Antonio CesariMareMagnum
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Opera incompleta, presente Volume Primo: Inferno. Volume della prima metà dell'800 in 16.o, stato discreto, coperta in mezzapelle con angoli, piatti marmorizzati, dorso diviso in cinque finte caselle, fregi e caratteri incisi in oro, diversi segni del tempo, tracce di fioritura sparsa, legatura poco allentata, tagli, prime e ultime pagine un po' bruniti, pagine in buono stato, prime con becca. Presenta firma d'appartenenza su guardia, antiporta, protetta da foglio di carta velina, con incisione in nero, ritratto di Dante Alighieri, appunto sul margine di piede del frontespizio. XLIX volume della collana Biblioteca scelta di opere italiane antiche e moderne. I.a edizione milanese. Numero Pagine 472 USATO
20297Sans mention d'édition (vers 1850) In-12 reliure demi-parchemin, titre et fleurons dorés sur dos à petits nerfs, sans page de titre, 60 pages qui réunissent 12 poèmes licencieux, probablement une édition du milieu XIXe assez confidentielle, éditée anonymement, "sous le manteau". Il existe une édition illustrée par Claude Louis Desrais. Intérieur très frais sur papier vergé, reliure en excellent état. RARE édition de poèmes licencieux.
cm. 17 x 24, 182 pp. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia Le biografie della ?Commedia? disegnano e attuano la nuova frontiera della tanatologia dantesca che consente al poeta di affermarsi come autore di una nuova poesia sapienzale, i cui contenuti sono rigorosamente razionalizzati in virt? di quel potente e singolare sincretismo culturale che ha consentito al poeta di compiere la pi? eccentrica avventura medievale che si potesse concepire. Questi sono resi universali da una lingua e da un linguaggio sapienzali che possono aspirare a essere la nuova lingua di Adamo. Il criterio della storicit? sancisce, dunque, il valore supremo del nuovo linguaggio poetico secondo i criteri della nuova universalit? The biographies of the ?Commedia? outline and accomplish a new frontier for Dante's thanatology that allows the poet to assert himself as an author of a new erudite poetry, whose contents are severely rationalized in view of the powerful and singular cultural syncretism which has enabled the poet to undertake the most eccentric mediaeval adventure ever to be conceived. The same are made known universally by a language and a learned tongue that could well aspire to become the new language of Adam. The criterion of historicity therefore ratifies the supreme value of the new poetical language according to the criteria of the new universality. 355 gr. 182 p.
Angelo Marchese Guida alla Divina Commedia. Inferno. , SEI 1987, Libro in condizioni discrete, presenta copertina usurata ed ingiallita Mediocre (Poor) . <br> <br> Copertina flessibile <br> 276<br> 9788805019304
In-8 (cm. 21.20), brossura editoriale illustrata, con alette, pp. 28, (2). In buono stato di conservazione (good copy).
110488Soleil, collection 2B, DL novembre 2001. Un album cartonné d'environ 34 x 24 cm, non paginé, très bon état. L'album est composé de l'histoire en noir et blanc, ainsi qu'en miroir de chaque page le crayonné de la planche, avec un cahier graphique de 5 pages en fin d'album. Très belle dédicace à l'aquarelle de Varanda en début d'album.
199449951Stuttgart : Reclam 1994. 347 S. : 50 Abb. ; 19 cm Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
2023x-3662667207Spektrum Akademischer Verlag Gmbh 2023. Paperback. New. 184 pages. German language. 9.25x6.10x0.40 inches. Spektrum Akademischer Verlag Gmbh paperback
1470ST17764Delft ca. 1470. Leaf: 175 x 122 mm. 6 7/8 x 4 3/4"; Frame: 250 x 195 mm. 9 3/4 x 7 3/4". No text on recto or verso. <br/> In an attractive wooden frame. A FINELY PAINTED MINIATURE OF THE HARROWING OF HELL within an arch-topped compartment the mouth of hell depicted on the left with a fiery red interior and five people emerging from it the figure of Christ on the left holding a cross on a long staff and half-clothed in a pink and blue robe the background with a castle in the distance ALL OF THIS BENEATH A VERY DETAILED ARCHITECTURAL CANOPY suspended in the sky AND THE WHOLE WITHIN A FULL BORDER of acanthus leaves and other foliage and flowers in reds blues greens yellows and brushed gold along with very many small burnished gold ivy leaves and buds on hairline stems a small stork in the bottom border and a large delicately shaded angel in the left border. ◆Left margin trimmed very close to decoration just escaping loss and the other three margins ample mild darkening right at fore and tail edge but not reaching into borders otherwise IN FINE CONDITION the colors rich and true and the burnished gold still shimmering.<br/> <br/> This extraordinary miniature notable for its uncommon subject matter memorable imagery and fine workmanship was produced by a talented artist belonging to the stylistic group known as the Masters of the Delft Half-Length Figures. The subject here is infrequently depicted in Books of Hours: the Harrowing of Hell appears as a full-page miniature in only three of the 119 prayer books described by Roger Wieck in his "Time Sanctified" and three others contain a Harrowing depiction inside an initial. Christian theological tradition tells us that after his crucifixion Christ went to liberate souls from Limbo--a location inhabited by those barred from entry into Heaven because they died before the Redemption. In our scene Christ wrapped in a regal cloak and carrying a long staff his hands and feet still bleeding from the wounds he received on the Cross reaches into an absolutely wonderful Hellmouth to extricate Adam and Eve and other naked souls while the recently deceased and original saint John the Baptist still clad in an animal skin garment waits patiently for his turn to emerge. The great maw of Hell as depicted here has bulging eyes a distended snout thickly matted hair and a bad complexion; his gaping mouth punctuated by sharp gray teeth glows red hot and one can tell from the creature's expression that he is loath to comply with this rescue of souls. In addition to its compelling subject matter there is a high level of artistic achievement here including delicately molded figures impressively detailed architectural elements and a lovely color palette. The elegance and quiet sophistication observed in this miniature distinguishes the artist responsible for this work as a particularly talented member of his circle. Active from about 1450-80 the Masters of the Delft Half-Length Figures were named by James Marrow after the angels and other figures whose upper bodies are typically found emerging from a cloud within the borders. Although the present leaf uncharacteristically contains a full-length angel in the border it shares other stylistic similarities such as the elaborate architectural canopy hovering over the main composition; and it particularly resembles the work of the artist of Keble College MS 77 an illuminator described in "The Golden Age of Dutch Manuscript Illumination" as "one of the more articulate of the group" whose "figures are more fully modelled and his palette . . . deeper and brighter" than that of his contemporaries. Because the subject of the present miniature goes beyond the standard image program seen in routine productions and because of the high level of artistic accomplishment seen here this leaf was almost certainly part of an elaborate Book of Hours produced in response to an important commission. unknown
1540ST20622Germany ca. 1540. 183 x 133 mm. 7 1/8 x 5 1/4". <br/> WITH A FULL-PAGE MINIATURE DEPICTING THE HARROWING OF HELL featuring a naked Adam and Eve on the left and on the right Christ bending down to rescue John the Baptist the figures framed by a stone archway supporting a hairy creature who aims the point of a spear directly at Adam and Eve the miniature in a thin brown frame with gilt lines surrounded on two sides by the words "VERBUM DOMINI MANET IN ETERNUM" in gilt all framed in gray and red washes with double rules of black and gilt. Light soiling to frame a little flaking to the gray border and a couple of small scuffs and smudges elsewhere verso with spotting but the miniature vibrant and well preserved with only very trivial imperfections.<br/> <br/> A close copy of an early 16th century engraving by Albrecht Dürer this powerful miniature depicting the Harrowing of Hell is an intriguing artifact that ties together manuscript art print culture and the Reformation. The image depicts an apocryphal tale in the Gospel of Nicodemus in which Christ following his death but before his Resurrection descends into Limbo in order to save righteous souls who had passed away before him particularly figures from the Old Testament. Christ appears here in pale pink robes carrying a long staff with a cross and banner adorning the top. Having just brought down the gates of Hell he stoops to rescue John the Baptist here dressed in furs from its depths. A naked Adam and Eve covering their loins stand at the left of the composition--Adam now a gray-bearded old man as a reflection of sin and mortality but Eve still as she was at the Expulsion in keeping with the period's inclination to retain the classically idealized youthful feminine form. Above them is a stone arch upon which a dog-like demon perches stealthily aiming a spear directly at the oblivious couple. Another demon snaps its jaws at the feet of Christ and we can see a lick of flames below the broken gate as more captive souls clamor to escape. The painting is skillfully done showing the artist's facility with anatomy proportion and foreshortening. The bodies of Adam and Eve are particularly excellent with lovely skin tones and convincing molding. The composition is clearly based on an engraving by Dürer published in 1513 as part of a major series of 16 images known as the "Engraved Passion." In translating a black & white print into a full-color painting the artist here dispensed with a few details seen in Dürer's work such as the shadowy figure behind Adam and Eve and the stigmata on Christ's hand; however the overall composition deviates little from the original suggesting that the artist may have been working from an actual engraving. Although this leaf contains just a few words in the form of a border inscription--"Verbum Domini manet eternum" "the Word of the Lord endures forever"--they are monumentally important. This line from Isaiah 40:8 and 1 Peter 1:25 became the motto of the Lutheran Reformation appearing on art clothing coins and even armor of the 16th century. The Schmalkaldic League an influential group of allied Lutheran principalities in the Holy Roman Empire at the time also adopted it as their motto. Given the dominance of print materials during the Reformation period our hand-painted miniature--possibly produced as a frontispiece--must have been a very special commission. It is also an object that is prime for further study touching on aspects of book production religious art and the transmission of images and ideas in the early modern period. unknown
19791242291979 Editions de l'Atlanthrope, Paris - 1979 - Grand in-8 carré, broché, couverture illustrée - 253 pages - Nombreuses illustrations et reproductions photographiques en N&B, in et hors-texte, dans l'ouvrage
19703127747Philadelphia & New York: Lippincott 1970. 217 Seiten. 8° (17,5-22,5 cm). Orig.-Leinenband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
20162-1483249638North Holland 2016. Paperback. New. 254 pages. 9.75x6.50x0.58 inches. North Holland paperback
025949898X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2003500262858Berkley 2003 928 pages 15 2908x22 803192307692x4 3971cm. 2003. Broché. 928 pages.
In-8 (cm. 25), pp. XVIII, 554 p. : ill., con illustrazioni in bianco e nero e a colori, La Divina Commedia : con pagine critiche / Dante Alighieri ; a cura di Umberto Bosco e Giovanni Reggio|Alighieri, Dante. In buono stato di conservazione (good copy).
Alighieri Dante La Divina Commedia. Inferno. , Scolastiche Bruno Mondadori 1996-07-24, Piatti e dorso segnati dal tempo e con piccole usure. Tagli scuriti. Interno complessivamente in buono stato. Buono (Good) . <br> <br> Copertina flessibile <br> 552<br> 8842430773
199981402Bad Tölz, Thomas Tilsner, 1999. Original Broschur, kl.4°, ca.140 Seiten. 1.Auflg.
200181403Bad Tölz, Thomas Tilsner, 2001. Original Broschur, kl.4°, ca.130 Seiten Anhang. 2.Auflg.
2021BIBSD0032094782021. Full Leather Bound. NEW. Size: 14.60 x 22.86 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1860 and this unique edition is Reprinted in 2021 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French Pages 427. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
1993100138165Arthaud 1993 226 pages 3x24x16cm. 1993. Broché. 226 pages.
B9781167651380New. unknown
0483245801.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
A9781167669828New. unknown
B9781167669828New. unknown
