461 résultats
1982Q-0500012830Thames & Hudson 1982-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thames & Hudson hardcover
1991Q-0714541931Oneworld Classics 1991-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Oneworld Classics paperback
44711068-nnew. unknown
2006Q-048644953XDover Publications 2006-02-09. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
Q-0486263428Dover Pubns. paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Pubns paperback
1991Q-0198161972Clarendon Press 1991-12-05. Paperback. New. New. In shrink wrap. Looks like an interesting title! Clarendon Press paperback
19961395272Berkeley: A Centennial Book University of California Press 1996. Hardcover. Quarto Volume One only: xxiii 966 pages. In Very Good minus condition with a Good plus dust jacket. Spine is black with white print. Dust jacket has light shelf wear. Boards in black cloth. Text block has short tear to top edge of final pages. Illustrated: b&w. <br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates.<br /> <br /> <p>NOTE: Shelved in Netdesk office Case #1. 1395272. FP New Rockville Stock. A Centennial Book, University of California Press hardcover
1949205697New York: Duell Sloan and Pearce 1949. First Edition. Fine in bright crisp dust jacket with just a bit of shallow chipping to the top of the spine; spine toned a shade. 8vo 245pp; black cloth stamped in yellow. Designed and conceived by Armitage this was one of several collections on which he collaborated with Corle. For this symposium they assembled essays about Stravinsky from contributors including Erik Satie Eugene Goossens Jean Cocteau Aaron Copland Robert Craft Osbert Sitwell and others. The artists whose work illustrates the book include Pablo Picasso Paul Klee Marc Chagall Antonio Frasconi and Edward Weston. Armitage's lively designs mark this and his other books with a distinctive mid-century appeal. Duell, Sloan and Pearce unknown
1936106742Victor Gollancz 1936. Hardcover. Good/No jacket. Covers shelfworn and spotted. Victor Gollancz hardcover
1963r00170Garden City New York: Doubleday & Company 1963. First Printing. 8vo. 279pp. Near Fine in Near Fine dust jacket. Slightest wear to jacket extremities. Jacket reinforced with archival tape to verso. First Edition. Hardcover. Near Fine. Doubleday & Company hardcover
1978152209New York: Simon and Schuster 1978. First edition of this authoritative biography of Igor Stravinsky. Quarto original cloth profusely illustrated with black-and-white photographs. From the collection of Tony Grammy and Emmy Award-winning composer Charles Strouse and his wife choreographer Barbara Siman. Over his 50-year career Charles Strouse wrote the music for such iconic musical theater hits as Bye Bye Birdie Applause and Annie as well as the theme song for the classic sitcom All in the Family "Those Were the Days". His partnership with Martin Charnin on Annie produced one of Broadway's most successful scores ever with "Tomorrow" and other songs from the production becoming enduring American musical standards admired by generations. His reach knew no genre or generation – from a number-one Billboard hit in 1958 to Jay-Z's Grammy-winning sampling of "It's the Hard-Knock Life" four decades later – and his honors include three Tony Awards and induction into both the Songwriters and Theater Halls of Fame. With his ownership stamp to the front free endpaper. Near fine in a very good dust jacket. Designed by Edith Fowler. Jacket design by Robert Anthony. Stravinsky in Pictures and Documents 1978 is a monumental documentary biography of Igor Stravinsky 1882-1971 assembled by the composer's widow Vera Stravinsky 1888-1982 and his longtime musical associate and amanuensis Robert Craft 1923-2015. Departing from conventional narrative the authors tell the story of one of the twentieth century's supreme musical figures largely through primary materials hundreds of photographs letters diary entries contracts and other documents drawn from the Stravinsky archive many published here for the first time accompanied by Craft's connecting commentary and a wealth of annotation. The result is an unusually intimate chronicle that follows Stravinsky from his Russian childhood and the epoch-making early ballets The Firebird Petrushka and The Rite of Spring through his years in Switzerland France and the United States illuminating not only his music but the artists writers and impresarios among them Diaghilev Picasso and Cocteau who populated his extraordinary life. Vera a painter and former dancer who became Stravinsky's second wife and Craft who lived within the Stravinsky household for more than two decades were uniquely placed to compile this rich and authoritative record. Simon and Schuster hardcover
2004DADAX0851622135Boosey & Hawkes 2004-06-01. paperback. New. 9.00x0.81x12.00. Buy with confidence. Excellent Customer Service & Return policy. Boosey & Hawkes paperback
3795761050.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1936C65987London 1936. First U. K. Edition. Hardback. Dust Jacket. Good internally with some foxing and discolouration. Heavy foxing to fore edge. Foxing and dust to top edge in good boards with light surface marks. Lettering to spine strongly faded top of spine worn with very small closed tear. Heavy rubbing to rear of dust jacket. Losses and tears to dust jacket with discolouration to spine and edges. Lettering remains bold. 8vo. Pp: 286. Scarce yellow dust jacket. Publisher's black boards with gilt lettering to spine. Black and white illustrations throughout by Picasso with frontispiece by ThŽodore Sravinsky. hardcover
0091380006.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
44711068like new. unknown
1996Q-379576100XSCHOTT MUSIK INTL MAINZ 1996-07-01. Sheet music. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ unknown
1979313611New York: Simon & Schuster 1979. First Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket.; 688 pages. Simon & Schuster hardcover
1985Q-0500013683Thames & Hudson 1985-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thames & Hudson hardcover
194328593Neuchatel Aux Ides et Calendes 1943. Softcover. Inscription non-authorial on preliminary page; otherwise very good condition. . 91p. Illus. One of 960 numbered copies on "Velin de Biberist" Neuchatel, Aux Ides et Calendes, [ paperback
2010160914New York: Random House 2010. First Edition; First Printing. Hardcover. Near Fine in a Fine dust jacket. Random House hardcover
1978174071New York: Simon and Schuster 1978. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket.; 8vo 8" - 9" tall; 153840 pages. Simon and Schuster hardcover
1948001222172 pp. Folio 10.5 X 13'' full score. Plate B & H 16236. Printed in England. Revised 1947 version. Copyright assigned in 1947 to Boosey new version c1948. Errata list taped artlessly with masking tape to front pastedown. Marks in red and blue pencil by previous owner a professional conductor. Brown linen with gilt-lettered spine with some rubbing at edges and top and bottom of spine gilt spine title a bit dull. A slight tilt to spine. De Lerma saw only the pocket score P16. Edition Russe de Musique; Boosey & Hawkes hardcover
16-4196London: J. & W. Chester Ltd. 1924. 30.7x 24.4 cm. 862 2pp. Light foxing on a few pages and tfhe cover. . From the collection of the poet and playwright René Morax . He founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva London: J. & W. Chester, Ltd., [1924] hardcover
14740NY DUELL 1949. FIRST EDITION VERY GOOD. F. NY, DUELL, 1949 unknown