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ria9783110764345_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book consists of two main interrelated thematic units: the reception of Aeschylus' Dionysiac plays in Bacchae and the refiguration of the latter in the Byzantine drama Christus Patiens. In both sections the common denominator is E hardcover
2013125059Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. Corners bumped. American Antiquarian Society unknown books
2013118846Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.<BR><br /> <BR><br /> The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860.<BR><br /> <BR><br /> The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. <BR><br /> <BR><br /> Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. <BR><br /> <BR><br /> Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. American Antiquarian Society unknown books
2017100073416The Jokers 2017 14x19x2cm. 2017. DVD.
1935124681935. Paris « Sakartuello » n°7 avril-mai 1935 - Plié 37 cm x 52 cm 4 pages - Directeur : Georges Gvazava textes en géorgien - Un léger manque sinon bon état
2016500124281FISCHER Taschenbuch 2016 512 pages 12 5x18 8x4cm. 2016. pocket_book. 512 pages.
BN303766Jaja Verlag KHn Annette. Hardcover. ZUPPA lecker <br/><br/>ZUPPA lecker Juana Georgia Gürtler Jaja Verlag, KHn, Annette hardcover
2025x-1108469213Cambridge University Press 2025. Paperback. New. 3rd revised edition edition. 666 pages. 7.00x1.34x10.00 inches. Cambridge University Press paperback
2025x-1108475892Cambridge University Press 2025. Hardcover. New. 3rd revised edition edition. 666 pages. 7.00x1.44x10.00 inches. Cambridge University Press hardcover
1529796520.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2024SKU0601720SAGE Publications Ltd 2024-04-09. paperback. Good. 6x0x9. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking SAGE Publications Ltd paperback
2024SKU0649227SAGE Publications Ltd 2024-04-09. paperback. New. 6x0x9. New Textbook Ships with Tracking SAGE Publications Ltd paperback
46220570-nnew. unknown
46220569-nnew. unknown
46220570like new. unknown
46220569like new. unknown
2024x-1529796512Sage Pubns Ltd 2024. Paperback. New. 168 pages. 9.53x6.69x0.53 inches. Sage Pubns Ltd paperback
2024x-1529796520Sage Pubns Ltd 2024. Hardcover. New. 168 pages. 9.53x6.69x0.75 inches. Sage Pubns Ltd hardcover
1984Q-0807727075Teachers College Pr 1984-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Teachers College Pr paperback
2014BN71484Yoga Mitte Bücher 2014. 2014. Yogaphilosophie: Indische Philosophie und Iyengar Yoga Indische Philosophie und Iyengar Yoga <br/><br/> Yoga Mitte Bücher unknown
1972250654<p>Putney VT: Year of Dog Press 1972. First printing. HC w DJ. PC VG/VG. NUMBERED & SIGNED BY BOTH EDITOR-IILLUSTRATORS. Pressboard covers light edgewear deckled edge FO ink name to FFEP binding sound. Unclipped illustrated red DJ gilt titling in clear protector taped to boards. Limited to 650 copies of which this is #74 SIGNED by both Gojmerac and Lee to rear colophon. Contributors include John Irving Gregory Jerozal Gary Lemons Gojmerac Robert Bly Pavao Bacic etc. PLEASE NOTE: We are happy to provide photos. Please contact us for any specific requests. BUYING AND SELLING USED AND RARE BOOKS FROM HISTORIC EAST NASHVILLE SINCE 2012.</p> Year of Dog Press hardcover
192671217Augusta: Commercial Printing Company 1926. Paperback. Very good. Paperback. 93pp. Paper label on spine ink name and date at top of front els every good in publisher's wraps. Commercial Printing Company paperback
1988X116791Tbilisi, Khelovneba 1988 [144] pp., with numerous illustrations in colour, text in 5 languages: Georgian-Rusian-English-French-German, 30cm., publisher's hardcover, illustrated dustwrapper (with few tears), text is clean and brght, good condition, X116791
200521760<p>new oversize pb smallcats</p> Muzeum Historii fotograopfii paperback
1599754479.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback