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16082092902141700962Not Available 1608. Soft Cover. Fine. Volume: 1 Not Available paperback
161230976Antwerp: Balthasar Moretus 1612. Other. In excellent condition. 356 by 453mm 14 by 17 inches. Original antique copper engraving from the 'Theatrum Orbis Terrarum' by Abraham Ortelius the world's first modern atlas published in Antwerp 1612. Depicting Rome & Latium this map is a fine example of 1610s European cartography. Image: 356 by 453mm 14 by 17 inches. An attractive and historically significant 17th-century map for the discerning collector. Abraham Ortelius 15271598 was a Flemish cartographer and geographer born in Antwerp. He is widely regarded as the creator of the first modern atlas the 'Theatrum Orbis Terrarum' Theatre of the World first published in 1570 by Gilles Coppens de Diest in Antwerp. Considered the world's first true atlas it established the modern format of uniform standardized maps bound together in a single volume. Appointed Geographer to King Philip II of Spain in 1575 Ortelius was one of the most influential figures in the history of cartography. His maps are held in the collections of the British Library the Library of Congress and major European institutions. The 'Theatrum' went through more than 30 editions and was translated into multiple languages making Ortelius's maps among the most sought-after in the world of antique cartography.The map is ornated with three cartouches in the upper left corner the title cartouche on the upper right side we find an oval text cartouche and in the lower left corner an inset. The privilegium is written on the lower right side. Villages and towns are shown as miniature views. Moreover the map is ornated with a ship.A fine example from Theatrum Orbis Terrarum Antwerp sought after by collectors of antique maps of Italy antique maps of Rome and antique copper engravings for sale. In good condition consistent with age. Light age-toning to the sheet as expected for a 17th-century engraving. Centerfold as published. Koe. Ort. 46; Broe: 209 state 2/2; Balthasar Moretus unknown
1603322945Antwerp: Abraham Ortelius 1603. framed. Map. Engraving with beautiful hand coloring. Image measures 14" x 18".<br/> <br/> Beautiful 1603 map by Abraham Ortelius depicting Ancient Latium including Rome from his "Parergon". It covers Latium from the Tyrrhenian Sea to Umbria with parts of Tuscany and Campania. Cities are identified as individual buildings with particular focus on Rome its walls and notable buildings like the Coliseum. Notes mountains rivers marshlands and forests beautifully illustrated in profile. <br> <br> The map also includes historical and mythological elements such as a reference to Pliny in the Fucine Lake adding depth to the map's depiction of the region. Three cartouches adorn the map. The first is an ornate title cartouche in the upper right quadrant. Another is a dedication to Marcus Velser Augustanus. The third contains an inset of Mount Circeo the supposed dwelling place of the mythical goddess Circe who enchanted Odysseus and turned his companions into swine. <br> <br> This is the second state of the map identified by the addition of a network of roads around Rome and the designation of the swamp extended in the lower right along with the letters "VOLCI". The map is in good condition with some toning and minor abrasion loss near centerfold and verso repair near bottom margin. Van den Broecke #209. <br> <br> Abraham Ortelius 1527-1598 was a prominent Flemish cartographer geographer and cosmographer renowned for creating the first modern atlas "Theatrum Orbis Terrarum" which first appeared in 1570 and expanded over time to include 134 maps by 1592. Born in Antwerp he began his career as a map colorist and became a significant figure in cartography after being influenced by Gerard Mercator. His work was pivotal in the development of modern cartography integrating maps from various sources and reflecting his advanced geographical theories including early thoughts on continental drift. Appointed Royal Cartographer to King Philip II of Spain in 1575 Ortelius had access to extensive Spanish geographical knowledge. Despite the religious and political turmoil of his time he maintained a position of relative neutrality focusing on his scholarly and cartographic pursuits. His influential works also included "Synonymia Geographica" "Nomenclator Ptolemaicus" and "Parergon."<br/> <br/> Abraham Ortelius unknown
16247958Antwerp: Plantin-Moretus 1624. Copper engraving 32.5 x 48 cms modern hand colour Latin text on verso. Latium the hinterland of ancient Rome. Van den Broecke notes a minor change in nomenclature which was made for the 1624 edition 209.3 which is not present here although our example was published by Balthasar Moretus at the Plantin Press in the final edition of the Parergon. Ortelius's Theatrum Orbis Terrarum is generally considered the first modern atlas of the world originally published in 1570. Ortelius gathered and selected the best available cartographic knowledge and presented it in a single volume duly credited and finely engraved in a consistent style with explanatory text. The Theatrum was very decorative and hugely popular amongst the wealthy and educated running into over forty editions in Latin and the major European languages. For Ortelius himself however his accompanying atlas of ancient geography the Parergon was a "personal work" Koeman. He seems to have regarded himself first and foremost as an antiquary and rather than copying other people's maps he drew the originals himself; they were subsequently engraved for him by the master engraver Jan Wierix. The results have to be evaluated as the most outstanding engravings depicting the wide-spread interest in classical geography in the 16th century Koeman. Koeman Atlantes Neerlandici Ort 46. Van den Broecke 209.2 Map Plantin-Moretus unknown
1696324022Leyden and Utrecht: Pieter Vander Aa 1696. unbound. Botanical. Copper plate engraving with hand coloring. Image measures 12 1/2" x 8 1/2".<br/> <br/> Beautiful print of a flowering Rumex acutus plant. Abraham Munting 1626-1683 taught medicine and botany at the Academy of Groningem in the Netherlands. He had a particular interest in the uses of plants especially medicinally. This engraving is from "Naauwkeurige Beschryving Der Aardgewassen". Aging around edges and minor foxing. Please visit our gallery for more Munting prints.<br/> <br/> Pieter Vander Aa unknown
16362226<p>Le Blond 1636. Etching. A good impression on paper without a watermark. Trimmed just showing the platemark all around. 259mm x 324mm. G.D. 1080 Blum 154 only state Paris/Tours 2004 No. 128</p> Le Blond,
1656151129Paris: Chez Augustin Courbe 1656. First Edition. Hardcover. Very good. 45 522 12 p. 39 cm folio. Engraved frontispiece title page vignette decorations on dedication page and preface. Each chapter has full-page engraving and page top decoration making 12 of each as well as decorated first letters. Illustrations are by painter Claude Vignon engraved by Abraham Bosse. Two called-for portraits by Robert de Nanteuil are not present. Rebound in burgundy leather with 6 raised bands gilt impressing on spine. New endpapers. Title has chipped top corner. Faint dampstain on text block edge. Some small stains and darkened pages. French text. <br/><br/>Note the dedication to the Duke of Longueville. Chapelain received a pension from this nobleman allowing him to write this heroic epic about Joan of Arc. The poem's subject also allowed him to celebrate Jean de Dunois a medieval ancestor of the house of Longueville who was one of the great military leaders of the Hundred Years War. Apparently Chapelain let thirty years go by before he published the first half of this masterpiece leading some to argue that Chapelain wished to spin out his pension as long as he could. <br /> <br />This is one of the first French books engraved by a painter. Claude Vignon 1593 1670 was a French painter printmaker and illustrator who worked in a wide range of genres. Abraham Bosse ca. 1604 1676 was another French artist mainly as a printmaker and etcher. Most of his output was illustrations for books but many were also sold separately. Chez Augustin Courbe hardcover
17000066066La Haye Hague: Adrian Moetjens 1700. Hardcover. Very Good/No Jacket. Circa 1700. Hardcover 16mo. full burgundy calf gilt bands and title. 250 pp. Leather lightly rubbed and cornerworn; spine in nice shape showing only minor wear to its ends. Small sticker on front pastedown; donation and library stamp on title page and rear fly leaf. Unmarked readable text; endpapers foxed. Place-ribbon. In French and Latin. Comes in a protective mylar sleeve. Scarce. The author 1634-1706 originally published this title under the pseudonym La Motte Josseval. Digital images available upon request. Adrian Moetjens hardcover
1643178066Paris: Pierre Des-Hayes 1643. Hardcover. Good staining to boards and text block book plate inside front cover age toning throughout as expected with age. Text and illustrations are otherwise very clear!. Tan vellum boards with faded off-white title block on spine 8 28 pages 2 68 pages 34 unnumbered leaves of plates bw illustrations throughout. Text in French. The Universal Way of Mr. Desargues Lyonnois: To Lay The Axle & Place The Hours & Other Things on the Sun Dials. Added engraved illustrated title page special engraved title page with ornamental border following p. 28. The plates are mostly printed on both sides of the leaves and many appear multiple times final plate numbered '28'. Engravings by Abraham Bosse. Pierre Des-Hayes hardcover
164340393Paris: Pierre De-Hayes. Very Good with no dust jacket. 1643. First Edition. Full stiff vellum. Diagrams; 12mo ; BOSSE Abraham 1604-1676 artist and engraver. Girard DESARGUES 1591-1661. La Maniere Universelle de Mr. Desargues Lyonnois Pour Poser L'essieu & placer les heures & autres choses aux Cadrans au Soleil. Paris: Pierre Des-Hayes 1643.8vo 175 x 125 mm. Two frontis'. Engraved allegorical title-page engraved dedication engraved title-page 66 engraved plates. Some staining some annotations. Contemporary stiff vellum some soiling some light wear book sellers description pasted to front flyleaf. FIRST EDITION of this important manual for setting up sundials including many engraved diagrams of sundials by artist and engraver Abraham Bosse. Berlin Kat. 4716; Brunet I 1127; Cicognara 817; Fowler 56. Property from the Thomas Sills Trust Chicago. Illinois. The entire book is bound in full entire stiff vellum. It is preserved in a neat library Thomas Sills Trust folder. No library markings on the book or in the text. . Pierre De-Hayes hardcover
1689LTH1-E-10Cologne: Pierre Marteau 1689. Leather. Good Only. 9.5" by 7.5". None. A scarce and early collection of works discussing political issues surrounding restoration France and King Louis XIV. Written in French Written while the author was imprisoned the collection contains both parts one and two of L'Ambassadeur et ses Fonctions Reflaxions sur Les Memoires Pour Les Ambassadeurs et Rosponse Au Ministre Prisonnier and Discours Historique de L'election de L'Empereur et des Electeurs de L'Empire. Featuring illuminated capitals. Wicqufort was an intelligencer gazetteer and a diplomat of the second order who is remembered more for what he wrote than for his other accomplishments. Born in Holland Wicquefort nevertheless spent most of his diplomatic career in Paris. Here he served as resident of the Elector of Brandenburg-Prussia from 1626 until 1658 when having fallen foul of Mazarin he was first briefly imprisoned in the Bastille and then expelled. Invited to The Hague by John de Witt the Grand Pensionary of Holland Wicquefort was employed as a translator for the States General but chiefly as the Grand Pensionary's special secretary for French correspondence. In 1675 Wicquefort who had in the previous year also secured the appointment of resident in Holland of the Duke of Brunswick-Luneburg-Celle was accused by his enemies of selling state secrets. He was tried by the Court of Holland and despite his plea of diplomatic immunity imprisoned for life on the grounds that he remained a Dutch national in the paid service of its government to which he had taken an oath of secrecy. Sent like Grotius before him to the prison of Loevestein though he escaped to Celle in 1679 he devoted his time to furious writing. First published in the year before he died and subsequently reissued many times this became the most highly regarded manual of diplomacy of the eighteenth century. Disbound although with original rear board and backstrip. Generally firmly bound to the text block edge although with title page absent and the last few leaves detached yet present. Generally bright and clean although with the first page slightly age toned and with the odd spot throughout. Good Only Pierre Marteau hardcover
169060801Cologne Pierre Marteau 1690. 4to. In contemporary full vellum with yapp edges and title in contemporary hand to spine. Small paper-label pasted on to top of spine. Light soiling and miscolouring to extremities. Small worm-tract on pp. 295-457 210 far from affecting text. Worm-tract to upper outer margin of Pp. 1-47 of 'Discours Historique de L'election' slightly touching text otherwise a fine and clean copy. 4 457 pp.; 219 49 pp.; 2 266 1 pp. <br/><br/><em>Later expanded edition first published in 1682 of Wicquefort’s work on ambassadors and international relations in general. From 1626 to 1658 Wicquefort served as Brandenburg's envoy to the French court. However Cardinal Mazarin suspected him of involvement in a dubious correspondence and had him imprisoned in the Bastille. After a year he was released with a French pension and moved to The Hague as the representative of the Duchy of Braunschweig-Lüneburg. In 1675 he faced imprisonment again this time by the Dutch government on charges of treasonous dealings with the French. Sentenced to life and his assets confiscated he later escaped to Celle where he died. Brunet V p.1442 </em> hardcover
1660P5474Antwerp Belgium c.1660. Very Good. Notes: A mid-17th century print depicting inhabitants of Canada and their clothing. It is beautifully hand coloured. Costumes of Canada excerpt from the book Ecclesiastical History of the Whole World by Cornelius Hazart.<br> Image Size : 269x171 mm 10.59x6.73 Inches Platemark Size : Paper Size : 299x181 mm 11.77x7.13 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Native Americans; hardcover
1683ABC_46148Amsterdam 1683. 8vo. Timotheus ten Hoorn Contemporary vellum manuscript title on spine. With an engraved frontispiece dated 1684 of a circumcision and 4 folding engraved plates ca. 14 x 17 cm of a Jewish wedding a Jewish divorce a refusal to marry the widow of your brother and a circumcision. Also with woodcut vignettes on the title pages and woodcut initials. 2 works in 1 volume issued as 1. 64 200 10; 201 =203 4 pp. First edition of the Dutch translation of Léon de Modenes Historia degli riti hebraici 1637. The translation was made by the minor Utrecht poet Abraham Godart fl. 1666-1683 after the French translation which had appeared in 1682 in The Hague Céremonies et Coustumes parmi les Juifs The Hague Adriaan Moetjens 1682 and which was made by Richard Simon 1638-1712 a French priest member of the Oratorians who was an influential biblical critic orientalist and controversialist - Simon was early at odds with the Port-Royalists and Antoine Arnauld himself - using many pseudonyms such as here the pseudonym Simon Ville.The French translator Richard Simon added his own comments in a separate book Comparaison des ceremonies des Juifs which was also printed in 1682 in The Hague by the same publisher of Modenes work Adriaan Moetjens. The Dutch translator Abraham Godart also translated Simons additional text and the Amsterdam printer Timotheus ten Hoorn not only combined these two works in one book but also added the frontispiece and the plates of the 1682 French translation in reverse. At least six further editions of the two translations appeared from 1693 till 1744. Binding a little dust-soiled somewhat waterstained. Overall in good condition.l STCN 100016928 8 copies; cf. Yaacob Dweck The Scandal of Kabbalah: Leon Modena Jewish Mysticism Early Modern Venice. Princeton Princeton University Press 2011. hardcover
169127448<p><strong>1691 German Monsters Satanic Rituals Judas DEMONS Dragons Abraham Sancta Clara</strong></p><p>Abraham a Sancta Clara was a 17th-century German clergyman known for his eccentric Augustinian views. His sermons were popular not only because of content but because he was known to be entertaining and satirical in his delivery. His main book "<em>Judas Der Ertz-Schelm</em>" is a German personal devotional which discusses moral doctrines as well as Bible history and ecclesiastical poetry focusing on Judas Iscariot and his betrayal of Jesus Christ.</p><p>This title was extensively used by Adolf Hitler and the Nazi regime as a supplement to their foundational philosophies.</p><p>Item number: #27448</p><p>Price: $750</p><p>SANCTA CLARA Abraham a</p><p><strong><em>Judas Der Ertz-Schelm/ Für ehrliche Leuth/ Oder: Eigentlicher Entwurff/ und Lebens-Beschreibung deß Iscariotischen Bößwicht : Worinnen underschiedliche Discurs sittliche Lehrs-Puncten/ Gedicht/ und Geschicht/ auch sehr reicher Vorrath Biblischer Concepten. </em></strong></p><p>Salzburg: Melchior Haan 1691.</p><p><u>Details</u>:</p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages;</p><p><!-- if !supportLists-->o <!--endif-->28 457 11</p><p><!-- if !supportLists-->o <!--endif-->Allegorical illustration of Judas hanging himself</p><p><!-- if !supportLists-->· <!--endif-->Provenance: Handwritten – <em>Antonius Hacke</em></p><p><!-- if !supportLists-->· <!--endif-->Language: German</p><p><!-- if !supportLists-->· <!--endif-->Binding: Vellum; tight and secure</p><p><!-- if !supportLists-->o <!--endif-->One functional clasp</p><p><!-- if !supportLists-->· <!--endif-->Size: ~8in X 6.25in 20cm x 16cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p><u>Photos available upon request. </u></p> Melchior Haan, hardcover
167210237Leiden: Hackius. Good with no dust jacket. 1672. Leather. 24 249 27 140 22 22 65 3 p. Engraved plate before the first title page. 12 mo. Completely bound in fine calf with blind ruling rectangular ruled lozenge with tulips at each corner spine has four raised bands spine label is no present. Spine ends a little rubbed corners a little rubbed end pages darkened otherwise paper is clean and unmarked with some foxing. One page has a flaw in the corner. Sewing showing at the various title pages. 4 works in one volume on rings their history in the ancient world text in Latin with some Greek. Corresponds to OCLC 863537511. Title to pt. 2 reads: "Georgii Longi sacerdotis doctoris & Ambrosianae Bibliothecae custodis primi Tractatus de annulis signatoriis antiquorum sive De vario obsignandi ritu"; title to pt. 3 reads "Abrahami Gorlaei Antwerpiani Dactyliotheca sive Tractatus de anulorum origine variis eorum generibus et usu apud priscos"; title to pt. 4 reads "De annulo triplici: usitato sponsalitio signatorio: tractatus absolutissimus in tres partes divisus. Auctore Henrico Kornmanno ex Kirchaina Chattorum." ; 12mo 7" - 7½" tall . Hackius hardcover
16723596Lugd. Batav. Leiden Netherlands : Apud Hackios MDCLXXII. 1672. 1672. Hardcover. Very Good. 4 pt. in 1 ; 24 249 27 140 22 22 65 3 pp. ; 15 cm. ; 12mo ; Text in Latin with sections in Greek ; Signatures: A-Z6 ; Title: Joh. Kirchmanni Lubeccensis De annulis liber singularis : accedunt Georgii Longi Abrahami Gorlaei et Henr . Kornmanni de iisdem tractatus absolutissimi.Tractatus de annulis signatoriis antiquorum / Dactyliotheca / Tractatus de anulorum origine / De annulo triplici : usitato sponsalitio signatorio ; OCLC: 23165998 ; LCCN: 48-31161 ; LC: NK7444 ; Title vignette: woodcut device of Hackius ; Added engraved title page ; Each section has a special title page and pagination ; collation is continuous throughout ; Includes bibliographical references and indexes ; contemporary vellum with bead clasps one bead missing ; heraldic stamp at top of textblock ; 1733 bookplate of Don Joseph Pardo de Figueroa an early 19th century knight of the order of St. James and writer of a 1819 poetical funerary oration for María Luisa consort of Carlos IV King of Spain 1751-1819 on front end paper ; an old tear to vellum on back cover ; nick to top corner ; else VG <br/> <br/> Lugd. Batav. (Leiden, Netherlands) : Apud Hackios, MDCLXXII. (1672). hardcover
1620M10729Antwerp c.1620. Very Good. Notes: Map of Italy by Abraham Ortelius based on Gastaldi. Size : 345x480 mm 13.58x18.90 Inches Coloring: Hand Colored Reference: Van den Broecke 205 Category: Maps Europe Italy; Maps Mediterranean Islands; unknown
160316331Antwerp 1603. Other. A very good example in vivid handcolor. Minor lightstaining outside the image. 365 by 478mm 14 by 18 inches. Original antique copper engraving from the 'Theatrum Orbis Terrarum' by Abraham Ortelius the world's first modern atlas published in Antwerp 1603. Depicting Mediterranean Islands this map is a fine example of 1600s European cartography. Image: 365 by 478mm 14 by 18 inches. An attractive and historically significant 17th-century map for the discerning collector. Abraham Ortelius 15271598 was a Flemish cartographer and geographer born in Antwerp. He is widely regarded as the creator of the first modern atlas the 'Theatrum Orbis Terrarum' Theatre of the World first published in 1570 by Gilles Coppens de Diest in Antwerp. Considered the world's first true atlas it established the modern format of uniform standardized maps bound together in a single volume. Appointed Geographer to King Philip II of Spain in 1575 Ortelius was one of the most influential figures in the history of cartography. His maps are held in the collections of the British Library the Library of Congress and major European institutions. The 'Theatrum' went through more than 30 editions and was translated into multiple languages making Ortelius's maps among the most sought-after in the world of antique cartography.Decorative doublepage map showing six islands in the Mediterranean Islands Sicily Sardinia Corfu Malta Djerba Elba. Sicily is prominently displayed in the center of the map above the title cartrouche.A fine example from Theatrum Orbis Terrarum Antwerp sought after by collectors of antique maps of Italy antique maps of Mediterranean Islands and antique copper engravings for sale. In excellent condition. Broe. 141 unknown
1603299306Antwerp: Abraham Ortelius 1603. unbound. Map. Engraving with beautiful original hand color. Image measures 14" x 18 3/4". Light staining and toning but otherwise is good condition.<br/> <br/> A representation of some islands in the Mediterranean Sea. Abraham Ortelius 1527-1598 a Flemish cartographer and geographer is widely regarded as one of the important and influential cartographers in history. He is known for his "Theatrum Orbis Terrarum" which was the first modern atlas. Van den Broecke #141<br/> <br/> Abraham Ortelius unknown
169048858Oxford: Sheldonian Theatre; Henry Bonwick 1690. First edition. Hardcover. Very Good -. Two parts quarto published in 1690 and 1691. A-Z4 pi4 b4 Aa4 Bb/CC4 Dd-Gg4 = 124 leaves. 16 196; 4 31 1 blankpp. Text in Hebrew and Latin in parallel columns. De Turcarum liturgia with separate title page dated 1690 and pagination. Contemporary vellum neatly rebacked. Old library stamp at bottom margin title front blank endleaf detached occasional oxidation spot and mild toning else a very good copy crisp and amply margined.<br /> <br /> First Hebrew-Latin edition of the first modern Hebrew work on geography the author’s most famous and important book. Abraham Farissol or Peritsol was a learned Jew from Avignon who compiled his cosmographical works at the court of the Estes in Ferrara. The present text was composed in 1524-25 and first published in Hebrew at Venice in 1586. The Latin translation and notes in the present edition were prepared by the English orientalist and librarian Thomas Hyde 1636-1703 with the assistance of R. Isaac Abendana working from a manuscript which Hyde located in the Bodleian Library. “Each of its 30 chapters deals with a certain geographical area or subject. In addition many cosmological and historical matters are also treated. The author collected all the evidence he could regarding Jewish settlements in each country. The inclusion of a description of the New World makes Farissol the first Hebrew writer to deal in detail with the newly-discovered America. The 14th chapter of Iggeret Orhot Olam which deals mainly with the settlements of the Ten Lost Tribes is of special interest. According to Farissol’s introduction to this chapter it is clear that what moved him to undertake this investigation was the appearance in Italy in 1523 of David Reuveni many of whose descriptions are included in this work†EJ 6.1185. Reuveni was "an adventurer who aroused messianic hopes in the early 16th century" EJ 14.114. The appended work is a tract on Islamic customs by Albert Wojciech Bobowski a Polish Christian who converted to Islam after his capture by the Ottoman Turks. Adopting the name Ali Ufki Bey he served as translator court musician at Topkapi and as a notator of Ottoman classical music. Bell F26. Christian Hebraism Cat. Harvard 1988 no. 39. ESTC R27480. Fürst Bibliotheca Judaica 1.276. Heller 17th Century pp. 1176-1177. Sabin 60934. Smitskamp PO 372. Vinograd Oxford 4. Wing F-438. Cf. Alden European Americana 1.187 Venice 1586; Heller 16th Century pp.732-733 ed. 1586. Full title beginning in Hebrew: ×גרת ×רחות על×<br /> Id est Itinera mundi sic dicta nempe cosmographia. Latinâ versione donavit et notas passim adjecit Thomas Hyde. Calce exponitur Turcarum liturgia peregrinatio Meccana aegrotorum visitatio circumcisio etc. Sheldonian Theatre; Henry Bonwick hardcover
1601M10202Antwerp 1601. Very Good. Notes: Latin text on verso.<br>Rare map of Japan. Korea is depicted as an elongated island. Size : 355x480 mm 13.98x18.90 Inches Coloring: Original Hand Coloring Reference: Marcel P. R. van den Broecke #165. Category: Maps Asia Far East Japan & Korea; unknown
164948861Amsterdam: For Gerrit Willemsz by Adriaan Roest 1649. Second edition. Hardcover. Very Good. Three parts small octavo. A-X8 168 leaves: G5 signed F5; I2 as H2; I4 as H4. 18 293 25 indexpp. Woodcut printer’s device at title woodcut lettrines. Contemporary vellum with exposed thongs lightly soiled. Old entry at front pastedown. Occasional faint dampstain at bottom margin else a very good copy with clean text throughout.<br /> <br /> Second edition of this polemical history by “a strident condemner of the Jews†Sprunger. First published at Rotterdam by Jan van Waesberghe in 1608 the present work is the earliest reaction in print to the presence of Jews and their religion in the Dutch Republic van Rooden. Citing M. Bodian’s Hebrews of the Portuguese Nation R. Po-Chia Hsia describes the cultural context: “Coming initially in the 1590s as Portuguese merchants and Christian converts the so-called ‘New Christians’ Sephardic Jews in fact were welcomed by the Regents of Holland but were strongly opposed by the Reformed clergy. When the conversos reverted to the open practice of Judaism reaction from the Reformed Church was fierce. The predikant Abraham Coster 1575-1620 attacked the Sephardim as an ‘unclean people’ who sought to build a public synagogue ‘in which they can perform their evil and foolish ceremonies and spew forth their gross blasphemies against Christ and his holy gospels as well as their curses against the Christians and Christian authorities’â€. The present edition was later re-issued the following year with identical collation and pagination but designated as “Den 2den druck van nieuws oversienâ€. References: R. Po-Chia Hsia “Introduction†& P. van Rooden “Jews and Religious Toleration in the Dutch Republic†in: Calvinism and Religious Toleration 3; 137. Sprunger Trumpets from the Tower 81. NNBW 8 320: “Dit werk is een poging om de Amsterdamsche vroedschap te bewegen het bouwen van een nieuwe openbare synagoge te belettenâ€. For Gerrit Willemsz (by Adriaan Roest) hardcover
168522303Oxford: Theater 1685. Book. Poor. Full-Leather. 8vo - over 7¾" - 9¾" tall. 342 pages plus supplenda. Front board through to page 2 are detached but present. All pages are correct and clean. Theater Hardcover
168574414Paris: Chez Federic Leonard 1685. 8vo. Two volumes French text. xxx 542 ; iv 543-686 78 table des matieres 16 memoire 8 preface table des chapitres 184 examen pp. Full sheepskin with raised bands morocco title-labels and a decorative gilt-tooled spine. Red edges & marbled endpapers. Head and tail reinforced with paper repair extremities have been coloured. Overall in very good shape with minor cracks to spine and occasional small marks or dents. Bindings solid. Stamp of the Broussonnet Library to title-pages and two further small ink inscriptions to title and verso of ffep of vol. 1. Bookplate residue to endpapers. Generally pleasant and clean internally especially vol. 1 with some occasional foxing and toning as to be expected. Decorative headpieces/ tailpieces and initials. Vol. 2 contains 'Examen de La Liberte Originaire de Venise' translated from the Italian. . Very Good. Full Sheep. Revised and Corrected. 1685. Chez Federic Leonard 1685 unknown