BÉDOUIN Jean-Louis.Livre Rare Book
159 résultats
19677325Paris, Seghers, 1967. In-4 (200 x 260 mm), 57 pp., 2 ff. n. ch. En feuilles, couverture ocre imprimée d'éditeur à rabats, chemise en demi-chagrin marron, titre et auteur en long au dos, étui bordé (P. Goy & C. Vilaine).
Pages 562-676. Features: In the Khalifa's Clutches - part IV of Charles Neufeld's ordeal; Impressions of Pekin - sensational photo-illustrated article; Two Loves Affairs, and How They Ended - Colonel Hervey Tryon falls headlong into a deep well of garbag; The Hook-Swinging Ceremony as I Saw It - Rev. Joshua Knowles describes a South Indian pagan festival in which devotees have hook placed in their flesh before they are swung into the air at the end of long poles - with photos; A Desperate Plight - travails of Captain H.V. Barclay in the arid Australian interior; The Great Grottos of Han - photo-illustrated article on the marvelous caverns near Han-sur-Lesse in the Belgian Ardennes; Held by An Octopus - Herbert Perkins explains how he was grabbed from out of the water; Shooting the Reversible Falls - photo-illustrated story from St. John, New Brunswick involving Xavier Francis and Louis Mitchell; Life in an Italian Village (near Pallanza); On the War-Path with Redskins - a retaliatory raid of natives is recounted by J.W. Schultz, a Rocky Mountain guide who was married to a Blackfoot and lived among them in Montana; The Fantastic Carnival at Pangau in a remote part of the Austrian Tyrol; Twenty-Seven Days in an Open Boat - Part II - the castaways are finally rescued, but in ghastly condition; Naia, The Witch of Rochefort-en-Terre, in Brittany - photo-illustrated article; Through Italy in Bedouin Dress - photo-illustrated account; One Thousand Miles on Mule-Back - Part I of this photo-illustrated article of the amazing journey of Mabel Penniman from New York to London via Central and South Amerca; The Bogus "Rush" at Coolgardie - photo-illustrated of a fake gold rush in Australia as told by John Marshalll of Kalgoorlie; Photo of women coal heavers in Dresden; Full-page photo from Kelsey Creek, California showing a river of fish three feet deep - with no water!; Photo of Tunisian camel fight; and more. Average external wear and soiling. Few pencil markings. Binding intact. A sound vintage copy of this excellent issue. Book
1900145891900. Nineteenth century albumen photographs depicting Bedouin camp life in the Arabian desert during the period when early photography began documenting nomadic societies of the Middle East. European photographers and travelers working across the Ottoman and Arabian regions during the nineteenth century frequently recorded images of desert encampments tribal leaders and mounted riders as part of a broader photographic interest in documenting cultures associated with caravan routes pastoral nomadism and the social organization of Bedouin communities. These images present scenes of communal gathering and mounted travel central to Bedouin social and economic life.<br /> <br /> Two original albumen prints showing Bedouin encampment scenes. Circa nineteenth century. Each photograph measures approximately 8 x 10 inches. One image depicts a large group of Bedouin men assembled beneath a tent in an open desert plain covered with sparse grass suggesting a communal meeting or gathering within the camp. The second photograph captures five mounted horsemen their horses fully saddled speaking with an older Bedouin figure positioned outside a cluster of tents that form part of a larger encampment. The photographs document both the spatial layout of a Bedouin camp and the presence of mounted riders whose mobility was central to pastoral life and desert travel.<br /> <br /> Photographs of Bedouin communities produced during the nineteenth century formed part of a wider photographic record of the Middle East created by travelers military observers and early ethnographic photographers. Such images circulated in travel literature and photographic albums that introduced European audiences to the landscapes and social organization of the Arabian deserts. Visual documentation of Bedouin camps offers insight into the material culture of nomadic life including tent structures mounted transport and communal gathering practices that structured desert society. Light age toning and minor handling wear; overall very good condition. A clear pair of nineteenth century albumen photographs documenting Bedouin camp life. unknown
14589A set of Original Vintage Albumen Prints of a Bedouin Camp circa 19th century. Size: 8" x 10." In the first photo we can see a large meeting of Bedouin men congregated under a tent in a dry grassy plain of the desert. The second photo captures 5 saddled horsemen speaking with a Bedouin elder outside a large Bedouin camp. Two intriguing photos in very good condition. unknown books
14537A Vintage Albumen photograph of Bedouin Warriors charging with swords drawn circa 1880. Image size: 7" x 9." In this dramatic photo a dozen Bedouin horsemen with swords drawn are charging in full gallop through the barren desert sands. This image beyond any other early photo we have seen captures the spirit of the Bedouin warrior on his horse. The Bedouin cavalry with its speed and expert maneuvering was the pivotal force in most of the important historical events in the Arabian desert. A few Bedouin tents next to a lone palm tree stand in the background. On the horizon we make out the faint outline of mountains. It is very rare to find a photo that captures a scene of Bedouin warriors in the midst of a mounted charge from this early period as the 19th century technology in photography was not designed to produce action shots of any sort and therefore photographers rarely attempted to do so. The most powerful image of Bedouin charge we have seen. In very good condition. unknown books
1069Editions Seghers / Collection " Poètes d'aujourd'hui " n° 18 de 1950. In-12 broché carré de 226 pages au format 16 x 13,5 cm. Portrait de André Breton en couverture par Max Ernst. Etude de Jean-Louis Bédouin avec inédits, oeuvres choisies, bibliographie, dessins, photos et fac-similés. Dos légérement insolé avec petites pliures de lecture. Infime manque au coin inférieur du 1er plat. Intérieur frais. Edition originale. Précieux exemplaire orné d'une dédicace autographe de Jean-Louis Bédouin à René Lalou, contresignée par André Breton. Provenance idéale.
10995Collection suivie et sans manque, du n° 1 (février 1996) au n° 117 (janvier 2015). Ensemble bien complet de tous ses suppléments. Chaque numéro est contenu dans une pochette plastique ; ces pochettes sont réunies dans des classeurs. Ensemble en parfait état. Importante documentation. /// Contributions de : Pierre Alechinsky, Noël Arnaud, Héribert Becker, Jean-Louis Bédouin, Xavier Canonne, Jean-Claude Charbonnel, Etienne Cornevin, Claude Courtot, Gérard Durozoi, Jean-Michel Goutier, Tom Gutt, Edouard Jaguer, Jacques Lacomblez, Dominique Lambert, Jean-Pierre Lassalle, Miguel Pérez Corrales, José Pierre, Dominique Rabourdin, Gérard Roche, Georges Sebbag, Gérard de Sède, Laurens Vancrevel, Bastiaan van der Velden, Her de Vries, etc.
17701P., Collection du B.L.S., 1975, In-4, 34x52 cm, en feuilles, non paginé, sous chemise et étui framboise éditeur.
1819PHO-2364Paris, chez P. Mongie Ainé, 1819. 2 volumes in-8 (20,5x13cm), X- 392- 394 pp., 2 volumes reliés presque à l'identique pleine basane marbrée (de l'époque pour le premier volume, pastiche pour le second), dos lisse avec pièces de titre et tomaison vertes, défaut au titre tome 2, quelques rousseurs. 7 planches dont un frontispice et une carte dépliante dans une pochette en fin de volume du tome II, un plan de Tripoly en Barbarie (Nicolas de Fer, 1705 ?) dans une pochette au tome 1
1880145371880. Albumen photograph Bedouin cavalry charge circa 1880 documents mounted warfare practices among nomadic groups in the Arabian desert during the late nineteenth century a period when Bedouin tribal forces maintained regional influence through mobility horsemanship and control of desert routes. The image captures armed horsemen in coordinated motion with swords drawn providing visual evidence of cavalry tactics central to intertribal conflict and territorial defense prior to the consolidation of modern state authority in the region. Such imagery supports research into Middle Eastern military history nomadic social organization and the representation of non-Western subjects in early photographic practice.<br /> <br /> Single albumen print measuring approximately 7" x 9" depicting approximately a dozen mounted Bedouin riders in full gallop across open desert terrain. The composition includes figures in the foreground advancing with raised swords with additional environmental detail visible in the background including tents near a palm tree and distant mountainous forms along the horizon. The photograph captures a dynamic moment of movement unusual for the period given the technical limitations of nineteenth-century photography which more commonly produced static or posed scenes. No visible inscriptions noted; composition emphasizes both action and landscape context.<br /> <br /> Produced during a period when photographic processes required long exposure times the successful rendering of motion in this image indicates either careful staging or a rare attempt to document kinetic activity in situ. Bedouin cavalry traditions remained central to Arabian Peninsula power structures throughout the nineteenth century preceding the military and political transformations that accompanied Ottoman decline and later state formation in the early twentieth century. Visual records of mounted action from this period are comparatively limited particularly those that attempt to depict combat or maneuver in progress making the photograph relevant for studies of early visual ethnography colonial-era image production and the documentation of pre-modern military systems. Light wear consistent with age; image remains clear with strong tonal contrast; overall in very good condition. unknown
5869SUPERBE LETTRE SON AMI REN ALLEAU DANS LAQUELLE IL ABORDE LA NOTION DTERNIT......Jarrive peine reprendre pied, (...). Cest en vain que je chercherais ici lquivalent de cet air lgrement parfum, de cette athmosphre (sic) dore qui rappelle l-bas tout homme quil peut tre des compagnons de Dionysos. Et sil est bien dans la vertu de lor de sacraliser ce quil touche, que dire de ces dernires journes que nous avons passes en Provence, aidant de nos mains clbrer le sacrifice des grappes dans le fouloir...La substance de votre lettre, si riche de sens et si belle, saccordait parfaitement celle de ces journes fastes et simples. Je vous aurais aussitt rpondu, si le travail qui saccomplissait (et pas seulement dans les cuves !) net exig autant de vigilance de notre part que de bonnes dispositions des astres et des pluies (...).Maintenant que ce charme nest plus quun souvenir, nous nous trouvons nouveau ballots par les eaux bitumeuses (...). Lternit, massurez-vous, est seule compter, non cet avenir que je croyais devoir invoquer comme un miracle toujours possible (...). Il nen reste pas moins que le mot nest, comme dautres, nullement exempt de rsonances qui, trs probablement, me lon fait inconsciemmentrejeter. (...), il voque quelque chose de statique, de contraignant, propre freiner tout essor. Ne pourrait-on parler dune 6 ternit en mouvement, faite de tous les temps, de toutes les naissances et de toutes les morts (je ne pense pas forcment l ternel retour ) ?...Tout ceci pour manifester le profond intrt que jai pris vous lire, plutt que pour discuter un problme qui chappe en grande partie mes comptences, dans la mesure o je suis plus pote que mtaphysicien. Pour tre tout fait sincre, je dois ajouter cependant que la posie peut, mon sens, saisir plus troitement et plus vite certaines ralits spirituelles, que ne le pourra jamais la philosophie (...). Cest cette conviction, peut-tre fort subjective, qui ma soutenu tout au long du texte que je vous envoie sous ce pli. Je naurais pas tant tard vous ladresser, si je navais pens que Monsieur Canseliet vous le communiquerait...Ren Alleau (1917-2013) est un historien des sciences occultes. Il fut un proche dAndr Breton. Franc-maon, il a t membre de la loge de Paris de tendance gunonienne Thebah, appartenant la Grande Loge de France. Louvrage de Ren Alleau Aspects de l'alchimie traditionnelle fut prfac par Eugne Lon Canseliet (1899-1982 auteur et alchimiste, disciple de Fulcanelli).
2553Editions Seghers / Collection " Poètes d'aujourd'hui " n° 18 de 1950. In-12 broché carré de 226 pages au format 17 x 14 cm. Portrait de d'André Breton en couverture par Max Ernst. Etude de Jean-Louis Bédouin avec inédits, oeuvres choisies, bibliographie, dessins, photos et fac-similés. Dos légérement insolé avec petites pliures, mais qui est resté bien carré. Bords des plats ltrès légèrements insolés. Intérieur parfait. Intérieur frais. Un des 100 exemplaires du tirage de tête numérotés sur Alfamarais ( n° 63 ), seul grand papier. Edition originale.
196174291Paris: Denoël 1961. Fine. Denoël Paris 1961 14.50 x 20.50 cm broché First edition one of 25 numbered copies on alfa paper the only deluxe copies. Iconography. Handsome copy. Denoël unknown
196125433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. <br/><br/> Denoël unknown books
196125433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown
194827263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. Éditions surréalistes unknown
194827263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. <br/><br/> Éditions surréalistes unknown books
196174291Denoël | Paris 1961 | 14.50 x 20.50 cm | broché
1969185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. <br/><br/> unknown books
1969185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown
P5342Paris: 1970-1974. Quartos 29 à 18 cm. Original pictorial wrappers; 18 to 30 pp. each. Most copies very good only four and five with light creasing to wrappers and upper spine of issue 4 lightly frayed. Substantial run lacking only the final two issues of this illustrated surrealist periodical issued from 1970 to 1976 with a pause in 1975. The periodical was an important international signal against the supposed death of the surrealist movement post-1969 when it was denounced by leading members of the French Surrealist group: "The Parisian Surrealists who refused to abandon the movement regrouped in close relation with their friends in Prague around the Bulletin de liaison surréaliste. They were also supported by Surrealists in the United States" Michael Löwy Morning Star 108. Indeed the high number of contributions reflecting the Czech surrealist experience is noteworthy especially by post-war representatives such as the Å vankmajers MarenÄin Stejskal and Vratislav Effenberger. With a joint introductory statement by Jean-Louis Bédouin Jean Benoît Vincent Bounoure Jorge Camacho Joyce Mansour and Michel Zimbacca "No one has the right to dictate a Surrealist 'line' and still less to set it down" / transl. by Löwy. Among the contributors are Karol Baron Bédouin Vincent and Micheline Bounoure Vratislav Effenberger Robert Guyon Marianne van Hirtum Ted Joans Robert Lebel Mansour Albert MarenÄin Renaud Cabanel Nicolas Calas Camacho Herbert Marcuse Morin Martin Stejskal Svab Å vankmajer Å vankmajerova and others. Illustrated with drawings and photographs the issues contain poetry prose manifestos and theory surrealist games as well as lists of recently published surrealist works. The journal appears to be quite scarcely represented in institutions which typically only show the 1977 reprint by Savelli. unknown books
1792PHO-1241Chez Briand, à Paris 1792, 2 tomes en 2 Vol. in-8 (13,5x21,8cm), (2) vj, 440pp. et (2) 483pp., relié plein basane tacheté , dos lisse orné avec pièces de titre et tomaison vertes , ex-libris manuscrit , coiffes et coins usés , charnières fendues , vieilles mouillures avec quelques traces .
195059357Paris: Seghers 1950. Fine. Seghers Paris 1950 14 x 17 cm broché First edition one of 100 numbered copies on alfa paper the only deluxe copies with some hors commerce also on alfa paper. Iconography. Work illustrated on the cover with a portrait of André Breton by Max Ernst. Spine and covers lightly and marginally discolored two small lacks at head and foot of covers. Seghers unknown
050281949 Paris La Hune diffuseur. 62 x 40 cm - 4 pgs - pliées en 4 - les articles imprimés en fac-simile du manuscrit original - collaborzateurs Breton Péret Schuster Toyen Riopelle ea - très fragille! - voir Bolliger D.B. III 199 - Rare - Bolliger K 3 nr684 <br /> 1949 Paris La Hune (diffuseur)
195059357Seghers | Paris 1950 | 14 x 17 cm | broché
