15 résultats
164521224P., Antoine Vitré, 1645, in-8°, 7-[9]-749 pp, page de titre ornée d’une jolie vignette gravée, reliure plein veau moucheté, dos à nerfs orné de caissons (rel. de l'époque), coiffes arasées, bon état. Exemplaire très propre et sans rousseurs
16362103Edinburgh: Printed by Robert Young 1636. First edition. Loose_leaf. Very Good. 7 1/2 x 10 3/4 inches. Small folio. Signatures: aa - kk in 8s. Edges ragged. Disbound. With the third state of 2H3 "he" at the end of the first line of the verso. 2K6 has the catchword "Certaine" and 2K7 and 2K8 are canceled as normal. See ESTCS113851 ESTCS101893. A very good reading copy of this first edition of Psalter accompanying the Scottish Book of Common Prayer printed the same year. Printed by Robert Young unknown
17008678Paris, Chez la veuve de Daniel Horthemels, 1700. In-12, (22)-464-(2) pp., Psaumes en latin et français. Reliure de l'époque en maroquin rouge janséniste, filets à froid au dos et en encadrement des plats, filet doré sur les coupes, roulette intérieure dorée, tranches dorées, papier de garde d'Ausbourg à semé d'étoiles et points dorés sur fond blanc. Prix (?) à la plume sur la page de titre, d'après Delaveau et Hillard il manquerait 1 feuillet au premier cahier soit le à12 (blanc ?). Bel exemplaire.
1683R121026Luteciae Parisiorum [Paris], Apud Andream Pralard 1683 [3] + 922 + [10] pp., with an engraving on title page, with an extensive handwritten note of 19 lines in Latin by Cl. Nic. Guillemin S.J. of Besançon (in which he describes that this book was presented to him in 1794 by the Advocate of the Treasury M. Chassignolle because of his gratitude to him for having helped his uncle Francis-Xavier Chassignolle, formerly parish priest of Bouhans in Burgundy, when being held captive along with 32 other, all likely non-juring, priests in the Convent of the Ursuline Nuns at Vesoul), 26cm., contemporary full leather binding (front joint broken and repaired, back joint split on upper side over 5cm., gilt title and compartments on spine, corners bumped and damaged), decorated endpapers, all edges gilt, text in Latin, text is clean and bright except for very few occasional stains, weight: 1.9kg., R121026
167755872Paris Helie Josset 1677. Contemp. full red morocco. Richly gilt spine. Gilt panelling on covers with gilt cornerpieces. Inside gilt borders. All edges gilt. Some wear to upper hinge and spineends. Corners bumped. Engraved frontispiece. 844610 pp. Light yellowing to leaves. unknown
167755872Paris, Helie Josset, 1677. Contemp. full red morocco. Richly gilt spine. Gilt panelling on covers with gilt cornerpieces. Inside gilt borders. All edges gilt. Some wear to upper hinge and spineends. Corners bumped. Engraved frontispiece. (8),446,(10) pp. Light yellowing to leaves.
1613107951613 veau clair, motif doré sur les plats (Ier plat détaché), reliure encore dans le style XVIe. 2 tomes en 1 vol. in-folio, (6ff.), 1433 col., et titre, 1296 col., (27ff. tables), P. Laurentium Sonnium 1613,
1691107341691 mar. bleu noir, dos lisse orné de fleurs de lys, tr. dor. (l'or des fl. de lys a été partiellement gratté). in-8, frontispice, C-512pp., (8ff.), Lyon , Anisson, Posuel & Rigaud,
166954822London: Printed by His Majesties Printers 1669. Hardcover. Good. Two works the first in two parts small folio 30 by 18.5 cm. 273; 75 ff. Engraved collective title separate letterpress title for the Psalms half-title for The Form and Manner of Making. Bishops etc. calendar printed in red and black printed marginalia; full title for the metrical Psalms musical scores. Texts in black letter Gothic. Contemporary reversed calf suede expertly rebacked retaining original backstrip with new gilt morocco lettering piece. Marginal dampstain and erosion at 20 leaves with slight loss at fore-margin calendar leaf C4 recto; mild dampstain at top gutter in later leaves; library stamp at bottom margin leaves N2/N3 in the metrical Psalms. Good or better complete copies of both works.<br /> <br /> Early edition of what still remains the authoritative version of the Book of Common Prayer comprising the official liturgy of the Anglican Communion and other historically related Christian churches. The first prayer book published in the wake of the English Reformation appeared in 1549 during the reign of Edward VI. That work was revised in 1604 during the reign of James I and again in 1662 during the reign of Charles II. While revision and supplementation has continued into the present era the 1662 edition of which the present copy is essentially an early reprint remains authoritative as the official prayer book of the Church of England.<br /> <br /> Despite the discrepancy in dates which appear on the title pages of the present edition the Book of Common Prayer and the Psalms of David comprise a single publication as noted at the collective title and confirmed by the signatures. The metrical Psalms by Sternhold and Hopkins often bound with the Book of Common Prayer is a separate work. <br /> <br /> Provenance: Bookplate of the Royal Institution of South Wales noting the gift of Col. W.L.C. Morgan RE Bryn Briallu November 1898. Early owner's entry of "Alice: Jervoise" at top of contents leaf A2.<br /> <br /> Signatures: pi1 A-B6 C4 D6 E8 F-Z6 Aa-Xx6 Yy8 = 273 leaves / A-M6 N3 = 75 leaves. References: ESTC R36533; R172902.<br /> <br /> Full titles and imprints: 1 part 1 The Book of Common-Prayer And Administration Of the Sacraments And Other Rites & Ceremonies Of the Church According to the Use Of the Church of England Together with the Psalter or Pslams of David Pointed as they are to be Sung or Said in Churches: and the Form & Manner of Making Ordaining & Consecrating of Bishops Priests and Deacons. London: Printed by His Majesties Printers Cum Privilegio. MDCLXIX 1 part 2 - The Psalter or Psalms of David after the Translation of the Great Bible Pointed as they are to be Sung or Said in Chruches. London Printed by the Assigns of John Bill and Christopher Barker Printers to the Kings most Excellent Majesty. Anno Dom. 1676. 2 - The whole Book of Psalms. Collected into English Meeter By Thomas Sternhold John Hopkins and others: Conferred with the Hebrew with apt Notes to Sing them withall. London Printed by William Godbid and Andrew Clark for the Company of Stationers 1677. Printed by His Ma[jes]ties Printers hardcover
162927807London: Printed for the Company of Stationers 1629. Title within woodcut historiated border512 15 pp. 1 vols. 8vo. Full contemporary olive morocco 2 gilt outer panels with gilt-stamped lozenge on upper and lower cover ties lost black leather title lanbel a.e.g. Signed on back free-endppaer "Mary Crosse/Mary Crosse/ Her Booke/1678. Title within woodcut historiated border512 15 pp. 1 vols. 8vo. Printed for the London Company of Stationers the organization that policed the London print trade. This book bears a near-contemporary ownership inscription by a woman implying that this copy at least was owned personally and used outside of church. Printed for the Company of Stationers unknown
162927807London: Printed for the Company of Stationers 1629. Title within woodcut historiated border512 15 pp. 1 vols. 8vo. Full contemporary olive morocco 2 gilt outer panels with gilt-stamped lozenge on upper and lower cover ties lost black leather title lanbel a.e.g. Signed on back free-endppaer "Mary Crosse/Mary Crosse/ Her Booke/1678. Title within woodcut historiated border512 15 pp. 1 vols. 8vo. Printed for the London Company of Stationers the organization that policed the London print trade. This book bears a near-contemporary ownership inscription by a woman implying that this copy at least was owned personally and used outside of church. Printed for the Company of Stationers unknown books
165811846Charenton Estienne Lucas 1658/1660. Exceptional fine binding 12° H. 15 x W. 85 x D. 35 cm. without pagination. Clasps are missing corners trifle worn. The lavishly gilt overall pattern on both covers mainly consisting of pointillé-stamps and drawer-handle tools richly gilt spine with 6 compartments with floral motif and raised bands. This kind of binding is often attributed to Magnus as we can read in the catalog of the exhibition: ""Albert Magnus en zijn tijd"" 1961 pp.13: ""That he father Magnus Hendricksz. sent his gifted youngest son Albert to France to learn the trade. It is striking in this connection that there are several Bibles printed in Charenton which are provided with Magnus bindings"". Foot Henry Davis Gift I 237: ""It is unusual for any binder's shop to possess so many and so closely similar variants of a fair number of tools and as most of the bindings on which the slightly different tools have been used seem to have been produced during the period during which Magnus worked it is probable that we deal with more than one shop. Surely a town such as Amsterdam with a large and thriving book trade would have had more than one binder who was capable of producing well-bound beautifully finished books."" A fine binding by Magnus or his circle. Charenton, Estienne Lucas hardcover
1631019267Oxford: William Turner Printer 1631. Book. Very good condition. Hardcover. First Edition. 24mo - over 5 - 5¾" tall. 319 pages of text followed by i colophon and preceded by two engravings. Original blind-ruled calf without any spine labeling. The front hinge has been repaired and an antique front flyleaf has been added. The engraved title page has minor browning/toning and soiling as does the engraved armorial dedication page. The title page is apparently the only 17th Century publication containing a portrait of the first Stuart King. On the title page King James faces the reader while King David is holding a harp; engraved by William Marshall active ca. 1617-1649. The title page and final page also has minor soiling. The text except for a small number of tiny spots of soiling remains clean and unmarked. Measures 55/8 inches height. First edition. William Turner, Printer Hardcover books
162712714London for the Company of Stationers 1627. The Whole Booke of Psalmes Collected into English Meeter by Thomas Sternehold Iohn Hopkins and others. 171 34 p. Embroidered red velvet binding covered with silver wire 24°. Rare and early miniature binding H. 8 x W. 5.5 x D. 2.5 cm. / 3.15 x 2 x 1 inch. Bound with silver fine wire and with brass sequins. Gold edges. The covers are surrounded by a two-part multi-coloured border partly interwoven with silver wire in the corners stylised branches of golden wire and sequins in the centre a two-coloured embroidered bouquet with flowers of silver wire and coloured metal foils. Back with a double curved two-tone border partly covered with gold wire. Edges scuffed binding restored. The last two pages of the Table are damaged. London, for the Company of Stationers unknown
167312696Dordrecht Hendrick and Jacob Keur 1673/1673. gegraveerde titelpagina z.p. Originele Schildpadband met 2 zilveren sloten 4 zilveren schanierstukken 7 zilveren hoekstukken versierd met 120 'roosbriljanten' en goud op snede 8°. Nederlands Kerkboek bestaande uit het Nieuwe Testament in de Statenvertaling de Psalmen - met noten - van Petrus Dathenus en de Formulieren. Aantrekkelijke band gebonden in zwart met okerkleurig gevlamd schildpadschild. Het zilverbeslag is volledig versierd met in totaal 120 'roosbriljanten' gemaakt van geslepen glas. 10 briljanten ontbreken; er waren er dus totaal 130. Een klein stukje van de onderkant van de rug is weg evenals enkele minimale stukjes van de zijkant van de band. Het gebruik van het schild van de schildpad als bindmateriaal werd populair in de 17e en 18e eeuw en werd voornamelijk gebruikt voor het binden van religieuze geschriften kleine Bijbels gebedenboeken en geschenkboeken voor de gegoede burgerij. Het materiaal werd verkregen van uitheemse zeeschildpadden en was geliefd vanwege het uiterlijk de glans en de zeldzaamheid. Minder dan 4 procent van de luxere banden die in Nederland werden gebonden in de 18e eeuw werd in ander materiaal dan leer en perkament gebonden. Deze banden werden gezien als luxer en waren duurder. Dit geldt temeer voor schildpad aangezien de schilden niet op grote schaal werden geïmporteerd; hierdoor bleef het materiaal kostbaar en alleen toegankelijk voor de rijken. 2 works in one binding engraved titlepage n.p. Contemporary Tortoiseshell binding with 2 silver clasps 4 silver hinges 8 silver corner-pieces with rose-cut diamonds and gilt-edged text block 8°. Dutch church book containing the States Translation of the New Testament the Psalms -with musical notation- of Petrus Dathenus and the Forms. Attractive binding bound in black with ochre coloured flamed tortoiseshell. The silver fittings are completely decorated with 120 'rose-cut diamonds' made from cut glass. 10 pieces are missing so there were 130 in total. A small piece of the bottom of the spine is missing and some small pieces have been chipped off the sides of the binding otherwise fine. The use of tortoiseshell as a book-binding material became popular in the 17th and 18th centuries. It was mostly used for binding religious texts small Bibles prayer books and gift books for the wealthy middle class. The material came from exotic marine turtles and was valued due to its beauty shine and rarity. -The name tortoiseshell can therefore be misleading because the material has nothing to do with land tortoises. Fewer than 4 percent of the luxury bindings made in the Netherlands in the 18th century were covered in materials other than leather and vellum. These bindings were regarded as richer and were more expensive. This is considered even more for tortoise shells since the shells were not imported in large amounts; due to this the material remained expensive and only available for the rich. Literature: Dijstelberge P. 2011. Papieren pracht uit de Amsterdamse Gouden Eeuw p. 69-71 / Noordwijk B. van 2006. Zondags Zilver. Drie eeuwen versierde kerkboekjes p. 209-217 / Noordwijk B. van n.d. Boek band en beslag p. 23 / Rijkelijkhuizen M.J. 2010. Tortoiseshell in the 17th and 18th Century Dutch Republic p. 96-106. Dordrecht, Hendrick and Jacob Keur hardcover