938 résultats
1829237131829 PARIS, Eymery, Fruger et Cie Editeurs, 1829 - EDITION ORIGINALE - Bien complet des 50 cartes couleurs (certaines fortes traces d'humidité) - In-folio, 52,5 x 37,5 cm - 1/2 Reliure -1 mors fatigué - Dos lisse orné - 4 + 100 pages de texte (mouillures) puis 50 cartes gravées par Lallemand, en double pages montées sur onglet et colorées à la main excepté les 2 premières : systemes Planétaires et Planispheres Célestes qui sont en noir - Envoi rapide et soigné
183733668Alexandrie Imprimerie du commerce s.d. [1837] in-8 broché sous couverture imprimée de l'éditeur
183543318Paris, Henri Dupuy, 1835. 3 vol. in-8 de (4)-7-484 ; 7 planches hors texte ; (4)-496 pp. 9 planches hors texte ; (4)-508 pp. 9 planches hors texte, demi-veau olive à coins, dos orné à nerfs, filet doré d'encadrement sur les plats, tranches marbrées (reliure de l'époque).
1838PHO-1701Paris Ladvocat 1838-1839, 6 volumes, Texte : 5 tomes in-8, 402pp., 396pp., 406pp., 371pp., 384 pp. et l’Atlas in-4 Texte relié, dos lisse avec pièces de titre et tomaison rouge, réf. De biblio. en pied, cachet au titre et étiquettes au faux-titre, frottements, petits manques de papier aux coins. Atlas demi veau, manque au dos, frottements coupes et coins usés comprenant 12 planches et cartes (19), lettre manuscrite au dos du premier plat.
189436989S.l. s.d. [1894] in-8 broché
189336756Le Caire Imprimerie nationale 1893 in-16 broché
1899AMO-2414Important article autographe rédigé pour l'Echo de Paris (vers 1897-1899) Article intitulé : 4 décembre - Mirage du Caire. 5 pages in-8 oblong (long article) - Composée de fragments de feuilles collées les unes aux autres comme cela était le plus souvent le cas pour les manuscrits remis aux compositeurs dans les imprimeries à cette époque. COMPLET Voir photos. Provenance : Ancienne collection Bertrand Hugonnard-Roche.
1821PHO-919London: Printed for Longman, Hurst, Rees, Orme, and Borwn, 1821 ,première édition in-4 (280x220 mm), relié plein cuir , dos refait avec auteur et titre , plats frottés , tranches cailloutées ,xxvii-553pp , frontispice , carte dépliante , 7 planches HT (1 dépliante) , rousseurs .
181899913447L'Huillier Paris, L'Huillier, Novembre 1818. In-8 relié cartonnage rouge de l'époque, faux-titre, titre, 340 pages. Petits défauts sans gravité au cartonnage, intérieur en très bon état. Sans la carte annoncée. Ouvrage du plus grand intérêt et peu courant.
186728988Paris Dentu 1867 in-8 broché, manques au dos
1867GIT00f10Paris Imprimerie Impériale 1867. 6vol in-4 LIV 490 474 555 485 532 608pp. Demi chagrin vert lierre, dos à nerfs orné de compartiments dorés, tête dorée, rel époque. Orné de 30cartes en couleurs hors texte sur double page. Bel exp, dans une reliure décorative, pratiquement sans rousseurs. Tulard 1079.
1802GITb285A Lyon chez Reymann et à Paris chez la Veuve Périsse An X 1802. In-8 5ff n ch 4-266 6pp. Demi percaline chagrinée anthracite, pièce de titre basane marron, relié vers 1840. Orné d'un frontispice colorié dépliant. Exemplaire en parfait état.
185433542Paris Librairie nouvelle 1854 in-12 demi-chagrin vert, dos à nerfs orné de filets à froid, simple filet à froid sur les plats, tranches mouchetées [Rel. de l'époque], dos uniformément insolé
184022062Paris Ducollet 1840-1841 2 vol. in-8 demi-veau blond, dos lisses ornés de filets dorés et à froid, pièces de titre et tomaison havane, tranches mouchetées [Rel. de l'époque], des mouillures claires
182219986Paris Pillet Aîné 1822 in-8 br., couv. brune imprimée, non rogné, défauts à la couverture
185436502Paris Librairie nouvelle 1854 in-16 demi-chagrin cerise, dos à nerfs fleuronné, tranches mouchetées [Rel. de l'époque], rousseurs
1822582351 vol. in-8 cartonnage bradel bleu de l'époque, Chez Chassériau, Paris, 1822, 2 ff., xliv-438 pp. avec frontispice et 2 planches dépliantes ; Chez l'Auteur, et Chez les Marchands de Nouveautés, Paris, 1822, 1 f. (faux-titre), 92 pp. Titres complets : Abrégé de l'Origine de tous les Cultes, Nouvelle édition ornée d'un portrait de l'auteur, et augmentée 1e : d'une notice sur sa vie et ses écrits ; 2e d'une clef de ses ouvrages sur l'origine de tous les cultes ; 3e : de sa dissertation sur le Zodiaque de Denderah, avec deux planches représentant les Zodiaques rectangulaire et circulaire trouvés dans le même temple égyptien [ Suivi de : ] Notice sur le Voyage de M. Lelorrain, en Egypte ; et Observations sur le Zodiaque circulaire de Denderah [ Edition originale ]
183924776Paris Berlandier 1839 2 volumes in-8 demi-basane prune à coins, dos à nerfs, couvertures imprimées et dos conservés [Rel. moderne], dos insolés
189431832Alger Gervais-Courtellemont & Cie 1894 in-4 demi-chagrin vert, dos à nerfs, couverture et dos conservés [Rel. moderne]
184033919Paris Ducollet 1840-1841 2 vol. in-8 demi-chagrin havane, dos à nerfs ornés de pointillés, filets et fleurons dorés, fers de lycée poussés au centre du plat supérieur du vol. I [Institution des Chartreux à Lyon], tranches mouchetées [Rel. de l'époque]
180260653London: W. Bulmer & Co. for G. & W. Nicol 1802. First U.K. Edition. First printing. Quarto 27cm. Contemporary sprinkled calf gold roll around outer perimeter of boards board edges tooled in blind titled in gilt on red leather spine label; plain endpapers; ivxxvi1951pp with postscript leaf paginated "188" inserted after p.188; 3 maps 2 folding with routes traced in color compiled by J. Rennell and engraved by J. Walker. Bookplate of John Bacon Lawrey Morritt Rokeby Park. Sound and clean mild rubbing to board edges spine leather dry and cracking internally with a few scatted spots of foxing one folding map with small tear at center fold but otherwise Very Good. Collated and complete. <br /> <br /> First English translation of Hornemann's travels previously published in German Weimar 1801. Hornemann a student at Göttingen was "engaged by the African Association in London with instructions to reach the River Niger by crossing the Sahara from Egypt." When Napoleon's army took Cairo Hornemann managed to gain Napoleon's patronage for his journey. He joined a caravan heading toward Marzuq and visited several oases before turning north to Tripoli. There he "sent despatches back to London" then joined a caravan heading south and disappeared. Later information suggested that he had successfully crossed the Sahara but died of dysentery just north of the Niger. HOWGEGO I H100. W. Bulmer & Co. for G. & W. Nicol unknown
184626628London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 15" the captioned image is 14" x 10" now presented in cream mounting boards 21" x 17" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very beautiful image of the the Island of Philae from the Nile at Sunset. In the foreground are reeds and a sailboat behind which can be seen in near silhouette the Temple of Isis on the island. Philae was accounted to be one of the burying-places of Osiris and was held in high reverence both by the Egyptians to the north and the Nubians to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable." This is a view now un-viewable to modern eyes. Due to decades of constant flooding of Philae after the construction of the Aswan Low Dam every building was dismantled into about 40000 units and then transported to higher ground on the nearby island of Agilkia. The project was completed in time for the 1970 construction of the the Aswan High Dam.<br> We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details.<br> In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
184626627London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a half folio sheet 17" x 13.5" the captioned image is 13.75" x 10" now presented in cream mounting boards 21" x 17" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A very beautiful image of the Temple of Isis on the Island of Philae looking down the Nile. Philae was accounted to be one of the burying-places of Osiris and was held in high reverence both by the Egyptians to the north and the Nubians to the south. It was deemed profane for any but priests to dwell there and was accordingly sequestered and denominated "the Unapproachable." This is a view now un-viewable to modern eyes. Due to decades of constant flooding of Philae after the construction of the Aswan Low Dam every building was dismantled into about 40000 units and then transported to higher ground on the nearby island of Agilkia. The project was completed in time for the 1970 construction of the the Aswan High Dam.<br> We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as many views of Egypt we also have available views of Nubia Petra Sinai the Jordan Tyre Sidon and Baalbec. Please inquire for further details.<br> In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
1875ABC_46596Egypt 1875. A single oblong board 30 x 40 cm. Zangaki brothers 2 albumen photographic prints mounted on one board 1 on each side approx. 225 x 28 cm. 2 albumen photographic prints of a view of the Nile with pyramids in the background and the Al-Azhar mosque in Cairo by the Zangaki brothers "Adelphoi Zangaki" who were two photographers of Greek origin active in Egypt from ca. 1870 until the beginning of the 20th century. They can be grouped together with other commercial photographers who worked in Egypt during the second half of the 19th century. These photographers such as Félix Bonfils Gustave le Gray and others who were mostly of French origin were able to capitalise on the rising demand for photographic prints as souvenirs. Photographers like the Zangaki brothers often sold the albumen prints from their studios located in cities like Port Said Cairo and Suez but produced the actual photographs using the collodion process in a portable darkroom - a cart or sometimes even a boat - in the field.The brothers were quite prolific producing at least 1500 photographs of Egypt and other regions of the Middle East during the span of a few decades around the turn of the 20th century. Since these photographs were taken with the purpose of creating prints for tourists the subjects are often "quintessentially Egyptian" and sights such as the pyramids along the Nile river are captured. However they also provide a glimpse into Egyptian daily life or occasionally one can sneak a peek at one the photographers and their portable darkroom. Not much is known about the Zangaki brothers and until quite recently people thought that the photographic prints signed "Zangaki" were produced by one single person. With a tear in the lower margin not affecting the photographs some foxing remnants of white tape to one of the side margins of the board with a small blue ink mark below an inscription "Mosque of El Azhar." in the margin below the photograph of said mosque. Overall in good condition.l cf. Erdem Views of Egypt by Georgios and Constantinos Zangaki . 2009; Hannavy in: Encyclopedia of Nineteenth-Century Photography p. 1521; Perez Focus east p. 233. ABE CAT Art History ABE CAT Middle East Arabian Peninsula unknown
1826PHO-2360Sl, imprimerie royale, 1826-27 - 4 vol. in 8° (21,5x13cm), 4ff - 429 pp. -2ff./442 pp.-2ff.- 431 pp./ 2ff.- 416pp., demi-basane tabac, dos à nerfs avec auteur, titre et tomaison, épidermures, petites rousseurs, mouillure angulaire au tome 2 Texte seul, illustré de 12 planches de costumes en couleurs, dont 4 planches de costumes en noir (T1), et de 3 planches inscription archéologiques.