6 525 résultats
682391971. Original painting. SIGNED. Saul White with Kenneth Rexroth and Kenneth Patchen brought Beat jazz poetry to Los Angeles in the late 1950s. White was mentored by both poets and artists including Willem de Kooning. He was also good friends with the poet Stuart Perkoff and often read his own work with jazz. We are offering here an original work by Saul White a 4" x 6" painting shown vertically with Saul White's signature to the lower right hand corner and fully signed on both the painting and on the reverse by the artist dated by Saul White - 1971 from "Woodstock New York USA." A multicolored work with the appearance of many faces 1971 unknown
194612950London: John Lehmann 1946. First U.K. edition first printing of 'Dangling Man'. 8vo. Publisher's original cloth in the original dust wrapper. A very good copy in very good dust wrapper. The binding remains firm with clean boards. The dust wrapper is complete and unclipped with light rubbing and minimal wear. Bellow's first novel and a cornerstone of post-war literature. John Lehmann hardcover
19461100377London: John Lehmann 1946. Book. Fine. 1st UK. 8vo - over 7¾" - 9¾" tall. The author's first book. The book is bright and crisp with a hint of browning to the endpapers. The dj is fresh with light darkening to the spine. A very attractive copy. John Lehmann unknown
199347120HEYNE WILHELM 1993. 1. softcover. HEYNE, WILHELM paperback
1947004940New York: The Vanguard Press 1947. Nice clean copy of author's 2nd book. Small bookplate on front pastedown. Black boards have light shelfwear but clean with fairly sharp tips. Binding tight and square with clean possibly unread textblock. Jacket is clean with small 1/2" chip at bottom of front panel minor tanning to letters on spine but blue on spine neither tanned or sunned. Small stamped 49N on front panel of jacket. Light rubbing on rear panel of jacket with two barely noticeable small chips on rear fold. In mylar. . First American Edition. Cloth. Near Fine/Near Fine. 8vo - over 7¾" - 9¾" tall. The Vanguard Press Hardcover
2014x-1472505522Bloomsbury USA Academic 2014. Hardcover. New. 323 pages. 9.75x6.50x1.00 inches. Bloomsbury USA Academic hardcover
2012Adhya-9780781784672LWW 2012. New. LWW unknown
2012Adhya-9780781784672LWW 2012. New. LWW unknown
51050185-nnew. unknown
1947210304New York: The Vanguard Press 1947. First Edition . Hardcover. Good/Poor. Inscribed and SIGNED by the author on the fep. Endpapers are yellowed and stained. 294 pages in very good clean condition except for last page which is stained. Outer edges yellowed. Black cloth with blue titles on the spine. Corners lightly bumped. Light rubbing on the edges head/tail of spine. Blue DJ with white titles. Jacket is in poor condition.; missing one flap and half of the lower jacket and spine. Upper jacket is mostly intact with chips at the corners and head of spine. Jacket yellowed. Author's second book. GOOD/POOR <br/> <br/> The Vanguard Press hardcover
195986338New York: The Viking Press 1959. First edition of the author's fourth book. Octavo original half cloth. Signed by Saul Bellow on a contemporary Kroch's & Brentano's bookplate to the front free endpaper. Near fine in a very good first issue dust jacket that shows some light toning. Jacket painting by Bill Preston. Saul Bellow is the only author to have received three National Book Awards for The Adventures of Augie March Herzog and Mr. Sammlers Planet in addition to both the Pulitzer and Nobel Prize. The Sunday Times praised these achievements when it revered "Bellows oeuvre as both timeless and ruthlessly contemporary." Henderson the Rain King was named one of the 100 greatest novels of the 20th century by Modern Library. The Viking Press hardcover books
1964174377New York: The Viking Press 1964. First edition and first printing. Hardcover. Bellow's sixth book a novel that was the winner of the National Book Award. Bellow went on to win the Nobel Prize for Literature in 1976. A clean and tight near fine copy in a close to near fine dust jacket that has a tear and some minor loss to the top of the rear panel some minor wear to the top of the spine and with some other very minor wear. Signed by Bellow in a clear hand on the front free endpaper and with laid in bookmark from Kroch's and Brentano's First edition Circle Club. Despite the minor flaws this is a very nice copy of one of Bellow's best books. The Viking Press unknown books
1946204892London: John Lehmann 1946. First English edition. Fine in lightly rubbed pictorial dust jacket. Small 8vo 191pp; yellow cloth. Bellow's first book. The jacket design was by Robert Medley. John Lehmann unknown
1959431116New York: Viking Press 1959. Hardcover. Near Fine/Fine. First edition first issue. Top of a few pages slight bumped else very near fine in just about fine dustwrapper with a touch of wear at the crown. Bellow's seriocomic novel of an eccentric American millionaire on a quest in Africa. Very scarce in this condition. Viking Press hardcover
1968205930New York: The Viking Press 1968. First edition and first printing. Hardcover. 184 pages. The eighth book a collection of short stories from the Nobel Prize winning author of "Herzog" and "Henderson The Rain King."A clean and tight very near fine copy in paper covered boards with a cloth spine and in a very near fine dust jacket. Signed and inscribed by Bellow on the title page to a Chicago bookseller. A nice association copy as the recipient worked at Marshall Fields back when they had a vibrant book department. The Viking Press unknown
1954COLLECTI013819ILONDON: WEIDENFELD & NICOLSON. NEAR FINE IN VERY GOOD D.J. PUB MAY 1954. FIRST EDITION. HARDCOVER. NATIONAL BOOK AWARD WINNER WITH D.J. ILLUSTRATED BY LEY KENYON . BOOK IS ABOUT FINE WITHOUT ANY MARKS TO THE BINDING OR THE TEXT WITH SOME MODEST FOXING TO THE ENDPAPERS AND AN ATTRACTIVE BUT INCONSPICUOUS BOOKPLATE TO THE FRONT FREE ENDPAPER. D.J. IS WORN AT THE CORNERS AND SPINE-ENDS WITH SOME LOSS A FEW SHORT EDGE TEARS SOME RUB TO THE VERTICAL FOLDS SOME LIGHT SOIL TO THE WHITE AREAS OF REAR PANEL VERY FAINT COLOR-FADE TO THE SPINE PANEL AND IS NOT PRICE-CLIPPED. A PRESENTABLE CLEAN UNFADED COPY OF A SCARCE EDITION. . WEIDENFELD & NICOLSON hardcover
2008FLAHIVE-1606Pantheon New York 2008 First printing with full number line. A very fine as-new copy in a very fine as-new wraparound. A clean copy. Wraparound comes with archival-quality jacket protector. Note: Very light wear to corners as pictured of an otherwise beautiful copy. SIGNED by Chip Kidd and another illustrator on bookplate as pictured. Fiction-K. Signed by Authors. 1st Edition Limited Edition. Hardcover. As New/As New. Pantheon, New York hardcover
51-6273Philadelphia: The Falcon Press : distributed by Wittenborn New York City 1962. Folio. 28 x 38cm. Original linen binding slightly discolored and warped. Some fold-out plates and some pribted in 2 colors.The Notebooks and Drawings of Louis I. Kahn originally published in 1962 and long out of print was the first book on the architect to feature Kahn’s own images and words—and it was Kahn’s favorite book on his work. It includes his early sketches reproduced at full size from his European travels in the 1950s as well as renderings of the designs for several of his notable buildings along with unpublished speeches and excerpts from lectures radio broadcasts and other sources.Physical Description:83 p. : ill. port. plans ;OCLC Number / Unique Identifier:1397329651 Philadelphia: The Falcon Press : distributed by Wittenborn, New York City, 1962 unknown
196239799New York: S. Raskin 1962. First edition. Hardcover. g to vg. Dedicated to Mr. and Mrs. Max Mason "The book of my dreams" signed Saul Raskin with his name in Hebrew written below signature 1964 on free front endpaper. Small Elephant Folio. 64pp. Original illustrated dustjacket over salmon buckram with silver-stamped lettering on cover. Illustrated title page. Experiencing a "New Face of Israel" during his sixth visit to Israel in 1960 Raskin's excitement lead him to surrealism painting "more and better than ever before" and shaping his book of dreams. Illustrated with an extraordinary collection of his work in color and b/w offset reproductions.<br /> Dustjacket rubbed with some wear at top right corner of back cover. Block with light age-toning not affecting images. DJ in overall good binding and interior in very good condition. S. Raskin hardcover
1949cj133NY: G.P. Putnam's Sons 1949. Book. Very Good. Hardcover. Signed by Authors. 4th Edition. 8vo - over 7¾. 1949. SIGNED FIRST EDITION --JOHN L. LEWIS: An Unauthorized Biography-- written and signed by SAUL D. ALINSKY. JOHN L. LEWIS was a leader to millions of American union workers-- his voice dominated and shaped the 1930s American labor movement. Between 1920 and 1960 John L. Lewis was president of the United Mine Workers of America and played a major role in the history of coal mining. Lewis was founding president of the Congress of Industrial Organizations-- that established the United Steel Workers of America and helped organize millions of other industrial workers during the Great Depression. SAUL ALINSKY author of 'Rules for Radicals' wrote his unauthorized biography of John L. Lewis from his own personal files and from personal knowledge-- Saul Alinsky and John L. Lewis were friends. In his biography Alinsky reveals why Lewis broke with President Roosevelt why Lewis fought with the AFL to form the CIO the birth of sit-down strikes and the motives behind WW2 worker strikes and how often John L. Lewis managed to stymie the U.S. Government. In very good condition-- boards lightly rubbed and scuffed. Light offsetting on the front pastedown. Just a single ex-lib stamp of the Fairhope Public Library. DJ has 2 shallow chips and some closed tears on the edges. G.P. Putnam's Sons Hardcover
1994145558New York: Viking Press 1994. First Edition. UNCORRECTED PROOF preceding the First Edition. Includes a 40-page segment excised from the published book. Not to be confused with the more common advance reader's edition which has a pictorial wrapper and does not include the excised text.<br/><br/>Spine panel lightly faded else Fine in pictorial wrappers. Viking Press unknown books
1959140943165New York: Published by the Editors for FAPA 1959. Very Good. 1949 1950. Four issues Volume 2 numbers 1 2 3 and 4. Bound in publisher's original stapled binding with the exception of Number 2 which is a single sheet. Very Good with light toning and light general wear. Published by the Editors for FAPA unknown
51-6827Paris: Maeght Éditeur 1973. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 205 - Septembre 1973. 1973. With 4 original lithographs.DLM édité en septembre 1973 pour l’exposition STEINBERG à la Galerie Maeght. Texte de Hubert Damish « Tables d’évidences ». 32 pages non reliées. 3 lithographies originales dont 2 en double page et 8 reproductions en noir. Tirage original.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me†he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1973 paperback
51-6825Paris: Maeght Éditeur 1953. Original; wraps. 38.1x28.1 cm 15x11".With 22 lithographs 16 in color of which 4 are double-page spreads including covers.Note that since at least 1981 Maeght has been selling a facsimile Réédition of the original.It can be identified by the cover in which "Steinberg/1953" is printed. In the original of 1953 Steinberg's name is in his own handwriting and there is no date on the cover.DLM édité en mars 1953 pour la 1ère exposition de STEINBERG à la Galerie Maeght présentant 110 dessins inédits. 28 pages non reliées. 22 reproductions en couleurs dont 4 en double page.Famed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me†he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 1953 paperback
51-6828Paris: Maeght Éditeur 7. Original; wraps. 38.1x28.1 cm 15x11".Derrière le Miroir No. 224 - Mai 1977. 1977. With 4 original lithographs including covers.l.DLM édité pour l’exposition STEINBERG à la Galerie Maeght en mai 1977. Texte d’Italo Calvino « La Plume à la première personne ». 26 pages non reliées. 4 lithographies originales en couleurs et 22 reproductions dont 11 en couleurs et 1 en double page. Tirage original.IFamed worldwide for giving graphic definition to the postwar age Saul Steinberg 1914-1999 had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades he was equally acclaimed for the drawings paintings prints collages and sculptures he exhibited internationally in galleries and museums.Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art however resists conventional critical categories. “I don’t quite belong to the art cartoon or magazine world so the art world doesn’t quite know where to place me†he said. 1 He was a modernist without portfolio constantly crossing boundaries into uncharted visual territory. In subject matter and styles he made no distinction between high and low art which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination. Paris: Maeght Éditeur, 7 paperback