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199515751ALBIN MICHEL 1995 874 pages 3x19x12cm. 1995. Broché. 874 pages. La Divine Comédie de Dante Alighieri est un poème épique relatant le voyage allégorique du poète à travers l'Enfer le Purgatoire et le Paradis guidé par Béatrice et Virgile. L'œuvre explore des thèmes de moralité de justice divine et de rédemption tout en reflétant les convictions politiques et religieuses de son auteur exilé de Florence
15786Marabout 474 pages in8. Sans date. broché. 474 pages. La Divine Comédie de Dante Alighieri est un poème épique qui décrit le voyage allégorique du poète à travers l'Enfer le Purgatoire et le Paradis guidé par Virgile et Béatrice. L'œuvre explore des thèmes théologiques philosophiques et politiques et est considérée comme un chef-d'œuvre de la littérature mondiale
1971lit2513mLes 2 tomes sont comme neufs, reliure en cuir, plats gauffrés dorés, en italien et en français, illustrations en noir et blanc; Tome 1 : ENFER : 319 pages; Tome 2 : PURGATOIRE : 320 pages. Édition Jean de Bonnot. Achat à l unité possible ( 20 euros )
A beautiful edition of Dante's Inferno (Italian text). Illustrated with 55 extremely disturbing original etchings, almost all full-page and hors-texte, by Hungarian-Jewish artist Laszlo Barta. Edition limited to 275 numbered copies of which this is one of 200 printed on fine Rives wove paper. Folio. Loose as issued in original wraps, with board chemise and slipcase. A tiny bit of faint foxing, else FINE AND BRIGHT. A rare and fascinating illustrated edition of the Inferno, likely made even rarer by the fact that both the illustrator and the publisher were Jewish, and it was issued in France on the eve of the Second World War.
A portfolio of 51 haunting original etchings by Hanif Lehmann printed on extremely fine, thick wove paper, with 12 pages of relevant text excerpts from Dante's Inferno in German, as translated by Stefan George. ONE OF ONLY FIVE COPIES OF THE LARGE FOLIO EDITION WITH ALL OF THE ETCHINGS SIGNED, JUSTIFIED, AND TITLED BY THE ARTIST (in the regular edition, limited to 25 copies, there are only 48 etchings, and they are not signed). Each of these five copies was printed for a specific collector, named in the printed justification: this copy was printed for a well-known Italian opera singer. The justification is also signed by the artist. The brooding portrait of Dante (the frontispiece) in this copy is the very first impression taken from the plate, and is justified as such ("Erstabzug"). Large folio (47.2 cm). Loose as issued in the original, gorgeously-produced cloth and board folding case. FINE AND BRIGHT, WITH NO DEFECTS. Hanif Lehmann
1971782461971 Chez Jean de Bonnot, tenant négoce de libraire à l'enseigne du canon - 1971 et 1972 - 3 volumes in-8, reliure pleine peau marron de l'éditeur, avec décor à l'or sur les plats et dos - 319 + 320 + 313 pages - Contenant la série complète des dessins exécutés à la pointe de plomb et d'argent par Sandro Botticelli
Brossura incamiciata con titolo in rosso e nero al piatto e al dorso, velina di protezione, ottima copia con barbe, una marginale e ininfluente gora ad alcune carte (che non interviene sul testo). Copia ad personam n. 125 impressa per le professeur Gosset e impreziosita da bella DEDICA dell'autore alla prima carta bianca. Testo bilingue, in francese ed italiano, stampato in rosso e nero con elegante carattere gotico e corredato da 34 testatine in xilografia all'inzio di ogni canto di Hermann Paul e piccoli finalini e cul de lampe. Tiratura di 498 esemplari. Alla presente copia viene aggiunta una prova inedita, prima delle correzioni, della prefazione di Gabriele D'Annunzio, appartenuta a Guttman e con dedica. Cfr. Benezit, T. 4 p. 672; Mahè, Bibliographie deslivres de luxe 1900-1928, T. 1 p. 625. Sc. Q.
Opera completa in 2 tomi. Un preface et des notes du Traducteur. avec le texte en regard. Formato: 11,5 x 18,5 cm circa. Stato di conservazione: Diffuse macchioline marroni e bruniture della carta sulle pagine dell'opera (su entrambi i volumi), una cancellatura e un "1" a penna sul frontespizio del primo tomo, Un timbro di una libreria sul bordo inferiore del frontespizio del tomo primo, minuscoli segni di tarma sul margine inferiore (in prossimità della linea di rilegatura) delle pagine del primo tomo che vanno dalla numero 209 alla 232, una marcata "orecchia" sull'angolo superiore del foglio che contiene le due pagine 291-292 del tomo primo ed una sul foglio 109-110 del tomo secondo (presumibilmente creata appositamente per tenere il segno della lettura), un piccolo alone (presumibilmente causato da una pregressa umidità) sul margine bianco superiore di alcuni fogli del tomo secondo, etichette in carta sui dorsi scolorite e, in parte, mancanti. Margini dei piatti un po' "consumati". Privo di scritte o sottolineature nel testo. Nel complesso un esemplare più che discreto. Sui due dorsi sono state applicate due etichette in carta con su scritto, a mano, il titolo dell'opera e un numero. Opera completa (comprende i XXXIV canti dell'Inferno). Edizione ottocentesca da collezione, di assai difficile reperimento.
6385, Paris, Art Leon Pichon, 1924.**, Relie de l' epoque, demi - veau rouge, dos a nerfs (5) dore, plats de papier marbre, 22,5x28,5cm, (2) couverture originale, 138pp., illustre. + Avec lettre de l' editeur original.
19615058Stock 1961 322 pages in8. 1961. broché. 322 pages.
Features: Nation shall sell nation unto death; Alain Delon and Michael Caine in E.E. C. Rider; John Crosby says 'To Hell with London'; and more. Average wear. Unmarked. A sound vintage copy. Magazine
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168481Chapman & Hall 1847. First edition super octavo blue cloth boards with gilt lettering to spine & gilt decorative rule to spine & front board blind decorative rule to board edges aeg frontispiece with tissue guard viii 436pp VG- moderate staining to boards bruising & two 1cm closed tears to upper spine light fraying to lower spine extrem prizegiving label to front pastedown some foxing Chapman & Hall 1847 hardcover
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