950 résultats
2013066683New York NY: Ecco / HarperCollins Publishers 2013. Book. Very Good. Hardcover. Signed by Authors. 1st Edition. 293 pages 8vo. SIGNED by Richard Hell on title page. Stated First Edition. First Printing with complete number line ending in 1. Jacket price is unclipped. Shelfwear to DJ: scuffing along edges and covers crease at top corner of front inside flap. DJ in mylar. Tight binding no marks. Volume is in Very Good condition. Ecco / HarperCollins Publishers Hardcover
2008175555New York: JMc & GHB 2008. First edition. Softcover. Copy A terrific collaboration between Hell who is one of the true innovator's in the field of punk music and Wool who has pushed boundaries with his word paintings. A fine copy in wrappers in a fine dust jacket. As new and still in the publisher's shrinkwrap. JMc & GHB unknown books
20162-1483249638North Holland 2016. Paperback. New. 254 pages. 9.75x6.50x0.58 inches. North Holland paperback
022658805X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19082888Chez l'Auteur / Arts Graphiques 2000. Chemise in-4 au format 21,5 x 30 cm. Couvertures et dessins de Joël Vacher sous le pseudonyme de Joe Hell. Rare portofolio tiré à compte d'auteur et en petit tirage, contenant 20 parodies des couvertures et pages de garde des albums de Tintin de Hergé. Vingt dessins couleurs, sur feuilles volantes. Etat proche du neuf. Edition originale.
87204Stuttgart Schattauer GmbH 2002. kartoniert; flexibler oranger farbig illustrierter Einband / Anz. Seiten: 389 / 177 x 25 cm / mit 47 Abbildungen und 13 Tabellen im Text / Zustand: sehr gut geringe Gebrauchsspuren; Einband etwas berieben Kopfschnitt leicht stockfleckig Mit einer handschriftlichen Widmung Heinz Böker einer der Verfasser auf Vortitel Stuttgart, Schattauer GmbH, 2002 unknown
19961420UK: CodeX 1996. First edition thus. Paperback. Good -. 8vo. 78pp. Blue and black pictorial wraps lightly scuffed. Unfortunately pp.28-38 and the endpapers are water damaged causing two of the pages to have been formerly stuck together and the lower free endpaper to be stuck to the lower cover. All of the pages are still entact and present but pp. 32-33 are hard to read and torn along the fore-edge. Signed with brief inscription by author on title page. Reads "Bon jour Alissa from -- Richard Hell -- Oct. 7 1999." Reprint of Hell's 1973 novella. Already an expensive book on its own this edition is rarely signed. UK: CodeX paperback
2006c00282Gagosian Gallery 2006. Hardcover. As New. 4to - over 9¾ - 12" tall. <br/> <br/> Gagosian Gallery hardcover
ria9783752382846_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction of the original: Travels in the Steppes of the Caspian Sea by Xavier Hommaire de Hell hardcover
2007Q-0300134266Yale University Press 2007-11-26. hardcover. New. In shrink wrap. Looks like an interesting title! Yale University Press hardcover
3850223663.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20130102954New York: The Metropolitan Museum of Art 2013. Hardcover. pp. 239. Folio. Black and white and colour photographs. Wear to corners and spine ends rubbing to covers; very good-. No dustjacket as issued. The Metropolitan Museum of Art hardcover
2026x-0198993412Oxford Univ Pr 2026. Paperback. New. 2nd edition. 336 pages. 6.14x0.75x9.21 inches. Oxford Univ Pr paperback
3656091250.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1863127548Paris, Henri Plon 1863 In-8 22 x 13 cm. Reliure éditeur demi-chagrin lie-de-vin, dos à nerfs encadrés de fers dorés, 396 pp., deux chromolithographies hors-texte sous serpentes, table alphabétique, table des matières. Exemplaire en bon état.
20061912090152Gagosian Gallery 2006-01-01. Hardcover. Like New. Bound in publisher's grey cloth. Hardcover. Good binding and cover. Clean unmarked pages. Light wear. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Gagosian Gallery hardcover
Features: Hell on the Largo - Henry Coleman; Kiamichi Warrior's gold - a headless apparition had a vested interest in the wealth of the Choctaw Nation!; Beartown's "Guardians of Public Morality" - Beartown, Montana; Wising up in the West - the life of a young man on the Kansas prairie/Dodge City; Iron Man William Henry Harrison Llewellyn; Did Chief Jospeh (Nez Perce Indian Chief) Slay Mrs. Manuel?; Hemmed in by rattlesnakes - berrypickers in a prickly situation; Ghosts of the Sierritas - copper rich Twin Buttes; Wells Fargo Horse Express; The Lively Nights of a Coon-Dog Man; and more. Clean and unmarked with very light wear. Excellent copy. Magazine
98 pages. Curtiss P-6 in the Netherlands East Indies; Night Fighter from Junkers - story of the deadly Ju 88 night fighters; Fighter Formations - history of fighter tactics; Not So Black Widow - P-61s in the Pacific; Messerschmitt Me 410A/Cross - beautifully restored German fighter in the RAF Museum; Fighter Night - Dangerous WWII mission in a Hurricane; Bristol Beaufighter - rare examples of a famous fighter; Bat Out'a Hell - history of the Douglas Skyray and Skynight; Deadly Long Nose - Famous Focke Wulf FW 190D and Ta 152 fighters; Farewell to the Ugly Duckling - the Fairey Gannet has made its last flight; Most-war Military Mitchells - Mitchells served in the USAF until the early 1960s; Norwegian Warriors - Norwegian pilots during WWII. Average wear. Unmarked. A sound copy. Magazine
60 pages. Features include: The Shoot at the Venlo Bridges; Full Circle - VFA-81 "The Sunliners," - full Mediterranean Cruise; T-Birds Roost at 14 Wing; Hell Hole in Paradise - Bill Lockwood; A Bomber Pilot's Diary - F/L Lyle James; The Making of a Fighter Pilot; Wings on the Internet?; Famine Flight - Ethiopia; Friendship in a Beastly War - Rudolph Hengst, POW; Billy Bishop was an Army Officer in WWI; Light wear. Address label on back cover. Nice copy. Book
Features: Article by Lovat Fraser - War Problems of the New Year; Gallant charge of the Fort Garry Horse (photos) - Lieutenant H. Strachan; Chinese men view war's ruin in west; Photos of Australians in France; French Premier with the heroes of Mort Homme; 'Thunderers' (gunes) that defy the foe before Verdun; Glimpses of East Africa from a German Camera; How I was arrested as a spy - an experience undergone three times by Hamilton Fyfe during Russia's spy-fever; Cambrai illustrations; Spotting for the Guns - adventures of John S. Margerison, Observation Officer of the Kite Balloons; From the Yser and Somme to Brenta and Piave; The Kaiser as Patron of the 'Prince of Hell' (illustrations); Airship that searches the sea for submarines; War-time wages and prices - causes and effects of their simultaneous increase (article); Forcing the entrance to Palestine at Gaza (illustrations); Photos of American Engineers who aid the British guards; Photos of English women engaged in agriculture on the home front; Photos of Victoria Cross (V.C.) recipients Pte. M.J. O'Rourke, Sergt. J. Ockenden; Pte. W.H. Butler; Cpl. E.A. Egerton (brief text included); The South Lancashires - 1 page (with photo) information about this regiment. Average wear. Unmarked. Staples disintegrated. A sound copy. Book
72 pages. Features: Black Mountain's Mystery Mine - Amos Byers; The Hell of Hail; The Sea's Happy Hunting Ground - Padre Island; The Innocent be Damned; Holes of the Turkey Track; The Lure of Jade; Dead Men Can't Testify; Hills of Wealth and Superstition; The Day I Saw the Mormon; Lost Garrison of the Cascades; "Get a Spade!" - David A. (Al) Cochran; War of the Burnt-Out Fires - Captain James Jackson; Twenty Years Among our Hostile Indians; Gold on the California Road; Wilderness Jump-Off - Dixie Mining District. Writing on front cover to contents. Average wear. A sound copy. Magazine
176344878München-Ingolstadt, Johann Franz Xaver Crätz, 1763. 8°. Titel m. Holzschn.-Druckermarke. 2 Bll., 368 S., 3 Bll., Pgmt. d. Zt. m. handschriftl. Rückentitel u. dreiseitigem Farbschnitt.
17,7×8,8 cm. Bellissima scena stereoscopica facente parte della rarissima serie detta delle “Diableries” realizzata intorno al 1860-70. Uno strappetto senza perdita di carta in una delle due albumine, da restaurare, alcuni segnetti e per il resto esemplare in buone condizioni di conservazione. Nella scena possiamo vedere Satana che sta eseguendo una scultura mentre degli scheletri intorno sono intenti ad altri passatempi. Fra le figure vediamo anche un treno. Queste affascinanti e rare fotografie stereoscopiche vennero realizzate in Francia a partire dal 1860 circa e furono realizzate fino alla fine del XIX° secolo. Le carte raffigurano un intero immaginario sotterraneo, popolato da diavoli, satiri e scheletri intenti nella maggior parte dei casi a divertirsi o impegnati in lavori tipicamente umani. Le carte sono vere e proprie opere d’arte in sé. Conosciute come “french tissues”, furono ideate appositamente per consentire loro di essere visualizzate (in apparecchi stereoscopici) con un gioco di luci che trasformava, quando colpite da una luce diretta, le vedute in bianco e nero, in animate scene a colori tridimensionali. Rappresentarono all’epoca della loro realizzazione un importante innovazione visiva. La fotografia che riproduceva il reale era ora capace di mischiare finzione e realtà creando delle scene che a chi le guardava potevano sembrar esser prese dal vero. Le scenografie erano realizzate con grande umorismo tanto che si possono in parte considerare come le antesignane dei mondi fantasiosi realizzate per il cinema da Georges Méliès sul finire del XIX° secolo. Le scene raffiguranti queste “Diableries” furono realizzate con grande abilità artistica e artigianale in argilla da un piccolo gruppo di scultori che riuscirono a rendere estremamente veritiere le scene realizzate. Poste poi su un tavolo le opere venivano fotografavate con una macchina fotografica speciale ideata per realizzare stereoscopie. Le fotografie venivano poi impresse su carta all’albumina molto sottile. Il recto dell’albumina veniva poi in parte colorata. Un sottile velina veniva poi applicata dietro alle stesse per rendere i colori visibili solo quando la foto si trova con una fonte di luce al recto. Dei piccoli forellini venivano poi aggiunti per aumentare l’effetto visivo in corrispondenza degli occhi dei demoni e degli scheletri o in corrispondenza dei lampioni, lampadari e fuochi. Rarissima.
19033903Paris, Chacornac (Annonay, imp. J. Royer), 1903 ; in-12, broché ; 272 pp. (2) ff.
1802675981.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback