21 résultats
PJH55654Editions Denoel Paris 1961. Ownership Signature of Roger Cardinal and with comments in his hand throughout and on rear endpaper VG in slightly rubbed publishers decorated wrappers creased on spine.Illustrated.1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Editions Denoel (Paris) 1961 unknown
196193367Paris: Denoel 1961. Paperback. An unopened copy with mild creasing to spine; overall very good. Small quarto in glossy color illus wraps; 325 pages: illustrations; 21 cm. In French. / Art. Surrealism. surréalisme. Denoel paperback
196125433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown
196174291Paris: Denoël 1961. Fine. Denoël Paris 1961 14.50 x 20.50 cm broché First edition one of 25 numbered copies on alfa paper the only deluxe copies. Iconography. Handsome copy. Denoël unknown
41790Collection En Dehors - Editions Plasma In-8 246pp. petites usures d'usage sur la couverture A64 unknown
042887567X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20397Lausanne Guilde du Livre 1950. 4° ca. 60 Bl. ca. 80 s/w-Abb. Broschur. Etwas berieben Vors. papierbedingt gebräunt. Schwarzweisse Aufnahmen von schwarzen Menschen sind vermutlich nach den «Ideologen der Totalen Korrektheit» rassistisch zu nennen. Ich hingegen finde diese sehr poetisch und anziehend. 010 Lausanne, Guilde du Livre, 1950 unknown
195037449Lausanne : La Guilde du Livre 1950. 280x220mm. photos en hliogravure broch. couverture remplie. Bon exemplaire. 480 La Guilde du Livre unknown
050281949 Paris La Hune diffuseur. 62 x 40 cm - 4 pgs - pliées en 4 - les articles imprimés en fac-simile du manuscrit original - collaborzateurs Breton Péret Schuster Toyen Riopelle ea - très fragille! - voir Bolliger D.B. III 199 - Rare - Bolliger K 3 nr684 <br /> 1949 Paris La Hune (diffuseur)
1880145371880. Albumen photograph Bedouin cavalry charge circa 1880 documents mounted warfare practices among nomadic groups in the Arabian desert during the late nineteenth century a period when Bedouin tribal forces maintained regional influence through mobility horsemanship and control of desert routes. The image captures armed horsemen in coordinated motion with swords drawn providing visual evidence of cavalry tactics central to intertribal conflict and territorial defense prior to the consolidation of modern state authority in the region. Such imagery supports research into Middle Eastern military history nomadic social organization and the representation of non-Western subjects in early photographic practice.<br /> <br /> Single albumen print measuring approximately 7" x 9" depicting approximately a dozen mounted Bedouin riders in full gallop across open desert terrain. The composition includes figures in the foreground advancing with raised swords with additional environmental detail visible in the background including tents near a palm tree and distant mountainous forms along the horizon. The photograph captures a dynamic moment of movement unusual for the period given the technical limitations of nineteenth-century photography which more commonly produced static or posed scenes. No visible inscriptions noted; composition emphasizes both action and landscape context.<br /> <br /> Produced during a period when photographic processes required long exposure times the successful rendering of motion in this image indicates either careful staging or a rare attempt to document kinetic activity in situ. Bedouin cavalry traditions remained central to Arabian Peninsula power structures throughout the nineteenth century preceding the military and political transformations that accompanied Ottoman decline and later state formation in the early twentieth century. Visual records of mounted action from this period are comparatively limited particularly those that attempt to depict combat or maneuver in progress making the photograph relevant for studies of early visual ethnography colonial-era image production and the documentation of pre-modern military systems. Light wear consistent with age; image remains clear with strong tonal contrast; overall in very good condition. unknown
19641319paris: éditions seghers 1964. 1964.<br /> <br /> movement-defining anthology of surrealist verse compiled by poet-critic jean-louis bédouin charting four decades of the movement from breton onward. this canon-shaping selection aragon breton desnos éluard péret frames surrealism as a lived poetics of revolt. long kept in print most recently reissued in an illustrated centenary edition.<br /> <br /> paris: éditions seghers. 5.25 x 8.5 inches. 356 pages. harcover. bound in black cloth-cover boards . book condition: light damp-staining. jacket condition: closed tear to spine. moderate shelf-wear. light soiling. vey good. <br /> <br /> from the library of richard perlbinder. éditions seghers unknown
1900145891900. Nineteenth century albumen photographs depicting Bedouin camp life in the Arabian desert during the period when early photography began documenting nomadic societies of the Middle East. European photographers and travelers working across the Ottoman and Arabian regions during the nineteenth century frequently recorded images of desert encampments tribal leaders and mounted riders as part of a broader photographic interest in documenting cultures associated with caravan routes pastoral nomadism and the social organization of Bedouin communities. These images present scenes of communal gathering and mounted travel central to Bedouin social and economic life.<br /> <br /> Two original albumen prints showing Bedouin encampment scenes. Circa nineteenth century. Each photograph measures approximately 8 x 10 inches. One image depicts a large group of Bedouin men assembled beneath a tent in an open desert plain covered with sparse grass suggesting a communal meeting or gathering within the camp. The second photograph captures five mounted horsemen their horses fully saddled speaking with an older Bedouin figure positioned outside a cluster of tents that form part of a larger encampment. The photographs document both the spatial layout of a Bedouin camp and the presence of mounted riders whose mobility was central to pastoral life and desert travel.<br /> <br /> Photographs of Bedouin communities produced during the nineteenth century formed part of a wider photographic record of the Middle East created by travelers military observers and early ethnographic photographers. Such images circulated in travel literature and photographic albums that introduced European audiences to the landscapes and social organization of the Arabian deserts. Visual documentation of Bedouin camps offers insight into the material culture of nomadic life including tent structures mounted transport and communal gathering practices that structured desert society. Light age toning and minor handling wear; overall very good condition. A clear pair of nineteenth century albumen photographs documenting Bedouin camp life. unknown
19561026-A3Paris: Le mouvement surréaliste 1956 7 3/4 x 10 1/2 inches. VG condition. Surrealist publication protesting the recent election of 52 members of the Poujadiste movement and calling for the creation of a group of intellectuals committed to fighting fascism and colonialism. Paris: Le mouvement surréaliste unknown
1969185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown
1885145461885. Vintage original albumen photograph of a Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown
1880145821880. Vintage original albumen photograph of a Bedouin with his white horse published circa 1880. Image size: 7" x 9." In this image we can see a Bedouin horseman traditionally dressed in a thoab and kufiyya with igaal. The warrior is approaching his horse from the front. His majestic white steed stands saddled and alert. Overall in very good condition. unknown
195059357Paris: Seghers 1950. Fine. Seghers Paris 1950 14 x 17 cm broché First edition one of 100 numbered copies on alfa paper the only deluxe copies with some hors commerce also on alfa paper. Iconography. Work illustrated on the cover with a portrait of André Breton by Max Ernst. Spine and covers lightly and marginally discolored two small lacks at head and foot of covers. Seghers unknown
52683Eds Seghers In-12-carre 230pp. illustr. photos Nb-0204 unknown
19692092902140602934Shicho-sha 1969. Soft Cover. Fine. The book is in fine condition. Shicho-sha paperback
19692092902140307308Shicho-sha 1969. Soft Cover. Fine. Number of books: 1 Shicho-sha paperback
194827263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. Éditions surréalistes unknown