Stravinsky

461 résultats

Trier parPrix croissant

Pertinence Auteur A - Z Auteur Z - A Titre A - Z Titre Z - A Prix croissant Prix décroissant Libraire A - Z Libraire Z - A

Par page25

25 50 100

Filtres

Stravinsky IgorABAA

AN AUTOBIOGRAPHY

Stravinsky (Strawinsky), Igor (1882-1971)Biblio.com

Berceuses du chat suite de chants pour une voix de femme et trois clarinettes. Signed presentation copy to René Morax . First edition.

16-4195GenÃ¨ve: Edition Ad. Henn 1917. . Oblong 4to. 19.8 25.7 cm. 28pp. Original wraps loose as issued. Signed at Morges Switzerland and dated Noel 1917 and inscribed .The poet and playwright RenÃ© Morax founded his ThÃ©Ã¢tre du Jorat near MÃ©ziÃ¨res Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: â€œA theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit â€¦â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinskyâ€™s Soldierâ€™s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by ClÃ©ment Marot. The poetâ€™s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down RenÃ© on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. â€œWhen Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Ganceâ€™s Napoleon would reveal himself as a master of musicâ€™s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of RenÃ© Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback

Alan Wofsy Fine Arts · États-Unis1 500,00 $US≈ 1 269,15 €

Stravinsky (Strawinsky), Igor (1882-1971)Biblio.com

Cinq pièces faciles pour piano à quatre mains. Signed presentation copy to René Morax . First edition.

16-4194GenÃ¨ve: Edition Ad. Henn 1917. . 24 x 31.5 cm. 4 20pp. Original wraps. Front cover stained along edges. . Signed and dated 28 viii 17 and inscribed .The poet and playwright RenÃ© Morax founded his ThÃ©Ã¢tre du Jorat near MÃ©ziÃ¨res Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: â€œA theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit â€¦â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinskyâ€™s Soldierâ€™s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by ClÃ©ment Marot. The poetâ€™s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down RenÃ© on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. â€œWhen Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Ganceâ€™s Napoleon would reveal himself as a master of musicâ€™s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of RenÃ© Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback

Alan Wofsy Fine Arts · États-Unis1 500,00 $US≈ 1 269,15 €

Stravinsky (Strawinsky), Igor (1882-1971)Biblio.com

Pribaoutki chansons plaisantes pour une voix et huit instruments. Signed presentation copy to René Morax. First edition.

16-4193GenÃ¨ve: Edition Ad. Henn 1917. . Oblong 4to. 19 x 27.7 cm. 2 14pp. Original wraps. . Signed at Morges Switzerland and dated 21 Nov. 1917 and inscribed .The poet and playwright RenÃ© Morax founded his ThÃ©Ã¢tre du Jorat near MÃ©ziÃ¨res Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: â€œA theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit â€¦â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinskyâ€™s Soldierâ€™s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by ClÃ©ment Marot. The poetâ€™s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down RenÃ© on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. â€œWhen Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Ganceâ€™s Napoleon would reveal himself as a master of musicâ€™s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of RenÃ© Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback

Alan Wofsy Fine Arts · États-Unis1 500,00 $US≈ 1 269,15 €

Stravinsky (Strawinsky), Igor (1882-1971)Biblio.com

Renard histoire burlesque chantée et jouée faite pour la scène d'après des contes populaires Russes. Musique ert texte to Igor Strawinsky. Signed presentation copy to René Morax . First edition.

16-4191GenÃ¨ve Edition Ad. Henn 1917. . 4to. 28 x 19.8 cm. 8 64pp. Original wraps. Front cover mainly detached. Signed at Morges Switzerland and dated 1918 and inscribed .The poet and playwright RenÃ© Morax founded his ThÃ©Ã¢tre du Jorat near MÃ©ziÃ¨res Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: â€œA theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit â€¦â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinskyâ€™s Soldierâ€™s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by ClÃ©ment Marot. The poetâ€™s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down RenÃ© on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. â€œWhen Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Ganceâ€™s Napoleon would reveal himself as a master of musicâ€™s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of RenÃ© Morax. Expertise by Claire PIGUET Geneva Genève, Edition Ad. Henn, 1917. paperback

Alan Wofsy Fine Arts · États-Unis1 500,00 $US≈ 1 269,15 €

Stravinsky (Strawinsky), Igor (1882-1971)Biblio.com

Trois pièces faciles pour piano à quatre mains. Marche Valse Polka. Signed presentation copy to René Morax . First edition.

16-4192GenÃ¨ve: Edition Ad. Henn 1917. . Oblong 4to. 19.5 x 27.3 cm. 2 8pp. Original wraps. . Signed at Morges Switzerland and dated 5 Juillet 1917 and inscribed .The poet and playwright RenÃ© Morax founded his ThÃ©Ã¢tre du Jorat near MÃ©ziÃ¨res Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: â€œA theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit â€¦â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinskyâ€™s Soldierâ€™s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by ClÃ©ment Marot. The poetâ€™s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down RenÃ© on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. â€œWhen Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Ganceâ€™s Napoleon would reveal himself as a master of musicâ€™s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of RenÃ© Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback

Alan Wofsy Fine Arts · États-Unis1 500,00 $US≈ 1 269,15 €

Stravinsky, IgorBiblio.com

Autographed Letter Signed From Carl Haverlin To Igor Stravinsky.

1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown

Raptis Rare Books · États-Unis1 600,00 $US≈ 1 353,76 €

Stravinsky IgorABAA

Autographed Letter Signed From Carl Haverlin To Igor Stravinsky.

Raptis Rare Books · États-Unis1 600,00 $US≈ 1 353,76 €

STRAVINSKY, Igor 1882-1971Biblio.com

Pétrouchka Scènes Burlesques en 4 Tableaux d'Igor Strawinsky et Alexandre Benois. Réduction pour piano à quatre mains par l'auteur. Reduction for piano 4-hands

191241390Berlin Moscou Leipzig New-York: Édition Russe de Musique PN R.M.V. 150 1912. Folio. Contemporary half black calf with marbled boards label of the Parisian music rental firm Rouart-Lerolle to upper marbled endpapers. 1f. recto title verso blank i named cast list referring to first production of 1911 in French i synopsis in Russian and French i "general remarks" in Russian and French i blank i dedication to A. Benois i blank 7-84 ii blank pp. Photographic transfer from engraved plates. With "ROME MAI 1911" and printer's note "Imp. C. G. Röder Leipzig." to lower outer corner of p. 84. Rouart Lerolle and "5" handstamps to title and first four leaves. Binding worn rubbed bumped and abraded; hinges split; small label with "143" in manuscript to upper board. First Edition first issue. Kirchmeyer 12-4. De Lerma P17. Crawford p. 533. Distinguishing imprint to title below crest found in the first issue is as follows: PROPRIÉTÉ DE L'ÉDITEUR POUR TOUS PAYS / ÉDITION RUSSE DE MUSIQUE / RUSSISCHER MUSIKVERLAG G.M. above BH below/ FONDÉE PAR S. ET N. KOUSSEWITZKY / BERLIN MOSCOU LEIPZIG NEW-YORK / POUR LA FRANCE ET SES COLONIES: MUSIQUE RUSSE PARIS 3 RUE DE MOSCOU / POUR L'ANGLETERRE ET SES COLONIES; THE RUSSIAN MUSIC AGENCY LONDRES W.I 34 PERCY STREET "The emergence of Stravinsky as a modernist with an individual manner unlike any other can be dated with some precision to his early work on Petrushka. In March 1910 during the later stages of composing The Firebird he had experienced the famous 'fleeting vision' out of which The Rite of Spring was to grow. But when Diaghilev and Nijinsky visited him in Lausanne in September 1910 they found him at work on something quite different a concert piece for piano and orchestra called 'Petrushka's Cry'. Together with a 'Russian Dance' composed soon afterwards this music was to form the basis of the ballet which Diaghilev instinctively urged him to write instead. . It is from the systematic attempt to render the particular flavour of traditional Russian life into music that Petrushka derives many of its freshest and most original qualities. . Looked at in general terms the opening sequence of Petrushka is a prototype of later Stravinskian form. Its underlying rhythmic design may not be complex in the same way as that of The Rite of Spring or the later Russian works but its intricacy of rhythmic detailing and its mixture of a highly fluid pattern of melodic stress with an inert background harmony laid the groundwork for a technique which through many changes of superficial style was to serve him for the rest of his life." Walsh: The Music of Stravinsky pp. 24-29. "Petroushka proved just as successful with the public and critics as The Firebird had been; but it was undoubtedly a more original work. In the first place Stravinsky had been able to play a leading part in the construction of the scenario which had not been the case with The Firebird. Secondly whereas the music of The Firebird showed that the pupil had learnt all that his master had had to teach him in Petrushka for the first time the authentic voice of the new master is heard." TNG Vol. 18 pp. 244-245. Petrushka one of Stravinsky's best-known and loved works represents the essence of Diaghilev's monumental Ballets Russes era. The ballet received its first performance with the incomparable Nijinsky in the title role at the Théâtre du Châtelet on 13 June 1911 conducted by Pierre Monteux with choreography by Fokine and designs by Alexandre Benois. Édition Russe de Musique [PN R.M.V. 150] unknown

J & J Lubrano Music Antiquarians LLC · États-Unis2 070,00 $US≈ 1 751,43 €

Stravinsky

Siècle

Langage

Ajouté

Sujets

Catalogues

Siècle

Langage

Ajouté

Sujets

Catalogues

Siècle

Langage

Ajouté

Sujets

Catalogues