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17383Rariorum Africanarum Plantarum Ad vivum delineatarum, Iconibus ac descriptionibus illustratarum Amstelaedami, apud Henricum Boussière 1738-1739 10 parties reliées en un volume, reliure plein vélin d'époque Edition originale illustrée de 100 très belles planches gravées Johannes Burman, présente ici l'une des meilleures études relatives à la flore africaine, les planches furent dessinées d'après nature d'après les herbiers des collections d'Oldenland, de Hartog, de Paul Hermann et de Witzen. Format : 22 x 27 cm, 270 pages, 100 planches gravées hors texte , reliure janséniste plein vélin d'époque, dos lisse, rousseurs éparses, papier quelques fois un peu jauni, petit cachet "ex-libris de Cayrol" en page de titre, sinon bel état pour ce très rare ouvrage .
305141Johannesburg South Africa: Brenthurst Press 2004. Copy E of 25 later 20 copies in full binding for Robert S. Pirie. Numerous colour illustrations. 5 vols. Large 4to. Full publisher's navy Nigerian Sokoto goatskin t.e.g. Bookplate of Robert S. Pirie. Loosely inserted engraved cards from "Mr Harry Oppenheimer Brenthurst Johannesburg" or compliments slip from Mary Slack Harry Oppenheimer's daughter. As new in leather backed folding box. Copy E of 25 later 20 copies in full binding for Robert S. Pirie. Numerous colour illustrations. 5 vols. Large 4to. Choice set of the third series of Brenthurst Library works on the history and natural history of South Africa in finely executed presentation bindings variously by John Mitchell Woking; Peter Carstens Johannesburg; and Roger and Ivy Bolton Warrington.<br /> Presented by Harry Oppenheimer and his librarian to the distnguished New York investment counselor and famed book collector Robert S. Pirie. Brenthurst Press unknown
2004305141Johannesburg South Africa: Brenthurst Press 2004. Copy E of 25 later 20 copies in full binding for Robert S. Pirie. Numerous colour illustrations. 5 vols. Large 4to. Full publisher's navy Nigerian Sokoto goatskin t.e.g. Bookplate of Robert S. Pirie. Loosely inserted engraved cards from "Mr Harry Oppenheimer Brenthurst Johannesburg" or compliments slip from Mary Slack Harry Oppenheimer's daughter. As new in leather backed folding box. Copy E of 25 later 20 copies in full binding for Robert S. Pirie. Numerous colour illustrations. 5 vols. Large 4to. Presentation Bindings. Choice set of the third series of Brenthurst Library works on the history and natural history of South Africa in finely executed presentation bindings variously by John Mitchell Woking; Peter Carstens Johannesburg; and Roger and Ivy Bolton Warrington.<br/>Presented by Harry Oppenheimer and his librarian to the distnguished New York investment counselor and famed book collector Robert S. Pirie. Brenthurst Press unknown books
1888142115Port Elizabeth: Published by the Author 1888. First Edition. Hardcover. Very Good. Port Elizabeth Published by the Author 1888. Large quarto 375 × 305 mm vi pages plus 104 Woodburytypes four very large measuring 233 × 326 mm or the reverse the rest approximately 125 × 190 mm mounted within printed borders on 29 card leaves recto and verso. Original full leather blocked in gilt and blind later rebacked retaining most of the original backstrip; all edges gilt; leaves a little cockled and tanned with a few slightly marked and foxed; expert conservation to a split near the head of the spine to the front free endpaper and the three leaves of text comprising the title leaf and two leaves of introductory notes by the photographer; overall a very good copy with the plates in excellent condition. A lavish photographic survey of Cape Colony Natal Orange Free State and the Transvaal Republic with a particular focus on the 'scenery gold and diamond mining districts and mines seaports and the native industries and life of South Africa' from the foreword. <p>This copy has the additional interest and value of a large albumen silver photograph 205 × 282 mm mounted on the verso of the front free endpaper acting as a frontispiece. the margin below the plate is captioned '"Tweedie Hall" Natal Taken by the architect while the house was being built in 1892'. Jacqueline Kalley's book 'Farmhouses of Old Natal' records that the house was built by James and Eliza Morton and the name comes from Tweedie Hall in Scotland where they were married. They arrived at Port Natal in 1868 purchased a farm and over time acquired some 12000 acres of land. Morton sold agricultural machinery and built the first silos in Natal. The grand house was designed by the prolific Natal architect William Street-Wilson; it survives to this day and is currently owned by a great-grandson of the Mortons. Published by the Author hardcover
1686PHO-1723Paris, Arnould Seneuze, Daniel Horthemels, 1686-1689, 2 vol. in-4 : 16ff.-424pp. 8ff., 8ff.-416pp.-5ff., illustré de 26 planches (20+6) dont certaines dépliantes ou à double pages, gravées par Cornelis Vermeulen, d'après les dessins de P. Sevin, relié plein veau chiné (légèrement différentes), dos à nerfs orné avec titre, frottements, manques en tête et en queue du tome I, coins du tome I émoussés, dos, mors et coins du tome II réparés, tache d'encre dans les marges inférieures des pp.305-307 du tome I, pl. p. 91 du tome I colorié à la main, déchirure au titre du tome II renforcé.
1875190005London: Printed by Wertheimer Lea and Co. 1875. One of the most elusive books on the South African diamond rush First edition rare just six locations among institutional libraries all in South Africa; one copy only on auction records. This compelling firsthand account traces an overland journey from Cape Town through Stellenbosch the Great Karoo and key frontier towns before reaching the diamond fields of Kimberley. The author has evaded identification. Mendelssohn suggests in the typescript "Additions" to his bibliography that the author may be Mary Elizabeth Barber 1818-1899 poet and natural historian; although she accompanied her husband and family to the diamond fields from the Eastern Province whereas the writer of this work travelled from the Cape. However South Africa historian Alfred Graham-Brown doesn't hesitate in attributing it to her see The Settlers' Press: Seventy years of printing in Grahamstown 1979. WorldCat and the South African Bibliography cite copies at the following libraries: Mendelssohn Library South African Library now National Library of South Africa Johannesburg Public library University of the Witwatersrand Kimberley Public Library and University of Pretoria. Octavo pp. 54. Original green cloth gilt lettered and panelled on front cover blind panelled on back pale yellow coated endpapers. Binding rubbed at extremities couple of marks to back cover internally cracked at gutter in a few places but firm: very good. Not in the printed edition of Mendelssohn; South African Bibliography II p. 148; Theal p. 176. hardcover
173817291Amsterdam, Henricum Boussière, 1738 ; in-4, veau marbré, dos à nerfs décoré et doré, pièce de titre grenat, roulette sur les coupes, tranches rouges (reliure de l'époque); VIII, 268pp. [i.e. 278], y compris les titres des dix parties avec vignette gravée sur cuivre répétée, (1) f. d'Index et (10) ff. de dédicaces à des personnalités différentes ; 100 planches hors-texte gravées sur cuivre.
18459Various publishers and places. 1926 - 1982. Sydney Clouts' 1926-82 small body of poetry he published just one volume One Life 1966 during his lifetime belies a larger presence in the history of South African poetry in English during the second half of the twentieth century. Born in Cape Town in 1926 Clouts married Marjorie better known as Marge Leftwich in 1952. Although the couple never made public statements about their move to England in 1961 its timing following the 1960 referendum result that led to the constitution of the South African Republic and the entrenchment of apartheid policies was clearly no coincidence. Like his English near-contemporary Philip Larkin Clouts became a librarian a job he held until his death in 1982. Voluntary exile the use of a language English bound up with colonial history and its legacies not to speak of the poet's Jewishness anti-Semitism was rife in both his country of origin and exile all may have contributed to Clouts' near-silence as a poet following the move though this generous collection of books and papers drawn from Sydney and Marge's library demonstrates their continued involvement with and support for a South African literary community native and in exile while providing a context for Clouts' own small exquisitely formed output. J. M. Coetzee no less has described Clouts as "the purest poetic talent" of his generation writing of his "drive toward transcendence and concentration on the thisness things" and comparing the poet to both Gerard Manley Hopkins and Patrick White "another suburban visionary". If the poems' treatment of colonial racial and linguistic issues is typically oblique their deft control of sound and image offers a personal and quietly radical response to painful events that the poet clearly felt helpless to influence. Robert Frost's description of poetry as a "momentary stay against confusion" is a clue here as are the phenomenological meditations of Wallace Stevens or indeed the seventeenth-century English poet Thomas Traherne invoked in the first poem of One Life whose mystical and lyrical ecstasies are pared and distilled to the feel of a pebble warm in the palm of a hand. Along with the poet's own works this substantial collection of 154 items represents many poets Hope Wright Delius Driver who like Clouts moved to England as well as those who remained in Africa. There's a rich seam of work by black poets Mapanji Mtshali Rive Sepalma Serote as well as Clouts' Jewish peers Abrahams Becker Miller and others not to speak of the poet's personal copies of significant forebears such as Roy Campbell and William Plomer and his friend and contemporary Guy Butler. The many inscriptions dedications and recollections to be found across the collection attest to the widespread affection for the Clouts' as patrons and friends to the cause of South African literature. "My tradition is dew on a shrub / One word too many; many too few." from "Residuum" Collected Poems. Further information and a detailed list of the contents of the collection are available on request. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Various publishers and places. 1926 - 1982 unknown
2021DBS-9781774077504Delve 2021. 1st. Hardcover. New. Delve hardcover
2021DBS-9781774077504Delve 2021. 1st. Hardcover. New. Delve hardcover
17424236Amsterdam, Jean Catuffe, 1742. 1742 3 volumes in-8° (172 x 98 mm) de: [2] ff. (faux titre, titre) ; XIII ; [1] p. ; [5] ff. ; 428 pp. ; [1] pp. ; 8 pl. ht ; [10] ff (faux titre, titre) ; 320 pp. ; 2 pl. ht ; 6 cartes et vues dépliantes ; [8] ff. (dont faux titre et titre gravé) ; 262 pp. ;14 pl. ht dhistoire naturelle. Plein veau moucheté d'époque, dos à nerfs ornés, titres et tomaisons de maroquin brun, tranches rouges.
1690PHO-1696Paris, veuve de J.-B. Coignard, J.-B. Coignard, 1691. 2 volumes in-12, titre, 2 ff. n. c., -555 pp. ; 1 ff. n. c.., 404 pp, 2 ff. de tables in fine, relié plein veau époque, dos à nerfs orné légèrement différent, étiquette de titre au tome 1, coins et coiffes usés, petit travail de ver, 3 planches détachées au tome 1, page de titre courte, cachet. L'illustration comprend 37 planches (41). La première planche donnée dans la table du tome 1 est dans le texte, planches hors texte gravées par Ertinger, certaines dépliantes. Vignette aux armes du marquis de Torcy, à qui l'ouvrage est dédié. Les planches représentent des plantes, des costumes, des habitats, des instruments, de musique, des cartes … etc
170020938Nürnberg, Knorz für Michaelli, 1700. Titel, 10 n.n. Bll., 437 (falsch 407) Seiten, 1 Bl., 25 Kupfertafeln. 4°. - 20,6:16,5 cm. Pergament der Zeit (Deckel mit weißem zeitgen. Papier überklebt).
1787PHO-1778Paris, Buisson, 1787. 2 vol in-4° (26 x 20 cm) , 2ff.-XXI-3pp.-478pp.[2] ff., 2ff.-462 pp., illustré d’un frontispice, une carte et 15 planches, relié plein basane époque, dos à nerfs orné avec pièces de titre et tomaison vertes, triple filets aux plats et roulette intérieure, tranches marbrées, coiffe sup. réparée, tache au coin, travail de ver (tome 2) sur 15 feuillets, 2 cahiers brunis, petite mouillure marginale.
ORD-13491Paris. Leroy. 1790. 2 volumes in-8 (134 x 208mm) pleine basane brune, scarifiée, dos à 4 nerfs, filets, caissons et fleurons or, pièces de titre maroquin brun, de tomaison maroquin noir, triple filet et rouelles à froid en encadrement des plats, gardes peignées, tranches rouges, signets, XXIV, 383 et 1f., 403 pages. Bien complet des 12 planches gravées hors texte dont 2 dépliantes dont la célèbre Hottentote et 2 planches de la girafe dont il fut le premier à faire une description complète. Bel ex-libris armorié de Félicie Dorival. Première et dernière feuilles de chaque volume un peu salies sinon bons exemplaires malgré quelques rares défauts, dans des reliures XIXe à l'imitation du XVIIIe.
8vo., First Edition, with portrait frontispiece, 9 maps in the text and folding coloured map; attractively bound in navy half morocco BY SOTHERAN, blue cloth sides ruled in gilt, back with raised bands with gilt fillets, second and third compartments with red leather labels framed and lettered in gilt, all other compartments framed in gilt, gilt top, marbled endpapers, an elegant copy ideal as a gift or presentation. THE BINDING IS SIGNED ON FRONT FREE ENDPAPER VERSO. Churchill's continuation of 'London to Ladysmith', completing the publication in book form of his letters to the 'Morning Post'. Four letters are published here for the first time. Chapter XVI, 'Held by the Enemy', is devoted to extracts from Frankland's diary. 5000 copies were published on 12 October 1900. Woods, A5.
1686PHO-2093Paris, Arnould Seneuze, Daniel Horthemels, 1686, in-4 (24,5x19cm): 16ff.-424pp. 8ff., illustré de 20 planches dont certaines à double pages, gravées par Cornelis Vermeulen, d'après les dessins de P. Sevin, relié plein veau chiné, dos à nerfs orné avec titre, frottements, manques en tête et coiffe arasée, 1 coin usé, mouillure en coin sur une quinzaine de feuillets, une planche détachée, quelques brunissures et rousseurs.
Roy. 8vo., Second Edition, with 12 fine engraved plates in monochrome by Keulemans, one or two short marginal tears in blank margins of a few leaves; attractively bound in navy blue cloth, navy blue calf back lettered and ruled in gilt, uncut AND PARTIALLY UNOPENED, beige endpapers (original yellow free endpapers preserved), a very good, bright, clean copy. Wanting (blank) pages 856-866 as usual. The first edition of Layard's standard monograph was first published in Cape Town in 1867. This second and best edition was prepared by Sharpe and dedicated by him to Layard. The superb plates by Keulemans (sometimes coloured by hand; uncoloured in the present copy) appear here for the first time. A lovely copy of a scarce and standard reference. Mendelssohn I, p.872; Tate p.203.
43164London, Stanford, 1899.
1686PHO-1903Paris, Arnould Seneuze, Daniel Horthemels, 1686-1689, 2 vol. in-4 (25x19cm): 16ff.-424pp. 8ff., 8ff.-416pp.-5ff., illustré de 10 planches (26) dont certaines dépliantes ou à double pages, gravées par Cornelis Vermeulen, d'après les dessins de P. Sevin et 7 vignettes, relié plein veau époque, dos à nerfs, Tome 1, dos frotté, coiffe manquante, épidermure, coins usés, ex-libris raturé au titre, mouillure angulaire sur 10 feuillets, ressaut de cahier. Tome 2, manque au dos, charnières fendues, coins usés, coiffes absentes, petit travail de ver sur 6 feuillets puis pages 300-350, mouillure claire par intermittence, 3 feuillets détachés, quelques feuillets brunis.
ORD-13471Tirée des Mémoires de Mr. Pierre Kolbe. Dressés pendant un séjour de dix Années dans cette Colonie, où il avait été envoyé pour faire des Observations Astronomiques & Physiques. Amsterdam. Jean Catuffe. 1743. 3 volumes in-12 (102 x 171mm) pleine basane mouchetée, dos à 5 nerfs, caissons or, pièces de titre et de tomaison de 2 rouges différents, gardes peignées, tranches rouges, 2ff., XIII, (11), 428; 2ff., (12), 262 et 2ff., (16), 320 pages. Bien complet des 5 cartes repliées et des 25 gravures hors texte dont un grand panorama dépliant du Cap de Bonne-espérance. Menus défauts, mais bel exemplaire.
1787PHO-2220Paris, Buisson, 1787. Trois volumes in-8 (198x120mm), xxxii-388pp.-2 pl., 2ff.-366pp.- 8 pl., 2ff.-363pp.- 6pl.. Basane marbrée de l'époque, tranches marbrées, dos à nerfs ornés avec pièce de titre (rouge) et tomaison (verte) mouillure au t2, carte volante.
17960038431796 A Paris, chez Benoît Dandré, Garnery & Obré, An IV [1796]. Un volume (sur 2) in-quarto (208 X 260) basane fauve granitée, encadrement de roulette dorée sur les plats, dos lisse orné de roulettes dorées en place des nerfs, chainettes et fleurons dorés, pièces de titre et de tomaison maroquin havane foncé, coupes et coiffes filetées (reliure d'époque) ; (2) ff. de faux-titre et titre, portrait-frontispice, XLIV pages de préface du rédacteur, préface de l'auteur, table des chapitres et explication des planches, 510 pages, 16 planches hors-texte. Petites galeries de ver aux 20 premiers feuillets, sans atteinte au texte ; puis deux trous de vers, en fond de cahier et de la grosseur d'une tête d'épingle, jusqu'à la page 104 pour le premier trou, et jusqu'à la fin du volume pour le second.
1847PHO-620Paris, A. René et Cie,(235x160),1847. 2 volumes in-8, demi-chagrin violet, dos orné, tranches mouchetées (Reliure de l'époque), illustré de 8 lithographies et 2 cartes , un vocabulaire Zoulou à la fin du 1er tome ainsi qu’une liste des insectes , diptères ramenés pour la collection du muséum naturel de Paris .quelques rousseurs
1864583Couverture rigide 1ère Édition B. L. Garnier 1864 Rio de Janeiro 22x14 cm