches; 27pp; 22 of which are painted or painted and lettered with hand-painted endpapers as well. Bound by Joelle Leavitt Webber of Mermaid Bindery: sewn red cloth over boards with hand-painting and paper collage of Santa's mid-section with his black belt with gold buckle over white "fur" trim and large expanse of red; housed in custom-made dark green cloth clamshell box lined with red and white polka dot fabric paper label on spine of box hand lettered by the artist Nancy Leavitt. The original art includes 5 double-page and 7 single-page illustrations accomplished in watercolor gouache and sumi ink. The copies are named after Santa's reindeer: Dasher Dancer Prancer Vixen Comet Cupid Donder Blixen Rudolph which is the artist's own copy and an AP.<br/>Ms. Leavitt has created a magical book taking the beauty and stillness of winter as a window to enter the wonder of Christmas and Moore's classic poem. Lettered in green and red painted in primary colors with iridescent highlights in silver and gold the reader / viewer enters into this magical myth with its attendant warmth and beauties of the season. unknown books
201811342Stillwater ME 2018. Unique artist's book 1 in a series of 2 in form of diptych Katie McGregor handmade paper signed by the artist Nancy Ruth Leavitt in pencil on the leaf on the lower part of the image page middle leaf. Page size: 10.75 x 14.5 inches; diptych with Dickinson poem HOPE lettered on right and images cut paper flowers with leaves stitched to batik fabric. The artist's gouache lettering on Katie MacGregor handmade paper and hand-cut paper snowflake and feather illustration on batik fabric are attached to the bottom of a dark blue fabric covered box by Joelle Webber green paper label with title in white gouache on lower right front corner The artist has hand lettered a copy of Emily Dickinson's poem 254 c. 1861 "Hope is the things with feathers. . ." and created a flower illustration composed of fabric and paper that are stitched down to a green and purple and blue batik print which might evoke an exotic garden. The white flowers are three-dimensional and pop charmingly out from the subtle print below. The "feathers" leaves are cheerfully suspended above the batik garden as well. The well-known text opens "HOPE is the thing with feathers / That perches in the soul / And sings in tune without words / And never stopes at all / . and the reader / viewer is beguiled. unknown books
20069795Stillwater ME 2006. Unique artist's book all on handmade papers by Katie MacGregor and Th Saunders as well as found papers decorated with postage stamps signed and dated by the artist Nancy Ruth Leavitt. Page size: 5-1/2 inches x 8-1/2 inches 72pp. Bound by Joelle Leavitt Webber of Mermaid Bindery in found papers with fabric decorated postage stamps housed in a custom-made cloth clamshell box lined with calligraphic fabric. The text is written in gouache and consists of four delightful correspondence poems by Emily Whittle of Red Springs North Carolina. unknown books
201611137Stillwater ME 2016. Artist's book 1 of 10 copies all on Katie MacGregor blue Sherman handmade paper each copy hand-lettered and decorated with hand-cut paper snowflakes by Nancy Ruth Leavitt who has signed and dated the colophon. Page size: 6-1/2 inches square; 16pp. including covers 8 paper pages 5 of which hand-lettered; 8 pages of fabric in which are embedded with hand-stitching 9 hand-cut paper snowflakes each of course different in addition 1 paper snowflake stitched in with ice blue iridescent thread between 2 paper pages. Bound by Joelle Webber Mermaid Bindery iridescent woven polyester organza and glitter tulle fabric hand-sewn with 3 small crystal beads on the spine housed in custom-made blue cloth over boards clamshell box with snowflake pillow bottom. <br/>First published in BIRDS OF PASSAGE 1863 Flight the Second Longfellow's "Snow-flakes" is one of his best-known short poems and according to many sources reflects the author's profound sadness over the death of his wife Frances.<br/>The somber note sounded by Longfellow in this verse is re-imagined by Ms. Leavitt as part of nature's grand design and inexplicable beauty. The grey porous paper and the glittery casings for the intricately designed snowflakes are echoed in the delicate and lacy white gouache lettering of the text. This is a beautiful book soft and delicate and poignant. unknown books
201110466Stillwater ME 2011. Artist's book one of 12 copies all on archival paper vellum and transparent vellum with original each different collages of hand-made pastepaper by the artist Nancy Ruth Leavitt and archival Mohawk Superfine paper for the hand-lettered text each signed and numbered by the artist Nancy Ruth Leavitt. Page size: 4-3/4 x 7 inches; 16pp. Bound by Joelle Leavitt Webber: accordion folds based on a structure developed by Hedi Kyle and re-interpreted by Joelle Leavitt Webber each fold holding a double-sided leaf with text on one side and collage on the reverse all housed in a hand-painted pastepaper inside and outside box hinged with Japanese paper to open as a Japanese-style box lying completely flat with button closure. The book can be read by turning each page as in a conventional book or can be removed from the box and displayed as screen of the collages. As with the collages each box varies in colors but all are in the blue-purple-green palette. The text is hand-lettered in black Sumi ink in an Italic script by the artist. Both texts - the Emily Dickinson the more well-known - are complementary and both irresistible to any bibliophile.<br/><br/>The text of the verse by Emily Dickinson Verse 1263 reads:<br/>There is no Frigate like a Book<br/>To take us Lands away<br/>Nor any Coursers like a Page<br/>Of prancing Poetry -<br/><br/>This Traverse may the poorest take<br/>Without oppress of Toll -<br/>How Frugal is the Chariot<br/>That bears the Human soul.<br/><br/>The text of Theodore Parker's "The Book Lover" reads:<br/>A great book that comes from<br/>a great thinker - it is a ship of thought<br/>deep-freighted with truth<br/>with beauty too. It sails the ocean<br/>driven by the winds of heaven<br/>breaking the level seas of life into beauty<br/>where it goes leaving behind it<br/>a train of sparkling loveliness<br/>widening as the ship goes on.<br/><br/>And what a treasure it brings<br/>to every land scattering the seeds of<br/>truth justice love and piety<br/>to bless the world in ages yet to come! unknown books
20101436662010. ROTHCHILD Judith. Nacre. Poems by Ruth Fainlight. 20 pp. Illustrated with 8 mezzotints by Judith Rothchild. Square 4to. 255 x 220 mm bound by Mark Lintott with wrap- around boards consisting of mauve-coloured paper over boards raspberry-coloued linen chemise with titled spine in matching grey paper over boards slipcase. Octon France: Verdigris Press 2010. First Edition limited to 42 copies with the mezzotints printed on Hahnemülhe paper colophon hand-numbered and signed by the author Ruth Fainlight and the artist Judith Rothchild. The text has been hand set and printed letterpress in Vendome Romain on an Albion press of 1867 by Mark Lintott. Rothchild designed and printed the mezzotints herself. Title-page and colophon with embossed text and/or imagery. "The magnificent pearls with their orient nacre were saved for queens and emperors. Entire villages holding their breath: how many diver's lives lost in the oyster beds for a royal crown" The poems by Fainlight are a perfect compliment to Rothchild's characteristically black-velvet mezzotints infused with sexual overtones of elegance and luxury offering the perfect medium for the mysteriously creative cradle of the pearl. As new. hardcover books
201010294Octon France: Verdigris Press 2010. First Edition signed limited edition one of 42 copies only from a total edition of 50 8 deluxe copies with one of the original copper plates all on Hahnemulhe paper each hand-numbered and signed by the author Ruth Fainlight and the artist Judith Rothchild. Page size: 8-1/2 x 9-7/8 inches; 20pp. colophon. Bound by Mark Lintott: leporello style with wrap-around boards of marbled paper made by Judith Rothchild over boards in grey with hints of deep pink and pale blue raspberry-colored linen hinges title author artist and press printed in black in the spine title on front panel housed in custom-made matching grey paper over boards slipcase. The text has been hand set and printed letterpress in Vendome Romain on an Albion press of 1867 by Mark Lintott. The artist herself printed her mezzotints. The text has debossing on the title page with the title NACRE repeated twice in blind on either side of the printed title. The shaped colophon is debossed in the form of a cowrie shell. Noted American poet living in London Ruth Fainlight has contributed six poems; the first "Pearls" has four sections; the fifth "Clam Chowder" has two sections. Judith Rothchild has contributed eight mezzotints relating to or inspiring Ms. Fainlight's verse. The book was collaboration with each artist reacting and creating to her friend's work. The verse speculates on the beauty of the pearl and how it has been valued throughout the ages - reserved for the wealthy and powerful. Ms. Fainlight asks in "Pearls" "Entire villages holding their breath: how many divers' lives lost in the oyster beds for a royal crown" The first mezzotint certainly captures the mysterious dark lustrous glamour of this "crystalline substance iridescent nacre" and the interplay between text and image is set from this beginning. As Ms. Fainlight's text turns to the sensuous associations of love oysters - with great subtlety - the images take on a sensuality of their own. A stunning book that is at once provocative intimate and philosophical and more than a bit Proustian. An object as simple as a cowrie shell button causes the author to recall her mother's treasured memory. The reader / viewer is compelled to join in this lovely remembrance - and perhaps recall something of one's own. Verdigris Press unknown books
20029115Octon France: Verdigris Press 2002. One of 30 copies all on Hahnemulhe paper each signed by the artist and the poet on the colophon page. The first eight copies have an original copper plate as well as an additional mezzotint and a text in the hand of the author. Page size: 15-1/2 x 10-1/4"; 10 double-fold leaves. Bound: publisher's wrappers in aubergine Canevas paper by Thibierge & Comar screen-printed in black by the artist matching screen-printed slipcase with wood edges by Claude Vallin and Mark Lintott. The eight mezzotints nine plates and the two embossments on the title and contents page were printed by the artist. The text is hand-set in Vendome Romain and printed letterpress on a Stanhope press by Mark Lintott fine. This is the third collaboration between poet Ruth Fainlight and artist Judith Rothchild. The poems inspired by the feather images and the mezzotints inspired by the poems form an ongoing dialogue. Verdigris Press unknown books
201240353Nottingham England: Artist Studio 2012. 16mo 6" x 11". <br><br>Ruth Scott Blackson's near-kinetic artist's "flag" book "Life of a Weave" is best appreciated for its movement in the moments after it is opened as thin woven strips of light polymer paper in bright pink and yellow burst a'quiver from an accordion binding.<br>Â Â Â Â => The weave is indeed lively! And there is a suggested "narrative" here too as the weave's "story" when read from cover to cover becomes more and more complicated . . .<br>Â Â Â Â Binding: Yellow spine paper over grey boards the covers further supplied with deep rose-pink paper slip-on over-sheaths which according to the artist were constructed by "a specific type of folding in case you ever wanted to change the covers. They slip on and off quite easily nice and versatile and good for non-adhesive books. Fine and => one-of-a-kind. Artist Studio hardcover books
20057613New York: Poote Press 2005. Limited Edition. Hardcover. Fine. No DJ as Issued. Tight bright and unmarred. Printed paper boards. 4to. np. Illus. color plates. Numbered limited edition of fifty copies. <br/><br/>"Jean Genet has spoken to me with surprising lucidity about life love and morality. He saw beauty in the grotesque and elevated it to the status of a diamond. When I look through this diamond I see life with a unique clarity and brilliance." Chip Duyck colophon The book was printed by hand from Weiss type and metal photoplates by Ruth Lingen in New York NY and Walla Walla WA. The images were hand colored by the artist. The text paper is Arches with French marbled endsheets. The edition was sewn by Kathy Kuehn and bound by Mark Tomlinson. Poote Press hardcover books
20049401Octon France: Verdigris Press 2004. One of 27 copies all on Hahnemuhle paper and signed in pencil by the artist and author Judith Rothchild and Ruth Fainlight. 12pp; page size: 6-1/4 x 8-1/4 inches; bound: leporello style in original wrappers screen printed in bright blue with abstract images sea or sky title in deeper blue on front wrapper repeated on matching blue slipcase. Illustrated with two mezzotints one etching and four blind embossed images by Judith Rothchild. Noted American poet Ruth Fainlight has written this prose poem as a response to a post card sent to her by the artist Judith Rothchild in February of 2003. Both the words and image capture the sun dust warmth smells - the atmosphere that is unique to the Mediterranean. Verdigris Press unknown books
2007178245Paris: Editions de la Reunion des Musees Nationaux 2007. Hardcover. VG ex museum library with very minimal marks. Green-grey cloth over boards; Color pictorial djs.; Vol. 1: 383 pp. Vol. 2: pp. 391- 822; Profusely illustrated with bw plates and figures. ontents of this 2-volume set as follows: v. 1. The bronzes of Rodin: catalogue of works in the Musée Rodin I. Casting techniques -- Original editions in bronze by the Musée Rodin: reproductions of Rodin's works: a legal perspective / Régis Cusinberche -- Note to the reader -- Abbreviations -- Catalogue A-F -- v. 2. The bronzes of Rodin: catalogue of works in the Musée Rodin II. Catalogue G-Z -- Chronology -- Table of foundries patina workers metalworkers etc. 1875-1917 -- The Musée Rodin bronzes chronological order of casting -- The Musée Rodin bronzes chronological order of their entrance into the collections -- Selected bibliography -- List of exhibitions -- Table of concordance. Shipping is 12 pounds. Editions de la Reunion des Musees Nationaux hardcover books
2002179743Los Angeles CA: Greybull Press 2002. Hardcover. As New. light scuffs to covers; lower corner creased. black cloth boards w/ debossed spine printing. approx 140 unpaginated pgs w/ bw illustrations. heavy paper illustrated dustjacket. A beautiful and evocative collection of photographs. A very nice copy. Of 4000 Copies. Greybull Press hardcover books
20039006683New York: Abrams 2003. 1st. Hardcover. Book fine Dust jacket fine. Published in association with the National Gallery of Art Washington DC. 334 pp. 244 color plates and 86 black-and-white illustrations. Bound in the publisher's original black cloth with the spine stamped in grey. <br/><br/> Abrams hardcover books
2002263721Sausalito CA: POINT 2002. Magazine. Fifty-three issues 105-155pp varying with issue 7.75x10.5 inches and 8.5x`05 inches for issues starting at No. 90 Issues in this run: 44-61 63. 65-70 72 77-82 84-94 96-103 109 110. All issues have some edge wear along the spines and some general shelf-wear and small tears and smears on cover wraps previous owners subscription label on the back of some issues else in good condition. POINT unknown books
2004163975Florence Italy: Gli Ori and by D.A.P. / Distributed Art Publishers Inc 2004. First edition. Hardcover. First printing. 279 pages. Features an introductory interview of Sonfist by Robert Rosenblum. Essays by Wolfgang Becker Jonathan Carpenter Lawrence Alloway Michael Danoff John Grande and Uwe Ruth. Includes numerous color and black and white illustrations. A clean very near fine copy in a very near fine dust jacket. Signed and inscribed by Sonfist on the front free endpaper to a long time New York Times art critic and editor. Scarce signed. Gli Ori and by D.A.P. / Distributed Art Publishers Inc unknown books
200870917NY: Stewart Tabori & Chang 2008. First edition first prnt. Signed by Stevens on the title page and above her signature she has written "Best wishes." Introduction by Stevens. Black and white photographs. ten reproductions of memorabilia in tissue sleeves as issued. Unread copy in Fine condition in a Fine dustjacket with an archival cover. Signed by Author. First Edition. Hardcovers. Fine/Fine. 8vo - over 7¾" - 9¾" tall. Stewart, Tabori & Chang Hardcover books
2013140311Munich Germany: Abegg-Stiftung / Hirmer Verlag 2013. Hardcover. VG Slight dent on front binding and to dj; slight smudge in margin of last color plate and does not interfere with visual; all else Like New. Crimson cloth gilt letters on spine red & slate-blue & illus. dust jacket 473 pp. 395 BW illus. 20 color plates; weighs 6.5 lbs. Text is in German. Considers well this type of weaving of silk fabrics with striped patterns or scenes containing figures used to trim religious garments and originating in northern and central Italy from the 14th to 16th centuries. An amazing volume full of history and art and the people who contributed to this textile craftsmanship. Abegg-Stiftung / Hirmer Verlag hardcover books
200589086Mansfield Centre: Martino Publishing 2005. cloth. Accounting. tall 8vo. cloth. xxi197; x408 pages. 2 volumes bound in 1. Reprint of the first edition of 1934 1935 originally published by Harry C. Bentley in Boston Besterman 121. The first volume covers the period 1796 to 1900 and the second volume covers the 20th century to 1934. Over 1500 works described with full title author place of publication date pagination and frequently an annotation. With complete index. Martino Publishing unknown books
2001046512Santa Cruz: Peter & Donna Thomas 2001. First Edition. Hardcover. Fine Condition. Decorative boards copy 28 of 40. Illustrated throughout ca. 3" x 2" Size: Miniature. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Books on Books; Inventory No: 046512. Peter & Donna Thomas hardcover books
200548004Plymouth: General Society of Mayflower Descendants 2005. Hardcover. Very Good. xiii 548pp index. Very good hardback bound in publisher's silver boards and issued without a jacket. <br/><br/> General Society of Mayflower Descendants hardcover books
200648001Plymouth: General Society of Mayflower Descendants 2006. Hardcover. Very Good. xiii 592pp index. Very good hardback bound in publisher's silver boards and issued without a jacket. <br/><br/> General Society of Mayflower Descendants hardcover books