1 050 résultats
1980mon0000287770Cengage Learning 01/01/1980 00:00:01. paperback. Very Good. 1.8486 in x 21.3937 in x 14.8487 in. Cengage Learning paperback
197671911976. Softcover. VG Exlib w/minimal markings label on cover. Wraps. 118 pp. 9 color 48 bw plates. Chronological listing of exhibitions. Detailed selected bibliography. Very detailed chronology. Essays on the artist by Paul Weaver Gibson Danes Edmund Burke Feldman Clinton Adams and Lamer Dodd. paperback books
19233037New York: Anderson Galleries 1923. first edition. Very Good. EXHIBITION PROGRAM FOR O’KEEFFE’S FIRST MAJOR ART SHOW SIGNED AND INSCRIBED BY O’KEEFFE.<br /> <br /> Inscribed by O’Keeffe on cover in pencil: “I am sorry you cant come – / Hope all is well with you / Sincerely / Georgia O’Keeffe.â€. O’Keeffe’s first major show – opening at Anderson Galleries in New York on January 29 1923 –was a sensation. “The reviews were excellent. Henry McBride pleased O’Keeffe ‘immensely’ when his piece for the New York Herald stated that in the show ‘there is a great deal of clear precise unworried painting’ which Stieglitz was calling ‘color music.’ The Sun’s critic Alan Burroughs marveled that in the concurrent exhibition of still lifes and flower pieces by the likes of Cézanne Manet Monet and Renoir at Durand-Ruel ‘one sees no canvases with the intensity of Miss O’Keeffe’s.’â€<br /> <br /> “As many as five hundred people a day thronged the galleries. Although many went out of curiosity aroused by Stieglitz’s photographs of the artist once there they mostly liked what they saw. O’Keeffe’s work was sensuous easily understandable greatly appealing often decorative and much of it seemed quite overtly sexual in a fashionably liberated way. Some twenty paintings were sold for a total of about $3000…†Whelan.<br /> <br /> There was no catalog for the show - for as Stieglitz wrote explicitly on the back page of the program “There is no catalogue. The pictures have no titles but are numbered and dated†– so this program is the only significant printed documentation of the exhibition. And significant it is for it opens with an artist’s statement by O’Keeffe that is one of the most important and revealing things she ever wrote.<br /> <br /> She opens with a blunt almost anti-romantic autobiography: she “grew up pretty much as everybody else grows up†and then describes a turning point “one day seven years ago†when she realized she couldn’t keep living by other people’s rules — “I can’t live where I want to… I can’t even say what I want to.†She identifies painting as “the only thing I could do that didn’t concern anybody but myself†and discovered that she could say things “with color and shapes†that she couldn’t say any other way — “things that I had no words for.â€<br /> <br /> She almost cheekily anticipates some criticism “Some of the wise men say it is not painting some of them say it is. Art or not Art – they disagree. Some of them do not care.†before shifting her narrative to credit Stieglitz not only for this exhibition but for her famous introduction to the art world when Stieglitz exhibited the drawings shown to him by O’Keeffe’s friend Anita Pollitzer years earlier.<br /> <br /> In a bluntly forthright final paragraph she expresses her ambivalence but also her need to have her paintings shown: “I say that I do not want to have this exhibition because among other reasons there are so many exhibitions that it seems ridiculous for me to add to the mess but I guess I’m lying. I probably do want to see my things hang on a wall as other things hang so as to be able to place them in my mind in relation to other things I have seen done. And I presume if I must be honest that I am also interested in what anybody else had to say about them and also in what they don’t say because that means something to me too.â€<br /> <br /> ––––––––<br /> <br /> New York: The Anderson Galleries 1923. 6.25x9.5 inches. Two sheets making eight pages when folded as issued. With a printed extract on O’Keeffe by Marsden Hartley headed: “Extract from ‘Some Women Painters’ in ‘Adventures in the Arts’ by Marsden Hartley.†on pages 5-6. Mailing folds some general light soiling. Housed in custom presentation folder. <br /> <br /> RARE: We are not aware of another signed copy that has been on the market. <br /> <br /> References:<br /> <br /> Whelan Richard. Alfred Stieglitz: A Biography. Boston: Little Brown 1995 pp. 437-9. Anderson Galleries unknown
199916578New York New York U.S.A.: Bulfinch Press. New. 1999. Hardcover. 0821225634 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 248 pages -- with a bonus offer-- . Bulfinch Press hardcover
197522576Athens GA: Georgia Museum of Art University of Georgia 1975. soft cover as issued sewn. a couple of small and faint smudge artifacts to cover. one to rear cover's verso. no other flaws else clean no names/text markings sound binding.; no isbn. unpaginated. illustrated throughout in b/w. text consists of statements by individuals who sat for their portraits. ; this copy is inscribed to george with love alice neel '81. on title page. Signed by Artist. No Edition Stated. Soft Cover. Near Fine. 4to - over 9¾" - 12" tall. Exhibition Catalogue. Georgia Museum of Art, University of Georgia Paperback
1994730110412027Houston Art & Frame Inc 1994. Paperback. Very Good. Nice looking book has minor edge wear. Houston Art & Frame, Inc paperback
1995Q-0061082163Harpercollins 1995-03-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Harpercollins paperback
1971272221Barre Mass. : Imprint Society 1971. First Edition. Hardcover. Fine copy in the original gilt-blocked cloth. Corners sharp with an overall tight bright and clean impression. In slip-case. Physical description; 1 v. unpaged : facsims. ; 37 cm. Subjects; Broadsides — United States. United States — History — Sources. Barre, Mass. : Imprint Society hardcover
1971608908Barre Massachusetts: Imprint Society 1971. Hardcover. Near Fine. First edition. Edited and introduced by Georgia B. Bumgardner. Folio. Measuring 10½" x 14½". Illustrated with nicely reproduced black and white facsimiles. Two-tone cloth gilt. Spine a trifle sunned light wear and a tiny bit of soil a near fine copy lacking the slipcase. A handsome production one of 1950 copies printed Signed by Bumgardner on the limitation page. Imprint Society hardcover
1971220498Barre.: Imprint Society. 1971. First edition. Gilt decorated hard cover. . Fine copy in fine slip case. Folio. Folding plates. Limited edition of 1950 copies. Important reference work. Very scarce in this condition. Imprint Society. hardcover
197168299Barre Massachusetts: Imprint Society 1971. First Edition. Hardcover. Near fine. This is number 276 of 1950 copies signed by Bumgardner. A splendid selection which is divided into eleven categories: expansion contemporary events patriotism education criminals religion elegies advertisements amusements humor and strange and wondrous events. This book was designed and the letterpress sections printed at the press of David Godine in Brookline Massachusetts. The fine screen facsimiles of the broadsides were all photographed directly from the originals and printed offset by The Meriden Gravure Company Meriden Connecticut. The type is Monotype Janson cast by A. Colish Inc. The paper is watermarked Imprint Almanack text. Folio. Original brown cloth-covered boards over a blue cloth spine with gilt titles. A near fine copy housed in the publisher's slipcase. Imprint Society hardcover
19710619W687890Imprint Society. Very Good. 1971. Hardcover. 0876360177 . SIGNED by author LIMITED 20/1950. Fine folio in slip case lightly marked and faded. . Imprint Society hardcover
197180282Barre: Imprint Society 1971. Limited. hardcover. fine. Illustrated throughout with finely printed facsimiles some folding. Folio two-toned cloth; publisher's slipcase. Barre MA: Imprint Society 1971. Limited first edition. A fine copy in a very good slipcase slightly edgeworn and sun-faded.<br/> <br/> Limited edition -- number 655 of 1950 copies signed by the author.<br/> <br/> Imprint Society unknown
1971003518Barre MA: Imprint Society 1971. Book. Near Fine. Hardcover. Limited. Folio. Unpaginated introduction Expansion Contemporary Events Patriotism Education Criminals Religion Elegies Advertisements Amusements Humor Strange and Wondrous Events List of b&w plates with some fold-outs. Of 1950 Copies Printed this is Number 588. Signed by Georgia B. Bumgardner below Limited Edition note. In Near Fine Slipcase with only the slightest wear to front fore-edge. One page is creased at bottom corner edge else Pristine. Clean tight and strong binding with no underlining highlighting or marginalia. Blue and brown cloth with gilt boarder separating two colors. Imprint Society Hardcover
1971Q-0876360177Imprint Society 1971-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Imprint Society hardcover
1971034971Barre Massachusetts: Imprint Society 1971. No. 1803 of 1950 copies signed by Bumgardner. Oversize collection of 60 facimile documents from 1680 to 1800 including several folding plates. Light brown cloth with blue cloth spine 14.5" tall no slipcase. Lower front corner lightly frayed upper right corners very lightly bumped otherwise near fine condition with firm binding very clean pages no names or other markings. Signed by the Editor. Limited Edition. Hard Cover. Very Good/No. Folio - 12" - 15" Tall. Imprint Society Hardcover
1971403935Barre Mass: Imprint Society 1971. Folio. Sixty black-and-white plates. Original blue cloth-backed boards; publisher's slipcase. Near-fine. FIRST EDITION. <br/><br/> Imprint Society hardcover books
1971TB19924Barre Mass.: Imprint Society 1971. Limited first edition. In fine condition bound in 1/4 blue and brown cloth covered boards with gilt text on the spine with a prior owner's name and date on the first free end paper. A folio measuring 14 3/16" high by 10 1/4" deep containing 60 pages of text and 60 pages of plates. Without a dust jacket but housed in a near fine cloth and paper covered slip case with a paper label. One of only 1950 copies printed this one is out of series but signed by the author on the last page of text. Sub-titled: "Sixty facsimilies sic dated 1680 to 1800 reproduced from originals in the American Antiquarian Society." Selected and introduced by Georgia b. Bumgardner. Imprint Society hardcover books
1971260032Barre: Imprint Society 1971. Limited. hardcover. fine. Illustrated throughout with finely printed facsimiles some folding. Folio two-toned cloth; publisher's slipcase. Barre MA: Imprint Society 1971. Limited first edition. A fine copy in a very good- slipcase sturdy but edgeworn.<br/><br/> Limited edition -- one of 1950 copies but un-signed and un-numbered.<br/><br/> Imprint Society unknown books
197180282Barre: Imprint Society 1971. Limited. hardcover. fine. Illustrated throughout with finely printed facsimiles some folding. Folio two-toned cloth; publisher's slipcase. Barre MA: Imprint Society 1971. Limited first edition. A fine copy in a very good slipcase slightly edgeworn and sun-faded.<br/><br/> Limited edition -- number 655 of 1950 copies signed by the author.<br/><br/> Imprint Society unknown books
197168299Barre Massachusetts: Imprint Society 1971. First Edition. Hardcover. Near fine. This is number 276 of 1950 copies signed by Bumgardner. A splendid selection which is divided into eleven categories: expansion contemporary events patriotism education criminals religion elegies advertisements amusements humor and strange and wondrous events. This book was designed and the letterpress sections printed at the press of David Godine in Brookline Massachusetts. The fine screen facsimiles of the broadsides were all photographed directly from the originals and printed offset by The Meriden Gravure Company Meriden Connecticut. The type is Monotype Janson cast by A. Colish Inc. The paper is watermarked Imprint Almanack text. Folio. Original brown cloth-covered boards over a blue cloth spine with gilt titles. A near fine copy housed in the publisher's slipcase. Imprint Society hardcover books
1938171075Tidwell Printing Supply Co. 1938. hardcover. Acceptable. 0x0x0. Heavy wear; Includes several maps Tidwell Printing Supply Co. , hardcover
1938024217Augusta GA: City Council of Augusta 1938. First Edition . Hardcover. Very Good/No Jacket. First edition very good with no dust jacket. Gray cloth with Confederate-style flag on front board and lettering in red white and blue on spine and front board. Small owner's stamp and date written in ink at top of front endpaper. Light soiling to the gray cloth and slight weat at corners and spine ends. Includes two color foldout maps which are tipped in some photographs bibliography and an index; 218 pages. <br/> <br/> City Council of Augusta hardcover
1996323613New York: Atlantic Monthly Press 1996. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket. Very small bump on spine crown.; FEP personalized by Georgie Anne Geyer.; 352 pages; Signed by Author. Atlantic Monthly Press hardcover
1996Q-0871136503Atlantic Monthly Pr 1996-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Atlantic Monthly Pr hardcover
